Bailey: any of you d-
Cristina: depressed?
Meredith: dying inside?
George: dumb?
Izzie: drained?
Alex: disliked?
Bailey: -done your work. What is wrong with you people?
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(John gets a call.)
Hello?
Hello, Captain. My name is Dr. Stevens. I was told that this...
(There is a pause.)
...mirror object is under your watch?
...Yeah, what about it?
Well, Captain, it appears to have....changed.
...How so?
Well, a guard, one mister Lockhart, was doing a routine check on the object...and...well, he says he saw a deceased colleague of his. A...Taylor Collins? He came to me immediately and I was told to contact you.
...I'll be right there.
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This was the end of issue 29 and it set up for one of my favorite dekes in the series
This entire comic Glenn has been running back to the prison. Dale is hanging out with Andrea on the guard tower and sees someone in Glenn's latest fashion running towards the gates, but when they arrive, it's Tyrese!
The Governor had him captive the entire time
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Some things I found interesting from Rachel Talalay's live commentary of Heaven Sent at Chicago TARDIS:
- The story was originally set in a haunted house with weeping angels.
- Sometimes a single line would be shot across a mix of three locations: two actual castles and a set.
- The script was clear that the castle should have no interior lighting except for the fireplace where The Doctor dries their clothes. Rachel got some pushback from the crew on a shaft of light coming at an angle from outside, asking where the light came from. Her response was, "It doesn't have to come from anywhere. It comes from 'It looks good.'"
- Rachel worked to give more of a horror vibe to certain scenes. She did things like add a spooky wind, have Peter play the tone more for horror, and even consult with Murray Gold to keep the tone consistent. She also pushed for a “creepy garden” as opposed to the formal garden Moffat had scripted.
- Jenna wasn’t available for most of the shots where Clara is writing on the TARDIS chalkboards. They originally used a double, but the double was too obviously not Jenna. It was actually the person who did the colour grading who found other usable shots of Jenna from behind and put them in the final episode.
- Everyone was very worried about Peter hurting his hand punching the wall, especially since he had hurt his hand punching the TARDIS console in "Death in Heaven." They were going to have Peter just fake the punch and get a stunt person for close-ups, but Peter insisted on doing the punches himself because of the importance of the moment for his character. Rachel agreed on the condition that, "If you hurt yourself, you're the one who tells your wife." (He did not hurt himself again.)
- When the Doctor burns themselves and their hand dissolves away to nothing, the hand was sculpted out of Lush bath bombs. Rachel had the idea and suggested it as a cost-effective solution. So they just sculpted Peter's hand out of bath bombs and poured some water on it.
- When the Doctor breaks through the wall and the Veil collapses, the collapse was achieved by filling the Veil costume with helium balloons and then popping them.
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Confession in the Halls... (Steven Rudboys/Francis Mosses)
Ship art, yippee!! Took sometime to finish but here wew are. I also had to make up what the apartment looks like. Also Francis dropped his hat lol.
Extra: Now with Dr. Afton.
Awkward huh? Get a room next time...
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