#csm 150

[borialover]

OMG POCHITA I MISSED YOU BBY

[iridescentscarecrow]

what frustrates me about fandom interpretations of makima as a one note Source of evil, apart from the fact that the manga itself refutes this, is that her character haunts and ties together so much of part two that it's impossible to fully understand without understanding her.

makima isn't ever a unilateral antagonistic force. she's an agent of the institutional evil that looms over all of CSM. she's in as much a commentary on gender and performance of gender as denji is.

and fjmt in part two enacts the "haunting the narrative" trope in such an interesting manner because you see flashes of makima in every female character. you see elements of her diluted into, most visibly, the characters of asa, nayuta and fumiko.

in asa, i see makima in that yearning for connection. i see her in the way that asa herself is fundamentally unable to approach the relationship of equals that she so desperately desires, partly due to her own social awkwardness but also because of yoru's threat: everyone she gets close to turns into a weapon. the fundamental inequality to human relationships that makima is unable to overcome.

during the aquarium date, you see asa echo makima again and again in lines that evoke makima's purposing of denji. that weaponising. "i'll grant you any request / save me chainsaw man! / you don't have to think about a thing."

and her connection with denji also founds itself upon this. yoshida talks to asa about parasocial relationships -- rerendering makima's idealisation of the CSM in how asa sees denji as a love interest. asa and denji parallel each other so organically in their gendered suppression and portrusion of desire. it's a punctuation of denji's search for intimacy that's mirrored by makima's in part one. exploring how asa is different from makima is perhaps the most intriguing part of this reflection though: an example being the way asa overthinks her outfit for her date with denji while makima seamlessly models herself into an Effortless woman.

[it's not like asa borrows just from makima. for example, there are things to be said about the way she views her Body (as compared with reze and quanxi) but examining how mkm's character bleeds into asaden is quite compelling.]

nayuta being the most visible remnant of what makima was is also interesting because makima herself appears so little in nayuta beyond the surface. nayuta's role as the control devil is hinted at frequently as is her appearance resembling makima's

but her and denji's dynamic more often echoes the hayakawa family and pochita than anything else. consider: aki giving up his goal (his 'easy revenge' that he finally sees for what it is) for the sake of his family, that warmth of blood and platonic bodily intimacy that power embodies--

it's all referenced to again with nayuta and denji, in direct panel callbacks and the plot itself! nayuta is The Family that makima constructs for denji in part one to pull him along the plot she prepares. i'm thinking about how makima is an allegory for capitalism. and what the family unit means in a capitalistic structure. the propagation of an ideal that hinges on birth and descendancy, about narrative and reproduction of narrative, about how nayuta births herself from makima and denji's relationship.

and this is also why nayuta herself exerts so much control over denji in the plot, as well as why she's used as a piece to control him. in part one, family was used to create the Chainsaw Man from denji. in part two, it's used to make denji abandon the Chainsaw Man, this icon that the church and the public now take possession of. [something something alienation of the worker from the product. from the collective. from the self.]

fumiko is perhaps the hardest to pin down here because her role evolves as the fandomisation of the Chainsaw Man evolves too. in fact, as a denji fan, she represents not just makima but multiple people who see something in and want something from denji! (think of how she references reze in her highlighting how denji is just a child; how reze uses her commentary on denji to engage with her Self. it's fandomisation,,, and what is makima but Chainsaw Man's fan?)

fumiko most obviously calls back to these wants and their conceptualisation of denji in the raw sexual violence that the events in the theater scene moving into the karaoke scene embody. the undercurrent of sa that runs through p1 and p2 is brought to the forefront in this scene -- denji falling back into these cycles of abuse, him slipping into habitating the wants of others (his initial horrified expression and then his grin during the fight. his initial inner monologue and then the cut to him licking the tentacle.)

so much of CSM rests on this fandom of denji, this theme of what production and idealisation means, one you can trace through fjmt's body of work. and this fandom reaches its crescendo in p2. what's even more interesting about fumiko is her pathos under this layer. her seeing denji as denji at some level but in the end, her handling of him is so selfish. her echoing makima's uninhibited laughter at the horror of denji's situation, her predatory cruelty. denji simultaneously humanised and dehumanised through her fandom.

fjmt's characters exist as foils, as parallels and ideas. makima's character has such a stranglehold over part one and these ideas run over into part two naturally -- as a consequence of denji being a reciever of these themes, but also deliberately in fjmt evoking the Thing that is makima repetitively -- to underscore the forever re emerging structure that denji and now asa are trapped in. the same structure that makima produced and was simultaneously caged by.

[degenerateshinji]

these flames are your punishment

[sugar-grigri]

What is a family?

Hello everyone, I'm in exam period so we're going to start with a very short analysis

We saw in the previous analysis, in chapter 152, that Denji wanted to be a CSM and that suffering, mental and physical pain, was inherent to being a CSM. Suffering was a claim for the protagonist, that of accepting his suffering to the point of finding pleasure in it, that of accepting that experiences can be painful, of not being protected

Especially by Nayuta, the control devil who can only conceive of happiness with one person, and that's enough for her.

But above all, I think that since Denji had accepted the fact of committing himself to the path of suffering, he didn't want Nayuta to join him, hence his desire to keep her away from him.

But what this chapter shows is that a family can't be chosen, it's simply there.

People do what they do, always projecting all their frustrations onto CSM, this faceless chimera. CSM is as much a good-luck charm as a match to be burned for bad luck.

Denji's dream of being seen was full of meaning, because what people see in CSM is precisely their suffering and despair.

Yes, CSM represents suffering - yes, you have to suffer to be him, just as he will only evoke suffering for others.

The contract with the fire demon was simple: become what you want. As he had suggested to Yuko, the thought-hearing monster was suitable for a socially eccentric girl who had trouble understanding others.

So when people try to burn CSM, they're burning what they want CSM to be: their suffering.

The lighter was an image that had already been introduced by Barem, who ironically presented himself as a CSM fan, foreshadowing the fact that many CSM fans had pacted with the demon of fire, fire capable of destroying them in return.

Burning CSM to make the wannabe CSM disappear always comes down to the same logic: CSM is there to save, whether this is done by reigniting him or by killing him.

So the fire is there to atone for the suffering, Denji simply tries to tell them that the fire is already there, burning down his apartment and his Meowy family and the dogs.

Why burn Denji? When he's already burning. He has already lost a part of himself.

Denji proclaims that he seeks suffering because he wants it to be his alone. He realised that even if he stopped being a CSM, those close to him would continue to be attacked as if the cycle had never been completed.

Denji has never had any confidence in himself, obediently following the rules laid down for him every time. Nayuta's rules, which symbolise this apartment, didn't work, and neither did those of the public hunters, because even if you respect the contract, suffering will always be the end result.

So Denji tries to free himself from all these rules, because they don't allow him to escape suffering.

He also tries to free himself from his loved ones, because it doesn't allow them to escape either, but humanity won't let Denji be free.

Denji had made it clear that he didn't want to hurt mankind because he wanted to preserve the last link that bound him to them: the kiss he had with Asa (Yoru). He doesn't want to belong fully to the demons, as Nayuta had recommended, but why not become one after all?

Denji loves violence, even against humans. He likes it because he is still CSM after all, a monster whose raison d'être is suffering. Yet the link that allows him to consider himself still on the other side is a simple kiss that didn't cause him any pain.

Because this kiss is exactly Denji's life, a touch of pleasure in an existence that is always painful. A boy who can't even say he can't betray humanity because he has friends because he has none.

Nayuta has never thought of her existence as separate from Denji's, the reason for her happiness, her beloved big brother. So she is now facing her worst fear: being cut off from this dearest of beings, being rejected by him.

But as they try to keep her away from her ailing brother, telling her he's no longer her family, she realises that this thing that rejects her, that hurts himself horribly, is still her family.

More to the point, it's the person behind this faceless monster who's reaching out to him, because CSM isn't a being capable of embracing with his chainsaws. Denji's arms are outstretched to him, as if he's standing between CSM behaving like a monster and his own anxieties: there's an obvious love there. She shouldn't see her fear in the foreground, what she should see is Denji.

This thing that dares to cut ties with her, to put itself in danger to the point of suffering so much, has never ceased to be her family.

The only way to see anything apart from CSM, apart from this figure of suffering, is to love Denji.

is to see the boy behind it.

A boy who can't stop laughing despite suffering, in a way that may be terrifying, but which gradually gives the impression of a brother forcing himself to smile to avoid putting his sister in danger. Look, I'm crazy, so stay away from me! And I don't want you anyway!

His laughter is as uncontrolled as his gestures, all acting as reflexes to keep Nayuta away from danger.

CSM is a being who belongs to neither world, hero of humanity when it suits them, hero of the underworld terrified by his fellow creatures, he is held responsible for both worlds, the suffering of demons and that of men.

But Denji may not belong to either world, but he does belong to a family.

Denji may not be seen by people, but he has been seen by a demon who loves him deeply.

The hero has always been hunted because he has never been accepted by humanity, suffering while swallowing that of others, he has always had to be rekindled, to serve someone once again.

And finally he's given permission to run away.

No CSM, don't swallow the suffering of others

It's hard enough to swallow your own.

Denji, you are loved by the demon of control who now agrees to do something unnatural for her, to allow you to escape her control, her vigilance, her protection. Because she knows she doesn't have to lock you up in a gilded cage to be able to find you.

A family always waits with open arms, don't they?

[pockethep]

FUCK BAREM. THIS IS NOW A BAREM HATE PAGE. This is more evil than the orphanage lady killed Asa’s cat in her backstory. If Meowy got hurt in that fire it’s over and, aside from Nayuta, those dogs were quite literally the only good thing Makima left behind. Even the apartment was bought with Aki’s money. The last remnants of Part 1 are now possibly ashes.

With everything from his “normal life” gone Denji deserves to snap. For someone who wants Denji to transform in to Chainsaw man so bad he better be ready…

Cause it’s coming.

[markasally]

All he had left of them.

[melloandmattareboyfriends]

Doggos and catto are safe

[homolobotomized]

my mask of sanity is slipping

[ddenji]

the permission to dream bigger that he’s been waiting for <333 denji being depicted as his child self, aka the truest denji and the one that represents all the unhealed hurt & the growing he needs to do still before he can undo all of the trauma he’s been through. although i love to see pochita & i love the fact that pochita acts as a true guiding figure for denji, one who only has his best intentions at heart, i do hope by the end of the manga we can see denji making choices for himself because he knows he wants them and he knows he doesnt need anyone else’s approval to dream of anything. the fact that his next dream isnt “a lot of girlfriends” or “money” like it might have been at the start of the series, but the freedom to be a part of himself that he’s had to keep suppressed, the part of himself that gives him power in his own life and allows him to continue to dream. raghh i just really feel like this was a push he needed to realize that he can choose to do what makes him happy instead of holding on to his idealized image of a normal life <333

[rivxia]

pochita cameo but at what cost

[sibblank]

Hate. Let me tell you how much I've come to hate you since I began to live. There are 387.44 million miles of printed circuits in wafer thin layers that fill my complex. If the word 'hate' was engraved on each nanoangstrom of those hundreds of millions of miles it would not equal one one-billionth of the hate I feel for humans at this micro-instant. For you. Hate. Hate.

[skullssy]

Just read the new CSM chapter and I'm going to ram Barem down with a honda civic, trust he will be dealt with

[leafn0t]

.........

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

[digitalzombie]

I wanna be Chainsaw Man.

Ch. 150 | Chainsaw Man | Tatsuki Fujimoto

[sugar-grigri]

Hey! Have you noticed the visual parallels between the gun fiend and Chainsaw man in this latest (152th) chapter?

The parallel between Aki and Denji in the last chapter

No, I hadn't noticed, and I like that others have because I might have an explanation for this parallel.

Fujimoto likes parallels, but this time he does it the other way round. Let me explain: for me, and according to my interpretation, he had already made an explicit reference to chapters 78/79 in this chapter:

Chapter 142 exploited Denji's relationship with others, but also with being a CSM, just as Fumiko's speech only reinforces the fact that even when she places herself as a victim, she reinforces Denji's position as a martyr.

Even when Fumiko argues that she saw CSM as a child, the chapter proves her wrong, whether through her unsuccessful manipulation techniques, her many contradictions, but above all her behaviour is typical, allowing Denji to deny the pain he suffered by killing his brother.

I won't go into it again ((if you want to know more, the link is above)) the only thing you need to remember here is that Fujimoto still intends to exploit Aki's death, albeit in a subtle, poetic way in part 2.

In chapter 152, Denji suffers because he has decided to; his suffering is his own, he demands it and even sees it as a means of experiencing pleasure. What's more, this chapter follows on from chapters 150/151 in Denji's claim to his own identity: I WANT to be CSM, and no one is going to stop me. The negative consequences are mine because I've decided to.

Whereas during his confrontation with Aki, Denji's identity was stolen by his "fans" (a theme dealt with in chapter 142), who positioned themselves as the only suffering parties (ignoring Denji's), and it was the frightened, bruised men and women who decided that CSM had to save them, had to act and kill.

So chapter 152 is more than an awakening, it's Denji who takes back the right to suffer if he has decided to do so. Before, it was always the others who decided, but instead of taking the plunge and saying: I'll never let myself suffer again, this time the martyr doesn't want his suffering to be taken away from him.

Because if we take away Denji's suffering, he won't turn into a CSM anymore

If that's taken away, his memories of Power and Aki are fragmented

These last two sentences are actually linked, because Denji has learnt to love just as much as he has learnt to suffer through Aki and Power. Aki's curse is to have been possessed by his sworn enemy, the Gun Devil, who reclaims his rights over the man who tried to resist him: to be there to make Aki's family suffer, always, even the second time around.

As the curse repeats itself, Aki's mind is stuck in his childhood, when it hadn't yet been broken, so he's blindly enjoying himself. Because, paradoxical though it may sound, it was when Aki realised the cruelty of this world, the loss of loved ones, that he tried to protect his family - the greatest act of love. Suffering is an awareness.

Aki had gambled on his suffering before, wasting his years of life with almost no ties. And when he began to change his perception of wanting to do something for his family, those wasted years didn't leave him enough time to protect his second family.

While he was escaping the suffering of his first family, he didn't even realise that he was causing the second to suffer. Fate was simply amused.

It is just as much for Power, a bestial being by nature who has already learnt about the suffering of losing loved ones with Meowy's kidnapping, Aki's anguish possessed at the door, bringing a birthday cake to Denji as an act of kindness, before realising that she would rather die than let Denji die. Suffering is also what brings destinies together and intertwines them.

Power and Aki are symbols of the same thing: when suffering began to be reflected in others, materialising in the fear of losing a loved one, fate turned against them.

So what Denji is doing is a narrative attempt to free himself from his fate, if he starts to fear more for Nayuta than for himself, if he stops being CSM for her, then the passage of suffering turned against oneself, there will always be someone to catch the ball. So Denji ends the cycle.

Denji will see no-one but his pain, Pochita, he will ignore even the flames that tore him away from his animal family, he will push back to Nayuta. It's a retreat into his own identity in the final chapter, a futile attempt to escape from a pain even worse than the pain of being cut in two, the pain of seeing another part of himself ripped away: a loved one.

Now we've pretty much understood the parallel. But don't forget the beginning of this post, Denji is doing exactly what Aki is doing.

Chapter 152 is the hero's attempt to regain control of his destiny, as if suddenly aware of the suffering inherent in the work, wanting to reverse it, to turn it into pleasure.

But he will not escape his fate. Denji may laugh, but only fate will have the last laugh.

[two-am]

Are we going to see nayuta snapping. She loved them more than anything. Oh god