#dillard&clark

[radiolewes]

Vapour Trails #191 20th October 2022 "Finer Than A Frog's Hair Split Four Ways!"

[duggarbatesfan]

Happy Father's Day

To Jim-Bob Duggar, John-David Duggar, Derick Dillard, Ben Seewald, Jeremy Vuolo, Joseph Duggar, Josiah Duggar, Austin Forsyth, Jedidiah Duggar and Jeremiah Duggar.

To Gil Bates, Zach Bates, Chad Paine, Lawson Bates, Nathan Bates, John Webster, Bobby Smith, Trace Bates, Evan Stewart, Kelton Balka and Travis Clark.

[fundiepredictions]

What happend in april

An overview of all the things that happend in the month april of 2024 in the Duggar, Bates, Rodrigues, Keller, Wissmann, Morton, Bontrager and Maxwell family's

Lila Ann was born to Susanna&Drew Jerred (Wissmann)

Travis&Katie Clark (Bates) announced they are expecting baby #2

Derick&Jill Dillard (Duggar) announced the still birth of their daughter Isla Marie

Allison&Jeremiah Helferich (Bontrager) announced they are expecting baby #3

We learned the name of Duggar-Swanson #3, Ezra, and his uncle, Swanson #10, Dallas.

Edwin&Francesca Morton had their baby girl

Ezra Michael was born to Michael&Adeline Holloway (Morton)

[fundieshaderoom]

Fundie and Adjacent Families I Follow: April 2024 in a Glance

Pregnancy Announcements:

Sierra and Mark Dominguez are expecting their eighth child, a little boy, in August. He will join 2 older sisters and 5 older brothers.

Katie (Bates) and Travis Clark are expecting their second child. This baby will join a big sister this fall.

Chloe and Zac Driscoll are expecting their second child. This child will join a big brother.

Allison (Bontrager) and Jeremiah Helferich are expecting their third child on September 1. This child will join a big brother and sister.

Makayla (Landrum) and Jonas Thatcher are expecting their second child. This child will join a big sister.

Weddings:

Carver Bowers and Haley Paul wed on Apr 20.

Births:

Jeanette (Willis) and Cory Piatt welcomed Elias John into the world this month. He joins 2 older sisters.

Engagements:

It was leaked that Lily Swanson is to wed Cole Cwenar on May 24 of this year.

Adoption:

Brittany and Jordan Nelson announced they are adopting.

Losses:

Jill (Duggar) and Derick Dillard announced the stillbirth of Isla Marie.

[hezigler]

She Darkened The Sun

A little Acid Folk to celebrate the total eclipse of the sun.

[fortheturnstiles]

very much in love with both of these covers. almost more than the original

[krispyweiss]

Jorma Kaukonen with Special Guest John Hurlbut at Natalie’s Grandview, Columbus, Ohio, Feb. 25, 2024

“Are we following the list?,” Jorma Kaukonen asked when John Hurlbut joined him on stage Feb. 25 at Natalie’s Grandview.

“I noticed you did a real good job,” Hulbut replied sarcastically.

Kaukonen had just wrapped 50 minutes of solo-acoustic performance when Hurbut - billed as special guest - came on board to round out the evening with an hour of duo music.

Hurlbut’s presence transformed Kaukonen, who smiled widely after each number, from a solo-blues player into a lead folk-rock player accompanying his compatriot’s acoustic melodies and lead vocals. This is a rarely heard side of the guitarist - a side not displayed when Kaukonen plays alone or with Hot Tuna.

The duo’s informal set - they were seated in jeans and work shirts over black Ts - foreshadowed the April 20 release of Another Lifetime, which takes its title from Peter Rowan’s “Angel Island,” one of eight cover songs that may or may not have followed the list.

However they were chosen, the songs appeared in effective order, beginning with “Take this Hammer,” ending with “Travelin’” and scouring the American songbook to find such numbers as Bob Dylan’s “It Takes a Lot to Laugh, It Takes a Train to Cry,” the Byrds’ “Hickory Wind” and Dillard & Clark’s “Kansas City Southern,” rolled out as if “Day Tripper” was an acoustic blues.

Acoustic blues is, of course, Kaukonen’s specialty. And the 83-year-old Jefferson Airplane co-founder and Ohio resident used that template to take listeners on an aural trip from San Francisco to Piedmont to the Delta and back to his adopted state as he chose songs from a master list in front of his chair.

This is the familiar side of Kaukonen, who, despite his frequent appearances in central Ohio, rendered the sold-out Sunday-night audience pin-drop silent, the music interrupted only by the sound of a full-service restaurant doing its thing.

The din didn’t deter Kaukonen, who bent notes; played impossibly shaped chords, harmonics and pull offs; and employed his thumb pick to coax big sound out of six strings on 10 songs including “How Long Blues,” “Death Don’t Have No Mercy,” “Good Shepherd” and “Keep Your Lamp Trimmed and Burning.”

Despite the seamless, single-set presentation with no encore, Kaukonen and Hurlbut presented a gig that felt like two gigs owing to its diversity of style and substance in an all-too-rare live-music innovation.

“It is John’s and my intention that we all have a really good time tonight,” Kaukonen said when he took the stage.

Promise kept.

Grade card: Jorma Kaukonen with Special Guest John Hurlbut at Natalie’s Grandview - 2/25/24 - A-

2/26/24

[rawrampmag]

UGLY GUYS Still Rollin'

THE UGLY GUYS Still Rollin' #TheUglyGuys #ConquestMusic #RollingInTheDeep

The Southend-based country-rock quintet & weatherbeaten peddlers of British Appalachian style Americana, THE UGLY GUYS have released a new three track EP titled ‘Rolling in the Deep’ on the Conquest Music label. The EP’s impressive title track, a masterful country-tinged rendition of Adele’s celebrated 2011 international chart-topper, has been given a video release from The Ugly Guys. Listening…

[sacredfolly-blog]

Music Monday - Dillard & Clark

Don’t Let Me Down Train Leaves Here this Mornin’ Lyin’ Down the Middle Polly Four Walls The Radio Song Dark Hollow Image from the New York Times – Doug Dillard, Bluegrass Banjo Virtuoso, Dies at 75 Doug Dillard, left, with Gene Clark, one of the founders of the Byrds. The men formed their own duo, Dillard and Clark.Credit…A&M Records ~ ~ ~ ~ June 12, 2023Brooklyn, New York

[mywifeleftme]

43: Dillard & Clark // The Fantastic Expedition of Dillard & Clark

The Fantastic Expedition of Dillard & Clark Dillard & Clark 1968, A&M

The story of Gene Clark has been told often enough that I don’t have a ton to add to it. The one-time leader of The Byrds who wrote “Eight Miles High,” but whose terror of flying was such that it largely prevented him from touring behind a succession of cult classic solo albums, and was thus doomed to commercial irrelevance, substance abuse, and early death. Some of the ‘tragedy’ of Gene Clark’s life is a little difficult to square with what that word means in a post-indie rock world: the man had a fifteen-year run putting out exactly the kind of music he wanted on major labels with little apparent interference from the suits or pressure to get, like, a job. Whenever money became particularly tight, there was usually a Byrds reunion to be had with some combination of Roger McGuinn, David Crosby, and Chris Hillman, or a younger star would cover one of his old chestnuts and he’d be flush again. It’s hard for a slacker like me to imagine how great Clark’s expectations must’ve been for that not to have been enough—but then, I’ve never had the knowledge of how much more money David Crosby has than I do rubbed in my face in quite as personal a way, I guess.

The Fantastic Expedition of Dillard & Clark is Clark’s second post-Byrds effort, and the first of his short-lived collaboration with banjo ace Doug Dillard, formerly of pioneering electric bluegrass act The Dillards. It’s fascinating how much of the development of country rock as a genre took place within a loose confederation of Byrds affiliates in the late ‘60s and early ‘70s. The connections between acts like Clark, Gram Parsons, the Flying Burrito Brothers, CSNY, and even Bob Dylan would be better represented using a phylogenetic tree than text, but there is a sense of all these sometime, former, and nearly-bandmates jamming and composing together from a distance. It feels like they were all being drawn inexorably to co-author some ultimate new idea of American guitar music. (Though it’s unfortunate that that idea turned out to be, essentially, “The Eagles.”)

Clark is neither as personable a singer nor as distinctive a lyricist as Gram Parsons, which may be why his solo work is less intensely mythologized, but his fusion of folk, rock, and country also feels less like a pastiche than Parsons’ music does. Many of these songs, all but one composed by Clark with Dillard and/or future Eagles guitarist Bernie Leadon, feel so organic it’s hard to believe they aren’t some pre-rock missing link between Merle Travis and the Everly Brothers (see “She Darked the Sun”).

By contrast, “The Radio Song” feels flung completely out of time. On paper, its combination of Dillard’s ambling banjo and an electric harpsichord seems like it’d be similar to the overwrought ‘Bach-rock’ of the Left Banke, but the result is cosmic and introverted in equal measure. The lyric is a fairly standard loser’s lament, but something about the anachronistic arrangement brings to mind American vagabonds drinking away their sorrows in a Viennese court.

Other numbers push the chiming folk rock sound Clark pioneered with the Byrds beyond anything they produced without him. “Something’s Wrong” marries a back porch Appalachian melody to an uneasy, death-shrouded lyric that casts its sun-dappled banjo and mandolin as evocations of a youth that will never return. Clark’s haunted vocal is one of his best, alternating poignantly between the imagistic nostalgia of the verse and the existential angst of the refrains.

The Fantastic Expedition of Dillard & Clark deserves its posthumous re-evaluation as one of the great records of the late ‘60s, and I’d rate it about on a par with Parsons’ Grievous Angel and above anything in the Byrds or Flying Burrito Brothers catalogues. If you disagree, buy me a drink and we can talk about it.

43/365

[cptnbeefheart]

i listen to this every morning obsessively

[julio-viernes]

Que un monumento a la belleza como "Compadezco al Pobre Inmigrante", composición de Bob Dylan en voz de Gene Clark, quedase inédita en su día es un misterio insondable para mí, algo que jamás conseguiré comprender. Una de esas cosas raras que pasan en la industria del disco. Clark es uno de los nombres que más he echado de menos en la lista de Rolling Stone.

[duggarbatesfan]

Happy Mother's Day

To Michelle Duggar, Anna Duggar, Abbie Duggar, Jill Dillard, Jessa Seewald, Jinger Vuolo, Kendra Duggar, Lauren Duggar, Joy Forsyth, Katey Duggar and Hannah Duggar.

To Kelly-Jo Bates, Whitney Bates, Erin Paine, Tiffany Bates, Esther Bates, Alyssa Webster, Tori Smith, Lydia Bates. Carlin Stewart, Josie Balka and Katie Clark,

[fundieshaderoom]

Clark Wilson's Daughter Speaks on Jill's Book

This is a lil old but I just now found this!

[hezigler]

"Train Leaves Here This Morning" Dillard and Clark

Roll one, light it, take a hit, and pass it on...

"Y'know, y'wouldn't bogart so much if you didn't talk with your hands too."