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#dealing with someone like that who was a CONSTANT TERROR to night staff specifically
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when your bestie for life but also former co-worker tells you the former work tea and you just
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storyplease · 4 years
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So I finally watched “Rise of the Guardians” and I have some thoughts about the major themes in the film...
Anyway, so I know this is a kid’s film or whatever, and I know that this probably WAYYY too in the weeds as far as thoughts are concerned, but what is Tumblr even good for if you can’t rant about fictional characters in peace?
Potential spoilers below cut...
Anyway, so the movie centers around mythical character such as the Easter Bunny and Santa Claus, etc, who can be argued are literally and figuratively “unbelievable” beings that require the faith of children (not necessarily the actual knowledge of their existence) to exist.  In many ways, they play by the same rules as the American Gods in Neil Gaiman’s story of the same name. But I digress (a theme in my writing, yes?).  One of the biggest themes in the movie is the idea of a “center”- each mythical entity has a an unusual “spark” of something that makes them worthy (from what appears to be upon their death) of becoming more than human. 
So for example:
Santa Claus: Miracles/Wonder
Easter Bunny: Rebirth/Hope
Tooth Fairy: Remembrance/Connection
Sandy: Joy/Peace
It is established that all of the characters used to be mortal at some point or other, so the universe appears to have a deus ex machina (the Man in the Moon, who appears to run everything, but more on that later) who “decides” when someone is to be bestowed with powers...but who is also rendered intangible to the human beings they depend on for their power to grow until they prove themselves (mostly to children, because children tend to easily trust and believe in all manner of thing without a shred of evidence, and would therefore be much easier to convince to pledge their loyalty to)...somehow.
One of the big parts of Jack Frost’s story arc is that he doesn’t have any memories of who he was before he awoke with his abilities.  He doesn’t remember his family or have the ability to have connections with mortals directly, and yet some people do mention his name without seeing him, so it appears that he is able to scrape power here and there.  It is also worth mentioning that all of the Guardians appear to be aware of and can interact with Jack, but that they have chosen not to for over 400 years other than a few times where Jack has tried to playfully interact only to be shut down or retaliated against.
When he finally finds his memories, everyone acts really surprised, but it seems odd that this would never have come up before, especially since the Tooth Fairy appears to swoon/love his teeth and might have brought it up (but we shall forgive her a bit as she appears to be absurdly busy running the tooth empire to end all tooth empires). 
But the most important part of this revelation is that a lot of Jack Frost’s negative character traits are specifically because he is lonely and has nobody else.  He spends his life interacting with a world that cannot see or touch him.  Therefore, his center (fun/mischief) becomes twisted and he causes trouble.
When he realizes his past and is able to connect with both mortal children and the other Guardians, his character blossoms! He becomes confident, protective, fun and wisecracking but without malice or bitterness. 
He comes into his own, and his power increases.
Which brings me to...you guessed it...the main antagonist of the film.
The character of Pitch is obviously the bad guy.  He’s dark, scary, looks kinda like he’s never brushed his teeth unless the toothpaste was made of coal, and is in general menacing and terrifying.  He harms the characters, terrifies the children and generally drives the plot for his own selfish ends.  After all, he’s known as the “boogeyman.”
His main traits appear to be a penchant for darkness (creating it and hiding in shadow) and causing fear.  His lair appears to be in a hole underground that is situated under an old and rotting bed frame.  Now there’s a lot of this that could just be taken on the nose.  After all, there’s a reason that “there’s a monster under your bed” is a semi-universal kid’s fear.
There’s even a terrible pun about Pitch having a great time in the “Dark Ages.”
The thing is, darkness can mean a lot of things.  And so can fear.
Let me back up a bit so I can explain what I’m getting at:
Awhile back, I read an amazingly insightful book called The Gift Of Fear.  It has a lot of very good advice on recognizing and using the fear response to protect your safety and your life.  Fear is often overlooked as a silly, primal thing, especially when we talk about children and things that go bump in the night, but there is a very good reasons why humans feel a variety of kinds of fear, and many of them are actively useful in preserving your life.
Darkness is essential to life.  The day ends, and night falls.  Shadows follow our moves and do as we do.  Even the human eye cannot bear blue light at night, and artificial lighting has been touted as all kinds of unhealthy by experts and doctors alike. 
None of these things are actively evil or wrong, to be sure.
But Pitch has something in common with Jack Frost.  And what is that?  Why, he is ignored. Nobody believes in him (which I find silly to be honest because I know plenty of kids afraid of the dark or who have nightmares and such).
The whole thing- the theatrical posing, the big scary Villain speech...in the end, Pitch was doing just the same thing that Jack did when he antagonized the Easter Bunny by ruining the egg hunt with frost.  He wanted people to pay attention to him, to like him.  And because nobody would do so, he decided that negative attention was still attention.
This is backed up by the fact that none of the children are harmed by his nightmare horses when faced with him (they turn into golden sand when touched).  They even say, even with thousands of scary black nightmares bearing down on them, that they aren’t scared of him and will protect the Guardians.
I feel like Pitch is overlooking a couple of things when he is trying his ridiculous plan to rule the world in darkness. 
First off, he’s backed himself into a corner- he plays the bad guy, of course he isn’t going to win against the heroes.  And to some extent, it’s pretty obvious that he knows it.  For all his posturing, he often pulls his punches, and even when he destroys Jack’s staff, he still throws it down on the ground and does not take it with him because he is trying to get Jack to see beyond his limitations just as he himself has learned to harness the sand with his darkness.
Secondly, just because kids love Santa and Easter and gifts from tooth fairies, not all kids have perfect upper-middle-class lives like the children in this movie.  There is a reason why there are a surprisingly large number of hand-drawn comics that deal with a child making friends with the monster under the bed or even being protected by said monster against an abusive parent or family member.
My feeling here is that Pitch hasn’t truly realized what his purpose is, and that he is actually being held back because....
Pitch’s center is fear.
There’s a reason he’s portrayed as having a lair under a shabby, rotting bed, in darkness.  When he was human, his life must have been hellish.  I can imagine him hiding in the shadows of his room, crouched under the bed in darkness because the fear of what his father or mother might do to him was eating him alive.  In fact, he may have died in that manner, terrified out of his mind and knowing only the darkness to hide him.  If this is what the Man in the Moon deemed worthy to change him into his post-mortal form, then is any of this truly his fault?
I might say...no.  Being awoken from a hellish world where you are in constant fear to a world in which fear and darkness are the only thing that strengthen you would be its own sort of hell.
We don’t get to see Pitch’s past, but ostensibly the Tooth Fairy has it and knows of it.  A tooth is knocked out at the end, so ostensibly it will go in Pitch’s box, or the box of whoever he was when he was mortal.
But furthermore, what if Pitch were able to change the way he thinks about his power and his strength?  What if he uses his darkness to conceal children who are in danger, or helps those who are imprisoned to escape? What if he guides children away from danger by using their fear to guide them?  What I am saying is that “playing the villain” seems to be the most obvious thing when you’ve only ever known an existence in which you are hated and told you are wrong and bad.
However, if we really sit down and think about it, colored eggs and toys are no more “good” than shielding the weak and vulnerable with your shadows and putting the fear of...something that bumps in the night in the hearts of predators while guiding the fear of the young from forks in outlets and jumps from high places.
In the end, locking a being like Pitch away is a foolish idea because in his loneliness in the darkness, his fear and terror will only grow, driving him into madness in his isolation.  Pitch not only has to learn to conquer his own fears (fear or being rejected, fear of being hated) but to also realize that he can be more than a flat villainous character if he wishes to thrive.
He just has to get past the fear.
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