#confirmation of her role in Cecil’s life and feelings about it

[maxgicalgirl]

It was not a good idea to listen to today’s wtnv on my commute to work because as soon as Abby Fucking Palmer’s voice came out of my car radio I about choked and died. Which is NOT a good reaction when you are operating a vehicle.

[alwaysmarilynmonroe]

Today is a very special day, it’s Marilyn’s Birthday! Can you believe that if she were still alive,  Marilyn would have been turning 94 years old today – just two months younger than the Queen herself! With each year I always try and write a special post about this amazing woman, who has helped me so much and achieved more than anyone could have imagined in her 36 years. Therefore, I decided to write 94 facts about the Birthday Girl – some you may know, some you may not, all in the hope that genuine things will be learnt and the real Marilyn will be more understood and appreciated.

Gladys and baby Norma Jeane spend some quality time together on the beach in 1929.

Little Norma Jeane, aged seven, in 1933.

Norma Jeane photographed by David Conover whilst working at the Radio Plane Munitions Factory in either the Fall of 1944 or Spring of 1945.

Norma Jeane by Andre de Dienes in late 1945.

Marilyn by Richard Miller in 1946.

Marilyn on Tobey Beach by Andre de Dienes on July 23rd 1949.

Marilyn by Ed Clark in Griffith Park in August 1950.

Marilyn attends a Party in Ray Anthony’s home, organized by 20th Century Fox on August 3rd 1952.

Marilyn filming The Seven Year Itch on location in New York City by Sam Shaw on September 13th 1954.

Marilyn by Milton Greene on January 28th 1955.

Marilyn by Cecil Beaton on February 22nd 1956. This was her favourite photo of herself.

Marilyn attending the Premiere of The Prince In The Showgirl at the Radio City Music Hall on June 13th 1957.

Marilyn by Carl Perutz on June 16th 1958.

Marilyn by Philippe Halsman for LIFE Magazine in October 1959.

Marilyn attends a Benefit for The Actors Studio at the Roseland Dance City on March 13th 1961.

Marilyn on Santa Monica Beach for Cosmopolitan Magazine by George Barris on July 1st 1962.

______________________________________________________________________________

1.  Stood at a height of 5’5½”

2.  Born in the charity ward of the Los Angeles County Hospital at 9:30 AM on June 1st 1926.

3.  Married three times;

– Jim Dougherty: (June 19th 1942 – September 13th 1946) – Joe Dimaggio: (January 14th 1954 – 31st October 1955) (Temporary divorce granted on October 27th 1954) – Arthur Miller: (June 29th 1956 – January 20th 1961).

4. Suffered two confirmed miscarriages; an ectopic pregnancy on August 1st 1957 and miscarriage in December 16th 1958.

5. Suffered with endometriosis very badly, so much so that she had a clause in her contract which stated she would be unable to work whilst menstruating.

6. Starred in 30 films – her last being uncompleted.

7. Favourite of her own performances was as Angela Phinlay in The Asphalt Jungle (1950)

8. Winner of three Golden Globes; two for World Film Favourite – Female in 1954 and 1962 and one for Best Actress in a Motion Picture – Comedy or Musical for her performance as Sugar Kane in Some Like It Hot (1959) in 1960.

9. Her idol was the first Platinum Blonde Bombshell, Jean Harlow.

10. Amassed a collection of over 400 books in her library, ranging from Russian Literature to Psychology.

11. Favourite perfume was Chanel No.5

12. Had two half siblings; Robert “Jackie” Baker (1918 – 1933) and Bernice Miracle (1919) – the former she would never have the chance to meet and Bernice was not informed about Marilyn until she was 19 years old.

13. Former Actor and 20th Century Fox Studio Executive, Ben Lyon created the name Marilyn Monroe in December 1946 – Marilyn after fellow Actress, Marilyn Miller and Monroe after Marilyn’s mother’s maiden name. Ironically enough, Ben starred with Jean Harlow, in her breakout movie, Hell’s Angels (1930).

14. Legally changed her name to Marilyn Monroe ten years later, on February 23rd 1956.

15. Attended The Actors Studio.

16. Third woman to start her own Film Production Company – the first being Lois Weber in 1917 and the second being Mary Pickford in 1919.

17. First had her hair bleached in January 1946 at the Frank & Joseph Salon by Beautician Sylvia Barnhart, originally intended for a Shampoo Advert.

18. Contrary to popular belief, she was technically a natural blonde, not a redhead or brunette. She was born with platinum hair and was very fair until just before her teen years. Her sister described her with having dark blonde hair upon their first meeting in 1944.

19. Another myth debunked – she had blue eyes, not brown.

20. Was one of the few women in the 1950s to use weights when exercising.

21. Wore jeans before it was considered acceptable for women.

22. Her famous mole was real – albeit skin coloured, so she emphasized it using a brown eye pencil.

23. Was a Step-Mother in two of her three marriages to three children – Joe Dimaggio Jr. and Bobby and Jane Miller.

24. Found out she landed the lead role in Gentlemen Prefer Blondes (1953) on her 26th Birthday.

25. Another huge myth dispelled – only actually met President Kennedy four times from 1961 – 1962. Three of them were at public events, with the last being her performance at Madison Square Garden. One of them was at Bing Crosby’s Palm Spring house with various people, so at most (which again, is very unlikely) they had a one night stand – nothing more and nothing less.

26. Was the first Playboy Cover Girl, although she did not actually pose for them, nor give permission for them to be used. Hugh Hefner bought the photograph from a Chicago Calendar Company for $500 and the two never met.

27. Speaking of Playboy, the photo was taken by Photographer Tom Kelley on May 27th 1951 and Marilyn made a total of $50 for the photo shoot. The most famous photo then went on to cause a national sensation after being sold to the Calendar Baumgarth Company and became known as, “Golden Dreams“.

28. In 1955 it was estimated that over four million copies of the Calendar had been sold.

29. Favourite singers were Frank Sinatra and Ella Fitzgerald. 

30. Attended the Academy Awards Ceremony only once on March 29th 1951 and presented the award for “Best Sound Recording” to Thomas Moulton for All About Eve (1951) which she also starred in.

31. Performed ten shows over four days to over 100,000 soldiers and marines in Korea in February 1954 – she actually ended up catching pneumonia because it was so cold.

32. Was one of the few Stars who had Director Approval in their Contracts. Some of the names included were, John Huston, Elia Kazan, Alfred Hitchcock, George Stevens, William Wyler, Joshua Logan and Sir Carol Reed.

33. Was pregnant during the filming of Some Like It Hot (1959) – filming finished on November 7th 1958 and she miscarried the following month on December 16th.

34. Featured on the cover of LIFE Magazine seven times during her lifetime;

– April 7th 1952 – May 25th 1953 – July 8th 1957 (International Edition) – April 20th 1959 – November 9th 1959 – August 15th 1960 – June 22nd 1962

35. Favourite bevarage was Dom Perignon 1953 Champagne.

36. By the time of her death, her films had grossed over $200 million, when adjusted for inflation that is the equivalent of $2 billion in 2019.

37. Designer, William Travilla dressed Marilyn for seven of her films, two (*) of them received Oscar Nominations in, “Best Costume/Design, Color“;

– Monkey Business (1952) – Gentlemen Prefer Blondes (1953) – How To Marry A Millionaire (1953) * – River Of No Return (1954) – There’s No Business Like Show Business (1954) * – The Seven Year Itch (1955) – Bus Stop (1956)

38. Spent 21 months of her childhood at the Los Angeles Orphanage, from September 13th 1935 until June 7th 1937.

39. Was one of the first Stars to speak out about child abuse, with her story appearing in movie magazines as early as 1954.

40. Fostered by her grandmother’s neighbours, Ida and Albert Bolender, for the first seven years of her life.

41. Lived in England for four months, during the period of filming for The Prince and The Showgirl (1957) from July 14th 1956 – November 20th 1956.

42. Her Production Company, Marilyn Monroe Productions produced only one film, The Prince and The Showgirl (1957) based on Terrance Rattigan’s play, The Sleeping Prince.

43. Was photographed by Earl Theisen in October 1952 wearing a potato sack dress after being criticized by the press for her outfit choice at The Henrietta Awards in January 1952. A journalist wrote that Marilyn was “insignificant and vulgar“and “even in a potato bag, it would have been more elegant.“

44. Was a huge supporter of LGBT+ rights, saying the following quote about fellow actor and friend, Montgomery Clift to journalist W.J. Weatherby in 1960,

“I was remembering Monty Clift. People who aren’t fit to open the door for him sneer at his homosexuality. What do they know about it? Labels–people love putting labels on each other. Then they feel safe. People tried to make me into a lesbian. I laughed. No sex is wrong if there’s love in it.”

45. Her measurements were listed as the following by her Dressmakers; 35-22-35 and 36-24-24 by The Blue Book  Modelling Agency. For the majority of her life she weighed between 117-120 pounds, with her weight fluctuating around 15 pounds, during and after her pregnancies (1957-1960), although her waist never ventured past 28.5 inches and her dress size today would be a UK Size 6-8 and a US Size 2-4 as she was a vintage Size 12.

46. Her famous white halter dress from The Seven Year Itch (1955) sold for $4.6 million ($5.6 million including auction fees) on June 18th 2011, which was owned by Debbie Reynolds. The “Happy Birthday Mr. President Dress” originally held the record for the most expensive dress, when it was sold on October 27th 1999 for $1.26 million. It then went on to be resold for $4.8 million on November 17th 2016, thus regaining it’s original achievement.

47. Was discovered by Photographer, David Conover, whilst working in The Radio Plane Munitions Factory in the Fall of 1944 or Spring of 1945, depending on sources.

48. Now known as the, “Me Too” movement, Marilyn was one of the first Stars to speak out on the, “Hollywood Wolves” in a 1953 article for Motion Picture Magazine entitled, “Wolves I Have Known”. The most famous incident being with the Head of Columbia Studios, Harry Cohn, who requested Marilyn join him on his yacht for a weekend away in Catalina Island. Marilyn asked if his wife would be joining them, which, as you can imagine – did not go down well and her contract was not renewed with the Studio. Marilyn made only one film with Columbia during her six month contract, this being Ladies Of The Chorus (1948) which was shot in just ten days!

49. Loved animals dearly and adopted a variety of pets over the years. These included a basset hound called Hugo and parakeets, Clyde, Bobo and Butch with Husband Arthur Miller.  A number of cats including a persian breed called Mitsou in 1955 and Sugar Finney in 1959. Her most famous pet was gifted to her in March or April of 1961 by friend, Frank Sinatra, a little white maltese named Maf. His full name was Mafia Honey, as a humorous reference to Sinatra’s alleged connections to the Mob. After Marilyn’s death, Maf went to live with Frank Sinatra’s secretary, Gloria Lovell.

50. The book she was reading at the time of her death was Harper Lee’s, To Kill A Mocking Bird.

51. One of the movies she starred in was nominated for the Academy Award for Best Picture and won, this being All About Eve (1950) at The 23rd Academy Awards on March 29th 1951. It ended up being nominated for 14 Oscars, a record at the time and has only been matched by Titanic (1997) and La La Land (2016).

52. Her first magazine cover was photographed by Andre de Dienes in December 1945 for Family Circle, released on April 26th 1946.

53. Joined The William Morris Agency on December 7th 1948.

54. Was right handed, not left as often believed.

55. Third Husband Arthur Miller wrote the screenplay for Marilyn’s last completed film, The Misfits (1961) which was originally written as a short story for Esquire Magazine in 1957. After the tragic ectopic pregnancy Marilyn endured in August of 1957, friend and Photographer, Sam Shaw suggested to Miller he alter his short story specifically for her. Ironically the making of this film culminated in their divorce and Marilyn stating,

“He could have written me anything and he comes up with this. If that’s what he thinks of me then I’m not for him and he’s not for me.” 56. Was Author, Truman Capote’s original choice for the role of Holly Golightly in Breakfast At Tiffany’s (1961) however, she was advised to turn it down by her Acting Coach, Paula Strasberg, who did not think the role of a prostitute would be good for her image. Writer George Axelrod, who wrote the Screenplay for Bus Stop (1956) and the play, The Seven Year Itch, ironically ended up being the Screenwriter for this movie.

Capote said this regarding Marilyn,

“I had seen her in a film and thought she would be perfect for the part. Holly had to have something touching about her . . . unfinished. Marilyn had that.”

57. Second Husband Joe Dimaggio had The Parisian Florists deliver red roses on Marilyn’s grave twice a week, for twenty years, from August 1962 until September 1982. Marilyn had told him how William Powell used to do this for Jean Harlow after her death and he reportedly vowed to do the same after their Wedding Ceremony. After the 20 years he then donated to a children’s charity, as he thought it would be a nice way to honour her memory. They also created the flower arrangements for her casket at her funeral.

58. The following five Directors directed Marilyn in more than one movie;

– John Huston; The Asphalt Jungle (1950) and The Misfits (1961) – Richard Sale;  A Ticket To Tomahawk (1950) and Let’s Make It Legal (1951) – Howard Hawks; Monkey Business (1952) and Gentlemen Prefer Blondes (1953) – Billy Wilder; The Seven Year Itch (1955) and Some Like It Hot (1959) – George Cukor; Let’s Make Love (1960) and Something’s Got To Give (1962)

59. Was an illegitimate child, which unfortunately was attached with a lot of stigma in the 1920s. Her mother, Gladys, listed her then husband Edward Mortenson on the Birth Certificate, although it is commonly accepted that her real father was Charles Stanley Gifford, as Gladys left Edward on May 26th 1925. Gladys had an affair with him, which ended when she announced her pregnancy and he never acknowledged or met Marilyn, although she tried multiple times over the years to speak with him. 

60. Stayed in a number of foster homes during her childhood,

– George and Emma Atkinson; February 1934 – September 1934 – Enid and Sam Knebelcamp; Fall of 1934 – Harvey and Elsie Giffen; January 1935 – March 1935 – Grace and “Doc” Goddard; April 1935 – September 1935 and June 1937 – November 1937 and end of 1940 – February 1942 – Ida Martin; November 1937 – August 1938 – “Aunt Ana” Lower; August 1938  – End of 1940 and February 1942 

61. Had her hand and footprints immortalized in cement at Graumans Chinese Theatre on June 26th 1953, with Gentlemen Prefer Blondes (1953) co-star, Jane Russell. Marilyn would place a rhinestone in the dot of the letter “i” as a reference to her character, “Lorelei Lee” but it was sadly stolen. This was an incredibly special moment for her, as she often talked about placing her hands and feet in the many prints there, when she spent her weekends at the Theatre as a child, especially in 1933 and 1934.

“When I was younger, I used to go to Grauman’s Chinese Theatre and try to fit my foot in the prints in the cement there. And I’d say “Oh, oh, my foots too big. I guess that’s out.” I did have a funny feeling later when I finally put my foot down into that wet cement, I sure knew what it really meant to me, anything’s possible, almost.”

62. The famous gold lamé dress worn in Gentlemen Prefer Blondes (1953) and designed by William Travilla, was deemed too risqué by the censors. Unfortunately for fans, this meant that the musical number, “Down Boy” was cut from the film and we only glimpse a few seconds of the dress from behind, on screen.

63. Due to the censors, the original, “Diamond’s Are A Girl’s Best Friend” costume was changed to the now iconic pink dress with black bow. Originally it was to be a diamond encrusted two piece, which was extremely daring for the then Motion Picture Hays Code.

64. Loved Erno Lazlo Skin Cream, Vaseline and Nivea Moisturizer.

65. Had she completed Something’s Got To Give (1962), Marilyn would have been the first Star in a major Motion Picture to appear nude on film. As she passed before it was completed the achievement went to fellow Blonde Bombshell, Jayne Mansfield in, Promises! Promises (1963).

66. Met Queen Elizabeth II in England at the Empire Theater in Leicester Square whilst attending the Premiere of, “The Battle Of The River Plate“ on October 29th 1956.

67. The Misfits (1961) was both Marilyn and Clark Gable’s last completed films. Clark died 12 days after filming finished, on November 16th 1960. The film was released on Clark’s would be 60th Birthday, February 1st 1961 and Marilyn passed 18 months later.

68. As Marilyn died before the completion of Something’s Got To Give (1962) it ended up being remade with Doris Day and James Garner, entitled, Move Over Darling! (1963). The film was originally intended to be a remake of, My Favourite Wife (1940) which starred Cary Grant.

69. Signed a recording contract with RCA Records on September 1st 1953. One of her songs from River of No Return (1954) entitled, “File My Claim” sold 75,000 copies in its first three weeks of release.

70. Was admitted to the Payne Whitney Psychiatric Clinic on February 10th 1961 by her then Psychiatrist, Marianne Kris. Originally thought to be for rest and rehabilitation, following her divorce from Arthur Miller and the strain of filming The Misfits. However, Marilyn was placed on the security ring and held against her will. Thankfully, she was able to contact ex Husband, Joe Dimaggio, who stated he would, “Take the hospital apart brick by brick” if she was not released and after three days of emotional trauma, she left.

71. Visited the following Countries;

– Canada – (July – August 1953) – Japan (February 1954) – Korea (Feburary 1954) – England (July – November 1956) – Jamaica (January 1957) – Mexico (February 1962)

72. Purchased her only home, 12305 Fifth Helena Drive on February 8th 1962, where she would tragically pass just under 6 months later.

73. The home had the following tile located on the front paving entrance saying, “cursum perficio” meaning, “my journey ends here.” The title is still there to this day.

74. Her final interview was published in LIFE Magazine on August 3rd 1962 and was written by Richard Meryman.

75. Aside from her millions of fans, had a staunch group of supporters affectionately known as, “The Monroe Six” who followed Marilyn around New York during her time there. Their nickname for Marilyn was, “Mazzie” and they became so acquainted that Marilyn actually once invited them for a picnic at her home.

76. First married at just sixteen years old, this was to avoid returning to the Orphanage she had spent almost two years in as a child.

77. Supported numerous charity events, most famously riding a pink elephant in Madison Square Garden, to support the Arthritis and Rheumatic Affections Association on March 30th 1955.

78. Left 25% of her Estate to her then Psychiatrist, Marianne Kris and 75% to mentor and friend, Lee Strasberg. For reference, her Will was last updated on January 1961 – a month before she entered the Payne Whitney Hospital on the advice of Marianne Kris.

79. At the time of it’s release, The Misfits (1961) turned out to be the most expensive black and white movie ever made, costing a budget of $4 million dollars.

80. The Premiere of The Seven Year Itch was held on her 29th Birthday, on June 1st 1955, she attended with ex Husband, Joe Dimaggio.

81. Laid to rest at Westwood Village Memorial Park Cemetery on August 8th 1962 at 1:00 PM, with friend and mentor Lee Strasberg delivering the Eulogy. 

82. Although so often associated with diamonds, actually wasn’t that fond of jewellery stating, “People always ask me if I believe diamonds are a girl’s best friend. Frankly, I don’t.” 

83. Spent her 36th Birthday filming Something’s Got To Give (1962) and then attending a Charity Event for muscular dystrophy at the Chavez Ravin Dodger Stadium, which also happened to be her last public appearance.

84. Whilst recovering in hospital from an appendectomy in April 1952, Marilyn asked long time Makeup Artist and friend, Allan “Whitey” Snyder to do her makeup, should she pass before him. She gave him a gold money clip with the inscription, “Whitey Dear, while I’m still warm, Marilyn” and he did fulfill this promise to her.

85. Converted to Judaism for third husband, Arthur Miller on July 1st 1956.

86. Despite appearing in 30 films, she only actually dies in one, that being her breakout movie, Niagara (1953) where her character Rose Loomis, is strangled by her Husband George, played by Joseph Cotten.

87. Moved to New York City in 1955 and attended The Actors Studio, after breaking her Film Contract with 20th Century Fox. This was for a number of reasons, mainly years of low pay, unsatisfactory scripts and lack of creative control. A new contract would finally be reinstated on December 31st.

88. Repurchased a white Baby Grand Piano that her mother, Gladys, owned during their time living together in 1933. After Marilyn passed it would then be sold at the Christies Auction of her Estate in 1999 to none other than, Mariah Carey for $632,500.

89. Wore long hair pieces in River of No Return (1954) and a medium length wig in The Misfits (1961). The first I can only assume was due to the time period and setting of a Western and the second was due to the bleach damage her hair had suffered. After the filming in 1960, she wore the wig a couple of times in public events and then reverted back to her normal hair.

90. Like all students, it was tradition to perform in front of each other in The Actors Studio and on February 17th 1955, Marilyn acted out a scene from “Anna Christie” with Maureen Stapleton. Although it was an unwritten rule that students were not meant to applaud one another, an eruption of cheers and clapping happened after Marilyn had finished.

“Everybody who saw that says that it was not only the best work Marilyn ever did, it was some of the best work ever seen at Studio, and certainly the best interpretation of Anna Christie anybody ever saw. She achieved real greatness in that scene.”

– Actor Ellen Burstyn, on recalling Marilyn’s performance.

91. Used the pseudonym, “Zelda Zonk“, when trying to remain incognito.

92. Marilyn’s mother, Gladys Baker, suffered from Paranoid Schizophrenia and after various stays in institutions, was declared insane on January 15th 1935, when Marilyn was just 8 years old. After 10 years she was released and managed to retain various cleaning jobs and had developed an intense interest in Christian Science. However, by 1951 she was back in various institutions and would stay in the Rockhaven Sanitarium until 1967. Even after death, Marilyn continued to cover her mother’s care payments and Gladys would go on to outlive her for 22 years.

93. Favourite photograph of herself was taken by Cecil Beaton on February 22nd 1956.

94. Last professional photos were taken by Bert Stern, famously known as “The Last Sitting” for Vogue Magazine on June 23rd, July 10th and 12th 1962. Allan Grant took the LIFE Magazine interview pictures in her home, on July 4th and 9th 1962. Whilst George Barris took his photos for Cosmopolitan Magazine, the previous weekend on the 29th and 30th of June, until July 1st 1962. ______________________________________________________________________________

To those of you who took the time to read through all 3000+ words, thank you! It truly means more to me than you know and I really hope it’s shed some light on the truly special person Marilyn was and made you hold a good thought for her on her big day.

Follow me at;

BLOGLOVIN

INSTAGRAM

TUMBLR

TWITTER

YOUTUBE

For inquiries or collaborations contact me at;

meganmonroes@icloud.com

Happy 94th Birthday Marilyn! Today is a very special day, it's Marilyn's Birthday! Can you believe that if she were still alive,  Marilyn would have been turning 94 years old today - just two months younger than the Queen herself!

[benisasoftboi]

Unorganised thoughts on Trails of Cold Steel III:

...I’m gonna need like a week to process that

I guess I know why people hate George now!

Could really use a good old reset from KeA right now

This is the best game in the Cold Steel series so far. Easily

I... there’s no way they’re all really dead, right? This series has been completely toothless about killing anyone who isn’t a villain until now, no way they’re permanently killing someone who’s been here since practically day 1, no way. Show me a body

And even then I’ll doubt it with all these revivals happening all over the place 

‘He’s HIDING’ I sob as I apply clown make-up 

Ben Diskin did not need to go so hard on the voice acting at Millium’s death he did not need to do that to me

My god when Angie drove into the graveyard and my PS4 popped up a little notification telling me it was a blocked scene, the tension in me... and I never saw that coming, I’ll have to see if it was foreshadowed at all by replaying CS1 and 2 some time

I saw Lughman being a baddie a mile away (a mysterious professor turning out to be evil in a Trails game? UNPRECEDENTED!) but he’s Alisa’s dad!?

Neat writing trick actually, since they probably knew we’d guess the former, they blindside us with the latter

I can’t express how happy it made me that the Rufus battle was Machias Jusis Elliot. My dream team!

Estelle and Joshua got mentioned so much I figured they’d make a surprise appearance at the end and save the day

:(

So. Characters:

Rean: Rean is once again moderately more interesting than he was before, but still the least interesting person in the game. I guess he’s got some guilt that’s actually justified now, that’s cool? 

I ship him with Crow, not because the pairing really appeals to me that much, but because being shipped with Crow would totally piss Rean off and I find that extremely funny

His relationship with Altina is the best relationship he’s ever had with a female character and it is 100% because she’s the only girl he’s never ship teased with

(I don’t have an issue with the concept of ship tease itself, I have an issue with Rean-ship tease because 1. I still truly do not understand why so many girls like him so much and 2. None of it will ever canonically go anywhere)

(Seriously I’m so tempted to write a breakdown of why every other guy in Erebonia is more desirable than Rean)

Juna: I like Juna. I realised early on that she and Kurt remind me of Estelle and Joshua, without being carbon copies, and that’s good. I also think her relationship with Rean was really interesting - ‘I don’t know how to feel about you because you saved my life, but it also wouldn’t have needed saving if it weren’t for your country’s actions, which you’ve played a major role in - but now I’m being forced to confront that you’re a human being too’ is a really complicated situation for her. It’s a lot more interesting than ‘I don’t like you because you accidentally got a face full of chest’, Alisa

I also really liked using her, I ended up loading her with the Platinum Pecky Medal and defensive stuff, and she was a wall, she took an S-craft from Arianrhod in her stride! My buff girl!

She should’ve just been the new protagonist ngl

Kurt: Kurt had a lot to live up to, seeing as his brother is my favourite minor character. And oh does he succeed, Kurt is my favourite of New VII, he’s a good straight man, he’s great in battle, I like his arc, I like his friendship with Juna, I like Kurt

Altina: I was not sure about Altina just... being a student now. But damn if she didn’t have the best character arc in the game. I only did her final bonding event on a whim, but it’s the best one I saw. My girl Allie deserves the damn world

I really, truly believe those three have a bond as well, they’re very well written as a group. This was a problem I had with Old VII, the fact that so many of them just... didn’t have relationships with each other. How do, say, Fie and Machias feel about each other? I have no idea. But this group has a fantastic dynamic and it makes that ending so much more effective

It’s like I praised Crossbell for, really - having a small core group is much more manageable in terms of giving them all equal screen time and getting me to care about them

Musse: Uh, kind of one-note and annoying, honestly. I don’t hate her or anything, but like... she’s either Being Mysterious or Hitting On Her Teacher (I hate it I hate it so much). It’s just hard to care about someone who’s clearly so fake, I guess? I’m definitely interested in her, but like... I don’t really like her

Ash: Poor boy. I thought Ash was such an interesting character (and man do I love having someone around who does not like Rean, and never really changes his mind about it). Ash is very well done imo

Alisa: Alisa is good when the issue is her family drama, and is so goddamn boring when it comes to Rean. Nothing new there

Elliot: I love his little ponytail I love it he’s so cute I want to hug him so bad

Laura: Winner of the ‘best new outfit’ award (was never that fond of her war outfit, but this one is perfect). Still good, but not notably so. I feel so bad for Laura, she tries so hard to matter, but she’s by far the character you’d have the easiest time lifting out of the game

And while I love Elliot... same situation really. You could go back to the start and have one character named Elliaura who likes swords and music and has two big-shot dads, and you wouldn’t lose much

Machias: Took down Rufus, yeah, destroy your best friend (boyfriend)’s evil family! Winner of the ‘worst new outfit’ award, AGAIN. Also winner of ‘dorkiest S-craft’. I did his final bonding event first, and according to Playstation trophies it’s the least popular one! Stop sleeping on my boy Machias guys, I know he was annoying in the first game but I love him :(

Gaius: Special award to Gaius for finally being interesting! Boy’s a Gralsritter now, did not see that coming!

And of course it happened off screen. Because god forbid interesting stuff happen to Gaius when we’re actually around

Oh also goddamn, that is a beautiful man

Emma: Don’t really like the new outfit. It’s kind of remarkable that she’s so important but I keep forgetting she exists. Exposition witch who sometimes just doesn’t deliver the exposition I guess

Fie: Still my fav girl. Wish there had been more focus on her feelings about her dad coming back to life. Like that she’s a bracer

Jusis: Wasn’t sure how to feel about his newly close friendship with Millium because I was concerned that I was meant to ship it (by far my least favourite thing about this franchise is that that was not an unreasonable concern, as it wouldn’t even be the most inappropriate relationship in this game alone). Very, very glad it was confirmed sibling-y (not that it’s stopped them before). He didn’t really get to do anything else, sadly, but he’s good as always

I did the Purebread contest with him, and he made bread from coffee beans Machias gave him, the Ferdibert Fire Emblem energy- 

“What are you doing underneath this scarlet Pleroma Grass?”

Milliam: :(

Sara: Doesn’t get much to do because this cast is bloated but like, I still really like her :)

Towa: Someone needs to check on Towa all her friends are dead or evil the poor poor girl (or uh. I guess Crow isn’t... hmm.)

Angie :(

My kids Tita and Agate are back and completely overshadowed by people teasing this almost 30-year old man about being in love with a 17 year old that he’s only ever claimed to see as a sister, I swear to god

The orbal gear looks so goofy lol

Stop mentioning Schera as just being ‘totally here, just off screen, ha ha’ give her a model! Have her be here!

Don’t get me wrong, I loved seeing Josette again, I just don’t get... why? Why is she here?

Tio is back! And so is Randy, as a major character! I’m very very happy, I love them both

Michael’s fine, I guess? He’s kind of bland but I guess that’s kind of the point and I like him just fine. He serves his purpose well

I’ve never really liked Claire all that much, but she’s fine in this one again I suppose. A bit disappointed by the Lechter reveals really, I had expected more, to be honest

Aurelia is a fun character and I enjoy her as the principal. Want to see her fight Cassius

Want to see Cassius 

I love my girl Annabelle, but she’s the only reason I didn’t get all the character profiles (how was I meant to know I could even go to the highway at that point hmmm Falcom!?)

They picked a good selection of returning Thors students. Even Dorothee isn’t as annoying as she used to be. Hilarious that she’s the only one who didn’t get a profile

Juna gave a great big speech about how awesome the SSS are and namedrops everyone EXCEPT WAZY! My FAVOURITE Crossbell character! So offensive!

Oh speaking of offensive I took Machias to the Mishy show and was told he and Rean did a Mishy dance but they didn’t show it, what the hell-

Playable Olivier! Olivier back story! I could write a goddamn essay on why Olivier is such a great character. Glaring at you Falcom

I miss Mueller :(

Ada Grant is wonderful and I want better things for her

Rufus is a damn great villain just because of how much sense his actions suddenly make when you know that one little detail of him not actually being Jusis’s brother

I hate Cedric but like, in a way where I’m having fun hating him. That little bitch

Literally what do you even actually want Osbourne

I still cannot stand Elise. Something I realised playing this game is that one of the things that stops the Estelle and Joshua relationship from being as weird as it could be is that they don’t look at all alike, it’s very clear they’re not related in the slightest. Elise and Rean look like they really could be siblings, and come to think, so do Lloyd and Cecile. Which is also teased, to a lesser extent. It would be so much less uncomfortable if they just swapped Elise and Alfin’s models ngl (though still not good)

inb4 the final plot twist of the whole series is that Estelle and Joshua actually were biological siblings all along

This game looks so much better than its predecessors. Having the models being a little rounder and softer looking makes it look much more like an updated version of the original style than the complete departure that was CS1 and 2. Every time there was a flashback, Rean would be like ‘back then...’ and I’d feel compelled to say out loud ‘when we were shiny, and looked bad!’

‘Evil ancient magic corrupts people into making them do bad things!’ is... honestly a bit of a cop out that I did not expect from this series 

I found Rean telling Patrick ‘leave room for Aidios when dancing with my sister’ extremely funny. Rean would totally be a Christian summer camp counsellor in the real world

I honestly would have enjoyed it a lot more if Alfin decided to cause a scandal and have her first dance with Elise, but we can’t have such luxuries I suppose

When you get that book on dystopias, very clever to put the author on the last page. Seeing the name Gideon gave me such a start

Racquel was easily my fav new location

Leeves > Trista no doubt, maybe I’m just biased because it looks a lot like the village I grew up in but it’s just such a nicer design

Also the branch campus > main campus purely for being smaller, making the filler segments between field trips more bearable 

I prefer the longer but fewer chapters set-up, I think

There’s so many sad faces in this write up :( 

Back when I played Sky SC, I said something about how one of the themes is ‘you are not defined by your trauma’. I now think it would be more accurate to say that the theme of all the games (but especially the Sky arc) is ‘don’t let your worst experiences define you’

Because there are characters who define themselves by their traumas and worst experiences - and those characters are all villains, or miserable, or both. Like, they don’t phrase it as such, but the requirement to be an Ouroboros enforcer is ‘have trauma and define yourself by it’

And both Joshua and Renne’s arcs are about learning not to do that

Equally, the idea that ‘it’s much easier to not to define yourself by your trauma when you have a good support system that wants the best for you’ is a big theme as well

I just think that’s a really interesting idea for a JRPG series to tackle, idk

I can’t believe I’m at the last game! This series has been my life for the past near-half a year, what do I do when I finish it?

...go back and play Sky FC, maybe?

[iaintyourbro]

Hey I just wanted to make a statement many fans worried about the LTD but as someone who watched and read many animes/mangas with LT genre as a main theme in every of these works the LT end up at the last episode or chapter but with FF7 if it was a main theme to the game why did it end in disc 1 why didn't it end at the last disc despite the OG having 3discs it should have been the climex of the game but it didn't because it isn't important what important is C real identity that the real theme .

Hey anon.

AGREED. The love triangle was meant to enhance the illusion aspect of Cloud’s issue. 

They game even tells us he created an illusion of himself. SOLDIER Cloud was meant to waver between the two women... I do think people make this a bigger thing than it actually was. I’d say, for me, it’s a very small aspect of his personality struggles. I do find it interesting in Remake they took the wavering aspect out. 

I’m of the opinion that Cloud didn’t do anything obvious to waver or attempt anything with EITHER girl. I think he had a thing for both of them, I don’t think as SOLDIER Cloud it was a deep thing. I think his desire was mostly to be a hero and save the damsel in distress. What’s funny is, neither of them really were damsels in distress...

Aerith in OG actually gets pissed at him for saying something like “I’m not gonna let a girl help me.” She pretty much is like “lol buddy okay you’re dumb.” Tifa just is Tifa and can kick all the ass - even in OG. The romance in FFVII OG to me wasn’t really a thing. Even all the GS dates were kind of weird. Aerith’s hints heavily that Cloud isn’t Cloud. Then you get this confirmed later and start unraveling the illusion and are in a state of “WTF IS GOING ON!” At least that was me.

This is the first time I remember going oh shit, what? The one thing in OG that they missed was building up his relationship with Tifa up to this point. The focus was to get the player attached to Aerith, so Midgar was focused on that, and then if you get her as a date option for the GS, that’s your next time. Personally, I never got attached to Aerith in OG because I didn’t like how she was. Remake Aerith is amazing and hilarious. 

I am not a fan of love triangles. FFIV had one, but it was obvious that Rosa had already chosen Cecil to me - so it wasn’t a huge thing. FFVII’s love triangle was vague and almost felt forced at times.

The only reason I honestly knew there was a love triangle was because of the user booklet that came with a game and what it said under Aerith’s description. 

The prison scene was always nasty to me because of course Tifa is like wtf. Aerith is like why are you and Cloud in the same cell? Cloud is like “I have no idea what’s going on.” Cuz he was oblivious - he had no idea that these two were in a “rivalry” over his affections... And honestly only Aerith really shows effort to me. Tifa isn’t confrontational, so isn’t going to do anything. Cloud doesn’t make an effort either way. 

This is another scene where you’re like wow okay. I mean, the whole Lifestream is like that, honestly. You’ve been playing this game and suddenly find out the guy you were playing with wasn’t actually who you thought he was. He’s a dork who never made it into SOLDIER and has somewhat of an obsession with this girl, Tifa, who you may or may not have even paid attention to the first part of the game. 

They make sure to leave up the “...I was devastated. ...I wanted to be noticed.” I took this screenshot out of my four up there cuz I didn’t have room and since they left the text up, but the kid was desperate to get her to notice him. To prove himself to her (and I assume her father). 

I mean, this is an accurate representation of his head when you go into it. The Nibelheim incident includes some memories of Zack and Sephiroth, but Tifa is also over there. I do think in Remake they will expand on this scene and show more about his mother, maybe his father, some other stuff that happened in his childhood, expand on the Mt. Nibel incident, and I think the CC elements of the Nibelheim incident will also come into play for the final part of this sequence once he remembers Zack.

To me, once this happens, it was clear that Cloud was in love with Tifa. That the first part of the game was an illusion, so I didn’t really think much else about it. Then I found out about all the fighting and I’m like... “Why though?” 

Real Cloud was all about Tifa and still was after he’s back. I felt no wavering after that point. Aerith dies, it’s permanent. It’s supposed to be realistic. Dead people don’t come back in real life, no matter how badly we want them to and no matter how many tissues we use to mourn for them. 

I do NOT think the love triangle was supposed to be a main theme OR stick has hard as it did. I think the fans did that, and now with Remake they’re clearing it up so... HOPEFULLY... it’s done. 

I think it’s a shame, because my best memories of FFVII as a teen weren’t the romance (cuz it was like non-existent) but Cloud revealing who he was, Vincent (of course), killing Hojo, the Northern Crater and the Lifestream, the discourse between Cloud and Barret... It wasn’t thinking about who Cloud liked more when he was SOLDIER Cloud. 

People I’ve talked to in real life who played the OG feel the same way. They didn’t even know this was up for debate... and these are casual players, so they didn’t play/watch CC or DoC and maybe the watched AC back in the day, but it didn’t seem to change their opinion. The only time I’ve seen people staunchly saying that it was player choice are those that couldn’t accept the fact that it WAS part of the illusion. And I’ve only ever seen it online. 

For people who actually played remake, nobody even thinks Aerith was a love interest (this is especially true for new fans that did not play OG). And I can tell you, the only people in real life that know I’m a shipper are my husband and my sister. The rest of the people I talk to don’t, because most of them are my co-workers and they don’t need to know this crazy fandom side of me. 

I think with the death of the LTD in Remake, it just opens things up for more interesting subjects regarding the entire cast. It makes Aerith much more lovable because she doesn’t seem to only give a shit about Cloud like she did in OG. I’m sure she won’t be so nasty to Barret when they go to Corel - I’d be shocked if they leave that in. I’m sure she’s not going to ask for a fortune from Cait Sith, and I’m sure she probably won’t even ask Cloud to go out at the GS. 

So that’s my thoughts...

In closing (long closing), I also think it does somewhat of a disservice for us to obsess over who Cloud liked more when he was SOLDIER Cloud. Both women are powerful on their own. They don’t need no man. I think sometimes when we get too extreme into this discussion, we almost feel like we’re defending these women to say because Cloud loves her more, she’s more important. That’s not the case, in my mind. Aerith is important because she’s Aerith. Whether Cloud loves her or not doesn’t impact her importance to the plot.

Same with Tifa. Now, Tifa’s role IS to be by Cloud’s side and ultimately save his life (multiple times). However, Tifa herself COULD function without Cloud. Cloud cannot function without Tifa prior to getting himself back in the Lifestream. If he falls into the Lifestream and there’s no Tifa, that’s pretty much it for him. 

In Cloud’s case, we can get to a point where it’s like he cares about nothing else except women, which we know is far from the truth. Cloud doesn’t seem to say much at all about women or dating in OG - in Remake they do some stuff with Wall Market and him acting like he knows what he’s doing (he doesn’t), but they have him acting like at typical arrogant teen. He’s an awkward dude, and it’s adorable, and it’s not that he’s blind. He obviously is attracted to Tifa early on. If you get Aerith’s red dress he stumbles over his words. 

That’s not to say we don’t care about how Cloud feels. We do. Which is why it’s important that we help him get himself back and get him through his complete breakdown. But the bigger focus should be the fact that Cloud isn’t fully Cloud and the romantic implications of that shouldn’t be weighed as heavily as the importance of getting his mind back.

[blythetm]

closed starter for @ichorxd​

         an alumni dinner was a most courteous occasion for headmistress sutton to host in her victorian style home.  charly found it to be less of a welcome and more an excuse to have the housekeeper clear cobwebs from the fancy dining hall that went unused every year until christmas,  IF  christmas were even a day the suttons had off.

         charly was  LATE  to alumni affairs.  most everyone had arrived earlier in the week,  but gallagher was still courting charly at the time.  eventually,  she caved and granted gallagher’s wishes,  along with her mother’s,  by agreeing to mentor at the academy for a semester.  charly assumed one perk of playing hard to get would be missing any orientation-like events,  but much to her dismay,  the academy had all of its ducks in a row;  they waited until the blythe legacy was secured and sure to make a most gregarious appearance.  lucky for charly,  they did not wait for an appearance to start the evening.  when she arrived at the sutton manor,  other alumni were already there intermingling over hors d'oeuvres.  “  time for dinner!  ”  meant that she had missed at least some of the socializing and that small act of rebellion lit her up.  

        an offer to take her coat was presented before she could either confirm or deny.  politely,  charly dropped her shoulders and let the hands slip her coat off easily.  “  thank you,  ”  she said,  turning to offer a smile of gratitude,  though the smile never came.  instead,  the man who had made the kind gesture was met with the reaction of a woman who had seen a ghost.  charly’s heart started beating heavily in her chest,  lips parted without making a sound.  all she could feel was the stillness between her body and his.  “  cecil.  ”  the name felt foreign in her mouth,  barely coming out beneath her breath.  after all of the years she and cecil spent feigning ignorance toward the other’s personal life,  not once did it occur to her that the coffin she watched lower into the ground might be empty.  charly clenched her jaw,  watching his slow movements of putting her coat away,  which she could tell were being made with caution.  was he being that chivalrous toward everyone or did cecil know that charly would be there,  that the blonde whose coat would be held to his chest was the same woman who once was?  

        “  it’s been a while since some of us have last seen each other,  ”  began the talking at the long dining room table behind them.  

       charly’s blue eyes glazed over like ice.  she didn’t take them off of cecil even when she spoke.  “  YES.  five years,  give or take.  wouldn’t you say?  ”  it was why she was there,  wasn’t it?  like everyone else,  gallagher sought after charly not because she was their favorite student,  but because of her charm,  wit,  likeability,  and looks.  she knew what was expected of her even when no one said anything.  her mother had once inhabited the role and knew which daughter to pass it down to.  charly was meant to make the evening feel  LIGHT.  she was meant to overshadow the true hardships they were up against.  she was meant to manipulate unify everyone on the front of accepting blackthorne students and alum into the academy.  to praise them for giving assassins a chance to  do better.  little did they know that their golden girl was running around with an assassin back when she was in school.  little did they know that her heart broke into a million pieces when she thought him to be dead.  that she didn’t get out of bed for two weeks until her mother sent someone to attack her own daughter in her own home to get her ass back to work.  little did they know that the past was about to get hashed out in front of everyone.  yet,  would they really blame her?  charly redirected attention like they wanted.  she got people talking,  even if the way she did it was as unorthodox as it would be that night.

       a deep sigh of air momentarily relieved charly of her true feelings,  replacing them with a plastered smile.  two seats were left open for the pair.  charly whipped around so fast that the bounce of her blonde curls followed her,  excreting her scent into the air,  unintentionally offering cecil’s senses a blast from the past.  heady white flowers  (  jasmine,  white narcissus,  gardenia,  lily of the valley,  white iris )  resting in a warm bed of musk,  sandalwood,  oakmoss,  orris,  and vetiver.  it was  dramatic and wild  at  "  hello,  "  but its creamy,  sensual dry-down revealed a  tender heart.  charly’s signature fragrance was much like her spirit in a bottle.  she took a seat at one head of the table and the smell evaporated with the sight of her when she entered the next room,  offering cecil the smallest glimpse of what it was like to have someone you love taken away. 

[callmearcturus]

Revisiting WTNV in 2019: Season Three

((Previously: Season One, Season Two, Condos))

I have a confession to make. I think Season Three, AKA the season where most people I know fell off the show after the bombast of the Strexcorp arc, is actually my favorite season.

I've been trying to nail down the central theme/arc of each season. S1 was establishing Night Vale itself and the rules of the world and Carlos as the beloved outsider. S2 was establishing the people of Night Vale, with focus on introducing important characters and the evolution of Dana, and taking out Strexcorp with all those people.

To my estimation, Season Three is about Cecil himself. There's a common wisdom about writing a serialized show, I think it came from the showrunners of House M.D., that your secondary and tertiary characters should change but your main character should be a constant. It's a valid way to structure something, and it's not like WTNV wholly eschews that. Some things are always going to be true: Cecil is the Voice of Night Vale, he's excitable about things, his life in Night Vale strongly colors his perception of the world. These things are always true.

But Season Three is about Cecil and his role in Night Vale. Ever since he met Carlos, something about him has been bumped out of stasis. He inexplicably, seemingly impossibly has been doing this job for hundreds of years, maybe longer? But the introduction of his beloved outsider changes him and causes him to start to change, first slowly but then with gaining momentum.

(And there is something to be said for the Doylist vs the Watsonian readings here. Cecil evolves over time because Cecil Baldwin plays him more expressively and Fink/Cranor write him more personal growth. Cecil evolves over time because Carlos and the changes to his town stemming from the Pilot onward. Both of these are true, from out of universe and in universe perspectives.)

Something about S3 feels more enclosed. S2 felt wide and encompassing the entire town and so many people, but S3 feels like Cecil again stuck in his booth. There's an interesting moment in "The September Monologues" where Steve practically confirms this, re: Cecil becoming softer through Carlos. Seeing him expand and then shoved back into his little box by shitty circumstances is terrible. He'd stepped beyond his bounds, he'd been the revolutionary radio operator, he'd narrated the fall of Strexcorp, his limbs stretched out like someone coming out of a cage and they doin' just fine.

Then his boyfriend is gone, and his relationship with his former intern and best friend is strained, and someone is fucking controlling him against his will, and there comes a point where he's starting to really genuinely fray from microaggressions in a way I find deeply relateable. The way he goes off angrily over not being able to have a cup of fucking coffee, it's not about the coffee, it's about a life that was so bright and now is going so wrong, and it's not fair.

He doesn't know what to do about it until Carlos returns. Which is just one thing fixed, but represents a bigger fix. Dana does her best to do right by Cecil, Violet reveals their crime against him, and it's like his support system that had been absent for the season (or unable to connect to him, partly his own fault there) has been restored.

It's a very personal, very human story of someone hurtling towards their breaking point. And like no joke, Baldwin's portrayal of Cecil and the sloooooow slide into this despair is so gradual and pitch perfect. The moment at the very end of "WE MUST GIVE PRAISE" where Cecil's new painting is destroyed, and the resignation in his "It's.... fine. Yep. Everything's fine." and the way it just breaks your heart in five words and a significant pause.

GOOD SEASON!

Episode-specific thoughts.

"The September Monologues." If "Condos" singlehandedly changed out understanding of Carlos and Cecil, then the September Monologues changed our understanding of Steve and Cecil. I love this because to me, it feels entirely informed by Hal Lublin's portrayal of Steve. When they had him on in "The Debate", he made decisions on how to play the role, and those decisions basically established an entire character and relationship on its own. The understanding of why Cecil hates Steve and the desperate loneliness of Steve's forbidden knowledge he can't escape, it's haunting.

Also, the glimpse of the Faceless Old Woman's strange affection for the people she haunts, and MICHELLE. GOD. I love Michelle. Steve is great, but the entire episode is good.

"BRINY DEPTHS" is a really funny episode. The increasingly desperate attempts of the vague yet menacing government agency to get Cecil to say the activation phrase for these sleeper agents who are fucking sleeping on the job, UGH. But also.......................

Is Earl Harlan in love with Cecil? I'm not just talking about this ep but also the Thanksgiving ep much later, but is Earl in love with Cecil, or with the idea of what he could have had with Cecil if he went for it? I really cannot shake the feeling. Also, in like Season 5 there's this episode where Cecil explicitly describes a hypothetical situation of someone being in love with another person and having a one-night stand that meant more to them than the other person, and the extensive fallout of that incident, and hey is Earl Harlan in love with Cecil?

"Voicemail." "HONEY-VOICED HONEY." Okay like seriously I love Dylan Marron, I love the direction he takes Carlos, I love the particular strangeness of Carlos that is totally different from the strangeness of everyone else in Night Vale. I love how his voice pitches high when he's excited and how it drops like a stone when he's upset or disheartened. Also, "honey-voiced honey." I love these queers and all their fucking petnames for each other, jfc.

But wow, Dana. Speaking of the way a performance informs a character. I have the script books for WTNV and while I love the writers, 80% of Dana comes specifically from Jasika's performance of her. There are very precise ways she pauses, the way she hesitates on some lines but doesn't on others. It's magical to listen to.

Also """"Frank Chen""""" calling in. Jesus fuck. Everyone in this town is a disaster.

"Best Of?" Cecil has been doing reports since before radio was invented and also he fucked Guillermo Marconi, the inventor of long range radio transmissions. Cecil Palmer is a Queer Icon tbh.

"Taking Off." AAAAAAAAAAAAAAH KEVIN AAAAAAAAAAAAAAH. Oh my god I love every performer WTNV has but I think my heart beats for Kevin R. Free's performance as Kevin the most. Jeeeeeesus he's just.... there is like a still well of depth to how fucking corkscrewed Kevin is, everything about him. Everything he says fills me with fucking dread, and yet in the end I'm still sad for him when Carlos leaves. Dude has nothing, and his ability to, like.... handle sadness has been royally fucked. It's a tragedy. A creepy tragedy that canonically gets off on guro.

"Review."

“Night Vale is just a name, Cecil. Night Vale is just the name for an area where everyone you love lives,” [Carlos] said. “Don’t worry about the name. Worry about the everyone."

The culmination of Cecil's arc, his lost faith, and how he regains it. This entire season is about isolation and feeling torn away from the people around you. The power of community is strong, and it saves lives, and it saves Cecil. Nothing is perfect at the end of this season, but it's like a repair has happened and finally Night Vale can be Cecil's home again. Healing can happen and trust can be rebuilt.

Season Three, Best Season???? Maybe. For Cecil's personal growth, it certainly is.

Next up: Season Four, aka [sustain screaming, first quiet and then rapidly increasing in volume]

[freenewstoday]

New Post has been published on https://freenews.today/2021/04/09/duke-of-edinburgh-husband-of-queen-elizabeth-dies-at-99/

Duke of Edinburgh, husband of Queen Elizabeth, dies at 99

Prince Philip, the Duke of Edinburgh and husband of reigning British monarch Queen Elizabeth II, has died at the age of 99. Buckingham Palace confirmed his death on April 9.

“It is with deep sorrow that Her Majesty The Queen has announced the death of her beloved husband, His Royal Highness The Prince Philip, Duke of Edinburgh. His Royal Highness passed away peacefully this morning at Windsor Castle,” the statement read. The Duke was married to the Queen for over 70 years, and was the longest-serving consort in British history. 

Prince Philip was admitted to hospital on February 16, after feeling unwell, but was released a month later, having undergone a successful procedure for a pre-existing heart condition. 

The son of Prince Andrew of Greece and Denmark and Princess Alice, Philip was born on the Greek island of Corfu in 1921, but primarily raised in Britain.

He renounced his right to the Greek and Danish thrones in 1947 and took his mother’s surname, Mountbatten. Philip married Elizabeth Windsor, a distant cousin, later that year – five years before her ascension to the British throne in 1952. 

He became father to Prince Charles and grandfather to Prince Harry and Prince William. He was also father to Princess Anne and Princes Andrew and Edward.

The young Philip had a turbulent early life. His parents separated while the Duke was still a boy, and Princess Alice was diagnosed with schizophrenia and committed to an asylum in the late 1920s. As a child, Philip moved from Greece to France, to Britain, and then to Germany for his education, returning to the UK in the mid-1930s amid the rise of Nazism in Germany. 

His biographers describe his time in Britain as calm, though tragedy struck the young royal in 1937 when his sister, Cecile, and her German husband, along with their family, were killed in a plane crash at Ostend.

A colorful character, Prince Philip’s forthright manner, political incorrectness, conservative political views and frequent public gaffes came to be a source of considerable embarrassment for the monarchy.

Among his many blunders, Philip once asked British expats in Dubai if they were “running away from something” and told the President of Nigeria, who was wearing national traditional dress, that he looked like he was “ready for bed.” In 1998, he told a cash-strapped student to consider living in a hostel to “save cash.”

“If you stay here much longer, you’ll go home with slitty eyes,” he told a British student studying in China in 1986. He also referred to places as near and far as Stoke-on-Trent and Beijing as “ghastly.”

He was also known for some self-deprecating humor, remarking on his marriage in 1999 that the Queen “has the quality of tolerance in abundance.”

Philip retired from public engagements in 2017 after seven decades of service. Before Queen Elizabeth’s coronation the Duke served with the Royal Navy from January 1940 to the end of World War II.

In addition to his royal duties, he also served in the role of president of the World Wildlife Fund between 1981 and 1996, as well as engaging in other philanthropic endeavors.

The Duke was involved in a road accident in early 2019 when he collided with another car and his Land Rover flipped over. He had been suffering ill health in recent years and was admitted to hospital multiple times, including for a hip operation in 2018 and an infection in 2017, and most recently for treatment of a “pre-existing condition” in 2019.

As the Duke aged, the British tabloid press often speculated about his deteriorating health. They reported in 2011 that he had given up his hobby of shooting after receiving a stent in his heart, and as the coronavirus pandemic spread in 2020, they reported on his isolation in Windsor Castle, watchful for any signs of ill health. 

However, both Philip and the Queen received their vaccinations against the virus in January.

Think your friends would be interested? Share this story!

Source

[valeriemperez]

So the 2017 SDCC is over. What were things you liked and disliked about the Flash news for this season? Any other stuff from the Flash crew?

I like that it’s going to be lighter, and I like that Candice seems excited for whatever she’s up to. I’m excited for a little more Cynthia and to meet her dad, and glad Cecile’s sticking around. Obviously I highly dislike that we won’t get Iris as a reporter, but I’m gonna just let the chips fall where they may at this point.

Mostly I was happy to see that the cast can and does get along well for the most part. And that they’re so lowkey, no fandom-wide drama was caused by their words.

I think GG looking out for CP on a professional standpoint has been very consistent and shows that they respect each other as co-workers. CP once mentioned that 1x15 was hard to film due to the cold weather and the wind turbine blowing in her face. She said she looked at GG for direction. Then 2x13, she confirmed that she was nervous doing the wall kiss and GG reassured her by telling her to keep going. I’m glad they’re our Barry and Iris.

Totally agree. It’s obvious he’s got her back professionally speaking, and that she looks up to him and respects him.

Looks like the cast and crew of the last full measure are in Thailand right now filming. They got there yesterday. IMDB lists Grant’s role as now being played by Jeremy Irvine. It seems that filming was indeed delayed and filming of the Vietnam scenes of the young soldiers that were supposed to be shot in Costa Rica never happened.

Ouch. Now I wonder if Grant really was expecting not to come back as Barry for a while, and was thus disappointed when the filming was moved back for the movie but not for the show. You’re right, though, Grant’s not listed on the IMDB page anymore :|

Were there any scenes from the trailer that we could see Iris’ hand to see if she’s wearing her ring? I wouldn’t mind it if she isn’t. That would just give us another great scene of Barry putting the ring on her finger.

I didn’t notice her ring anywhere, but I think that’ll play into Iris being subconsciously angry at Barry for leaving her. I’m sure we’ll see him put it back on, or her put it back on, at the end of the first episode. I’m ready!

My takeaway was that the TVline interviewer saw enough in the Flsh interview (which I think was before the Arrw one) that strengthened his theory and then he brought it up at the Arrw one. I think Marc G said that the crossover would be game-changing for all four shows

I do think that Ausiello expects a November wedding for WA for sure, whether it’s a crossover one or not I don’t know. But I’m sure there’ll be something for each of the four show in the crossover, we just can’t be sure Iris will be included.

In the S4 trailer, do you think that the Flash at the end is Barry, and do you think he’s wearing the 2024 suit? (It kind of looks like he is but it’s hard to tell because it’s all just CGI.)

I assumed it was Wally because of the pictures where he’s suited up as Flash, haha. But if it is Barry, then it’s the 2024 suit. They’ve hinted quite a bit at him being changed by the speedforce. 

Grant straight up explicitly said he’ll be out in the first episode (and also that when we first see him it’s something different than what he’s done before). This man couldn’t keep a secret to save his life.

And that’s why I love his interviews - so revealing.

They seem to be pretty adamant that Season 4 will pick up 6 months in the future (and by “in the future” I’m assuming they just mean 6 months after S3, not actually in the future), but that would make it November. Do you think that’s intentional, like it actually will be November, or do you think that’s just their poor concept of time again? (Last year they said somewhere between 3 and 5 months didn’t they?)

It honestly sounds like they have a poor concept of time, honestly. But it’s possible that 4.01 is the beginning of November and the next seven episodes take place over the course of a month to line them up for the crossover. Doubtful, but possible.

Have you heard anything about Wally realizing he’s gay/bisexual on the show this year (the flash, lol)?

I haven’t, but that would be a cool storyline!

I was thinking to when Eddie sacrificed himself, so that Thawne could be defeated, we saw Iris focusing on CCPN and helping the team and not see her mourn onscreen until 2x17. When Barry disintegrated in 2x20, she recovered quickly after shedding a few tears and focused on Zombie Girder. Now that Barry is in the SF, Iris is burying her feelings and I think she will implode sooner or later.

Agreed! I really look forward to her finally letting it out.

[justanothercinemaniac]

Epic Movie (Re)Watch #112 - The Prince of Egypt

Spoilers Below

Have I seen it before: Yes

Did I like it then: Yes.

Do I remember it: Yes.

Did I see it in theaters: No.

Format: DVD

1) The head of Jeffrey Katzenberg, the head of Dreamworks animation at the time and one of the former big wigs at Disney, had been pitching an adaptation of Moses’ story from Exodus to Disney far before he started Dreamworks with Steven Spielberg. During an early meeting of Dreamworks Katzenberg recalls that Spielberg looked at him during the meeting and said, "You ought to do The Ten Commandments."

2) I think the opening disclaimer is a nice touch.

“The motion picture you are about to see is an adaptation of the Exodus story. While artistic and historical license has been taken, we believe that this film is true to the essence, values and integrity of a story that is a cornerstone of faith for millions of people worldwide. The biblical story of Moses can be found in the book of Exodus.”

3) Music plays an incredibly important role in this film, mostly for setting its grand storytelling and dark tone. This is clearly apparent from the opening song “Deliver Us” which depicts the suffering of the Hebrew people in Egypt and also the hope of Moses.

4) This film also does an excellent job of immediately establishing the brotherly relationship between Moses and Ramses. It’s fun and honest, which makes the following events all the more heartbreaking.

5) Val Kilmer is quite effective in the role of Moses, being able to provide a healthy balance of his youthful joviality and privilege early on and the wisdom that would come to define the character later.

6) This film has three noteworthy actors who have very little lines. The first two of these are Patrick Stewart as Pharaoh Seti and Helen Mirren as The Queen.

Neither of them sing, so their lines are few and unfortunately Mirren feels wasted in the part (less of a comment on her acting, which is top notch as usual, and more from the lack of screen time). Stewart, however, gives Seti some depth. We see him as father and ruler, both roles where he cares about his people, but also murderer of Hebrew babies which gives him a sinister feel.

7) Moses could have been painted as a spoiled brat while acting as prince of Egypt, but he takes responsibility for his actions and mistakes while also trying to shield Ramses from some of their father’s heavy expectations.

8) Tzipporah is established as fierce as heck from the get go.

Kept as a foreign slave in her first scene, she still fights back with great vigor despite being in a room who don’t care if she dies by the hands of the pharaoh. Michelle Pfeiffer imparts some of the strength she brought to Catwoman into the part and it’s a wonderful take on the biblical figure.

9) Sandra Bullock may have more lines than Helen Mirren, Patrick Stewart, and (later) Danny Glover, but for some reason I’m always wanting more of her and her character Miriam by the time the film ends. I like what I see, I just wish there were more of her in the film (I think).

10) For some reason I don’t feel the way about her brother Aaron, who is voiced wonderfully by Jeff Goldblum. That may be because we see Aaron develop from non-believer to believer over the course of the film (wheres Miriam is consistently good and believing in Moses) and Jeff Goldblum plays both the doubter and the supporter well.

11) Continuing with the excellent music in this film, “All I Ever Wanted,” carries with it that sense of grandeur as well as the heartbreak of Moses denying his true heritage.

12) Moses’ nightmare is one of the most memorable non-musical sequences out of the film (not THE most memorable but one of them), and this is done both through the unique hieroglyphic art style and the lack of dialogue. It is true visual storytelling.

13) Remember how I said Tzipporah is fierce as heck? Well, that continues throughout the film when she decides to drop Moses into a well as a bit of payback for being a prince of Egypt (although she does help him out because he helped her escape the palace).

14) Danny Glover is the third actor who doesn’t have enough lines. He plays the role of Jethro, a character with about ten spoken lines (more or less) and then the rest of his role is in song. And Danny Glover doesn’t sing the song.

In the little dialogue Glover does give though, he is able to establish Jethro as a man who’s heart is as big as his stature. I just wish we’d heard more of him.

15) I mentioned in The Road to El Dorado the effectiveness of using a song to cover large gaps of time. This film is no different, initial with Jethro’s song “Through Heavens Eyes.” It’s a rousing and hopeful number which talks of the Hebrew god and how we can only know our worth when trying to look through (one guess what I’m going to say next) heaven’s eyes. In that time we cover Moses learning what a free life is from these people, his growing humility, and his blossoming relationship with Tzipporah (and eventual marriage).

16) The Burning Bush.

Val Kilmer provides the voice of god in this film, although that wasn’t the initial plan. Originally all the actors in the film were going to voice god at the same time, and were told to whisper so they wouldn’t overpower each other. When the time came to record Kilmer’s lines, they realized someone had to speak louder. It was a happy realization, as the filmmakers later noted that god usually speaks to us as the little voice in our own heads. And it parallels the Cecil B. Demille version of The Ten Commandments where it is said (although I don’t think confirmed) that Charlton Heston also provided the voice of god while also playing Moses.

17) Moses telling Tzipporah about his encounter with the burning bush is another fine example of how filmmaking is primarily a VISUAL medium. We don’t hear a word they saw to each other, but we see him talking and we see her reaction and we know EXACTLY what is happening.

18) Ralph Fiennes performance as Ramses is at its best when Ramses becomes villainous and conceited. Hmm, Ralph Fiennes playing a villainous and conceited villain. Sounds familiar...

19) Playing with the Big Boys is the only real villain song in this film.

Performed by the evil lackeys Hotep and Huy (who are voiced wonderfully by Steve Martin and Martin Short respectively), the song shows off just how dark things in the Egypt really are and how tricky these two “magicians” are. Martin and Short breathe wonderful life and evil fun into the song, and even recorded their dialogue together. And the scenes uses wonderful use of darkness and shadows to make us feel like Moses is in over his head. Which in a way, he is. But the film wouldn’t be interesting if things were easy for the protagonist.

20) The growing conflict between Moses and Ramses is heartbreaking and I give credit to all those involved in this film for that. The directors, the writers, the animators, Val Kilmer & Ralph Fiennes, everyone. We see them go from the best of friends to archenemies and neither of them wants to be in that position. But they are, and they each think they’re doing what is best for their people. It hurts a lot to watch.

21) “The Plagues” is also a great example of how this film condenses what could have been a massive chunk of time into a little two-and-a-half minute song.

It also does not make light of the plagues either. The plagues were horrible. True wrath of god type stuff that ruined people’s lives. And this song is an epic but dark representation of just what those were like while also developing the conflict between Moses and Ramses.

22) I’m not as familiar with my biblical readings as maybe I should be, but I like that this film depicts Moses reaching out to Ramses one last time before he releases the final plague. It is one final reminder that they are or, more appropriately, were brothers. And they almost seem to understand each other, to make peace. But they don’t. Meaning the final and most awful plague is released.

23) I don’t want to get into my own theological beliefs or philosophies, but I am always sickened about the death of the first borns of Egypt.

The scene is animated beautifully but the entire thing is heartbreaking. The idea of a god who will take away the lives of children just to get what he wants, even though he later claims that we are all his children, just never sits right with me. I just...it sickens me. That’s all I can say. It sickens me.

24) “When You Believe” is probably THE song from this film. It won the Oscar for best original song that year, beating out “I Don’t Wanna Miss A Thing” by Aerosmith. It is the perfect representation of the power of hope and belief which is the central theme of this film. Michelle Pfeiffer and Sally Dworsky (along with the film’s chorus) do an excellent job performing the song written by Stephen Schwartz, but the pop version performed by Whitney Houston and Mariah Carey is just as good.

25) I think the most memorable part of this film has to be the parting of the Red Seas. And it could just be for this image alone:

That is such a powerful image which really gets across the wonder of what we’re seeing. A representation of the scene which few if any adaptations of the Exodus story have ever lived up to and which I think only animation can bring to life so wonderfully.

26) After the Red Sea crashes down and Ramses is washed away, we see Moses looking off in the distance and hear Ramses screaming, “MOSES!” The filmmakers have suggested that this may be in Moses’ head and that Ramses might actually be dead. I like that idea. It shows Moses still has hope for his brother.

27) And since this is an adaptation of Exodus, of course it has to involve the Ten Commandments in some way. I’m just glad that it’s the last shot of the film. A nice way of ending the story.

It makes sense to end a family film there, as opposed to Moses finding his people worshipping a false idol (a golden cow, I think) and smashing the tablet before God destroys the idol and forces his people to wander the desert for 40 years to kill off the rebellious generation. Oh, and Moses didn’t get to go into the promised land.

(GIF originally posted by @rocktheholygrail)

What’s not family friendly about that?

The Prince of Egypt is a great animated film who’s popularity has unfortunately lost steam in recent years. It represents its story well without beating you over the head with the religion, the animation and music are gorgeous, and the voice acting is top notch (if a little wasted at times). I highly recommend you see it.