#day 3 of the Big Sad

[radiojamming]

:(

[gummi-ships]

Kingdom Hearts 3 - San Fransokyo

[tollsoftheclockwerkbelle]

what gets me about the shadow/maria dynamic is that it takes the trope of "weak helpless girl dies for a tragic plot device" and subverts it

Maria wasn't helpless in her fate. She did have a choice. Shadow would have been strong enough to protect them both (Where else could they even go? Would he need to hurt someone?) but instead she made a choice to protect Shadow.

Shadow's story isn't tragic because he failed to protect Maria and now spends the rest of his life tormented over it. Shadow's story is tragic because he is the strongest creature alive, but raw power isn't always enough, and his loving friend made a sacrifice to let him go hoping she was giving him a chance to learn compassion because she was strong!

Maria's purpose isn't that she's a weak little girl who dies. Maria's legacy is that she protects the strongest creature alive, and teaches it the strength of love.

Her character gives the moment purpose, not the other way around. Her willingness to die so he can go free, asking him to use his strength to protect the people of Earth, despite everything. It's her proof of love that gives Shadow's burden that kind of extreme weight. Shadow will live forever and with so much limitless power, would life be easy to discard without a second thought? Not Maria's. Not when she asked him to protect it. That weight will remind him, always.

[skitskatdacat63]

"From triumph to failure is but one step."

+ the usual

I love when I can include paper sketches in the process gif. It's very satisfying to see it progress from a very vague imagining of what was in my head to the finished project.

+ version without text

My favorite sketch was definitely the one where I actually put in words what it's supposed to convey. I wouldn't usually write that down, cause it's all in my head, but it was useful to do so when sending it to other people. I'll go into it more but here it is just as a teaser:

Lmao first of all, I like how I was teasing "Spanish GP" art, but as per usual, it's just thinly veiled au art. IM SORRY, I'M NOT INTERESTED IN MAKING GENERAL POSTERS, THAT'S NO FUN! So instead you will get weirdly relevant matador au art. I like it a lot though, I was really shocked I was able to draw 3 different Fernandos, I mean even drawing one figure takes a lot out of me, but this was weirdly easy?? I think it's just the effect of not being burnt out anymore, and actually being able to draw with more ease makes me feel like a god.

Okay, so the text: "Fight or Flight?" I'll be honest, I don't even remember why I chose it, literally came to me in a vision 😭 But I think it's fitting with the narrative of this piece. Is it better to keep going on, keep fighting, or better to finally give up, and flee? Not that I even remotely think he should give up, but I feel like sometimes I can sense him pondering this very question. That was the big fear before he announced that he re-signed. Keep fighting and maybe, just maybe, you'll get the chance to finally go up against the bull again. Or accept it's an uphill battle and the fighting is going to keep getting more and more strenous, and maybe it's time to put down the sword. SORRY THIS IS SO ANGSTY FOR WHAT'S SUPPOSED TO BE "yayyyy home race!!!" Please forgive me <3

I. Renault

At some point, someone pointed out to me that I had drawn all other iterations of matador Fernando with a sword, except for Renault Fernando, and that ended up feeling very poignant to me. In a bull fighting match, they really only pull out the sword at the last minute to deliver the killing blow. So I think it's important to never draw this Fernando with a sword, because it shows the unfailing confidence and stability he has at that point. He only needs to pull out the sword at the end, as a formality almost, there's no reason for him to keep his guard up at all times.

II. Ferrari

Meanwhile this Fernando, he's considering his sword like he hasn't had to in the past. He's checking the sharpness, making sure in advance he can do what needs to be done. He's on guard, he feels like he needs to keep up his defenses at all times because he doesn't have that same amount of trust and stability anymore. He knows though he will be up against the (red) bull, at least that's never in question. At least there's the assurance he'll get the chance to fight.

III. Aston

Oh, Aston Fernando....He doesn't know whether to take up his sword or finally put it down for the last time. While at least Ferrari Fernando knows he's on constant guard against the bull, this Fernando doesn't even have that assurance anymore. He feels like he can never put down the sword, just in case he gets the chance to strike the killing blow on the bull, which feels like it's growing more and more unlikely.

Spanish flag: ? Lmao this was meant to be something to celebrate Fernando's home race and it turned very introspective whoops. Also got the Napoleon quote in there hahaha, can't escape it!! Shame though there is no French gp anymore, if so I'd probably draw an unhinged thing for it :,(

[danwhobrowses]

For anyone else who is gonna struggle surviving the next 3 weeks with the angsty and tense situation of Callowmoore here's a few things from the last 2 episodes that I feel were underrated and will assist in trying to keep me sane/emotionally stable: - Matching messed up hands built for holding - Fearne nervously playing with her hair as she approaches Ashton - Ashton wanted Fearne to be either the last thing they saw if they died or the first thing they saw when they succeeded - Fearne's admittance corroborates Ashley's 4SD revelation that Fearne is in love with someone in the party but doesn't know how to process the emotions - Fearne wanted Ashton to be happy, while Ashton wanted to feel whole so they would be worthy of the Hells - Ashton twice tried to lead a search for Fearne, and instantly clocking onto Chetney saying he followed Fearne - Fearne making herself look as radiant as possible before giving Ashton the cold shoulder - Ashton only rose to Chetney's provocations until he said 'You hurt Fearne' Use how you will

[itwasabeautifulwebbing]

baldur’s gate 3 really is the game of all time for the gays who want to celebrate both sad pathetic wet men AND women’s wrongs

[sparklinglemmy]

Saw a post on main and went "someone make this happen" and I thought "wait I can make it happen" so I did :d

[cuteiemonster]

MY THIRD PIECE(s) FOR @mcytblraufest !! o7

LETS DO THIS ONE LAST TIME, these are for @allusiontomemes 's fic, [ DREAMS FROM WITHIN THE CAGE ] !! we got horrors beyond comprehension, we got multiple universes, we got accidentally destroying said universes, we got desert duo- come on down and see what else is up with these guys!!

thank you allusion and @riceofthepuffedvariety you made me go insane o7

[corfidbizna]

KHIII Chapter 35 (Eng): https://www.mediafire.com/file/x9bwpgt8ucsswr3/KH3_Ch35.zip/file Chapter List

I think this is the first time where Gangan Online and I made the same decision about what's the most iconic moment from the chapter XD.

[scopophobia-polaris]

i actually don't really like the taste of salmon

look at this shit without my many shading layers

[fall-dog]

a quick kiss for the bday boy :)

[ghost-proofbaby]

“I love you” “it’ll pass” okay but which one is Eddie and which one is reader bc I don’t think I’d be able to handle either outcome

okay. just. hear me out. listen. listen to this idea i don't know if i could ever put myself through the heartbreak of writing. (tw: i'm bringing up the cursed thing that is eddie's canon ending in stranger things as of right now. yes. his... very, very, very long nap.)

"i love you" = reader

"it'll pass" = eddie

...and how ironic it is, for him to have insisted so many times that it'll pass, especially after the canon events of season 4. in which you are left alone, with nothing more than a memory of him, and all you can think is how it'll never pass. the love, the grief, the pain - he lied. it won't pass. even when you finally crave it to.

[14dayswithyou]

So basically

Teo Gu Junpyo (boys over flowers) era when?

Or did he have that with Vi💀💀

Cuz I can totally see him pulling a Gu Junpyo on Vi and her just ignoring him out of spite

✦゜ANSWERED: JGKDGDK NOO I WAS A "TO THE BEAUTIFUL YOU" GIRLIE T_T

But!! Teo in middle school was completely different from Teo in high school. He was a lot more open and friendly towards everyone, and it only doubled when he met Violet for the first time. She too was very kind and empathetic towards her peers and Teo genuinely respected that.

But due to... reasons that no one on this blog has figured out yet... Violet chose to ignore him and every effort he made to get to know her. Eventually, that led Teo to become the spoiled brat that he is today (or at least, some form of it), and after Violet took notice, she hated him even more ;w;

[bluesidedown]

Gratitude time

[carnivalcarriondiscarded]

Wait!! In an earlier post you said everyone was aggressive… especially Barnaby…

What happened when he woke up? Unless it’s a spoiler/ not ready yet, then forget this question!!

I hope you have a nice day/night though :3

that answer is indeed Not Ready Yet! but in short, he has a Really bad time after he wakes up. like, it's Rough rough for him. and before anyone asks - no, it's not because of the arm! that is something he can understand, even if its a lil unsettling. everything Else, however...

[mo-ok]

Ive drawn every day this week 👌👌👌 please enjoy the unnecessary amount of Go On RPM content (I cannot be stopped)