#could get too upset

[winepresswrath]

For conspiracy theory reasons that don't need exploring at this juncture I was poking through a later vampire chronicles book and Antoine needs a friend to tell him to stop doing husband work on a mistress' salary. Respect yourself, Antoine.

[chloesimaginationthings]

FNAF movie Vanessa’s thoughts when meeting Abby..

[tea-cat-arts]

Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will

[claraoswalds]

#mrs flood who are you: time lord edition

[marzipanandminutiae]

Average historian denies all gay relationships statistic false!

No-Lesbians Ruth Franklin, who lives in an archive and denies any possible sapphic interpretation of Shirley Jackson’s work 50 times a day, is an outlier adn should not be counted

[kittyandco]

does anyone else get so upset when you think about all the things that happened to your f/o... all the things they went through? all the things they haven't healed from? the pain that they may still be enduring? how you can do your best to help them but you can't protect them from everything. so you just love them the ways they needed before, how they deserved. and you see them happy because they finally accept, at least in some ways, that they do deserve it. they deserve love like all beings do

[razzek]

One thing that's starting to really get to me with the James Somerton stuff is a real strong undercurrent of disdain toward his fans. And yeah, I was one of them. A good scam artist isn't as easy to spot as y'all seem to think. You forget that you have all the information right now. Two days ago most of you had never heard of him and it would have kept going. Anyone can fall for a scam, nobody is immune. I would love to have had whatever resources you guys think we all should magically know about so I could have kept my sad $5 a month I really needed but thought was going to something worthwhile. Some of us can only devote so much energy into things and when you have no idea whatsoever that something is amiss of course you're not going to go digging for sources, why would you when everything is fine as far as you know? I really wish I could have seen the dissenting opinions on him but for many, many reasons that aren't just that the dissenting voices weren't widely circulating at the time all I had was the thought every now and again that "huh that doesn't seem right" and then go on with my day. And I think that happened to a lot of us. So yeah. Say what you gotta say about Somerton, he has more than earned it with the damage he's caused, but maybe don't shit so hard on his former fans because that is going to be you someday with something, it happens to everyone sooner or later.

[skitskatdacat63]

Please take my low effort shitpost of our two Aston flopboys

Basically:

[macksartblock]

Normal take my hand we’re going to therapy

[littlecrittereli]

Okay I gotta say your art + story have gotten my fanfic engines a churning and now I'm picturing AU with the bros starting out in the wildlife game but with Martin as an 18-19 year old and Chris as this 14 year old and it's more "panicked older brother trying to keep his baby bro safe" while they encounter poachers/dangers.

OKOK HEAR ME OUT....

Martin has legal guardianship over Chris (uhh parents gotta die for this i am so sorry mom and dad kratt but it's for the fanfiction so please forgive me) Which is why a 14 year old is able to join their research team. Martin is technically "homeschooling" him, (i mean technically he's learning on creature adventures so...)

Martin was offered a once-in-a-lifetime opportunity to join the Tortuga research program and Chris didn't want to be the reason that Martin held back on his dreams. So, Chris was basically like take me with you, I'll be good and stay out of trouble I promise. So basically Martin is trying to do his job while simultaneously juggling the responsibility of raising Chris. And the rest of the team helps out as well so they all become a little family and go on these adventures.

The rest of the team would step into older sibling roles as well: Aviva would teach Chris about programming and engineering, Koki would show him how the Tortuga runs and how to make small tune-ups, and Jimmy would teach him how to bake and play video games with him. JUST IMAGINE THE POSSIBILITIES

I don't think Aviva would make a CPS for him, Martin would lose his mind if she did. Chris was already a handful, he does NOT need to be running around as a gecko. Maybe she could make a less extreme version of the suit for him? Like a partial creature power suit, where it can give him traits of animals. Instead of turning into the whole leopard, it just gives him leopard claw gloves and a tail for balance. So a little kiddy version of the CPS. IDk it's just an idea.

[thunderboltfire]

I have a lot of complicated feelings when it comes to what Neflix has done with the Witcher, but my probably least favourite is the line of argumentation that originated during shitstorms related to the first and second season that I was unlucky to witness.

It boils down to "Netflix's reinterpretation and vision is valid, because the Witcher books are not written to be slavic. The overwhelming Slavic aestetic is CDPR's interpretation, and the setting in the original books is universally European, as there are references to Arthurian mythos and celtic languages" And I'm not sure where this argument originated and whether it's parroting Sapkowski's own words or a common stance of people who haven't considered the underlying themes of the books series. Because while it's true that there are a lot of western european influences in the Witcher, it's still Central/Eastern European to the bone, and at its core, the lack of understanding of this topic is what makes the Netflix series inauthentic in my eyes.

The slavicness of the Witcher goes deeper than the aestetics, mannerisms, vodka and sour cucumbers. Deeper than Zoltan wrapping his sword with leopard pelt, like he was a hussar. Deeper than the Redanian queen Hedvig and her white eagle on the red field.

What Witcher is actually about? It's a story about destiny, sure. It's a sword-and-sorcery style, antiheroic deconstruction of a fairy tale, too, and it's a weird mix of many culture's influences.

But it's also a story about mundane evil and mundane good. If You think about most dark, gritty problems the world of Witcher faces, it's xenophobia and discrimination, insularism and superstition. Deep-seated fear of the unknown, the powerlessness of common people in the face of danger, war, poverty and hunger. It's what makes people spit over their left shoulder when they see a witcher, it's what makes them distrust their neighbor, clinging to anything they deem safe and known. It's their misfortune and pent-up anger that make them seek scapegoats and be mindlessly, mundanely cruel to the ones weaker than themselves.

There are of course evil wizards, complicated conspiracies and crowned heads, yes. But much of the destruction and depravity is rooted in everyday mundane cycle of violence and misery. The worst monsters in the series are not those killed with a silver sword, but with steel. it's hard to explain but it's the same sort of motiveless, mundane evil that still persist in our poorer regions, born out of generations-long poverty and misery. The behaviour of peasants in Witcher, and the distrust towards authority including kings and monarchs didn't come from nowhere.

On the other hand, among those same, desperately poor people, there is always someone who will share their meal with a traveller, who will risk their safety pulling a wounded stranger off the road into safety. Inconditional kindness among inconditional hate. Most of Geralt's friends try to be decent people in the horrible world. This sort of contrasting mentalities in the recently war-ridden world is intimately familiar to Eastern and Cetral Europe.

But it doesn't end here. Nilfgaard is also a uniquely Central/Eastern European threat. It's a combination of the Third Reich in its aestetics and its sense of superiority and the Stalinist USSR with its personality cult, vast territory and huge army, and as such it's instantly recognisable by anybody whose country was unlucky enough to be caught in-between those two forces. Nilfgaard implements total war and looks upon the northerners with contempt, conscripts the conquered people forcibly, denying them the right of their own identity. It may seem familiar and relevant to many opressed people, but it's in its essence the processing of the trauma of the WW2 and subsequent occupation.

My favourite case are the nonhumans, because their treatment is in a sense a reminder of our worst traits and the worst sins in our history - the regional antisemitism and/or xenophobia, violence, local pogroms. But at the very same time, the dilemma of Scoia'Tael, their impossible choice between maintaining their identity, a small semblance of freedom and their survival, them hiding in the forests, even the fact that they are generally deemed bandits, it all touches the very traumatic parts of specifically Polish history, such as January Uprising, Warsaw Uprising, Ghetto Uprising, the underground resistance in WW2 and the subsequent complicated problem of the Cursed Soldiers all at once. They are the 'other' to the general population, but their underlying struggle is also intimately known to us.

The slavic monsters are an aestetic choice, yes, but I think they are also a reflection of our local, private sins. These are our own, insular boogeymen, fears made flesh. They reproduce due to horrors of the war or they are an unprovoked misfortune that descends from nowhere and whose appearance amplifies the local injustices.

I'm not talking about many, many tiny references that exist in the books, these are just the most blatant examples that come to mind. Anyway, the thing is, whether Sapkowski has intended it or not, Witcher is slavic and it's Polish because it contains social commentary. Many aspects of its worldbuilding reflect our traumas and our national sins. It's not exclusively Polish in its influences and philosophical motifs of course, but it's obvious it doesn't exist in a vacuum.

And it seems to me that the inherently Eastern European aspects of Witcher are what was immediately rewritten in the series. It seems to me that the subtler underlying conflicts were reshaped to be centered around servitude, class and gender disparity, and Nilfgaard is more of a fanatic terrorist state than an imposing, totalitarian empire. A lot of complexity seems to be abandoned in lieu of usual high-fantasy wordbuilding. It's especially weird to me because it was completely unnecessary. The Witcher books didn't need to be adjusted to speak about relevant problems - they already did it! The problem of acceptance and discrimination is a very prevalent theme throughout the story! They are many strong female characters too, and they are well written. Honestly I don't know if I should find it insulting towards their viewers that they thought it won't be understood as it was and has to be somehow reshaped to fit the american perpective, because the current problems are very much discussed in there and Sapkowski is not subtle in showing that genocide and discrimination is evil. Heck, anyone who has read the ending knows how tragic it makes the whole story.

It also seems quite disrespectful, because they've basically taken a well-established piece of our domestic literature and popular culture and decided that the social commentary in it is not relevant. It is as if all it referenced was just not important enough and they decided to use it as an opportunity to talk about the problems they consider important. And don't get me wrong, I'm not forcing anyone to write about Central European problems and traumas, I'm just confused that they've taken the piece of art already containing such a perspective on the popular and relevant problem and they just... disregarded it, because it wasn't their exact perspective on said problem.

And I think this homogenisation, maybe even from a certain point of view you could say it's worldview sanitisation is a problem, because it's really ironic, isn't it? To talk about inclusivity in a story which among other problems is about being different, and in the same time to get rid of motifs, themes and references because they are foreign? Because if something presents a different perspective it suddenly is less desirable?

There was a lot of talking about the showrunners travelling to Poland to understand the Witcher's slavic spirit and how to convey it. I don't think they really meant it beyond the most superficial, paper-thin facade.

[pyrosomatic-metamorphosis]

tbh i think that even unwinnable fights should be winnable. some of the BEST fights i've ever run as a dm were ones i built kill the players (in a fun way. I had some cutscenes prepped so even the loss would be a different flavour of win)- but then they were clever bastards and managed to either win the fights or pull themselves out of trouble. I think it's perfectly fine to plan for a fight that players aren't supposed to win, but you need to let them. if they can't win, they can't lose, and the meaning of that encounter is diminished. do that too many times, and they stop trusting you to give them roleplay prompts and start expecting to sit there waiting while you drive the story for them.

but if they can win... if there is always the chance to win, no matter how impossible the odds, then they ALWAYS have hope. they always get invested. they feel the big emotions of success or the big emotions of failure, and you fucking Win as a dm/roleplay prompter/lead bastard.

[cpressmn]

i’m about to start gatekeeping interacting with fic authors from a lot of y’all. u need to learn how to behave

“i need more” “pls continue this” “when are you posting the next bit” why don’t you try showing some proper appreciation for what’s already written before you go demanding more!!!

​a lot of time and energy goes into each piece of writing and it is incredibly disappointing for the primary feedback to be “give me more!” if you’re trying to motivate authors to continue, this kind of response has the opposite effect.

you know what is motivating? specific praise.

let me break it down for you.

How To Leave A Comment Without (Unintentionally) Sounding Like A Pri- [GUNSHOT]

point out a few specific things you liked about the fic and why. how it made you feel.

highlight a line or two or three that stuck out to you.

if it’s an incomplete work, express excitement at seeing where they’re going — without a demand for more.

it’s quite simple, and it doesn’t even have to be a long thing. this can be done in a hundred words or less.

and yeah, it takes effort. takes a bit of time. but fandom is about mutual support. it’s about community.

fic authors are not celebrities who don’t even see your attempts to get their attention. there is a real person on the other side of that screen living a real life, and if you want to encourage them in their craft and properly motivate them to write, try treating them like a fucking human being.

authors put in hours to create content (that only ends up not being truly appreciated). i think you can spare a few minutes to leave a detailed, thoughtful comment in turn.

idk just a semi-friendly reminder that authors don’t owe you shit actually

[lemongogo]

just thought of stamps treatment of elendira again ..no .. NOO

[sageofthestarz]

Some sad kinda fucked Ifrit thoughts because I woke up and they came

Cw; Substance Abuse, Sex as a coping mechanism, and just kinda general sads.

Nothing graphic said but still putting those ^

Ifrit

Big, Strong, oh so stupid Ifrit.

That's what was thought of him. A muscle head who fucked hard, partied hard, and got fucked up without a care.

An easy fuck and go without connections, without having to stick around after sorta thing

That isn't who he was though.

This was all learned behavior because it's what got him the attention he craved, any sense of being useful, cared about even if it was only because his body was useful

He loved and hated every single second of every single hookup, high, and any other thing that got him out of his head

If he wasn't happy he wasn't useful, if he didn't stay the persona they all knew he wouldn't be liked, if she showed just how broken inside he truly was he'd lose everything and everyone he had, no matter how superficial he needed the attention

It didn't matter if it was a vicious cycle of regrets, and horrible sleepless night, bad highs and.. thoughts he shouldn't have. Couldn't have

It was all he had now

His pack was broken.

His pack hated him after he left.

He never bothered to try and reconnect, why would he.

Aether, Mountain, and Dew stayed with the band, Zephyr never spoke to him, Mist was long gone to be with the lake.

He couldn't bother any of them with this.

With him.

He left the pack, he left the band, that was his choice. He left the only people who cared about him and for what? To go and be whatever he was now?

Yes.

Even when he knew he could possibly rekindle something he didn't. Shoved those feelings down and shoved more substance down his throat.

He didn't deserve it.

Didn't deserve to have that happiness.

That comfort.

Ifrit used to be the most caring, lovable golden retriever there was.

Always following someone's trail, loving on them, and doing every favor he could

His pack loved him

He loved his pack

Now a days he's nothing more then an old dog owned by a family long since grown.

One that's waiting for the first excuse to be put down despite all the love it has left to give.

He thinks it's what he deserves.

A life of misery, and pain without comfort.

He watches his old pack in longing, the only happiness coming from seeing how happy and healthy they are

He'd do anything for them even now

He's so happy to see them thrive and love each other

Even if it also breaks his heart.

[batcavescolony]

What ever you do don't think about Percy reading Estelle a little kid version of 'The Odyssey' because that's what Sally read to him but he doesn't want to scare her. Don't imagine Sally looking on with guilt in her eyes cus she HAD to read him the real one so he knew what to expect. Don't think about Sally looking down on her little girl with tears in her eyes cus she doesn't need to worry about snakes in her bed or teachers being Cyclopes. Don't think of Sally seeing Estelle with Paul and having to leave the room cus when Percy was that age they had Gabe. Don't think of the unimaginable guilt that Sally must feel for being relieved that Estelle's biggest battle at 16, is her Dad being her teacher. And whatever you do don't think about Percy feeling like an outsider in his own family even though he gets constantly reassured that he's part of it and loved.