#disney raya icon

[nerissalmao]

I’m back on Tumblr, so it’s time to talk about GAY FROZEN! The movie is gay. All of it.

Okay, not all of it. But a lot of it!

Daily reminder as I yeet myself back onto Tumblr that Elsa is freaking gay okay? That’s how we’re gonna start this and the main thesis of this bullcrap will be Elsa’s obvious gayness.

I’m sorry, but in this scene (only moments before Elsa is shown talking to Honeymaren while holding her hand and gazing at her face) there is clearly some gay stuff going on. Note the absolute HOPEFULNESS on Honey’s face when she looks at Elsa and says “you belong here, you know?” in an extra hopeful tone? And the way Elsa actually does stay there with her?!

And earlier in the movie when they’re talking to each other it looks just like that scene from Tangled where Rapunzel is talking to Eugene! If it was a girl or boy the calm and wholesome way they talk to each other while maintaining steady eye contact and all that wholesome stuff would be read as a romantic connection, yet here it’s just shrugged off by the people who watched it as friendship. Yes, it could be that, but it also could be more and y’all aren’t even willing to suggest that alternative simply because they’re both girls.

Let’s talk about Oaken! He’s gay and has a husband and kids, and it’s clearly seen in the first movie.

Yes, I’m aware the tall girl with brown hair could be his (snore) wife. But all the kids honestly look more like the possible mother other than the blonde hunk, so it doesn’t make too much sense. If that woman was the wife and mother, why does she look just like all her kids except one, and the one doesn’t even look like her or Oaken? It would make much more sense if the blonde guy, who looks older anyway, was his husband and the kids were adopted. Yes, realistic genes usually don’t mean much in animated films, but then why are Elsa and Anna and their family designed to look related? And Honeymaren and Ryder from Frozen 2 look related as well. So yeah.

BACK TO ELSA! So, you see, if Oaken is gay, it would be perfectly reasonable for her to be given if this is true the franchise has tackled gay characters before. A gay Disney Princess would be awesome and given the first two movies showcased Elsa’s own personal journey and journey to mend her relationship with her sisters, a third movie could in turn have her beginning a romantic relationship with someone who very well may be a woman, and very may well be Honeymaren given the way they behave in the second movie. It seems to me like the Frozen 2 interactions are like Raya and Namaari from Raya and the Last Dragon— homoerotically toned friendships that seem to all but outright say that the two characters are gay. Except with Honeymaren and Elsa their friendship is shown a lot less given the movie is about Elsa’s self discovery. Unless, you know, Frozen 2 is merely setting up the building blocks for them to get in a relationship later. A girl can dream.

Did any of that make sense? I hope so. Because come on, Disney. A lot of people don’t like you know and some of your actions have gone to crap, but you can at least try to fix things by ceasing to support genocide and just maybe hearing us out and giving us a gay Disney Princess— hopefully Elsa, because that girl is gay-coded as all hell.

[devinwashakie04]

Raya Disney Icons

[awholenewicon]

ꜱɪꜱᴜ ɪᴄᴏɴꜱ

ᴅᴏ ɴᴏᴛ ᴄʟᴀɪᴍ ᴀꜱ ʏᴏᴜʀ ᴏᴡɴ

[soulsforsales]

You CAN'T convinve me that these two are "just friends"

[eyluslipa]

[idiosyncraticrednebula]

D*sney has been so bashed and criticized for supposedly "programming" little girls into seeing themselves as nothing more than so-called "Damsels in Distress" that they now obstinately refuse to include a princess character being saved/rescued or helped by a male hero, having a male love interest and proudly embrace her more feminine side because, y'know, they are sKrONg INdepAndeNT WHameN™ that need no man to rescue them!!!! #girlpower #girlboss

[yen-sids-tournament]

Snow White: Because it's first--Cinderella: Iconic. Historical.--Mary Poppins: Julie Andrews!! International: England--Freaky Friday: Mother/Daughter relationships--Amy: Inspirational, International: United States--Mulan: Be true to yourself, International; China--Princess Diaries: Julie Andrews & Anne Hathaway! 'International: Genovia'--Brave: International; Scottish--Queen of Katwe: True/Inspirational, International; Uganda--Black Widow: Sisterhood, International; Russia+--Raya and the Last Dragon: Dragons! and Ladies (read: lesbians).--Others?!?!?

[lara635kookie]

I didn't even watch "WISH" yet because in my country it will only be available at january, but people are saying it's a bad cliche so I probably won't watch at the cinema.

The thing is, even though I am a hopeless romantic, not everything has to have romance. There are princess who are perfectly fine without a prince, like Mirabel, Elsa, Merida, Moana and Raya(I do kinda like the idea of Raya with a girl, just not Namaari). But we were so robbed of seeing Asha and the star boy(he is literally a staR so I don't doubt Disney would call him StaN or something like that, so his name is Stan from now on, I am gonna call him like that, is easier than star boy). Asha and Stan had the potential to be the next Tianaveen and Rapunzel&Eugene (I don't know their ship name). The concept arts are the cutest thing I have ever seen. Also "At All Costs" (bop) would have been a love song between the two!!! Them singing it man. The pain I will feel when I don't see them passionately sing it, very "I see the light" coded, in the actual movie. Somehow, now is not feminist for a strong female character to have a male partner by her side. Like...This doesn't make sense! You can be a strong female character and have a man at the same time! Have y'all forgotten Mulan and Shang? Anna and Kristoff? Ariel and Eric? Jasmine and Aladdin? (There are more examples and I could go on all day, but you got what I meant already) I hate Disney for throwing good ideas at the trash and playing safe just for money(like Hobie Brown/Spider-Punk said "it's a metaphor for capitalism"). And as the guy looked blonde with blue/green eyes in the arts I have seen, and Asha is a black latina, they lost the opportunity of having a biracial couple ACTUALLY DONE RIGHT (Pocahontas and John Smith don't count, he is a collonizer with the most common name in the world, she deserves so much better). Like, if the thing is show how inclusive you are by having a black latina female protagonist for little girls to see and feel represented in a good way, you could have increased that feeling by making someone fall in love for her. Little girls would feel like they are beautiful and desired/desireable in a positive way and that they worthy of being loved and love and be with whoever they want to be with, even someone who has a different skin color.

I am also mad because we could have seen Disney's first evil villain COUPLE with King Magnifico and his wife, the queen(still don't know her name, sorry). Can't you guys imagine the HITS, THE FIRST PLACE OF BILLBOARD HOT 100 WORTHY songs, they would proportionate us? Even if only one song, it would be enough for me. But someone thought having a female villain would be anti-feminist and they discarded an original and authentic idea, which is what Disney built its empire on the first place. Come on Disney minorities don't want to be portrayed as those unrealistic superior beings, they want to be portrayed as real human beings with emotions, struggles, qualities and flaws. Having an iconic female villain like you guys always had(like Maleficent, Cruella De Vil, Ursula, Mother Gothel, Lady Tremaine, etc) and set her up with an iconic male villain(like Gaston, Doctor Facilier, Shan Yu, Jafar, Hans, etc) it would have been top notch, god tier. King Magnifico and the queen could have been like the Gomez and Morticia of evil. You could address so many topics by it. Like the kingdom being ruled by evil would have been a great social critic of some politicians out there, for example. And we could have had an iconic final boss battle between Asha and Stan VS Magnifico and the queen.

Anyway, what I mean by this is that if someone has fanarts or just ANY CONTENT, of Asha and Stan, tag me, reblog this or comment, I don't care, just warn me, because they are my new obsession. I will also write a fanfic about this movie with these ideas, but only after I have watched the movie so until them, please feed my hyperfixation in Stasha (Star boy/Stan×Asha), I'm begging y'all

[lazytitans-world]

My research findings on the production of Wish

Never have I seen a fan community do so much with so little than I have with Wish. And to start off, I want to say that you should watch the movie first before going into this and the Starboy fandom as I believe it to be important on forming your own opinion before moving on as I find most of the fandom to have a negative view of the movie, one I do not really share. I found Wish to be fine. I did not hate it, but I did not love it like I do other Disney animated films. But the many rewrites, drawings and animatics featuring character designs that did not make it far in production have become icons in this community inspired me to do a deep dive to see if I could find where in production these concepts died and why.

To save you a read, this production was a victim of simplicity. I feel that many concepts and story ideas were tossed away due to complicating the story, which was always going to focus on Asha trying to save the wishes of her fellow kingdom citizens with the help of a wishing star. I have read many articles and watched a few deleted scenes from the home release and here are my findings.

Starboy never got far in development as the book states that the team went down "a few blind alleys" that lead them to star having a human design for a period. This is probably the period in time where all the Starboy concept art came from and where a potential romantic subplot with Asha was kicked around. It was.

What did Starboy in was the team's choice to make them a shapeshifter as the team thought the character was way overpowered and thus the story lost a lot of dramatic tension (a choice I kind of agree with). It was here where the design team decided that Star needed an overhaul and brought the Story Development artists in and this is where Starboy died and plush Star was finalized.

There are no official storyboards that feature the Starboy designs.

At the start of Wish's production, Frozen 2 was entering it's final stage of production (this would be either late 2018 or early 2019) and was obviously the main focus for Disney animation not to mention projects like Raya and the Last Dragon, Strange World and Encanto were entering their mid development stages before the shutdown.

The effects of the global shutdown were not mentioned in the book, but I would not be shocked if production was affected by it.

Ariana DeBose has said that Wish did not need a love story as she said that,

“I think we live in a time where things are cyclical, right? And so, it’s good for variance and perspective. Not every female Disney character needs to have a go and ambition of simply finding a man to love her. There are more stories to tell.

"And especially in the world we live in today I think something like Wish, that has a broader outlook that talks about community, is just as important as talking about love. And there are so many different ways to love."

"You do see familiar love, love of friendship" in the movie, including the relationship between Asha and Star. Star and Asha have this beautiful connection with each other and so I think it’s good reminding people that not only we can tell different stories, we can also talk about love in different ways.”(source: Exclusive: Wish’s Ariana DeBose defends lack of romance in recent Disney movies (yahoo.com)) whether Ariana had any say on story or character development is unknown.

7. From what I read from the Art of Wish book, the story was always meant to be about Asha defying Magnifico to fight for the people of Rosas and their wishes.

8. As it pertains to "At All Costs", a song that many are saying was meant to be a love song between Asha and Star, in an article by Variety(Julia Michaels Wrote 'Wish' Theme Before the Script Even Existed (variety.com), it states that a love song was not in the film at the time of production and songwriter Julia Michaels "wanted to write a song that as a standalone sounded like a love song that could be played at weddings."

Michaels would go on to say, "How cool would it be if we wrote a song that if you listened to on its own, it sounds like a love song, it could be something you could play at your wedding, or be a lullaby to your kids, just something really beautiful, but when you watch the film, it’s the heroine and it’s the villain.” She continues, “You realize they’re coming about this both from various points, one from a very selfless standpoint and one from a selfish standpoint.”

9. In the same Variety article, it was revealed that for some time in 2020, no script existed for the movie, but Julia Michaels was asked to be the songwriter for the movie and that is where she pitched "This Wish" which would go on to be one of the first songs revealed for the movie.

10. the Variety article also had Jennifer Lee, head of Disney Animation and one of the writers on Wish, say that she wanted a song that showed "it felt like to hold someone’s wish in your hand. How do we viscerally understand that when you’re with them, you feel like you’re holding someone’s raison d’être?” that song would end it being "At All Costs"

11. September 9, 2022, D23 Expo in Anaheim California. This is where certain members of the public got a glimpse of the production of Wish. Jennifer Lee, writer and director Chris Buck, and co-director Fawn Veerasunthorn spoke about the movie and showed the first look of the finalized design of Star which ended up being the mute plush model that ended up in the movie. This means there was a 3-year gap where Starboy and the romance side plot were discussed then shelved.

It was also during this show where the public would learn that Ariana DeBuse would voice Asha and that Alan Tudyk, a staple of past Disney animated films, would have a featured role in the movie as Asha's pet goat Valentino, who would be able to talk thanks to Star's magic. It was also at that show where DuBose came out to sing "This Wish" but at the time the song was called "More for Us".

Magnifico was not revealed at the event but was teased as "one of the most formidable foes in Disney history" which is debatable to say the least.

12. 5 deleted scenes in total appear on the Wish digital and disc copies each introduced by head of story Mark Kennedy where he would describe why the scene got cut. One scene shows Amaya assisting Magnifico in his plan, tying into an early concept where she was a villain alongside him.

Another scene had Asha, Star (who in this scene could shape shift and talk) and Valentino try to sneak into Rosas before being spotted and chased by Amaya, once again acting antagonistic to Asha.

A scene had Magnifco gather the people of Rosas to demand Star be given to him, as he had never seen Star in this version, and Asha her friends try to distract him by having Valentino, who in this version had a more Steve Carell like voice, pretend to be Star while the real Star, who was voiced in this version and was designed as ball of light with eyes and mouth, was trying to free the captured wishes. This scene was changed because they wanted Magnifco to be more threatening and instead of asking the people for Star, he would capture Star. Kennedy would go on to say that they wanted Asha and Magnifico to be smart and that Asha would not do a plan that silly, and they wanted the climax to be Magnifico and Asha alone, so they set it on a platform high above Rosas.

The next scene featured an ally of Asha's named Flazino that was cut out in order to shrink her friend group and tied the group back to the seven dwarfs from Snow White.

Finally, there was a scene where Asha and her grandfather scaled a wishing tree with her grandfather Sabino that showcased their bond but also Sabino's insistence that Asha take down Magnifico.

Each of these scenes felt completely different to the movie that ended up being released.

13. It should be noted that Wish released only a short while after the 2023 Writers and Actors strikes, which meant that for most of the summer and fall of that year, the actors could not do any press for the movie and all marketing was done through ads, trailers and merchandise.

14. As revealed in an article for Disney twenty-three, a magazine for gold members of the Disney D23 Fanclub, in the early visual development stage, there was a test scene that Asha was briefly transported to the village from Pinocchio. This was done to see how the 3D character designs would match with the hand drawn, watercolor backgrounds of classic Disney movies.

15. In that same article, Chris Buck said that in regard to Magnifico's character development that they wanted the audience "to see the evolution of a villain, so he's not a monster from frame one". From what becomes of Magnifico I get what they tried to do, they wanted to show how a character falls into villainy even if they're intentions are good. It also stands with the modern writing style of Disney animation films trying to update classics, this time by having audiences start off by kind of liking the villain through their personality alone.

18. The article also briefly mentions that Star "went through many iterations" another hint of Starboy being considered as a final design.

19. In the Art of Wish book, there is a page that shows the script where Asha meets Star and Star is described as a "cuddly, 3D, five-pointed star." This would indicate that the Starboy concept never got to the scripting stages.

20. In Art of Wish, the reason why Star does not speak is because the film makers wanted to stick to a tenet of film making, show don't tell.

21. Star's face was inspired by the mask like face of early Mickey Mouse cartoons.

22. From all readings, it is safe to say that Asha was NEVER considered to be a princess in any of the iterations of the story as some writers felt it to be too safe of a choice and liked the idea of an ordinary citizen going against the established power of the king.

23. During production, the Disney CEO position changed twice as Bob Iger left the company in early 2020 and named Bob Chapek as his replacement before returning to the company in mid 2023. It is unknown if these changes had any effects of Wish's production as it was it stated development as Iger's first tenure was ending but took place during a majority of Chapek's time.

24. When Angelique Cabal, who voiced Amaya in Wish, first auditioned for the role the character in 2022 Amaya was written as a villain while Magnifico was supposed to be the good king. It was when she returned for the callback that Amaya was changed to what she ended up being in the movie. Source https://www.cinemablend.com/interviews/how-one-character-disney-wish-completely-changed-during-production

In closing, for fans of the Starboy concept, it saddens me to say that it looks the idea only made it as far as concept art as at the time of writing this, no animated sequences, scripts or storyboards have been released that had Star in a human design or discussed a romantic relationship with Asha. I believe the writing team found a romantic relationship between Star and Asha too complicated for the story and decided to simplify the relationship and design of Star to better suit the plot of Asha going against Magnifico. I am disappointed Wish did not go with the more interesting concepts but maybe down the line we'll get that cosmic Disney romance and a villain couple, it just has to work with the story.

I want to say thank you for those that made it to the end, this movie has been on my mind for quite a while and seeing all the re-writes, drawings and animations people have done for Starboy and Asha has been amazing to see. These works have inspired me to rewatch Wish at some point to see if Starboy could have worked in the movie with the story as is, and even share how I would have changed a few things in the story to fit the character and a romantic subplot with Asha plus an idea on how to bring in Starboy while still staying true to the established cannon.

I do hope others watch and enjoy Wish as from what I have read the team did put a lot of effort to makes this movie worthy of not only the high standards Disney animation has set, but as a piece of the 100-year story telling of the Walt Disney company. Film making is already hard enough as it is, especially in animation, but having to make a movie with an original concept and characters that still pays tribute to 100 years of storytelling is a daunting task and I understand and respect the choices they made when making the film and you should as well.

[demifiendrsa]

First look at Walt Disney Animation Studios’ Wish starring Ariana DeBose as Asha.  The animated feature film that explores how the iconic wishing star came to be.

The film will be directed by Oscar-winning Frozen helmer Chris Buck and Raya and the Last Dragon alum Fawn Veerasunthorn. Jennifer Lee, who heads up Disney Animation, is co-scripting, with Peter Del Vecho & Juan Pablo Reyes producing. The film will also feature new songs by Grammy nominee Julia Michaels. Disney’s Wish will hit theaters in November 2023.

[starburstsobsessions]

Look if Disney actually DID end up releasing Nimona as they intended it to be, we wouldve gotten Raya and the Last Dragon.

So many nuances and plot points in Nimona would've gotten translated into what became RATLD.

Friends to sword fighting enemies to friends again, with homosexual undertones? Raya. Found family in inconvenient circumstances? Raya. Cheesy animal based humor and changing forms from animal to human? Still Raya.

But here's the thing. One of these movies is amazing and stunning and conveys such a beautiful and heartfelt story and the other one is Raya. You forget Raya a couple days after watching it at max.

Raya, or just Disney themselves, were cowardly. While two female strong POC leads should've been insanely revolutionary, it was cowardly. The most liberty Disney was ACTUALLY willing to take with these characters is make them a little mean and throw out some jokes, cashing out on that reputation rather than exploring it or making it mean... anything. Stakes were low despite seeming high, the movie left you with little feeling. Like you've seen it before and you will again and nothing is really that revolutionary.

If Disney had released Nimona, we would've just gotten RATLD. Ballister and Ambrosius wouldn't have said "I love you" or forgiven each other and absolutely wouldn't have kissed, because Raya and Namaari hardly came close to ANY of that. Nimona wouldn't have said "But i'm not a girl, i'm a Shark" or any of her iconic lines, because there was absolutely no way Disney would've let Sisu say "But im not a girl, im a dragon."

[lieutenant-amuel]

you wrote once about your favorite Disney princesses. What are your thoughts on the Disney non princess? Or top 10 princes?

Thank you for the ask!

The term “Disney non-princesses” is too vast, so I’ll go with the princes :P

I’ll take the characters from the same movies the princesses are from (even if they’re not “princes” aka royal), excluding:

EoA, because I’m not even sure which characters to include. Probably Gabe and Mateo because they’re the main characters and around Elena’s age. But I won’t include them because they are not well-known outside their show and either way we all know Gabe is always my number one, so let’s make this top more interesting.

Moana and Raya and The Last Dragon, because those movies simply don’t have male characters who could be considered “princes” (I don’t have the heart to call Maui or the guys (Boun and Tong) from Raya’s gang princes, sorry and I barely remember those characters because I’m not a big fan of the movies).

Before we begin, I want to note that this top is about MY favourite princes, not the best ones, and is supposed to reflect MY opinion, not yours. If you disagree, make your own post and don’t argue with me, trying to change my mind, because this kind of conversations is simply pointless. Anyway, I’ll try to express my opinion as politely as possible so I won’t offend anyone.

And now let’s get started!

11. The Prince (Prince Florian/Ferdinand)

I have nothing to say about him, besides he’s romantic and sweet. His role in the movie is insignificant, he appears only in two scenes and doesn’t even have speaking parts, I think?

I believe he could have a bigger impact on me if I loved the movie more, because my own bias plays a big role in making this top, but sadly he’s just bland for me.

10. Kristoff

Please, don’t bite me.

Despite the fact Kristoff is basically a lot more round than most of the characters I put higher, I still don’t have much to say about him, because he’s simply not my type.

I absolutely love Anna, but it doesn’t make me care about Kristoff as much as about her. He’s kind, loyal, brave, and even has a backstory, but… there’s still something missing. I don’t have the heart to call him unintelligent or God forbid dumb, but he just seems superficial to me. This is kind of people I don’t really like in real life, so I suppose it makes its impact.

I’m really sorry to all Kristoff fans, because really, he’s a great character, but just not for me. I often prioritize character’s personality over their complexity (which is why I’m not a fan of Elsa or Esteban if we take EoA into account because it’s been my brand~ for a long time) and if I don’t like them as a person, I cannot care about them as a character, and Kristoff is this case.

9. The Beast (Prince Adam)

As much as I love Belle, I’m indifferent to the Beast. I know he kind of has a complex character arc as we see how he’s actually changing thanks to Belle’s influence, plus we know a little of him before he was turned into a beast, like the fact he loves books, which actually does add something to his character, but I just don’t think that much about him. He’s nice, and that’s all I can say.

8. Prince Charming (Prince Henry)

I’m not sure what to say about him. He and Snow White’s prince are basically the same as neither of them plays an important role in the movies. I put him higher than the Beast mostly because of the sequels where he gets more personality (and an iconic jumping out of the window scene) that makes him a lot more enjoyable and fun to watch, even though he’s not really the character type I like.

7. Eric

Same as for the Beast. I strongly disagree with people who call Eric dumb or bland, but the fact I don’t insult him doesn’t mean he’s a character I often think about. I’m indifferent.

I love his passion for the sea, it makes him curious and adventurous, and I think it’s actually super interesting that despite being a prince, he has a down-to-earth hobby and is nice to his crew (and he has a super cool dog).

I heard Eric got “more personality” in the remake but I haven’t watched it yet so I cannot put my two cents in. Anyway, this top is about animated princes, so I wouldn’t put him higher either way. But the movie would certainly help me to look deeper into his character.

6. Phillip

Unexpected? Well, as I said, I’m biased. Sleeping Beauty is my favourite old Disney movie, Aurora was my favourite Disney princess as a kid and so it automatically made me love her man, too. He’s charming and brave as he’s actually rescuing Aurora, and as much as this is basically the only thing I can say about him, I still put him that high because he has a special place in my heart.

But you know, if we’re unnecessarily overanalyzing, Phillip is also kind of a rebel since when he fell in love with Aurora without knowing it was her, he refused to follow the betrothal and wanted to marry the girl he actually loved, so yeah, that’s nice. And he has a cool horse and a fun dynamic with his father.

5. Naveen

And we’re finally getting to the characters that I actually care about and even can say something beyond “he’s nice.”

I love Naveen! He’s energetic and optimistic, and I honestly do love characters like him. He’s super fun and has a fantastic arc, and I love his passion for music. As in Eric’s case, that’s great that he has a hobby and treats common people nicely despite being a prince.

Really, I just love characters with a radiant personality.

4. John Smith

I thought for a long time whether I should put John Smith or Naveen higher, because I like them pretty equally, but eventually John Smith won mostly because he’s deeper and I have more to say about him.

John Smith is great! He’s curious and adventurous, which I already said about Eric, but he’s a lot more dynamic and charming, and it makes him more enjoyable to me (his part in Mine, Mine, Mine is fantastic). He’s also decent, brave, loyal, caring, and what’s also important open-minded. I love characters who use to have wrong beliefs but learn eventually that they’re wrong. I think if I had rewatched Pocahontas before making this post, I’d say a lot more about him.

3. Eugene

My Top-3!

Eugene must be one of the most loved Disney male characters, and that’s well deserved! He’s charming and witty, brave and resourceful, has a great backstory that actually makes people care about him and it leads him to have a fantastic arc.

I really don’t know what else to say about him, he’s simply an amazing round character with a unique personality, and I really love him a lot.

I’m not taking Tangled the Series Eugene into account, because I sincerely don’t like how he’s portrayed there. They make a very big emphasis on his narcissism, especially in season 1, making him a comedy relief character, whereas in the movie it isn’t even such a big deal. Not to mention his absolutely terrible arc of being the prince of the Dark Kingdom. It completely erases his backstory in the movie and makes his story of being an orphan a lot less impactful for me.

2. Shang

Another bias, because, as you might have noticed, Mulan is my most favourite Disney movie. Just of all time.

To be serious, Shang is a perfect character for me. He’s brave, smart, takes his responsibilities seriously. He might be blunt and tough on the surface, but he’s also decent, respects his soldiers, wants his father to be proud of him, and always strives to do the right thing even if it’s contrary to his duties (I do have a type, don’t I)

and oh my goodness his song is the fire

He’s perfect, and I love him <3

1. Aladdin

That’s my boy!

Aladdin is my second favourite Disney movie, and Aladdin himself is definitely one of the reasons why.

He’s incredibly brave, decent, kind and selfless without being too soft as he’s also witty and resourceful. He also has many insecurities that force him to make wrong decisions, but he’s learnt from each one, and the general concept of his character being “the diamond in the rough” is really the main reason why I love him.

Aladdin is so layered and dynamic, and he will always be special to me.

Bonus: Gabe

ALRIGHT I’VE CHANGED MY MIND I will include Gabe, because it gives me an opportunity to finally ramble about my best man again and I cannot waste it.

I don’t even know where to start with.

I love his personality. He’s brave, honest, responsible, kind, selfless, protective, loving, extremely loyal and hard-working.

I love his story and how much he’s grown on me.

I love so many character tropes he embodies, and how some of the important aspects of his character resonate with me, which makes him special to me on a personal level.

He’s the character who unleashed my creativity as I created so much content of him and even built my own little universe that revolves around him and that I love to death.

He’s the only character on this list that I think about literally every day, and he will always be special to me because of the impact he’s made on me.

I love Gabe, and he’s placed out of this top, because he’s incomparable <3

***

Thank you again for the ask! I hope I wasn’t too mean akjsnfkk.

[devinwashakie04]

[awholenewicon]

ʀᴀʏᴀ ɪᴄᴏɴꜱ

ᴅᴏ ɴᴏᴛ ᴄʟᴀɪᴍ ᴀꜱ ʏᴏᴜʀ ᴏᴡɴ

[kylesvariouslistsandstuff]

WISH Worrying

I'm seeing some folks wondering where the "marketing" is for WISH, the new Walt Disney Animation Studios film...

A movie that opens Thanksgiving week, quite a few months out from now...

I predict the trailer for this picture, a Chris Buck and Fawn Veerasunthorn-directed animated film that celebrates Disney's 100th anniversary, will debut in June. If we're lucky, we hear a little something during Disney's presentation at CinemaCon tomorrow.

Anyways, June... But that's so late, you may say?

Let's go back to 2010... TANGLED.

The teaser for that movie debuted in mid-June of 2010, in time for the release of Pixar's hotly-anticipated TOY STORY 3. Then it got a proper trailer in the early autumn. TANGLED opened pretty well and had excellent legs, and was quite popular at the worldwide box office. Hey, $590m+ is nothing to scoff at!

The same strategy was applied to 2012's WRECK-IT RALPH. That movie made over $470m worldwide.

2013. Did it again. With FROZEN... Do I even need to say more?

They also did the same for BIG HERO 6 in 2014, and MOANA in 2016.

They made an exception for both RALPH BREAKS THE INTERNET and FROZEN II, though. Both November releases in their respective years, the teasers for those popped up around February.

Then WDAS circled back to that strategy for ENCANTO. They probably would've done it for RAYA AND THE LAST DRAGON, if it had remained a Thanksgiving 2020 release as originally planned. Before COVID-19 and other complications with Disney's schedule resulted in it being pushed back to March of 2021. STRANGE WORLD did the same thing, first look in June, movie released in November.

Difference is... TANGLED, WRECK-IT RALPH, FROZEN, BIG HERO 6, and MOANA, by various metrics, performed well at the box office.

ENCANTO dealt with the Delta and - later - Omicron variants of COVID-19, while families - tight on money - saved their dollars for something like SPIDER-MAN: NO WAY HOME or even something like GHOSTBUSTERS: AFTERLIFE. ENCANTO hit its stride after it came to Disney+, after making a so-so $96m at the domestic box office and little more than $200m worldwide (not great against a $120m+ budget).

STRANGE WORLD altogether failed, right out of the gate and couldn't really leg it up. Went quickly to Disney+ within weeks of release. Far past the Omicron variant and with many families back in the theaters, as evidenced by how amazingly MINIONS Deux did and how PUSS IN BOOTS Dos *really* legged it up, what happened with STRANGE WORLD?

People often say "it had no marketing!"

But it did... Two trailers, quite a few ads, TV spots, some merch, the usual. The problem was, none of that stuff got audiences interested in seeing it. Thus it opened badly, and audiences didn't like it much either, hence the poor CinemaScore grade and subsequently bad legs. (It had to be the homophobia, because the movie - while rushed in my opinion - is really no different from most other animated movies out there. It's not like it was some weirdo niche esoteric movie that was audience-unfriendly. Plus, for whatever reason, most sci-fi animation like this has a hard time connecting.)

WISH looks to be what the public usually associates with a Disney animated feature: A princess, cute animals, songs, apparently a traditional villain who is evil and scary, magical stuff all around. It's about where wishing stars come from, for chrissakes. Apparently it's going to be loaded to the brim with Easter eggs and references to classic Disney animated movies, too. I don't know, I hear conflicting reports from within the trenches on this one. Disney's positioning it as some major origin story for several of the iconic Disney animated movies (when the "wishing star" only really appeared in PINOCCHIO and THE PRINCESS AND THE FROG some 69 years apart from another, and I guess you could count 'Faith is a Bluebird' from THE RESCUERS), but other things tell me that this is not at all the case, and that it's just going to have some fun stuff for us nerds to keep our eyes peeled for.

Anyways, WISH seems like an easy-enough sell. That Disney can easily marathon run from June to November, like they did with TANGLED and FROZEN and MOANA and such.

The real hurdle is always the challenge of... Making audiences like what they see. That's actually easier said than done, and if I have to pull that William Goldman quote out again, I shall!

Whatever was in those trailers for STRANGE WORLD just didn't do it. And with families and audiences choosier than ever before, given how goddamn expensive movie trips are, and other stuff vying for their attention... WISH's teaser, trailer, TV spots, et al. will have to work hard to get their eyeballs. Getting the marketing started earlier doesn't mean anything. If it did, THE PRINCESS AND THE FROG would've been a bona fide blockbuster and there'd be at least one sequel to it and several new hand-drawn Disney animated movies. The teaser for that movie debuted in summer 2008, about a year and a half before its December 2009 release... But the movie opened with a meager $24m, and had to rely on strong word-of-mouth to eke it past $100m domestically... With AVATAR and the ALVIN AND THE CHIPMUNKS sequel playing next door, no less.

Again, if WISH "looks good" to audiences, then it'll open fine and leg itself up over the holidays quite nicely. I can see it opening with at least $40m over the 3-day, should audiences not determine that all their hard-earned money goes to something like THE MARVELS, or WONKA, or that HUNGER GAMES prequel, or TROLLS BAND TOGETHER even.

We gotta see how Pixar's ELEMENTAL, their first full-blown theatrical release original movie since COCO... Yes, COCO, way back in 2017... ONWARD doesn't count, it literally opened the week before everything shut down. It only lasted two weeks in theaters, and then went straight to On Demand and Disney+ right after. We gotta see how ELEMENTAL does, first. That's the one to look out for.

Disney arguably baked a lot of folks' brains, sort of training them to say "I'll just wait till it comes to Disney+." I think we're even starting to see that with the once-foolproof Marvel movies, too. Again, trips to the theaters - especially for a family - are expensive, and it's a gamble each time our. Your experience could totally suck, and it might not even be worth the hassle. But ooooh, in a few months, there it is! In our living room, on our pretty high quality HDTV! $100+ saved!

It's gotta have a real hook now, a real "you gotta see this in a THEATER" hook. Like TOP GUN: MAVERICK had last year, like AVATAR: THE WAY OF WATER had. I hear-tell that returning CEO Bob Iger is trying to restore that to Disney after the previous CEO's aggressive pivot to streaming. I don't doubt that WISH is a priority now, given that WDAS movies used to make bank before COVID-19. Sometimes more so than even the Marvel and Star Wars movies. Ditto the Pixar films. COCO was Pixar's last original box office biggie, and that made over $810m worldwide. A couple of their latest sequels, like INCREDIBLES 2 and TOY STORY 4, easily crossed the big billion worldwide. WDAS' last original blockbuster was MOANA, which made over $680m, while sequel FROZEN II is the second highest-grossing animated movie for the time being.

So, it would be silly of the rearranged structure of Disney's entertainment division to disregard ELEMENTAL (which is screening at Cannes, that's a *big* deal!) and WISH. They both look very "just as you like 'em" kinda movies, in that ELEMENTAL is yet another exercise in the "what if [insert x thing here] was a big city/factory/world with feelings?" template that is often associated with Pixar, and in that WISH is all the stuff general audiences tend to associate with Disney Animation. Maybe not the most exciting things to some of us, but if they have win back paying moviegoers with these old chestnuts, so be it.

Anyways, I hope both do very, very well. If ELEMENTAL does pretty good, we might have an idea of what kind of numbers Disney-released animated movies are capable of scoring in a post-Disney+, post-outbreak world.

[discountalien-pancake]

Hello fellow SEAsian (Indonesian here)

I know this movie is the definition of old news, but what were your thoughts on Raya and the Last Dragon? I personally see it as lost potential, and I think they didn't go in with the genuine intention to represent a culture. We got "well, here's the general aesthetics of eleven countries and some not-white sounding names, you're welcome (shh don't tell anyone that there's more EAsian VAs and writers than SEAsian VA and writers)" as opposed to Coco and Encanto, which explicitly state "hey, this is in Mexico and Colombia! The detailed cultural aspects we implemented and the writers and the VAs we hired reflect that!". I genuinely want to like this movie but they're not making it easy lol

Besides the rep I also have beef with the writing but that's not the point right now

Anyway, sorry for the long and rambly question, I'm just curious about how other SEAsians view this. Have a great day :D

I never watched Raya bc I was so annoyed with disney and the dragon design and the stupid premise that just. Isn’t based in SEASian folklore at all. It really would not have bothered me if they just PICKED A SEASIAN CULTURE instead of trying to be all-inclusive. If they were going to make the dragon sort of thai they shouldve just leaned into it and made it *all* thai, with maybe a few small elements borrowed from other cultures to pad out the five clans or whatever.

Which btw was STUPID AND ANNOYING bc they literally ripped off black panther for that one shot. Raya was like an exercise in how many iconic shows and movies can we copy to make this the most effective cashgrab. Blegh.

And by attempting to be generically SEAsian, which is literally impossible because every SEAsian culture is so fucking distinct from its neighbors, you just end up with meaningless drivel that alienates the entire ostensible audience. I says ostensible, because although Raya was marketed as being a princess for us, but really she was just written to appeal to Disney’s usual princess movie audience, aka white little girls and their parents.

But can I say I was disappointed? Nah, because I never expected anything better from the demon mouse.