#dawn of the nugget

[moonah-rose]

This was definitely not on my 2023 Bingo card.

[dreamlanddoll]

shout out to Aardman for making a movie that has a lead female character that's well written and feels like a real person (even though she's a chicken), a predominantly female cast with only one or two supporting male characters (pulling a reverse Smurfette trope) whom all have diverse personalities and quirks, and a main romance between said female lead and the play boy male character that's an enemies to lovers that doesn't at all feel misogynistic or like they actually hate each other. And shout out to him for making the main mastermind villain a woman as well. It's an action-adventure movie with a female lead narrative that feels entirely gender neutral and it's one of the few I can think of that does this. Also shout our to him for making the chickens all look anthropomorphized in a way that isn't overly sexualized (or sexual at all really). If there were an award for "man who actually knows how to write female characters and present them as people" it would go to Aardman. Well done.

[tatiejosie]

oh dear. oh my. oh heavens. bless my soul. oh lor. heck. Chicken Run 2 was SO good

Any of yall remember me and my intense Chicken Run phase back in 2016??? i promise i'll wrap up the ask blog properly just give me some time-

They brought back the Original Girlboss!!!! The girlie-in-command herself!! Look at her go, building herself a little boytoy army!! That makeover, that GLOW-UP

I'm SO glad I ended up watching the movie despite my initial apprehension. That was definitely worth the wait, and I'm honestly very invested in her new dynamic with Dr Fry. yes i am up to something, let me cook

[giddlygoat]

i absolutely adore melisha in the first movie. i loved fry’s potential. that’s all i have to say about that

[dolls-self-ships]

they’re lesbians, Harold Fowler

[keenadraws]

I really liked the new chicken movie... 🍿

[otisbeerdraws]

New Chicken Run is finally here! 🐔🐀

[frogcoven88]

Did Chicken Run 2 remind anyone else of Little Mermaid 2 or am I just going insane?

[paperbagedhead]

Chick off the old block.

[gunnerds]

[feathersandfarmers]

I NEEDED to make a autumn/halloween themed Chicken Run artwork!

Molly and Frizzle at the pumpkin patch!

[franki-lew-yo]

Chicken Run 2 things I did really like:

It's a fun and small nod to irl chicken farming, but I like that the pen the chickens are kept in in Funtime Farms is an indoor pen. That's how modern poultry gets by on the "free range" excuse.

Genuinely appreciate how much and how well this movie states Ginger's awesomeness through Rocky or other people. It's not too distracting and it's earned. She is the iron chicken and it's a good way to hype up the character without telling you rather than showing you. God. I love Ginger.

Nick and Fetcher needed more scenes with Molly because them being attached and joining in just to save their "niece" is adorable and a great expanse on their characters. Good.

Rocky was a great dad and way better written than the original but still very much Rocky. That's how you do a 'wrote a potentially problematic love interest 20 years ago now here's them updated for modern ''wokeness' standards,' PIXAR. I liked him being both a hinderence and an accessory to Ginger. Shows why and what I like about them as a couple. I especially like how, without even showing you, that Rocky was the one to tell Molly what she needed to know but did not expand on just how traumatized Ginger really is from her ordeal. That's both in character and a believable thing a parent would do when their kid is simply prodding about their past, rather than directly asking their parent. Also, given it's Rocky and he already didn't have a perfect sitch going on as a circus animal, he probably didn't hype it up as perfect but more or less leaned into how adventurous he and Ginger were.

Ginger and Molly and their whole plot of not understanding each other was fine. Ginger being an overprotective parent who never wants to leave the island now and is enforcing her flock never to leave works better here than in contrived direct to video movies like Lion King 2 or Little Mermaid 2. The annoying thing about these kinds of stories is, simply put, the audience is screaming at the parent to just better communicate with their kids, especially when it's not like Ginger is too haunted to talk about the farm to other characters. What was needed, I think, was real establishment that Molly knows her mom escaped from a farm but doesn't truly know what a farm is and what would happen to her on one. Maybe also have it clear that Ginger is so set on being a "free chicken" she refuses to even talk about her past with Molly- somehow thinking that her old life before was beneath what she is now, even though she was the one who escaped from it and was always worth the lifestyle she deserves. Would be a great call forward to Ginger's slight (understandable) apathy for chickens outside her flock that would come full circle to her being the character she always is and is best at. Over all I liked her, Rocky and Molly a lot. I just wished I could have heard Julia Sawahla instead.

Pacing actually moved decently for once for a modern animated kids film. That's impressive, especially for a sequel.

Mrs. Tweedy saying she "gave Ginger everything a hen could ask for" was really illuminating for her character. Really, much as I wish this wasn't the same character, I love Mrs. Tweedy wanting revenge on Ginger. On a chicken. Her dialogue revealing that she thought the life she gave the chickens on her old farm was "good" for them tells you so much about her and how she sees herself as a good farmer only if she's a successful farmer.

Haha the ending shot is perfect.

Okay one thing about this movie- this may be actually be a bad thing depending on your diet choices -this movie makes me actually really hungry for chicken and chicken nuggets. This whole franchise isn't inherently vegetarian or trying to be anti meat, granted, but that is the take away from the character's perspective given that they are the chickens. To put this a different way: the first movie makes eating chicken really unappetizing from the beginning with the "roll call" scene and the pies the chickens would potentially turn into, over the top as it is, also unpleasant. You definitely don't get anything close to the "roll call" scene in this film. A chicken does die but it's all so offscreen it has no impact, so when she's cartoonishly instantly turned into nuggets that Mrs. Tweedy eats, you don't feel anything...you kind of wanna eat the nuggets. Apologies to any chickens reading that. Here, have some happy chickens to counteract the pain:

[dreamlanddoll]

why does he stand like that

[kylesvariouslistsandstuff]

The Subtle British Pop Culture/Timeline In CHICKEN RUN

On occasion, I've pointed out when the original CHICKEN RUN is set.

It's often been written that CHICKEN RUN was "set in the '50s", a sort of vague descriptor of its rather dreary post-war England setting. One could assume that from the technology present in the movie, and the homages to 1950s prisoner-of-war films. The obvious ones being STALAG 17 (the number 17 is on the main hut that the chickens all plot in) and THE GREAT ESCAPE. The character Fowler was of the mascot division of the Royal Air Force during World War II. All that talk about his medals. Chocks away!

The easiest way to pinpoint when CHICKEN RUN is set, at the earliest, is knowing what the songs are.

The chickens, in a hut, dance to a cover of Joe Turner's 'Flip, Flop and Fly', Turner's original was released in 1955, an early example of a rock n' roll song. Britain certainly had rock n' roll in a pre-Beatles era, but it doesn't seem as well-known to the average American as American rockers - you know, Elvis, Little Richard, etc. - are to Brits.

Later in the film, Rocky the rooster is jamming out to 'The Wanderer' by Dion.

The song first appeared in North America in November of 1961 - both as a single and as an album track on RUNAROUND SUE (the title track another big hit for him), and if you look in the opening credits sequence, Mrs. Tweedy works with a calendar that says "November"... However, 'The Wanderer' was first released in the UK in January of 1962. And it doesn't seem like much time has passed since the opening credits and the end of the movie...

'The Wanderer' reached #10 in the UK, which was great for an American rock/pop song over there... If anything, the movie is likely set in November/December 1962, so that was plenty of time for 'The Wanderer' to climb the charts, and then be played on the radio every once in a while. Things took a little while in a pre-streaming age, ya know? *waves cane* *I'm actually not that old, nowhere near lol I just love this kinda pop culture history*

So CHICKEN RUN is still kind of a post-war/pre-Beatles England, and it's set in a secluded location inhabited by a middle-aged couple who likely wouldn't have had any idea what was going in the teen beat scene. The Beatles' 'Love Me Do', the single that really put them on the map in the UK, was released in early October of 1962. Being their first true single (not the 'My Bonnie' recording they did in Germany with Tony Sheridan), it charted at a great #17 in the UK... Which of course was nothing compared to what was to come, the strings of #1s, or at least close to that. 'Please Please Me' was the second single, released in January 1963, it hit #2 in the UK. Beatlemania pretty much becomes a thing in the UK by the middle of 1963... It would take a little while for us yanks to catch the fever...

Anyways, CHICKEN RUN is set in November/December 1962. Or maybe it's 1963, who knows, but I think it's pre-Beatlemania rural England. Yorkshire to be exact.

It's kinda funny how the Disney animated ONE HUNDRED AND ONE DALMATIANS shares some similarities in this regard. That film was released in January 1961, and is set in both London and rural England. Its second half during the late fall/early winter no less. The puppies arrive in October, as stated in the film, and the film ends during Christmastime. Snow everywhere, dreary atmosphere, etc.... And then you have the Tweedys in CHICKEN RUN. Mrs. Tweedy is kind of a combination of Cruella de Vil *and* Jasper. She's got the contempt for animals like Cruella, and is taller and the brains like Jasper. Horace, the shorter, pudgier one in the equation - who is onto what the animals are doing but isn't believed, is totally Mr. Tweedy.

That brings us to the recently-released CHICKEN RUN: DAWN OF THE NUGGET... The sequel swaps prisoner-of-war movies and World War II imagery for James Bond and MISSION: IMPOSSIBLE. Spy movies in general.

One look at Mrs. Tweedy's high-tech new factory shows that in *spades*. But the folks at Aardman Animations did their homework, a lot of the details and background design and such, it legitimately looks like the lair of a supervillain in a '60s spy movie. Much like how Nomanisan Island does in THE INCREDIBLES, another very midcentury modern-inspired movie and franchise. There's also that charming UPA-esque cartoon on how the chickens are processed into nuggets, great stuff there. I also kind of get a bit of a Gerry Anderson vibe here, too. He was known for marionette shows - done in a process called "Supermarionation" - like THUNDERBIRDS and CAPTAIN SCARLET AND THE MYSTERONS. I assume most of the crew behind these movies grew up watching those shows.

And of course, a big indicator... Towards the end of the film, all the chickens - brainwashed by mind-control collars that make them all happy-go-lucky - are being forced up an escalator to a popcorn chicken death. In this pretty creepy sequence, they're all doing this while Cliff Richard's 'Summer Holiday' plays in the background. The bright, pastel-colored set adorned with simplistic countryside-looking hills that these chickens are brainwashed in before they are to be ground into fast food is reminiscent of vintage British and European children's programs. I was thinking of stuff like THE MAGIC ROUNDABOUT and such, which was also a stop-motion production.

Oh yeah, 'Summer Holiday'. That song came out in January 1963, it was the title song for a movie that was *huge* in England when it first came out. Cliff Richard is the prime example of a pre-Beatles British pop/rock star, I feel he's almost synonymous with that period of British pop music before John, Paul, George, and Ringo showed up. So, CHICKEN RUN 2 is set *after* January 1963. Plus, Ginger and Rocky's daughter Molly needed some time to grow up a bit.

Either this was intentional or not, but it strangely adds up. It's pretty chronological, either by accident or they made sure they didn't have too many anachronisms... Other than the cartoonishly high tech of Mrs. Tweedy's Fun-Land Farms, but then again, the pie machine in the original CHICKEN RUN was kind of improbable too. But that's the fun of the CHICKEN RUN movies, so it's a staple.

And even in other Aardman works, there are fun nods to British pop culture and media. For example, in WALLACE & GROMIT: THE CURSE OF THE WERE-RABBIT, Art Garfunkel's 'Bright Eyes' can be heard on the car radio in one scene. Garfunkel is American, yes, but 'Bright Eyes' was composed and recorded for the soundtrack of the British animated classic WATERSHIP DOWN. Just in case you've never seen or even heard of that movie. WATERSHIP DOWN is about rabbits, and in the WALLACE & GROMIT movie, they're dealing with rabbits! Quite clever.

Another favorite of mine is in FARMAGEDDON: A SHAUN THE SHEEP MOVIE. Of course, Shaun the Sheep is spun off from WALLACE & GROMIT, he appeared in the short film A CLOSE SHAVE. The second SHAUN THE SHEEP movie brings in science fiction and aliens, a real 180 from the small-scale first film. At the end of the film, the Farmer accidentally gets onto the UFO and is not on Earth anymore! Before they get him back, a song called 'Forever Autumn' can be heard playing on a radio.

'Forever Autumn' is a rewrite of a Lego commercial jingle composed by Jeff Wayne in 1969, with lyrics by Gary Osborne and Paul Vigrass. The two lyricists recorded the first version of that song in 1972 for an album called QUEUES. A couple years later, Jeff Wayne got the idea to do a musical version of H. G. Wells' THE WAR OF THE WORLDS. A musical album, bringing in several mostly British talents to retell - through story and song - the British sci-fi staple. 'Forever Autumn' was covered for the album, with lead vocals sung by Justin Hayward of The Moody Blues. Of course, another British group... all for the section of the album in which the protagonist - a journalist - fears his wife had been killed in the Martian invasion. "'Cause you're not here." Which is the lyric heard in FARMAGEDDON when they realize that the Farmer went to outer space!

(It takes a special kind of skill to take such a depressing song and make it FUNNY in any context.)

Anyways, those are just a couple examples off the top of my head. Aardman's work is distinctly British, to the core. And the CHICKEN RUN movies give me a fascinating idea of when they are set, a very cartoon British '60s.

[deerprince97]

MORE CHICKEN RUN STUFF!! 🐔🐔 These have been on my bedroom whiteboard for almost a month now, so I decided to post them before I erase it. I’m sorry that Molly looks like a penguin, she was hard for me to draw for some reason, but I promise that I’m used to drawing her better by now! xD 💖💖

[dolls-self-ships]

I love it when she does the little