#cut log

[skymantle]

glados saying "once testing starts, im required by protocol to keep interaction with you to a minimum. this will be our only chance to talk." during the beginning of portal 2 only to immediately talk to chell during every single test is funny on its own but that along with the cut scene where she stops the elevator between tests to ask if there's "anything you'd like to say to me? anything at all?"...she's so lonely and desperate </3

[14dayswithyou]

💖 Slight 14DWY + Blog Changes! 💖

(16/12/23)

Leon will now move away from Corland Bay when he’s 10 years old. Originally, I never really put that much thought into it because it won't be explicitly mentioned in the game, but I figured I might as well make it more accurate now ^^;

Teo is now 26 (instead of 27). Again, zero thought went into this aside from wanting a wider range of ages for the cast — but now I want him to be closer to Jae and Violet’s age — especially considering they were all childhood friends and Violet was in the grade below them.

Elanor is now 30 and Kiara is 29. In the 2017 version, Elanor was originally the eldest sister, but it just didn't feel right to change it in the 2020 version. Day 3 will still be lore accurate, but everything on this blog will need to be retconned.

14DWY Purple (unofficial) will now be changing from #A14BF4 to #9D64FD.

Not a change, but adding more clarification: Angel will still attend university (and Jae and Teo will still be their university friend), but whether or not they enrolled will remain ambiguous! Day 1/2 kinda insinuates that they studied something ("Teo attended some of their classes"), but I wanted it to imply that they could've attended orientation and/or took "mock classes" after high school to see what it's like as well. I may change a few lines in the demo (in the future) to reflect that.

Egg

I'd like to (hopefully) try to remind everyone that whenever I write about Angel on this blog, they are gender neutral. Because if my ass had a dollar for every time someone assumed they were female because of the cutesy/pink themes or how "soft" I made the MC, I'd have enough money to fund voice actors, translators, custom soundtrack, and pay the $100 Steam fee /hj

Changed the crackpot theory tag into an actual tag!! About time sdghjdg

(07/01/24)

Also not a change, but to solidify Haruko's appearance + Ren's likeness a bit more... Haruko is supposed to be an anime character with pink/blue hair, blue eyes, and fair skin. He's a modern day "sorcerer" (a reference to JJK, not a literal fantasy wizard lmao) from an anime called "Attack on Giants" (another reference to "Attack on Titan"); and is very kind, ditzy, and empathetic. All Ren has copied is his hairstyle, vibe, and demeanour. Ren isn't outright cosplaying Haruko, and it'd take an avid anime enjoyer to notice that Ren is attempting to mimic Haruko.

I'll make a poll one day, but I might change Ren's left sleeve tattoo to the spoiler-free placeholder I used in this artwork. A lot of people seem to prefer it, but I'll wait until the poll to make any final decisions.

I might also make another poll to see if perhaps a new BGM theme would better suit the demo. Because in my mind, the "summer/beach location" = acoustic guitar (rather than piano) — and for some reason I get lo-fi vibes from 14DWY??

I don't think anyone has picked up on this subtle shift yet, but Ren will mainly use "he/him" over "he/they" now (since Haruko is a he/him enjoyer 👍). [REDACTED], however, will still greatly prefer "they/he", and will continue to use them interchangeably.

21/02/24 — or search through Obsidian. (Future Sai here.... I have no clue what this means???? What??? T_T)

I'm gonna cut down on the Teo and Ren bullying on this blog (and in general). I don't find it fun anymore, and it genuinely upsets me when people put down certain characters to make others look better (i.e. "Ren has no ass which makes Leon superior >:)" Just say you like Leon... I beg T_T). It also makes me doubt whether Ren is genuinely a good character or not, and it's gross seeing y'all tear down people who genuinely enjoy Teo. Be kind.

(11/01/24)

Eventually, I'd like to turn this meme into an event in the 14DWY Discord to help create an actual landlord for Day 3. The current landlord has always been a meme-y placeholder (I thought the idea would be funny), but looking at how the game is currently, I want 14DWY to be more "serious". The current landlord will eventually be turned into an easter egg!!

Whether or not Jae had bottom surgery will now remain ambiguous. Everyone is now free to headcanon whatever they'd like, so long as it's not offensive or too OOC.

From now on, I'll also try my best to remind everyone that Jae is gay and Kiara is lesbian. I tried not to bring it up frequently because I was afraid it'd come across like "being gay" was their only defining personality trait, but I'm tired of people sending in asks that don't apply to these characters ^^;

I might move all of the curiouscat questions to this blog and archive the account. It's becoming too much of a hassle for me to manage 3+ social media accounts sgkshjj

[frankensteincest]

society if knowledge and secrets (the Eye) vs. narrative and meaning (the Web) wasn’t presented as a strict dichotomy where one Fear alone developed the ability to Think but rather our amorphous blob of terror being an exploration of epistemology and metafiction. society if there was at the very least an actual discussion of the Spider’s desire to proliferate in and feed on infinite realities being the same hunger that drove Jonah Magnus and how they both deified the same man over it, making him the site of violence in this cosmic struggle between fate and free will.

[twisting-roads]

fuck you bitch!!!!!!! go my iterator logs

closeups below

[thelongestway]

hey no shade but you know dungeon meshi isn't actually based off dnd right? there are definitely some overlapping concepts and it can be fun to analyze it through a dnd lens but really it's its own homebrew fantasy setting. just checking bc i nearly got in an argument w someone over dungeon meshi lore the other day only to realize it was because they were trying to apply dnd lore to it ahahaa

Oh yeah, absolutely, it's its own thing. You don't even have to go far to show how it's its own thing: for one, the whole set-up with the dungeons being what they are isn't found anywhere else in D&D-inspired material that I know. You could maybe reflavor Halaster's Undermountain to something like the Dungeon Meshi dungeons, but that would be another layer of homebrew. That said, I do have the feeling that Ryoko Kui grew up on the same kind of D&D material that I did - stuff like Elminster's Ecologies, or old school Greyhawk materials. Her story genuinely feels like an AD&D game run by an old-school DM, maybe even earlier in the editions (hi, Chilchuck and "I'm a rogue, I'm not gonna fight"!). I don't mean that she follows D&D canon in any meaningful sense--her stuff isn't set in Greyhawk, nor on Abeir-Toril, nor on Krynn, etc. But I do think she's someone who's inspired by old school stuff, even as she makes her work thoroughly her own.

An acquaintance of mine once wrote that long tabletop games gain a quality that she called "being well-trod". This is when the players and DM are so familiar with the world they live in that it becomes, well, lived-in. They don't need to look up rules anymore to extrapolate: they understand the logic of the setting, and they get the same kind of intuitive feel for the world that we do when living in our own world, in real life. A feeling of where the boundaries lie, and how things work.

This is how I feel about Dungeon Meshi and D&D. It feels like a work written by someone who walked the same paths that I did, and whose work is therefore both new and startlingly familiar. That's it in a nutshell, but then I also wrote a bunch of examples, which got very long, so cut for length and spoilers!

I wrote somewhere in the tags on my Dungeon Meshi posts that it's incredibly surreal reading a story that seems to be informed by the exact materials that you base your own homebrew games on. Kui takes her work in a wholly different direction than I did - but the disparate elements of the story would fit in like a glove, because they're based on similar logic. I could quite literally take any of the ecologies elements of Dungeon Meshi and put them into a given module I'm running, and it would need less adaptation than 5e material. And most of the cultural/racial elements of Dungeon Meshi? That, too. Where it's not a one for one match, it would so easily be explainable by "different continent".

Let's take the example you're probably here from: the Canaries and elves in general, and let's take elves in general first. In D&D, there's been a switch in models of elven aging throughout the years: from "they are literal babies up until 60-ish, and then have 40 years of actual adolescence" to "yeah they grow to full adult size at about the same speed as the other races, and are then just culturally considered too young to make their own decisions". I am decidedly not a fan of the second model - I think it takes away from the cool biologies early D&D thrived on. BG3's treatment of Astarion's age of death, for instance, keeps throwing me. Yeah, I get it: it fits in with the edition they're working off, but I hate it. That's not how things work on our Faerun! But then we get to Marcille's backstory, and we see that she has the problems old school half-elves did, and you're like "oh, well of course someone invested in weird cool biology as an author would interpret elves like that." Her treatment of age makes sense to me. She makes the races as alien as possible, and hits that vibe of "D&D-style fantasy is its own thing, with its own set of rules" that I love. In contrast, and unlike any prototypes I know, Kui takes her half-foots in a different direction! They don't live longer than tall-men, they live shorter lives, closer to goblinoids. And I think it's for the same reason: because it's that much cooler to have different experiences of life in humanoid races. This is decidedly Not D&D, but it would absolutely fit into that vein.

With smaller details, I keep joking around here that the Canaries are grey elves, and of course they're not. But then Kui keeps putting in these tiny little details - which can be either nods to existing material, or the same extrapolations that other authors drawing upon high fantasy tropes have made. The white ships that have travelled all the way from Tolkien's Valinor to Evermeet and now to Shima. The fact that the Canaries have basically the right color scheme for grey elves threw me completely: I was not expecting that! Elves being that specific brand of destructive that they are - jeez, the Canaries would be right at home in Myth Drannor, or during the Crown Wars. So I joke around about these specific dolts a lot, and I am having an inordinate amount of fun seeing if my predictions that come from running a Myth Drannor game for a good long while now come true. And it goes on. Marcille doesn't prepare spells, and the magic here is obviously not Vancian. But Mithrun's teleport shenanigans are literally stuff I've done in games. The differences between races in D&D aren't because of wishes made by mortals; they're built in by gods for their own purposes. But the towns that spring up around anomalous spots and that have to deal with the weirdness have the same vibe. Kui draws on a more extensive tradition than just D&D, of course, but she transforms the tradition in a very similar way to old D&D. Of course the elves' magic in Kui's work does weird and creepy stuff with soulbinding and immortality; that's been their dark side since Tolkien and Celebrimbor's work with Annatar, and then it turned into stuff like elves regularly sacrificing their lives in high magic rituals in Faerun. Of course Senshi's backstory is about the dwarves that have dug too deep - but they are, of course, distinct from gnomes, and the gnomes are a peculiar and interesting breed of arcana specialists. Of course Chilchuck is a Burglar - but he works on dungeon delving unions, of all things! It's a familiar transformation, so the world makes sense to me, and I love it. So yeah. Tl;dr: not D&D ofc, but the vibe is there, and I am having fun with it.

Also - can you tell me about the argument? I am super curious, and I wonder if the person you were arguing with was working from 5e material.

[lavernius]

Locus and Lopez vs. dehumanization and seeing your own humanity through someone else

AKA 1.5k words worth of me trying to justify a random pairing I've been trying to sell people on for 5 years. Feat. a lot of my own introspection on both characters, CW for mentions of abuse.

It's kind of easy to assume that Locpez as a ship only exists because Locus is one of the few people who understands Lopez and one of even fewer who has had an actual (off-screen) conversation with him with full mutual fluency, especially since they interact directly, like, twice in canon (Objects In Space and the "Holy shit he's bilingual" scene from The Federal Army of Chorus). To be honest, that was my initial reason for shoving them together whenever I got into RVB and there was literally no content for them because no one was really considering them together in any capacity but a brief, funny passing interaction.

I do think language is an inherent motivator in their relationship with each other. It's a catalyst. Spanish, of course, is perhaps the most obvious thing they share--Locus being a Latino man and Lopez being the same in a convoluted and meta-racist metaphor. Beggars, choosers: anyone who knows how I operate knows I lean into reclaiming their depictions for my own brown person machinations. For Lopez it's the beauty of meeting someone who not only understands him, but isn't going to belittle him for the language he speaks or imply it'd be easier if he learned English. Locus will just listen to him talk and respond without commenting on the language barrier; Lopez isn't exotic or abnormal or "broken" for it, he just speaks Spanish, big deal, Locus speaks it too.

For Locus, it leans more toward reminding him of who he used to be when he was a simpler and kinder person. His culture seems like a forgone part of himself in many ways, but even if only because he's so distant from his humanity that he doesn't remember HOW to embrace his culture, or what the point of cultural pride even is. Lopez is like, reverse culture shock for him, where Locus is very familiar with Spanish as a language--grew up with it, learned it young, whatever, he canonically understands it and given he's Latino it's easy to assume it could be his native language--but has divorced himself from it so much to be malleable to his abusers that hearing someone speak it so unabashedly feels new. It's the lack of it that makes it so foreign, but it's so ingrained into him that it's easy for him to just slip back into it.

And Lopez being so stubbornly proud of what he is plays into that language dynamic, yes--now that there's someone who will listen and not judge, he has room to be adamant and own his monolingualism, and having someone as aggressively, straightforwardly prideful as Lopez forces Locus to recognize the beauty in the language too--but it applies on a grander scale, which is what I suppose the point of this post is: Locus and Lopez don't just share Spanish, but also histories of abuse and dehumanization, of being overlooked as living, thinking things in favor of taking advantage of their skills. And the results of this abuse manifest differently in both of them, but they're alike in just enough ways that their differences stimulate each other into bettering themselves and reflecting on what makes them, dramatic pause, human.

Some of Lopez and Locus's defining personality traits to me are their shared low empathy (forcibly learned on both of their parts) and the way they feel so alien in any group they're a part of. They're people with a lot of potential who don't care how others see them (at their worst, especially in Locus's case), but are limited by someone who only sees them for their usefulness (Sarge, Felix) and doesn't truly see them as a person. Lopez may be a Red, but they don't really care about anything he says, so he's just a wrench to them. Locus has Felix, but he doesn't recognize that Felix has one-sided power over him and is keeping him on a short leash; he's a shield and a weapon. They're tools, they don't have feelings, and if they realize as much it's a fault in their programming, they can and have to be steered back into place.

They're reflective of each other in this way. However, they're not identical in disposition: Locus resigns very easily to what he's told to be. He had more hope once, made attempts to be humanitarian, but was swiftly taught that kindness is suicide and that the point is to survive, no matter the cost. It was easy for Felix to take advantage of him by saying they needed each other when Locus was at his worst, because having kindness ripped out of him gave Locus little else to rely on but his hands. Locus has no room for questions, because a rulebook is absolute. It takes a reminder of what he used to be to make him falter, but even when Santa is showing him one of the inciting incidents of his "soldier" mindset, Locus can't stop himself from resigning to the mindlessness that Felix and the UNSC have already taught him.

Lopez feels trapped and is hyper-aware of it. He'll listen, but only because there's nothing else in the world for him. He's subservient but not in the same way Locus is, because he's angry about his situation: he knows it's not fair, but what can he fucking do about it? He was made to be Red Team's mechanic, and every word he says falls on deaf ears. He carries this self-awareness like a shield, like a threat: he could do something, but there's no point because his nature as a robot defines him. All he has is a sharp tongue and his hands, and the Reds only need one of those things from him. He revels in being able to complain and reminds himself that he's meant for something greater, but he's so fatalistic that he won't take action.

The balance comes from this anger. They're so alike in how they see the world and how much life has mistreated them, but they don't fully understand each other despite it. Locus sees Lopez as privileged for having a team because Locus has never had people to belong with, but he doesn't understand that Red Team isn't a safe place for Lopez. Lopez thinks Locus is misguided for letting himself believe he could ever be reduced to a mindless weapon, because Lopez has only ever been an object and Locus can't comprehend what that's really like. They see each other for their imperfections first and foremost and it frustrates them mutually: "You could've fixed this sooner, you could've escaped the grief, why didn't you try?"

It's this back-and-forth that they both need in order to reflect on themselves. They're harsh people who don't want to be coddled and admonished, but they're not making forward motion on their own because they're both stubborn and tend to decathect before they even recognize they CAN feel. They refuse to see themselves as human, but they can only see the humanity in each other, and they're both so alike that it could make them hypocrites. For a robot, Lopez's anger is so potent that it's alive: Locus sees more feeling in him than he's ever felt in his own life. Locus wants to be a weapon so bad, but he doesn't realize an object doesn't have heart the way he does, doesn't mourn the years it spent under someone's thumb, doesn't want to fix itself.

They're both brutally honest and they both need brutal honesty. They get along WELL by nature of being as similar as they are, but they argue so much because they want to understand each other and don't realize they already do. They're mapping details of their reflections. It's great: Locus is so hurt that he can only see the damage he causes, Lopez is difficult to hurt and notoriously good at fixing things. Lopez wants true accountability and retribution and Locus has cultivated complicity and guilt to perfection.

After Felix, Locus needs room to command his own life and put others in place when they overstep his boundaries, but he's scared of becoming Felix, so he also needs an anchor to keep him grounded in reality and reasonable. Lopez has never had real control over his own life before and would kill to have the power to make small choices and do as he wants, but he's a very private person who also needs a lot of space to work. They balance each other out and know the other's limits so well that they can easily go "You're hurting yourself and I'm not going to let you get away with it."

It's about understanding yourself through someone else and vice versa. Realizing that you share so much that if they deserve good, you do too. Reclaiming pain, experiencing freedom, finding support. They will deconstruct each other to the metal and muscles and rebuild one another over and over again, and they'll never get it perfectly right, but they're both going to learn more and more as they go. Flawless navigation of a road you've driven a million times, forward and back, potholes and all.

[ahollowgrave]

[Nudity under the cut]

I just think she is SOOOOOOOOOO!!!!!!!!

[esteemed-excellency]

Feast of the Rose outfits combo 🌹💌🌺✨️

Inspo under the cut:

[sneeglogsau-deactivated]

battalions are ready to be summoned at any moment

-🪱

… Thank you for the numbers of arms, worm civilization. As long as you guys have some planarian flatworms with you, then I think you’ll be just fine.

[astrangetorpedo]

it did not, even a little bit, sound like she was being sarcastic

[simmyfrobby]

― Regarding the Pain of Others, Susan Sontag.  

[logan-the-artist]

For the expression meme, maybe 4B Remus and 5B Roman? It gave me protective bro vibes, (though it could also be seen as them fighting)

much angst, so much angst 😭

YOU ARE ABSOLUTELY CORRECT.

honestly i should draw them more

from this ask game

[chiprewington]

hi i have a thing where i have to remake perry's ref sheet every few months or else i'll die

[cybertron-smash-or-pass]

If g1 scourge wins I’ll write a fic where he reacts to his victory.

If g1 scourge wins I'll make a sideblog entirely dedicated to scourgeposting

You know what, that's fair. Gotta draw the robocock yourself or else nobody will.

This whole war has just taught me that memes are very effective propaganda and we are not immune to it

Caught red fucking handed

1. I gotta read the aligned novels sometime bc everything I learn about aligned Optimus outside of tfp recontextualizes his whole character in tfp in increasingly funny ways

2. If he doesn't have that beard combo, you have three less places to grab when you [redacted] [redacted] [redacted]

[mcybree]

Could you tell the class about secret life Scott please. Because obviously limited life Scott is my muse and double life Scott is everything I seek to destroy in the world, but secret life Scott continues to illude me and you seem like the kind of guy who could understand his actions. Why did he break scar and Jimmy up? What was that about? Why is he such a little freak all the time? I simply must know

ok whatever this ask is too enticing.

Why did he break Scar and Jimmy up? Even though he initially makes stopping this team up about Scar and Jimmy both dying way too quickly to allow for it, he later elaborates on it as “I’m just making sure this doesn’t have lasting bonds, because last time I bumped into Jimmy in the wilderness, I ended up flower husbands, so..!” Which. He’s framing flower husbands as something that needs to be avoided, like being “flower husbands” is some inherently negative thing that he is advising Scar against. Which is a huge insight into his character because it makes total sense why he’d see flower husbands as something Bad when he got so fucked up over Jimmy dying that he placed the lowest he ever had that season… Scott is someone who takes a lot of pride in his emotional control otherwise so flower husbands was a huge blow to that feeling of security. It gets interesting though when you pair this with how Scott puts flower husbands on a pedestal and waves it about as if it were this perfect love that Jimmy’s still obsessed with. It’s something along the lines of: “I need to warn people against pairing with Jimmy because when I did that, Flower Husbands happened to me, BUT it was a good thing when it happened to me specifically, because we were in love. I just think it shouldn’t happen again.” It’s a contradiction between how he thinks about it versus how he feels about it.

As for the whole “this can’t be a pairing because you’ll both die” part of it: Scott sometimes feels like Jimmy is his responsibility to take care of, even beyond 3L (see: limlife FH), so he sees Jimmy about to make what he thinks is a bad decision and outright tells him he can’t do that. Because he thinks Jimmy is uniquely unreasonable and can’t make good judgements on his own.

Why is he such a little freak all the time? The lab is still trying to figure that one out. Results inconclusive but we think maybe exposure to an active volcano would help

[gasstationpopcorn]