#don't get me wrong it's badass but i'm not so certain it's completely true

[that-one-scared-gay]

"I don't see any harm in playing by her rules, because it's my game."

TELL 'EM LAUDNA

[radiosummons]

I have yet to actually see a single episode of Rebels. So aside from gifs I've seen of certain scenes (mostly Ahsoka running into Anakin as Vader and Maul's final fight with Obi-Wan), I have little to no knowledge of what actually happens in it.

Before I start watching it, however, I want to make a list of the things I think I know and then do a little compare and contrast sort of thing once I've completed it. No need to correct me if I'm wrong on anything and I will ask for no spoilers (for the time being), but we'll see how well that goes.

Anyway here's what I think happens in Rebels based on the gifs, fan art and random other fandom related shit I've absorbed through osmosis:

The main character is Ezra Bridger and apparently he gets a boyfriend near the end of the series??? Good for him.

Kanan is Caleb Dume, Depa's padawan. He's the fan favorite.

Kanan gets married to a Twi'lek Rebel fighter named Hera. I'm very happy for them both.

There's a Lasatt voiced by Joe DiMaggio. I think. I've heard there are a lot of fart jokes related to him. I'm really hoping there isn't.

Ezra goes Sith for a period. Or like flirts with the Dark Side? Idk something emo is going on with him.

Maul kidnaps Ezra and tries to make him his apprentice. I assume this is the part where Ezra goes emo boy mode.

Sabine becomes Manda'lor. And then gives the Darksaber to Bo-Katan. Who then isn't the Manda'lor because she didn't win it via mortal combat? Idk, man, Favroni are on one with this bullshit.

Tarre Vizsla gets introduced in Rebels and he is the only valid Vizsla (besides Paz) to ever exist. I refuse to stop stanning our canon Mandalorian Jedi. Don't ever change, Tarre!

I don't actually know who Sabine is, but her design is very reminiscent of mid 2000s "cool girl" character aesthetics and it feels sorta aged to me. Regardless of this, I'm assuming she's a great character as I haven't really seen anyone shitting on her.

Ezra and Sabine are in a relationship? Were in a relationship? No fucking clue.

I think Obi-Wan mercy kills Maul in front of Ezra????? If that's the case, Ezra would technically be among the few people to know that Obi-Wan's alive and where he's hiding. I'm going to assume he's just keeping his mouth shut?

I've heard that Sabine is a lesbian??? I have no fucking clue what she and Ezra got going on then, but in this house we stan all queer identities so whatevs.

Thrawn makes an appearance. I somehow knew about Thrawn being in Rebels, but literally nothing else. Which is weird 'cause I remember reading the books as a kid but I've retained no memory of them. Anyway, looking forward to seeing his blue ass.

I think Ahsoka gets her badass codename "Fulcrum" from the Rebels show. I will be very happy if this is true.

Hondo Ohnaka tries to sell one of the main crew. Idk who. And I don't even know if this is even true. But I know this little rat man and I would be shocked if he didn't attempt to do something.

Kanan is part werewolf. I have no fucking clue what the lore explanation for this is. I just keep seeing shit that says he's a werewolf and I refuse to budge on this until I figure out otherwise.

[sweetbitterimpossiblecreature]

A Brief And Concise Summary Of Is Wrong With The ACOTAR Series

I think we can agree that a lot of ACOTAR is pretty iffy. Consider this a very brief refresher.

What's Wrong With Feyre/Rhysand (juxtaposed against Feyre/Tamlin)

Rhysand drugs and sexually assaults her in Book 1

This is "for her own good". Because he "has no choice". Despite the fact that, from what we know of the plot, Amarantha thinks that Clare Beddor was the one Rhysand was diddling, and is only interested in Feyre because Rhysand, "her" man male, has taken an interest in her.

If we extrapolate from this we can figure that Rhysand is the one directly putting her into danger.

Now, let's be clear: drugging someone is bad. Sexually assaulting someone is bad. One could argue there were extenuating circumstances. But if, in such a situation, what your mind goes to is "I know, I should assault this person... for their safety" I have questions about your moral qualities. There were a million things he could have done. He could have done whatever he did to Clare - that is, remove her ability to feel any pain - easily. He could have helped her escape. Under The Mountain, he - while still there unwillingly - has a lot of power, as Amarantha's side piece. Maybe this would have resulted in him being punished- however, he is hundreds of years old and a badass motherfucker, and she is a nineteen year old human girl.

Now, onto Tamlin. Obviously not a lot of people really ship F/T anymore after ACOMAF, because compared to F/R, it's boring. I read another person's post about it, which was very enlightening: they said that Feyre's personality is essentially a mirror. When she is with Rhysand, she's snarky and malicious- because she is "bouncing off" his energy. When she's with Mor she's super feminist and "in awe of her strength". On the other hand, Tamlin is kind of an empty character. He's a pretty boy with anger issues, which should be more interesting than it is. SJM manages to make him bland. Because Feyre has nothing to bounce off of, (a lot of this is from the person's post), she and Tamlin together is mainly just him introducing her to his world.

What Tamlin Does: prevents a skinny twenty year old from going on dangerous missions with him and combat-trained soldiers, accidentally blows up a room with her in it, and, at the end, prevents her from leaving the house.

This is not a Tamlin apologist post. Obviously it was really fucking gross of him to do that, and their relationship was toxic. However, a lot of his abuse stems from their inability to communicate, as well as own negligence. He does not knowingly and purposefully sexually assault her or rape her mind. And tbh, leaving a girl without combat training at home while he goes on missions with a bunch of muscled sentries is... kind of reasonable?

Again: not a Tamlin apologist post. It was abuse. However, if Rhysand is "allowed" to sexually assault, mind-rape, and drug Feyre "for her own safety", why is Tamlin demonized for preventing her from leaving his mansion "for her own safety"?

Another pertinent point: Rhys is never punished for sexually assaulting her. It is brushed off as part of his "mask" or that his hand was forced. Jesus Christ my dudes, his hand was not forced under her skirt. If he has to maintain his gross rapist abuser tyrant oppressor mask... why? Who did that benefit beside him? None of his actions remotely helped Prythian. They were done solely for his buddies - five people safe in a rich hidden city - and no one else, which is explicitly stated.

Finally, the power dynamic is fucked up. Feyre is less than twenty five years old. Rhysand is 500. There is a tendency in fantasy romance to romanticize a centuries year old man with a young girl, because the man does not show symptoms of age, and so it is easily ignorable. However, can we just briefly acknowledge how fucked up it is? Rhys is over five times older than Donald Trump, Harvey Weinstein, Jeffrey Epstein, and other known predators/abusers. She is twenty. That is really fucking gross. She is in a vulnerable position and he takes rampant advantage of that.

If he had wrinkles, liver problems, and erectile dysfunction, more people would acknowledge it.

Let's be clear: I'm not saying writing a book with an uneven power dynamic is automatically bad. For example, in The Locked Tomb series, which is in my opinion THE BEST FANTASY SERIES THAT HAS GRACED THIS EARTH (lol i'm starting fires), one main character Harrowhark Nonagesimus is in a position of power over Gideon Nav, the other main character. However, this is not glossed over or romanticized. Gideon resents Harrow for this- there is a relationship of mutual antagonism, fraught with unwilling familiarity and intimacy from growing up together. They are roughly the same age. While there is a certain power dynamic (in that world, there is a dynamic of necromancer and cavalier, i.e. sorcerer and sword) the "empowered" character (Harrow) emphatically respects her and does not abuse this power, although both would of course deny this, and she does make a show of threatening and being aloof. In short, while Gideon obeys her, Gideon also has power over Harrow, and the idea of what is essentially slavery is not romanticized.

Feyre Doesn't Face Any Consequences For Her Own Actions

Let me present a radical notion: a guy preventing you from leaving his house does not justify completely fucking ruining his country and harming the people inside it.

In other words: Tamlin does not deserve what she did to him.

I know that sounds iffy. We're conditioned to think that if someone is an abuser, then they are the scum of the earth, they deserve to die, torturing/murdering/doing anything to them is completely A-OK. However, here's another radical notion: someone harming you does not justify you doing worse.

Obviously, the effects of psychological abuse can cause you to hurt other people (see: Nesta), but Feyre deliberately and maliciously (oh, God, that insufferable POV of her in Spring Court; she reads like a cartoonish Disney villain) dismantles his country. She uses sexual manipulation (Lucien), torture (causing the sentry to be whipped), and mind-rape (who didn't she do this to? lol).

A summary of the entire first half of ACOWAR: "It smelled like roses. I hated roses. For this capital offense against my olfactory system, Tamlin and the entire Spring Court deserved to burn in hell. I knew exactly what I was doing. I smiled at him sweetly: no longer a doe, but a wolf. He didn't see my fangs.............." *aesthetic noises*

Man. I'm starting to think SJM had a horrible experience at a Bath & Body Works and took it out on the rest of us. Don't do it, Sarah!! I know Pink Chiffon and Triple Berry Martini are way too strong, but don't take it out on an innocent population!!

She steals from Summer Court (there are, yk, other solutions to theft. Like maybe asking politely) and ruins Spring Court. Her boyfriend - yeesh sorry, MATE - does nothing while a dozen Winter Court children are murdered.

Now: moral ambiguity is not automatically bad. Again using The Locked Tomb as an example, in the second book (spoiler alert), Harrowhark has a sort of moral ambiguity. She was raised from the beginning to worship the King Undying as God, and so she obeys him without question. Because of this, she commits a lot of crimes in His name: she "flips" - i.e. kills - the life force of planets, and she plots murder (albeit the murder of someone who tried to kill her first). There is no attempt to justify this. There is also no attempt to paint her as a virtuous and yet also badass Madonna figure. She is desperate, plagued with the "wreck of herself", and the book clearly displays her moral pitfalls. While her POV is of course colored by her mindset, it also is limited by her lack of information, and we as readers can acknowledge that.

BACK TO ACOTAR: Feyre is seen by everyone as gorgeous, formidable, and essentially perfect. Rhys sees her as flawless, "made for him", wonderful, beautiful, blah blah blah. (THEY ARE SO BAD FOR EACH OTHER; THEY EXCUSE AND GLORIFY EACH OTHER'S CRIMES, IT'S SO BAD, GUYYYS). Tamlin is insanely batshit in love with her, or whatever. To the Night Court she's the High Lady. In this way she personifies the Mary Sue character. (Excerpt from the TV Tropes page on Mary Sues: "She's exotically beautiful, often having an unusual hair or eye color, and has a similarly cool and exotic name. She's exceptionally talented in an implausibly wide variety of areas, and may possess skills that are rare or nonexistent in the canon setting. She also lacks any realistic, or at least story-relevant, character flaws — either that or her "flaws" are obviously meant to be endearing. She has an unusual and dramatic Back Story. The canon protagonists are all overwhelmed with admiration for her beauty, wit, courage and other virtues, and are quick to adopt her as one of their True Companions, even characters who are usually antisocial and untrusting; if any character doesn't love her, that character gets an extremely unsympathetic portrayal." Sound familiar?)

There is the Ourobous scene. And yet, paradoxically, while presented as an acknowledgment of her flaws, it is in fact a rejection of them. She sees her own brutality... and instead of recognizing that she has these deep, deep moral flaws and realizing that she needs to grow and be better, she in fact "accepts" them.

Guys: Self love means: "I'm important to me, so I'm going to get a massage today after work", or "heck, why not splurge on some expensive lotion, you only live once" or "you know what? I had a tough day today. I'm going to get that strawberry cupcake". SELF LOVE DOES NOT MEAN "oh, I accept all the war crimes I have done, I love myself". LOVING YOURSELF DOES NOT MEAN ABSOLVING YOURSELF OF ALL WRONGDOING.

It's this refusal to acknowledge wrongdoing that is so grating about ACOTAR. It's so goddamn one-sided. And you can tell that after Book 1, SJM decided to completely change the trajectory simply because of how jarring Book 2 reads compared to the first one.

Also: Feyre is a very, very young girl (compared to the other ruling fey) who did not know how to read for the majority of her life. She has no experience whatsoever in politics. Her being High Lady is not a win for feminism.

Rhysand: He Sucks

First, he is 500 years old. He should be written as such, not as some 20 year old virile frat boy feminist. Fantasy is all the more compelling for its elements of realism, which is a concept that SJM does not appear to grasp.

Second of all, his morals are absurd. He is written as the Second Coming of Christ, as someone who can do no wrong, ever, and his flaws only serve to make Feyre love him more. Anything shitty he does is written as part of his "mask" and she can See Beneath It and knows that it "hurts" him to maintain this "mask".

Fellas, WHY DOES HE HAVE TO MAINTAIN THIS MASK???? There is no reason for it. If A) he does not give a shit about Court of Nightmares (we'll get back to that), only about Velaris, and B) Velaris is hidden/protected from the world, what is he pretending for?

It would not hurt him politically to be seen as someone who cares about his country.

"Pretending" to be "Amarantha's whore" does not in any way shape or form benefit the macro-world that is Prythian. In Amarantha's name, he commits atrocities. He commits war crimes; he systemically oppresses entire societies. It doesn't even really benefit Velaris, because Velaris is already hidden.

Let me put this in a real-world perspective. This would be like if Donald Trump was suddenly like: "I know I was a shitty president but IT WAS ALL PART OF MY MASK, WHICH WAS TO PROTECT THIS MICROCOSM OF PRIVILEGED PEOPLE THAT I CARE ABOUT". Like: okay? Sorry, or whatever, but I don't actually give a shit. What about the parents of the children who died? What about Clare Beddor? What about the people who were held in slavery, murdered, tortured?

Rhysand: omg it sucks that my cousin Mor was oppressed by this toxic misogynistic culture from the Court of Nightmares.

Also Rhysand: lol whatever, who gives a shit about Court of Nightmares. They all suck. They meanie. Lol what did you say? That there might be other girls just like Mor who are oppressed by this system? Lol whatever. I can't do anything, I gotta maintain my Mask. I gotta sit on this throne and show the entire Court that not respecting women is completely okay.

In summary: by parading Feyre around as his "whore" (!!) he demonstrates by example that it is completely okay for the Court of Nightmares to abuse their women.

A good ruler cares about all his people. Rhysand cares about a tiny tiny fraction of his people: those who were fortunate enough to be born into Velaris.

God, I'm exhausted. Onto Nesta:

The only character who successfully breaks the Mary Sue effect Feyre exerts on her people is Nesta. Her POV for the first half is a joy to read.

Obviously it sucks that Nesta was a huge bitch to Feyre for the beginning of her childhood. However, it was wrong for Rhysand to threaten her- he is a man male with a huge insane amount of power, and it is not okay for him to threaten to bring the brunt of it down on a young girl because she was a bitch to his girlfriend.

I've seen a lot of discourse on the morality of F/R sending her out of Velaris. Here is my two cents:

It was okay for them to cut her off of their money. If they don't want to enable her self-harm, that is their choice. Again, it's their money, even if it wasn't fairly earned (Rhysand born into an enormous fortune).

It was not okay for them to banish her from Velaris with the implication that she was an embarrassment. Let me explain.

If Rhysand and Feyre are talking to her as sister/brother-in-law, then that is that. They have the complete right to express disapproval and try to help. However, they should not be using their royal privilege against her.

If they are talking to her as ruler to subject, then they have the power to banish her from the city. However, a ruler would not give a shit about a random subject getting drunk and having sex. So, they should not be talking her about her problems as a ruler to subject.

I've heard it compared to her being sent to rehab. However, rehab is a system designed to help people with certain problems. It has specialized medical centers and involves therapy. Nesta gets her life threatened multiple times. It is not rehab.

In summary: why did SJM inflict this upon us. Throne of Glass was actually good! GAHHH! After the first few books she completely whipped around and introduced the idea of males and mates and fey and that C is actually A and the quality took a huge nosedive. Sigh.

Final horrible but unmistakable truth: The entire ACOTAR series reads like a bad A/B/O fic. I hate to say it but it's true. We're lucky there were no heat cycles. OH WAIT

[thefairyletters]

NaruSaku Fanfics

I wouldn't say much – I love NaruSaku and I hate to see great works shadowed behind the piles of popular NS stories that I never have liked as much except for a few, which also I'll drop below in the list.

I'll update this list whenever I come across a story that I particularly enjoy or finds worth spreading word across. So be sure to like and reblog this post so you can revisit it to add new story in your reading pile later.

Also, genres vary and are not mentioned, but does it make any difference as long as the story is good?

Warning: super long post featuring beautiful, beautiful stories that you wouldn't regret reading. I swear. I'm positive. Contains SNS and other side pairings.

Without further ado;

How I fell in love with my best friend: Krapo || ff.net || M || complete

How the little blond boy Sakura had always known had changed, changing as well her feelings. The unfolding of their life, while Naruto worked to become the best Hokage and she faced her own emotions. Growing Love.

(I have nothing but upmost reverence for this story. This author writes one of the nest NS and I have loved all. NS is beautiful and Sakura is badass. Everything we already know is here and more.)

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Dangerous infiltration mission: Krapo || ff.net || M || complete

Naruto and Sakura are send by the Hokage for a difficult infiltration mission. They will have to face more than just the danger itself as they will have to keep their cover to be fake husband and wife credible. how it will impact the relationship between the two ninja. Growing Love. Misunderstanding.

(If you loved the aforementioned story, you'll love this one too. Mutual pining.)

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All over again: Krapo || ff.net || M || post-war || complete

Sasuke come back, Team seven is reunited. But Sakura has lost Naruto. How will she make him fall in love with her again? What other difficulties lies ahead of them?

(Naruto loses memory. SasuSaku angst but not in romantic sense and I loved it all. Misunderstanding and more mutual pining. And I'm in love with this story too.)

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Hit the floor running: Sakurablossom009 || A03 || M (but unnecessary) || Modern Hitman/Robbers AU || complete

Life was going great, Sakura thought. She was penniless, stranded in Europe without a way home, her fiancee had just dumped her for another woman AND her new companion was quite possibly a thief. How could things get any worse? Wait...was that guy pointing a gun at her?

(Now, personally, I don't prefer modern AU, but this story really had interesting characterisation and more character depth. NaruSaku is pretty spot on. It also features SasuHina and bamf!Hinata)

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The greatest pretenders: snowyseas || ff.net || M || Borutoverse || ongoing

Fifteen years is a long time to not talk to someone you consider your best friend, and is made even more difficult when they (and you) are married. The things Sakura should have confronted Naruto about never came to fruition, but as an old saying goes, "the truth will always be revealed".

(Your typical I-made-a-wrong-choice-but-now-can-be-done story but unlike many other stories in this they don't admit their love for each chapter at the first chapter itself. In fact, it feels so canon and you can almost superimpose it upon the canon. Sakura is mentally strong and knows what's right. )

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He was the sun: SavageTrickster || ff.net || T || Canonverse || ongoing

He had come a long way - from a lonely orphan ostracized by everyone to a loved hero. He deserved all these. His Hokage dream to come true. All the ramen he could eat. - Her eyes fell on a certain Hyuuga seated close enough for accidental touches. Her heart sank a little at a harsh whisper of reminder - And a deserving girl...who could give him all her love.

(So far so good. It's ongoing, and is at chapter 3. Sakura leaves Konoha much like how Naruto did, to explore the world aka seeing my headcanon in writing.)

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Wilderness: Kanji no Sakka || M || canondivergent || ongoing

As the war screeches to a temporary halt, Naruto leaves the battlefield on a unique mission only he can complete. Sakura is ordered to go with him. In the days that follow their bond is changed forever.

(Although I hate any explicit stories that involve characters below age 17, I give this a pass because of the uniqueness of plot and characterisation. It has fine lemons that comes with a good plot.)

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How It Should Have Been: OfPaintAndOil || ff.net || T || canon divergent || oneshot

It wasn't supposed to be this way. Sasuke was supposed to be the dark one, the unredeemable one. Naruto was the bright one, the good one. It wasn't supposed to be like this, with blood on his hands and glowing red eyes and a grin. Naruto was supposed to make everything better, and maybe he did, in the end, but Sakura had never expected the end to look quite like this.

(Featuring Yandere!Naruto. It leaves you wanting for more and is a fascinating read. It's dark themed so proceed with caution as your favorite character might or might not be dead.)

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The Best Dates are the Cheap Ones: Shivakashi || ff.net || T || post!Timeskip || Oneshot

The whole point was to get the best date; that meant the richest and classiest guy, right? Sakura realizes what she has taken for granted and Ino learns a lesson in value.

(Sakura learns her lesson and snatches her boy. InoNaru is worth noting. Not the best characterisation of Sakura but bear with her jealousy for that is the reason why NS fluff exists. Story itself is very light and entertaining.)

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mangoes and strawberries: ohthelinsanity || ff.net || T || postwar || oneshot

Sakura Haruno was elbow deep in Naruto Uzumaki's guts when he asked her to marry him. It was so not the right time. But she still said yes.

(This story just screams NS upon every single line. Diabetes warning. Too cute for this world. One of the best NS fluff I've read thus far. It kinda sticks to you forever!)

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18 minutes, 23 seconds: ohthelinsanity || ff.net || T || postwar || oneshot

in which Naruto asks Sakura about that time she literally reached into his chest and grabbed his heart with her bare hand.

(Heartwarming. We all know how Sakura held Naruto's heart on her palms and how we love that moment. This is memory of that moment reminisced by our cutie pies.)

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One Big Uzumaki Family: John Smith || ff.net || T || postwar || Complete

A set of drabbles revolving around Naruto, Sakura, and their children. It turns out that, when the war ends, these two get busy. Real busy.

(IF YOU DON'T READ THIS MASTERPIECE HOW DARE YOU CALL YOURSELF NS FAN?!!! READ!!! This story should be on the top of your reading list.

UNDERRATED AF!

R e a d t h i s s t o r y and cry with me for this should have been canon. 100%)

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My Life Would Suck Without You: peanutbutter126 || ff.net || T || oneshot collection

Sometimes it's the smallest things that matter the most.

(Read this and then One big Uzumaki family. You'll feel super satisfied. I promise.)

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Colors and Carousels: Folle Sakura || ff.net || T || oneshot

She couldn't count the number of times she'd been mistaken for Naruto's girlfriend. Not that she minded. But Naruto acted like it was so… so… offensive.

(No words for this one. Just read and enjoy the confusion.)

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Let's Get Married: luvtoshi || ff.net || M || postwar || complete

It was supposed to be a simple solution to their immediate problems. But maybe they took more than they can chew?

(This is one of my few favorites that is also popular. Spot on characterization and beautiful relationship growth. This is one of the few stories that always stuck to me.)

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Chasing Smoke with Bare Hands: soulaire || ff.net || T || oneshot

"I could have loved her," Sasuke says flatly. "If she'd just given me the chance—" "Sakura gave you all the chances in the world," Kakashi cuts in, stern. "You underestimated her. And you underestimated her ability to walk away from you. At the core of it all, that's where things went wrong."

(This story is for those who loves both SS and NS but thinks Sakura deserves happier life than what she got in canon. Features NS and slight SS.)

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Touch: ohthelinsanity || ff.net || T || oneshot

Kakashi watches as his student grow to be more physically comfortable with one another. He finds it kinda ridiculous.

(Fluff. Feelings. Kakashi's fed up and might have diabetes from all the observation.)

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Moonlight shadows: luvtoshi || ff.net || T || oneshot

Sometimes, the moon brings out hidden feelings to the surface.

(Beautiful literature. NS feels. You can almost mistake it for canon with the way characters are written.)

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Seriously Serious: Damsel in Shining Armor || ff.net || T || modern AU || oneshot

He confessed to her when they first met. He confessed to her years after. He confessed to her almost everyday. Her response was almost always positive... So why the heck was he still single? "I love you." "Love you too. So is Sasuke-kun taken or not?"

(The only reason why I even picked this story is that it is a oneshot. I have very little interest in modern AU. But this one makes another exception. Pining. Love at first sight.)

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It was always you: luvtoshi || ff.net || M || postwar || complete

The war is long over. They have both grown. Now it's time to conclude their story. Naruto and Sakura.

(You know what, all stories from this author are just, Chef's kiss. )

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A Safe Pair of Hands: Kanji no Sakka || ff.net || T || oneshot

Sakura heeds a stern warning to make it clear how she feels about Naruto.

(Feels. You'll love this if you like first person pov. This story told from Sakura's pov.)

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Other Dreams: tricksie || ff.net || M || oneshot

"Naruto, you shouldn't endanger yourself—" "Stop it," he snapped. Dropping his arm to hook under her seat, Naruto pulled her firmly onto his hip, locking her to him. Sakura gasped, suddenly aware of just how very close they were.

(Sexual tension. Romance. Leaves you wanting. Also, high on feels and lust on equal measure.)

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Heaven Unexpected: Folle || ff.net || M || oneshot

Because nothing can happen; it's Naruto. He always comes back. He's practically indestructible.

(Heavy on feels. There are chances that it might rain. Actually there are high chances. But oh well, it's beautiful and one of my favourites so here it goes.)

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Shade of the Leaf: Ravyn || ff.net || T || canon divergent || complete

Sasuke is back. Naruto has joined ANBU. Sakura is spending more time in the hospital than in the field. Team 7 struggles to redefine itself, because sometimes you don't know what you really want after all.

(Featuring Mature but still in-character!Naruto, Badass!Sakura, (Bit)Supportive!Sasuke along with Team 7 friendship. Mutual pining. Ending but with a lot loose ends.)

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Breaking Up Isn't that Hard to Do: Narf-for-the-Garthoc || ff.net || T || oneshot

This is not an epic tale of action, suspense and true love. Yeah, I'm disappointed, too.

(This is pure comedy. With a dash of romance. And insanity.)

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Steamy Encounters: Narf-for-the-Garthoc || ff.net || T || oneshot

A flurry of coincidences and fateful machinations bring Naruto and Sakura together at the local baths. Can they rein in their animal passions? And do you really think that's the kind of story I write?

(Just r e a d. Please.)

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Garden of Sanctuary: Nes Mikel || ff.net || T || Canon divergent || oneshot

An alternate ending to Naruto. The Heavens describe the Garden a peaceful paradise. The Hells describe the Garden a baneful prison. In here... which is it?

(This is part of a series which you can follow from the author's profile. This is the second part, but can be read exclusively. As far as the AU goes, this story and settings is brilliant and heartbreaking. This is told from Naruto's pov. To look at things from Sakura's, read the first part. It is multi-chaptered.)

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Complications: Geno Calamari || ff.net || T || canon divergent || oneshot

While capturing the Kyuubi, Uchiha Itachi finds true adversaries in the form of Haruno Sakura and Uzumaki Naruto.

(Wanna see NaruSaku teamwork? This is it! You wouldn't find it anywhere better. Strong!Naruto, Strong!Sakura versus Itachi Uchiha)

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Life is a waving feather: jusrecht || AO3 || T || AU || oneshot

Everyone thought they were inevitable.

(There's beauty in subtlety and this is that. Also, mentions of character death.)

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Home: kirabook || AO3 || T || AU || complete

Shinachiku finds himself in a strange place with little to no explanation. Everyone he knows is there, but why are they acting so strangely? Why do they seem so different? And where is his home? 

(Cute and heartwrenching at the same time. Cameo Stalker. Read this for NS family feels pre-marriage.)

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Things we never say: thekatthatbarks || AO3 || T || oneshot

She wished she knew how to hold things lightly. There were some things she was terrified of breaking. Whether it be from an honest misstep or simply because she could.

(Reminds you why we love NS so much.)

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Open seasons: sazzafraz || AO3 || T || SNS || postwar || oneshot

The way Sasuke comes home is less myth and more devastatingly embarrassing happenstance.

(Featuring badass!Sakura, obedient!Naruto and normal!Sasuke, as well as Sakura's commentary on her life)

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Five things Sakura will never tell Naruto: sowell || AO3 || T || AU || oneshot

Kunoichi know how to keep their secrets.

(NS relationship analysis story.)

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Artistic purposes: StormyInk || AO3 || M || AU || Oneshot

Sai finds his favorite drawing subjects a bit lacking of late, and he sets a plan into motion to draw his team mates together. Simply for the sake of his art, of course.

(Aka Sai is fed up from seeing his teammates dancing around each other and decides to help them get laid–the story. You gotta admit Sai is the best wingman.)

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I collect my tears (so I can drown you in them): amako || AO3 || T || AU || complete

The hardest thing is letting go. Or Sakura sees Naruto falling in love with Shikamaru a little more every day, and she does the only thing she can think of. Then it's only a matter of learning how to stop loving Naruto.

(Sakura and Angst that has nothing to do with Sasuke. Featuring Sakura-sensei. And Shikamaru. It's a great story if you know when to let go of canon)

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Stranger than the wild: kiddattwell || AO3 || M || SNS || postwar || Ongoing

The war is over and Sasuke is home for good, but Sakura can't choose between the boys she loves. Sasuke still has his demons and Naruto still fights them and Sakura still follows them both, but this time down a path that none of them expected.

(This is canon. It is the best SNS story I've ever read. Story told in SNS POV in rotation. Slow burn, pining and relationship complication. YOU GOTTA READ THIS, I INSIST!!!! Also features SaiIno and InoShika.)

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Bringing Back Sasuke: Blue Jeans || ff.net || T || post war || oneshot

Naruto brings Sasuke back to Sakura. Many, many times over. Sasuke does not appreciate; not the blood and definitely not the angst.

(I've read this story multiple times and it gets funnier and makes your heart hurt and swell simultaneously each time. NaruSaku wouldn't be blissfully happy together without Sasuke thrown somewhere in the mix, that's exactly why I love SNS. This story perfectly represents the dynamic of team 7.)

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Yurei: Kanji no Sakka || ff.net || T || AU || oneshot

The past should stay dead and buried, but it won't if Naruto can't let go.

(Not exactly my favourite story, but I liked the concept. We all know how stubborn Naruto is once decides on something. If he wants to become Hokage, he will become Hokage. If he believes in Sasuke, he will believe in him forever. If he loves Sakura, he will marry her – uh, or should have, very OCC of him that he didn't.)

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Tag NS fan you know so they don't miss any of this!

[honey-lets-fucking-run]

Rebecca Ferguson: The Art of Versatility

A recent discussion with the lovely @imfmi6 has given me the spark to finish an essay on which I was fumbling for a couple of months. Therefore, I decided that I must be courageous enough to publish it, so here it is.

However, before we begin, I shall give to all of you some predisposition: this post may be very long and contain lots of letters for I'm an insatiable movie geek, and maybe, I'm partial to analyzing everything I watch and read. Maybe a little too much. Anyways, you have been warned, so...

I'll start at the beginning: a little over two years ago, one dear friend of mine suggested to me that I should watch the latest two entries in the ”Mission Impossible” franchise. For more precise effect, the suggestion was supplemented with a picture of a very beautiful woman, looking at someone unseen, but with such deep affection evident in her gaze, that I was immediately intrigued. That was all it took. A picture. Intrigue is a very tricky feeling at its core, indeed.

So that same day I sat down to watch ”Fallout”. To say I was blown away by it would be a huge understatement.

To elaborate, I had seen the first four entries of the franchise before, I sincerely admired them for the precision that a viewer can rarely encounter in an action flick, but at that time, MI wasn't something I would grasp after. Now, after looking back, I'm pretty sure it was for the best. As they say, some things tend to come right back to you.

Back to the matter at hand. I fell in love with everything. I fell in love with the direction. I felI in love with the cinematography. I fell in love with the cast and the characters. I fell in love with the way in which the film was so cleverly written, even though I had a certain amount of difficulty understanding some plot points, because I was watching out of order, but even then, I pretty much understood everything that was necessary to get. But there was one person with whom I had ended up being enamoured the most. That person was, as I'm sure, you had guessed already, Rebecca Ferguson.

To say what it was that affected me the most? Of course, Ilsa Faust is badass. I mean, she can fight without seeming ridiculous. She takes her heels off, because it's practical and easier to fight without them. She's an expert bike driver. She looks every bit as lethal as well believable while holding a weapon, be it a knife or a gun. She can be lethal without a weapon, and if that's not a definition of true badassery, then I don't know what it is. But, as much all this serves the purpose of being integral to her character, that wasn't what surprised me the most.

What surprised me the most was the plain fact that Ilsa, while being badass, is also very human. It was evident in every facet of the character, be it her seemingly untrustworthy nature of pursuing a goal of her own to the very end, or be it her vulnerability. Vulnerability that was not treated as a weakness, but as an another facet of Ilsa's personality. Human are vulnerable beings, and throughout both Rogue Nation and Fallout, we're reminded of that hundred times, sometimes in a brilliantly subtle ways. And that's the entire point of my never-ending rambling here, because, at the end, I was blown away and became totally fascinated with one thing. Which was, of course, Rebecca Ferguson's acting.

First of all, she doesn't give the impression of acting. Throughout both movies I was a witness to a transformation so complete and sublime, that I forgot about the acting part. I saw only the character. I saw Ilsa's tiredness and emotional insecurity (over her job and moral ambiguity that comes with it, which was surprising in itself, given that female characters who are stressed over something that's not tied to her male partner, are a rarity). I saw her as a complete equal to Ethan; she doesn't need him to save herself, but they understand each other on a much more deeper level, which you can't squeeze to a simple: ”oh, they're in love, look at that”. (There's not only love. In their relationship, respect and mutual recognition comes first and foremost to any romantic feelings). I saw her desire to escape from the spy life before it was plainly stated by her in the scene at the train station. Why? Because it was all over her face in the scenes before that one.

And that is the key. Not only Ferguson does not give the impression of acting by transforming so completely, you forget the word ”acting” in the first place, but also she has such an incredible in-depth understanding of her character's emotional and psychological undercurrents that she's able to transfer it into acting without being overly explicit. It's all in the details: the lighting-quick slideshow of different emotions, from fear to utter contempt, demonstrated by her in the ending seconds of ”Fallout”, during which Ilsa was captured by Lane for a brief time; the complete loneliness and sense of not belonging within any group, hidden beneath the mask of a world-famous opera singer (Jenny Lind was glorious, and she had her reasons, no one will trick me into believing otherwise); again, tiredness and the feeling of emotional drainout, which she transfers brilliantly from Rogue Nation to Fallout, not only without seeming illogical or out of place, but altering that state into something completely different (you can see that Ilsa is on a verge of the burn-out, you can see it so clearly in the scene at the alleway alone, that you literally feel like your heart is going to combust); the aura of evil hidden beneath such affability, that you cannot help being hooked, even knowing there's something unquestionably wrong with the owner of that ”magic” hat (Rosie, darling, I want that hat, seriously).

I can go on and on, but to bring the point home, you know what the greatest part is? The greatest part lies in the fact that Ferguson is so goddamn flexible in terms of acting ability, that her characters totally differ from each other. I mean, they completely different. Usually, you know, there's a trademark, some kind of trait that actors bring with themselves from role to role in order to be distinguished from others. Ferguson doesn't even have that. Each new part is a clean slate. Literally. The only trademark I was able to find that unites all of the characters she played, other than the obviousness of being portrayed by her, is her perchant for being barefoot (aside from some unintentional sarcasm, I find that incredibly cute and free-spirited). And each time, I don't know what she will do. I mean, I know she will deliver something mind-blowing, I know I will be surprised beyond being able to form an adequate and coherent reaction in response to what I have seen, but I can't and absolutely would not try to guess how she'll manage to surprise me.

In conclusion to all this, I would like to say, that, in terms of acting, Rebecca surely embodies something I have never seen before. And that's exactly what makes her so gloriously distinctive in her own way.

P.S. The picture that had started it all: