PORTRAYALS OF PALESTINIAN X JEWISH LOVE STORIES IN BRAZILIAN TELENOVELAS
@professorlehnsherr-almashy @princesssarisa @themousefromfantasyland @lord-antihero @gravedangerahead
@tamisdava2 @faintingheroine
So, as many brazilians, I grew up with telenovelas as the main source of national enternainment.
An interesting characteristic of brazilian telenovelas (specially the ones produced by the channel Rede Globo, the most powerfull TV channel in the country) is that, besides the extra production value that can go to cinematic levels, above the usual budget of other latin american telenovelas or british and US american soap operas, is that they experiment with mixing the escapist love story with discussions of serious real life topics in the side plots: politics, street crime, drugs, mental ilness,domestic violence, sexuality, etc. are themes frequently explored in brazilian telenovelas.
In recent years, there were also international real life topics incorporated to telenovela plots, besides the brazilian reality, including, more recently, two attempts of exploring the Israel x Palestine in love stories between born in imigrant families from those two regions.
One a late night telenovela, the other an evening telenovela.
I would like to present the resume of them here, and how they were received by audiences at the time:
Pérsio and Rebeca (Amor a Vida, 2013-14)
2013's Amor a Vida (Love for Life) included the subplot of the romance between medicine doctors Pérsio (Mouhamed Harfouch), of palestinian origin, and Rebeca (Paula Braum), of jewish origin. The two originally entered in frequent verbal fights before becoming a couple, and when they did, it started as a secret to Rebeca's family, and there was a period they expent broken up because the character of Pérsio revealed that he had a past as a member of a terrorist cell and considered being a bomb man before coming to work in Brazil as a doctor.
But eventually they reunited.
When it camed to reception of this subplot, the average brazilian viewer wasn't much involved because there were already a lot of other subplots to be invested in (particularlly the romance two male character that became the first kiss between two man in a mainstream telenovela), and some leftist groups who were acompanying this story interested in how it would explore this real life conflict were left disapointed, repudiating the reveal of Pérsio as a former terrorist as stereotypical and feeling that it simplified too much the complexity of the real conflict between Israel x Palestine.
Ali and Sara (Órfãos da Terra, 2019)
2019's Órfãos da Terra (Orphans of the Earth) was a telenovela of the 18:00 p.m time spot that experimented in exploring the theme of refugees who were coming in mass to Brazil (particularly from Siria, during the height of the US x Siria warn news) and their descendants. One the plots included inside in this theme was the love story between Ali (also played by Mouhamed Harfouch), the owner of a restaurant, and Sara (Verônica Debom), a customer who learns belly dance with Ali's sister Muna (Lola Fanucci).
Ali was the grandson of the palestinian imigrant Mamede (Flávio Migliaccio), who had lost his home in Gaza during the destruction caused by the Israeli Army.
Sara was the granddaughter of the jewish imigrant Boris (Osmar Prado), daughter of the flower shop owner Eva (Betty Gofman) and sister of Davi (Vitor Thiré), a young woman who was serving in the israeli army due to the encouragement of his grandfather, and against the will of his mother and sister.
The old patriarchs Boris and Mamede were neighbors, and started the story hating each other so much that they wouldn't bear the interactions between their dogs, even less so the romance between their grandchildren.
Sara at first pretended to be a gentile, thinking that Ali would reject her if he knew she was jewish, but that didn't happened: the two kept the relationship strong after she told the truth, and had the support of Sara's mother and Sara's and Ali's siblings to be together.
Despite their grandparents schemes to separate the two and make marry people of shared cultural background (which provided a light hearted comedy), Sara and Ali fortunally got happily married.
The two families ended supporting each other trough sad moments, like Davi's death while serving in the Israeli Army and Mamede's development of Alzheimer's when, and had happy moments like Ali and Sara welcoming twin children.
Unlike the more controversial aproach of 2013's Amor a Vida, the portrayal of the love story between a Palestinian and an Arab in Órfãos da Terra was much better received by audiences and critics, by the levity and the respect in wich the two groups were portrayed, without either being villanized, and the strong trust between the two characters that became the couple.
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Minha Irmã e Eu
Minha Irmã e Eu (2023)
#SusanaGarcia #IngridGuimarães #TatáWerneck #LeandroLima #LázaroRamos #ArleteSalles
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i started playing valorant and ok : so like i thought my anxiety would fucking go !!!!!!!!!!! brrr but??? it doesnt? its so fun? why am i scared of dying in minecraft but not valorant? not scared of my teammates judging me? taking risks and being insane and silly and going around corners as if there might not be an enemy?? god i love it
usually anxiety nervous stuff makes my hands either super super cold or really really hot and sweaty AND VALORANT DOESNT EVEN DO THAT FOR ME ITS JUST A GAME FINALLY!!! just a game!!! winning or losing doesnt matter anymore!!
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Hihihihi. Bom dia 🌹
Dia ☺️
Bom pra quem? oq tem debom?
Pra gente. Hoje é sexta. 😍
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Mulheres Fantásticas - Maria Sibylla Merian (english subtitles) from Bee Grandinetti on Vimeo.
*Press CC button for subtitles ;)*
I had the immense honor of telling the story of this insanely talented and bold German botanical illustrator from the 1600's called Maria Sibylla Merian. I really wanted to hero her gorgeous, intricate work, so I kept my characters and other design assets to a minimal. All the gorgeous flowers, plants, insects and shells are hers.
It was a joy to work on this project entirely made by women for Brazil's biggest TV channel, Globo.
Since 1973, this TV show called Fantástico gathers families around on Sunday evenings to discuss the latest news and discoveries around the globe.
They recently started this series called Mulheres Fantásticas (Fantastic Women) that features inspiring stories of women from around the world. The animated intro is used as a hook to then introduce contemporary Brazilian women who defied circumstances and stereotypes and are doing groundbreaking work.
You can watch the whole section here:
globoplay.globo.com/v/8149612/
Love and gratitude to my Brazilian partner in crime Bianca Beneduci that helped me animate some shots.
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Project Coordination: Aída Queiroz
Creative Direction: Bee Grandinetti and Aída Queiroz
Direction: Bee Grandinetti
Design: Bee Grandinetti
Botanical illustrations: Maria Sibylla Merian
Animation: Bee Grandinetti and Bianca Beneduci
Script: Carolina Warchavsky, Luciana Fregolente, Luiza Yabrudi, Renata Corrêa, Thais Pontes e Veronica Debom
Voice Over: Marjorie Estiano
Sound: Marion Lemonnier
Executive Producer: Lorena Barbier
Research: Tamara Araujo
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