zolu is maybe one of the easiest ships i've ever liked. they're dating, except when they're not, they're best friends even when they're kissing and they're still captain and first mate when they aren't. they hold hands, they hug. they have sex. they don't.
Luffy can hold Zoro's katanas and Zoro can hold Luffy's strawhat and no one bats an eye. one says "You're so cool!" and the other says "You're strong" and it's just another way to say "I see you, this is why I follow you/this is why I trust you". it's not seeing each other for a long time and still knowing how the other's steps sound like against wood and sand. the captain runs and the first mate follows. it's always "Zoro and the others" and "Where's Luffy?"
if they're just friends, if they're something more, if they don't have a label for it, at its core, it's just about how they get each other. they understand how the other's mind works. however you view them, it doesn't erase they fact that they love each other in a way they don't love other people.
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The racism my beloved Simon had to face….my baby. 🥺💔
Although painful to watch, it felt incredibly validating. It was so annoying watching some people say this show was “only about class” while dismissing the BS that Simon had to go through. The abuse was ten fold because he’s POC and S3 finally exposed that.
That being said, and on a more positive note, it was so incredibly sexy when Simon sang happy birthday to Wille in Spanish (he feels safe with him!) and when Wille admitted to fantasizing about stroking those beautiful curlssss (and then actually did it). 🥹❤️🩹
Wilmon forever. 🤎🤍
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I do think its really important to remember that SY was suppose to be the villain character but its only because of his kindness and newly gained life that he didn’t end as one. In the very beginning of the story we learn that Peerless Cucumber Bro often left comments on how SJ didn’t get his dues and needed to be punished more, and only after he transmigrated did he acknowledge how awful of a death SJ had. He also made point to explain that he only read the book for LBH, which he noted to enjoy his decisive actions and deft ability to kill. Markedly, he liked his brutality and personality over the erotica that the majority of PIDW fans enjoyed. Peerless Cucumber Bro is someone who loves action and the ability to cut right to the chase, something that he does not do and most likely has difficulty with in his world.
Speaking of, it is something to note that Peerless Cucumber bro is rich. He had head chefs, he could pay for a 6k+ chapter book of erotica in 20 days, he noted that he could not understand SJs envy and ambition for power since he lives well, and he even noted to himself that his family was well off. He is incredibly wealthy, and it shows. Which is important to note because he, not once, showed any guilt or remorse on dying and leaving his family behind. Yes, he sometimes refers to people as being similar to his family but he never showed any pain for losing that life like he did when he lost LBH. This is important because I genuinely think SY was depressed and self destructive to himself, which goes against popular HC that he was chronically/terminally ill (I do like this HC and like how its portrayed in fanfiction). It would explain how he ended up dying all alone by himself, and how blase he was to his own life and death.
SQQ is a self destructive force who ended up dying three times, and didn’t feel anything about death itself. He was worried about others and the effect it had on them, but for himself it was up and on again like it never happened. He does not care for his health, had self isolated as SY to the point he died alone, and has a horrible self esteem to the point that he continuously agrees when other people put him down and often calls himself the villain. Even though we have seen the evidence of someone who is always being thrust into new situations and awful plots, he calls himself lazy and easy going. He hides his thoughts and feelings behind his fan and has a remarkably thin face. At the very base of his actions and his thoughts, he is self destructive, powerful, and smart. This is the set up for a villain.
However, when shown the actual people in front of him and forced to act as SJ did towards LBH and his disciples, he flinches from it. He notes that it happening in front of him was different. His entire self soothing comedy monologue went quiet when he had to enforce the Endless Abyss scene, and grieved for the childish innocence he killed from one of his favourite people. SY was set up to be the villain and obviously thinks of himself as one, but can not act as one. If he had the choice LBH would have been his sticky sweet white lotus disciple for as long as LBH wished to be.
His kindness, as seen in the book, is what turned him from being “the scumbag villain” to the protagonist we see in the novels. Which, yes, he is a protagonist! He even has the protag halo that LBH has and its very funny in the meta way for SQQ not to realize this, but thats for another post. But he loves his disciples, he loves his peak lord siblings, he loves his Binghe, he loves his new life, and he is kind. That is what kept him from being the villain he sees himself as, his kindness and love for others. Whether that be romantic, platonic, or familial, he loves the people he has met and he treats them kindly. That is why it is important to remember that he was set up as the villain by everything in the story we do not see, but what we do see is him continuously changing the story to fit a new genre that lets as many people as he can save live. Sorry sorry, I just think about SY being set up as a villain so much. It changes a lot of views I have on the series when I remember the duality of SYs story and character development.
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I love singNsong again reminding people in Side Story that Dokja wanted other people to read TWSA (he wrote reviews and comments! It was his first wish), and he only stopped bothering because people harassed him for it. He didn't gate-keep the story. When he's avoiding talking to Sangah about it at the beginning of ORV, it's because he knows what happens when he tells people about the story, not because he's gate-keeping it from her. He notes he's not proud of his hobby (likely because he's been bullied all through his life, including for reading the thing he loves): he finds it embarrassing to talk about, and better respects her studying Spanish in her free time (learning another language is a generally accepted thing in society). He assumes she won't care or will look at him funny (or worse) for when she learns about the novel he's into.
Basically anyone writing "let's gatekeep ORV" posts because of the anime announcement or because they dislike the manhwa or some other weirdness, y'all are the villains in the scenario.
The literal climax of the story is about sharing ORV with as many people as possible. What story were y'all reading?
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ice cold takes i've seen in the last twenty-four hours:
"i don't value independent artists enough to pay for their work" is a flex, especially on this, the we-should-pay-artists website
pirating from independent content creators who have twice now left major corporations is the same as pirating from netflix and is basically direct action
leaving two major corporations means that they've sold out
wanting more creative control over their creative content so that they don't have to answer to advertisers or said major corporations means that they've sold out
doing anything i don't want them to do means that they've sold out
the fact that i was personally unaware of their patreon despite it being mentioned repeatedly in episodes of various shows means that everyone is unaware of it and this is a winning argument
this company should have fired at least a dozen people rather than inconvenience me, a viewer, because my ability to access their content for free is more important than a dozen people's livelihoods
these creatives should stop making the art that they're passionate about because i, personally, don't like it
there's nothing remotely weird about fixating on the two asian co-founders and insisting that they've somehow manipulated the white co-founder into this with their evil capitalism and there is nothing racially charged about it at all
this is the exact same moral weight as major corporations with numerous workers' rights violations
that i cannot or choose not to pay for something means that it's not worth the cost
that i cannot or choose not to pay for something that not only allows but encourages password sharing means that it's inherently immortal and greedy
any creatives' choice to put their work behind a paywall of any kind is inherently an attack on me and my own personal well-being
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sorry but alicent hightower isn’t “ruined” this season. you people just never understood her in the first place and think of her as something she’s not lmao.
of course she’s a hypocrite, she has been the whole time. her holier than thou persona is a facade. she wants freedom of choice and, with that, sexual liberation. she gets that now with criston at the price of her own shame and guilt tied to her faith, which is real (criston’s faith, at least in the seven, is NOT, but yknow. for another time). her going for what rhaenyra got and what rhaenyra had the freedom to partake in is not character assassination lmao. It’s what’s been set up this whole time. she’s not this saint that she and her stans claim her to be. she’s variably flawed CLEARLY (which is what makes her a good character) but isn’t going to stray away from the exact thing she claims to hate.
“duty and sacrifice” and “honor and decency will prevail” are shown to the viewer to be hypocritical statements. fucking obviously. why did anyone take that at face value LMAO. All those things are what alicent herself has been forced to align with since she was a child made to marry viserys. she wants rhaenyra to ALSO fit that mould and to feel that misery that she’s felt, just as she wishes she had the freedom rhaenyra has. that doesn’t mean she believes in these ideas. she clearly goes against them; that’s her character. she believes that she believes them, but her desire to leave the mould outweighs that time and time again.
to say that she’s an outlandishly different character in s2 after seeing one singular episode is insane. she’s the same. she and criston is not a left field decision, nor is it a particularly bad one, even if it did feel abrupt (which is more a pacing issue). alicent and criston’s joint hypocrisy has been pointed out the entire time. to further highlight it is not bad writing or character ruination. you just didn’t understand them in the first place. Alicent isn’t a blushing nun. she’s a woman whose old decrepit husband is finally dead and now has the freedom she didn’t get at 17.
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