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formasons · 4 months
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FORMASONS - Electrical Wiring Board Services UK. Formasons.com
Keep your commercial facility running smoothly with expert electrical wiring board maintenance from Formasons. Our certified professionals ensure safety, efficiency, and reliability. Discover more about our comprehensive services and how we can help your business thrive. 🌟🔧💡
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monkeyssalad-blog · 26 days
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GEC Magnet Electric Fires : promotional folder issued by : General Electric Co. Ltd. : September 1932
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GEC Magnet Electric Fires : promotional folder issued by : General Electric Co. Ltd. : September 1932 by mikeyashworth Via Flickr: The warmth and comfort from the glow of a GEC "Magnet" electric fire on the cover of this September 1932 promotional foldout leaflet issued by GEC and showing, in time for winter, their range of domestic electric fires. A wide range is depicted, many that I suspect would now fall foul of safety regulations, and they include basic cast iron versions as well as more artistic sheet metal productions for the more well-to-do. Although many are shown as free-standing, the more expensive models are intended to 'fill in' disused coal grates and fireplaces. Interestingly GEC produced a few examples of "Magicoal" electric fires, under the H.H. Berry patents, although Berry's continued to be an independent company manufacturing their own range of domestic appliances.
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siliconecuk · 8 months
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Top MEP Services in the United Kingdom at a very low cost
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Silicon EC UK Limited stands as a beacon of excellence in the realm of MEP Services, providing comprehensive solutions that set new standards in the United Kingdom. With a commitment to quality, innovation, and sustainability, we are your trusted partner for all MEP requirements. Our MEP solutions are CAD Designed to optimize energy efficiency, reduce operational costs, and enhance overall building performance. Our Engineering team of seasoned professionals brings a wealth of experience and expertise to every project. Our team of highly skilled MEP engineers and technicians bring extensive expertise to every project, ensuring precision and reliability in our MEP Engineering Services.
Silicon EC UK Limited is your reliable partner for MEP Engineering Services in the United Kingdom. Contact us today to discuss how we can contribute to the success of your project and elevate the performance of your mechanical, electrical, and plumbing systems.
For More Details Visit Our Website:
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ur-mag · 11 months
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Ford CEO moans about future of electric vehicles after his own shocking ‘reality check’ behind the wheel of company’s EV | In Trend Today
Ford CEO moans about future of electric vehicles after his own shocking ‘reality check’ behind the wheel of company’s EV Read Full Text or Full Article on MAG NEWS
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alpha-mag-media · 1 year
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I blasted my electricity company for wanting me to ‘live in a tent’ after $1.4K bill – they even admitted it’s a problem | In Trend Today
I blasted my electricity company for wanting me to ‘live in a tent’ after $1.4K bill – they even admitted it’s a problem Read Full Text or Full Article on MAG NEWS
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Fatboy Slim - Praise You 1999
"Praise You" is a song by British big beat musician Fatboy Slim, and was released as the third single from his second studio album, You've Come a Long Way, Baby (1998). It reached number one on the UK Singles Chart and in Iceland, number four in Canada, number six in Ireland, and number 36 in the US. A total of six samples are used in the song. The song features a prominent vocal sample from the opening of "Take Yo' Praise" by Camille Yarbrough, as well as a prominent piano sample from the track "Balance and Rehearsal" from a test album entitled Sessions released by audio electronics company JBL in 1973. That recording session was for "Captain America", sung by Hoyt Axton; a snippet of Axton's vocals humming the "Captain America" melody can be heard in the album version of "Praise You." "Praise You" also features a guitar sample from the opening of "It's a Small World" from the Disneyland Records-released album Mickey Mouse Disco, the theme from the cartoon series Fat Albert and the Cosby Kids, the electric piano riff from "Lucky Man" by Steve Miller Band, and the drum beat from "Running Back To Me" by Tom Fogerty. In a 2021 interview with the website WhoSampled, Yarbrough said that she liked "Praise You" and its use of her vocals, feeling that Cook kept the essence of "Take Yo' Praise".
The accompanying video for "Praise You" was directed by Spike Jonze with Roman Coppola. Jonze starred in the film, under the pseudonym Richard Koufey, along with a fictional dance group: The Torrance Community Dance Group. The video intro described it as "A Torrance Public Film Production". The video was shot guerrilla-style – that is, on location without obtaining permission from the owners of the property – in front of puzzled onlookers outside the Fox Bruin Theater in Westwood, Los Angeles, California. In the video, a heavily disguised Jonze and the dance group, acting as a flash mob, dance to "Praise You", much to the chagrin of a theatre employee who turns off their portable stereo.
The video reportedly cost only US$800 to produce. It won three major awards at the 1999 MTV Video Music Awards: Breakthrough Video, Best Direction, and Best Choreography. It was also nominated for, but did not win, Best Dance Video. In 2001, it was voted number one of the 100 best videos of all time, in a poll to mark the 20th anniversary of MTV.
"Praise You" received a total of 80,6% yes votes! Previous Fatboy Slim polls: #12 "Weapon of Choice".
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arabian-batboy · 1 year
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So the EU just suspended all aid to Palestinians in Gaza, which is happening at the same time as the same time Israel is cutting all electricity, fuel and food from Gaza with the Israeli Defense (?) Minister calling them "human animals" while continuing their indiscriminately bombing campaign on Gaza due the Palestinians resistance groups currently retaliating against 17 years straight of Israel's illegal blockade and war crimes.
Apparently its okay to perform collective-punishment to 2 millions Palestinian civilians, half of whom are children, living in the world's most densely population are and biggest open-air prison, for the actions of a few hundreds armed fighters (who again, have the right to resist their occupation)
However, all Israeli settlers are innocent angels and you should never ever hold them accountable to any of the IDF's many crimes or Palestinians being ethnically cleansed from their homes, even though almost all Israelis have served in the IDF and all of them are literally living in stolen Palestinian homes, so statically speaking, the average Israeli settler has more blood on their hand than the average Palestinian by a large margin.
Matter of fact, Western countries should continue giving them their full unconditional support as well as more billions of dollars for free and complete impunity to continue committing even more war crimes in "self-defense," because no Israeli should be held accountable for the crime of any Israeli and while all of this is happening, you will of course continue having the bothsideism crowd crying about how "all killing is bad!" while completely ignoring how the killing is severely disproportional and that the side doing most of the killing is the occupier side with one of the strongest nuclear-power army in the world, who have the entire world on their side with absolutely no consequences whatsoever to their crimes.
So no, not all killing is bad, that's not the reality we're living in, because if "all killing is bad!" then the systematic-killing of so many occupied Palestinian civilians wouldn't be so encouraged/justified while the death of some Israeli occupiers-settlers in retaliation wouldn't be treated as the world's biggest crime against humanity.
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Palestinians made a document that contains templates for letters to US, UK, & Canadian politicians, media outlets, and companies in relation to current events in Palestine as well as petitions & other resources. If you live in any of these countries then please select a template, edit it to your preference and send according to the instructions on the relevant page.
Here is a link to it (please share it): https://docs.google.com/document/d/1-RUOHHiEtr7uoclQgWN-tCWOihnHIp5hym89aNePi_E/mobilebasic
Aside from that, please protest, support the BDS boycott and spread awareness as much as possible.
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mindblowingscience · 3 months
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We urgently need to move away from fossil fuels, but electric vehicles and other green technology can put their own pressures on the environment. That pressure could be eased with a new magnet design, free from rare-earth metals, that was built with AI in just three months. Rare-earth metals are essential components in modern-day gadgets and electric tech – including cars, wind turbines, and solar panels – but getting them out of the ground costs a lot in terms of money, energy, and environmental impact. As a result, technology that doesn't use these metals can help us transition towards a greener future more quickly. Enter UK company Materials Nexus, which has used its bespoke AI platform to create MagNex, a permanent magnet requiring no rare-earth metals.
Continue Reading.
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The almost overnight surge in electricity demand from data centers is now outstripping the available power supply in many parts of the world, according to interviews with data center operators, energy providers and tech executives. That dynamic is leading to years-long waits for businesses to access the grid as well as growing concerns of outages and price increases for those living in the densest data center markets. The dramatic increase in power demands from Silicon Valley’s growth-at-all-costs approach to AI also threatens to upend the energy transition plans of entire nations and the clean energy goals of trillion-dollar tech companies. In some countries, including Saudi Arabia, Ireland and Malaysia, the energy required to run all the data centers they plan to build at full capacity exceeds the available supply of renewable energy, according to a Bloomberg analysis of the latest available data. By one official estimate, Sweden could see power demand from data centers roughly double over the course of this decade — and then double again by 2040. In the UK, AI is expected to suck up 500% more energy over the next decade. And in the US, data centers are projected to use 8% of total power by 2030, up from 3% in 2022, according to Goldman Sachs, which described it as “the kind of electricity growth that hasn’t been seen in a generation.”
21 June 2024
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mecachrome · 8 months
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pre-mclaren oscar piastri primer (ft. maxf, landoscar)
0. introduction
for a few months now i've been wanting to make both an oscar primer and a timeline of pre-mclaren landoscar moments, but i couldn't figure out which one to prioritize… then after some deliberation i finally realized i could just combine the two things together! so. here is an oscar-centric timeline that is mainly about his racing background, moving to the uk, and how he became acquainted with other members of the rfm pack—aka lando, maxf, and logan. i don't know whether any of this information is useful or even vaguely interesting, but i mostly just wrote it for myself and thought i'd share what i had in case anyone else wanted to check it out. please feel free to comment or shoot me an ask if anything here is egregiously incorrect; i've checked and linked as many sources as i could but it's of course possible that some errors remain :)
1. background, rc racing, early karting days (2007-2015)
oscar piastri was born on april 6, 2001 in brighton east, a suburb of melbourne not far from albert park circuit, as the son of chris and nicole and to-be oldest brother to 3 younger sisters. a love for all things automotive ran deep in the piastri family: both of his grandfathers were mechanics and his father had also co-founded his own vehicle diagnostics software company, hp tuners, aka oscar's sponsor throughout his racing career. thanks to his father's business, oscar's family was objectively well-off and managed to contribute a fairly substantial amount of support toward his junior career, but they also weren't swimming in cash by multi-millionaire motorsport standards either.
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(L-R) edie, mae, hattie, and oscar, from nicole's twitter — each sibling is ~2 years apart (source)
while most drivers on the current grid were introduced to motorsport through go-karting, usually at or before the age of 7, oscar's path to single-seaters differed slightly. he first developed an interest in racing via remote-controlled cars at the age of 6, when his father brought him a monster truck as a souvenir back from a business trip in america. oscar began racing them that same year, eventually moving to safer electric track vehicles and even winning the second class of the national titles in 2010, at the age of 9. he was so small then that he often needed to stand on a milk crate to see the cars on track, and the next-youngest competitor at the time was twice his age. (source)
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oscar on the podium at age 8 (nov 16, 2009)
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oscar with his father chris, who often competed alongside him in a separate class (dec 21, 2010)
by 2011, oscar and his father were seriously considering his potential of pursuing rc racing as a viable career path, but things changed when he was introduced to karting via a friend's daughter in the rc community and his aspirations slowly shifted toward racing from inside a car. oscar was an unsurprisingly sporty and competitive child growing up; he'd played some cricket and aussie rules football and knew that all he wanted to do was race professionally, full-stop, at the time thinking along the lines of australian racing categories like v8 supercars. he was still competing in remote car racing as late as 2013, but he began karting seriously within australia in 2014, placing respectably in the junior categories of several regional karting series against relatively senior and more-experienced racers, and even going to france for a one-off event where he finished on the podium of the iame international junior x30 final. this outing affirmed his potential to his father and motivated the two of them to split time between australia and europe in 2015 as they juggled his karting future; plans for two more european events that year fell through, including the cik-fia world championship at the kfj level (which logan sargeant would go on to win), but at this point they were officially looking to take his career to the next level and commit fully to european karting in 2016.
this is when ricky flynn (and the hypothetical idea of lando norris!!!) comes in. before we get into rfm and karting professionally in europe, it's important to note that the defining aspect of landoscar's junior careers is that their pathways never once intersected. in fact, they don't even seem to have met properly before oscar entered the f1 grid as alpine reserve, although they'd spoken over social media and oscar was familiar with several people around lando's life—for example, maxf, logan, guanyu, and even lando's older brother oliver, who had also raced for rfm.
in short, you could say that landoscar's biggest hindrance was their parallel excellence. oscar was good enough to catch up and even surpass everyone else at lando's level, but lando remained untouchable throughout the years. oscar is only 1.5 years younger than him, but their f1 careers are offset by 4 years (2019 vs. 2023 debut) because of exactly two things: oscar's 2022 gap year in alpine and his two attempts at formula renault eurocup. on the other hand, lando sped through all of his junior categories in blistering fashion, falling short of the championship only once: the year he placed 2nd in f2 behind george russell. this is significant because many talk about the clinical nature of oscar's rapid single-seater ascension and three b2b2b victories (still very impressive, especially given his limited karting career!), but all of that speaks equally to the illustrious nature of lando's junior success and the sheer magnitude of faith placed in him as mclaren's "golden boy" coming up the ranks. to put things into further perspective, lando was teammates with maxf and jehan daruvala at rfm until 2014, jehan competing in the same class and max one below, yet by the time oscar was racing max and jehan—in f3 in 2020 and f2 in 2021, respectively—lando was already into his 2nd and 3rd years of f1. here's a chart that hopefully makes a bit more sense:
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majorly simplified timeline showing lando, guanyu, maxf, logan, and oscar's junior careers + the karting classes they primarily competed in each calendar year. maxf did not complete his 2nd f3 season and many of them contested multiple/different formula renault series, but this is just a rough overview of their feeder series experience. 
2. moving to europe, rfm, regional formulae (2016-2019)
back in australia, oscar was a member of the oakleigh go-kart racing club and being actively mentored by james sera, a multi-time australian karting champion and fa kart dealer who worked with young karting talents alongside his cousin david. in late-2015, he presumably helped oscar and his father reach out to ricky flynn, who ran ricky flynn motorsport (rfm) and whose team was at the time enjoying exorbitant success in the karting scene; lando had won the world championship at the kf level the year prior, and logan would soon clinch the kfj title in 2015, results which further drew oscar's interest toward the team. ricky flynn agreed to take oscar on and have him and his dad move out to europe, and by november 2015 oscar announced on social media that he would be joining rfm the next year. in january of 2016, he and his father moved to hertford, uk, so that oscar could begin a 100-day karting program and travel extensively around europe to attend races. this is where he met logan sargeant, who was in his final year on the team but competing a class above, now at the ok (previously kf) level. oscar himself was only competing in the okj class.
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not oscar-related, but as you can see guanyu, logan, and maxf were already acquainted before oscar and logan met, since the three of them and lando had been in rfm together as of 2014 — (may 11, 2014) & (feb 6, 2015)
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oscar and logan in 2016
in an interview published on june 7, 2023, oscar reflected on leaving australia and committing to his racing dream, saying:
"i think if there was a turning point, it was probably when i started finishing towards the front in australia, and i started winning a couple of races here and there and finishing in the top three of championships and stuff, and then went to europe and fully committed to going down that route. [...] there's obviously a very big commitment at that point when you move halfway across the world without family and stuff. so i knew at that point that i really wanted to become a professional because, firstly, that's what i want to do anyway, but, secondly, now i'm sacrificing seeing my family, and stuff like that to be able to do this — which was a sacrifice i was more than willing to make."
like the majority of oscar's karting career, his time with ricky flynn can primarily be summarized as decent. none of his performances were particularly stellar, and in november 2016 he placed 6th in the fia world championship final behind the likes of victor martins and théo pourchaire (he mainly competed against guys like them, dennis hauger, caio collet, etc… once again logan was a class above and lando/maxf had already graduated to single-seaters), but he showed promising racing foundations and a great capacity for improvement, especially given that he'd moved to europe the same year and was still adjusting to life and racing on the opposite hemisphere. about 6 months into his new karting venture, oscar had settled in reasonably well and his father decided he would return to australia to continue on with his life, so they made the joint decision that oscar was to begin boarding at haileybury's uk campus and continue racing in europe entirely on his own. uk and australian school years are misaligned, so my personal understanding is he moved to europe after finishing year 9 in australia, attempted online school/took a few months off (he says he did online coursework here, but mentioned here that he was out of school, so it sounds like it must have been a very half-hearted effort…), came back to australia over the uk summer to do some more karting, then began boarding in september 2016 as a year 10 student. he spent ~4 years there and eventually received his a-levels in 2020, except his final year was disrupted by covid and he never sat his exams. (blog post mentioning his a-levels + btg transcript excerpt about his exams; his website says he attended haileybury from 2016-19, but i think this mainly encapsulates his boarding period, as he was still doing remote work in april 2020.)
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oscar in f4 with his gcse revision guide, 📸 sebastiaan rozendaal (may 20, 2018)
2016 is also when oscar began his well-documented super-liking of several of lando's social media profiles. i think understanding oscar's time in rfm and his extremely british single-seater origins helps better paint his history with lando and maxf; my personal understanding of pre-mclaren landoscar is that while oscar never formally met lando or maxf during his karting days, he knew of them quite well through rfm and thus followed them on instagram/twitter after moving to the uk. of course, oscar has a fairly active social media presence in general, so young oscar quietly liked instagram posts and tweets from many different people, but i do feel compelled to note that in the early days he liked lando, maxf, and logan's posts with seriously impressive frequency compared to anyone else on the grid (or anyone in general, really); after creating his twitter account in may 2016, some of the very first tweets oscar liked were from maxf, and he also liked a multitude of mundane lando tweets from 2016 until… today, while on the other hand he didn't start liking george's tweets—another similarly-aged young british talent—until late 2017. (he does have some fun george-admiring moments though, but that can wait for another time!) outside of rfm, other people oscar was familiar with during his early racing years were british f4 teammate ayrton simmons, to-be series champion jamie caroline, and old australian karting friend christian pancione, who appears to still be one of his best mates (if not his best) as of today. fun fact is that christian raced for the carrera cup as a support event to the australian gp in 2023; here's oscar allegedly checking the quali live timing at lunch during his own media day. 
so, to conclude, oscar's early lando focus basically traces back to the motorsport path he took at the behest and guidance of his early rfm connections in the uk. the thing is that despite growing up in australia and vaguely admiring several aussie drivers in f1 as a child (read: mark webber and eventually daniel ricciardo), oscar has never had a specific driver he consistently mentions when pressed for his racing "idol," likely since his personality inherently resists idolatry and he instead views successful people more as actionable benchmarks or reference points for self-improvement rather than as unattainable paragons of accomplishment. as a kid forced to grow up almost entirely on his own, the majority of his racing aspirations were molded independently in the uk—he completed his karting career in the uk, boarded at haileybury for 4 years (fun fact: other drivers to attend include jehan, callum ilott, and clément novalak; callum was a few years above oscar and finished school in 2017, but the two would later become quite talkative over social media anyway), raced in british f4, became a brdc member, contested eurocup under a british license and therefore had the british flag raised and british national anthem played during his wins, stayed in the uk even at alpine since the factory is based in enstone, etc. oscar basically moved to the uk from australia without having really met anyone significant in the racing scene (other than jack doohan, or more importantly jack's father mick, but jack is younger and did an extra year of karting) and pretty much didn't have anyone specific to "look up to" at the time. oscar's first acknowledgement of lando's online existence was in december 2015, when he liked one of lando's instagram posts prior to moving to england, so it can be assumed that lando basically functioned as his most accessible reference point in the junior ladder as a 14 year old dipping his toes into the european racing scene for the first time. that is my highly subjective analysis of the situation!
select quotes re: oscar's inconsistent responses to his motorsport "hero" (or his favorite driver / a driver he looks up to in general):
(f1fs; mar 9, 2022) "i started watching f1 in… 2009 was the first season i properly watched. so when brawn came in, obviously mark was the only aussie on the grid at that point, so i was kind of naturally going for him. then joined by daniel, so obviously going to support the aussies, but i think watching lewis has been nothing short of spectacular, and a very good role model. [...] i think when i was first watching, i supported mark, but, you know, and i hope he takes no offense to this—vettel was winning everything at that point. so i was supporting mark, but vettel was doing most of the winning. i think now that i understand more about racing though, i would say [the driver i look up to the most is] lewis, mainly. the way he goes about things on and off the track is quite exceptional."
(mcl youtube; mar 29, 2023) sporting idols mentioned: ayrton senna, alain prost, michael jordan (see also ultimate athletes list)
(p1; aug 10, 2023) "i would say i never had like one specific idol. when i was growing up watching mark webber was at red bull, and obviously being australian, red bull being very quick at the time, i kind of naturally followed him. i mean—even like some of the guys in the junior ranks above me. like lando was always kind of two, three years above me, winning… most things on his way up. so i guess kind of him in some ways?"
(eff won; dec 4, 2023) "i don’t really have like one specific [idol]. i think what lewis has been able to do in terms of getting to seven world championships was incredibly impressive. i think what max is doing now is also very impressive…" 
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the first lando post oscar liked on instagram (dec 21, 2015)
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the first maxf posts oscar liked; instagram (feb 26, 2016) & twitter (may 9, 2016)
anyway, back to british f4! despite his initially unconventional foray into motorsport, oscar's journey progressed in a much more orderly fashion once he stepped up to single-seaters. his actual debut was in f4 uae, which he ran 3 rounds of between 2016 and 2017 (another fun fact: this is where he briefly acquainted himself with mclaren indycar driver david malukas, who would later recall him being very intelligent and whom zak brown allegedly spoke to oscar about before appointing to their indy team). after cutting his teeth on actual car-racing for the first time, oscar decided against moving up to the ok class as he felt confident in his ability to be competitive in single-seaters. his first full season was therefore the 2017 british f4 championship, during which oscar signed with arden while logan went to reigning champions carlin (lando had won with them in 2015, then maxf in 2016). oscar made his way to the top step 6 times in the season and placed just barely above logan for 2nd in the championship, finishing behind the considerably more experienced jamie caroline. arden was also founded and is currently owned by red bull team principal christian horner, so it was during oscar's time there that christian took note of and interest in his talent; oscar reportedly did a few runs in the red bull simulator but was passed over for joining the academy, which christian later voiced regret on. (source)
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maxf, logan (center), and oscar (to max's right) on a day maxf was visiting the 2017 british f4 grid (april 11, 2017)
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linus lundqvist, oscar, and logan on the podium at snetterton (jul 30, 2017)
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jamie and oscar, who were… er, mathematically in the main championship fight. for some reason they made them take these photos (sep 30, 2017)
after a successful f4 outing with arden, oscar returned to the team for his first season of formula renault eurocup in 2018, a renault series that ran in its specific configuration until 2020 before merging with the parallel regional series frec to become what is today known as freca. this season proved to be less competitive for oscar, as arden was relatively inexperienced in this series and oscar's three teammates were afflicted with what can colloquially be referred to as a "skill issue," making it difficult to collectively develop the car throughout the season. (blog interview) the series was thus returning driver maxf's to lose, who at the time was racing for reigning champs r-ace with teammates that included oscar's fellow rookies logan and victor martins.
despite the unideal environment, oscar managed to prove his worth by placing a respectable 8th in the series, scoring 110 points as a rookie driver and capping the season off with 3 podiums and a top-finish of 2nd place—a jarring contrast to his teammates' joint total of 12 points. this result attracted the attention of r-ace and granted him a seat with them for the 2019 season, at which point maxf and logan both graduated to f3. thankfully that wasn't too much of a concern for oscar since he'd always intended to do two seasons of eurocup, and now he finally had a chance to win the first serious championship of his racing career with an established racing outfit.
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oscar, max, and yifei ye on the hockenheim r2 podium (sep 23, 2018) [full gifset]
oscar's second season of eurocup is when he truly started proving himself as a driver, or at least to the people whose names, money, and opinions mattered around the paddock. his main competition in 2019 was again victor, who was now racing for mp and had been made a member of the renault sport academy back in 2018 after a strong performance in french f4. despite a close title fight, oscar managed to hold him off for the championship in the final race of the season, kicking off what would soon become an impressive string of consecutive single-seater series titles. even sweeter was the fact that all eurocup champions were awarded a renault sport academy spot that could be left or taken as they pleased, and of course—while the finances weren't nearly as impressive as alpine would later proclaim in their baseless smear campaign—oscar's connections in the racing world were limited as an australian driver almost exclusively managed by his father, so he gladly accepted the offer for the many venues of support renault presented to him.
see also: bby oscar briefly mentioning lando after winning eurocup in 2019 (@ 1:10)
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oscar being lifted by his team (r-ace) after placing 4th in the abu dhabi finale and winning the title by 7.5 points
3. renault sport academy, lockdown, f3 (2020)
many things happened in 2020. one: oscar became an official member of the renault sport academy, joining the likes of max (who'd been picked up on merit after winning british f4 in 2017), guanyu, christian lundgaard, caio collett, and fellow new recruit hadrien david (victor had been strategically demoted after oscar's win because renault is a notoriously unserious organization, but again this is not the post). two: by the time oscar was ready for f3, moving up the ladder proved to be exorbitantly expensive, and he realized he needed better funds and managerial support to sort his career out. he'd been offered a spot in prema's f3 team by team-owner rené rosin at the end of his eurocup season, who'd named him for the post-season test before the championship was over and stressed that the spot was his no matter where he finished. (source) prema is unquestionably one of the top—if not frequently the top—teams one can drive for in most junior series (though there is also somewhat of a self-selection bias; if you ask oscar he is not a significant beneficiary of prematax!), having absolutely demolished the f3 competition that same year and achieved a clean sweep of the drivers' standings with rob shwartzman, marcus armstrong, and jehan at 1-2-3 consecutively. oscar completed post-season testing with them in spain alongside to-be teammates logan and fred vesti in october (source), before confirming on jan 26, 2020 that he would be joining them for the f3 season as a renault junior.
so, where does mark webber come in here? apparently mark's trainer from red bull and wec had also been oscar's trainer since 2016 (i'm pretty sure this is australian physiologist simon sostaric), and it was through their joint connection that oscar was introduced to mark. according to mclaren's 2023 season preview, "the pair hit it off, and webber took his countryman under his wing," signing oscar to jam sports management, aka the management agency he runs with his wife ann. mark's support would become a major factor in helping oscar progress through the feeder ranks and establish himself in f1, mainly because he had actual connections and could help oscar network with sponsors and negotiate his way during future signings. of course, more on this later.
as an aside, here are a few things mark has said about oscar:
"he’s got that white line fever when he puts his helmet on and turns into a different character, which is sensational." (mar 1, 2020)
"one of oscar’s biggest strengths by a mile, compared to everyone he is competing against — and this will be a huge string to his bow when he makes it to f1 — is his composure. he has immense levels of composure. [...] if you are weak mentally you won’t make it. he was on his own from an early age. he did brilliantly with his studies. but the racing disease would not go away, he wants it very much." (sydney morning herald; dec 11, 2021)
"he’s a prost, mate. he’s such a thinker and so calm. at first i thought i needed to inject a bit of urgency in him, but actually no, he’s got his own frequency. that’s just where he is." (the race; oct 7, 2023)
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estimates provided by chris piastri on the cost of oscar's junior career, stressing the million-dollar commitments of running a single season of f3 or f2 (source)
anyway, back to the chaotic events of 2020. i think something that's good to keep in mind when discussing oscar's time in the renault sport academy is that he was actually a relatively new recruit, as in he only participated in a single training camp with the other juniors in 2020 and most of them (max, christian, guanyu, the temporary ghost of victor) already knew each other before. oscar essentially met with renault's factory team in early 2020, filmed promotional material with other juniors in january before attending the season opener together in february and then heading to winter training camp later that month, after which he and max left early for f3 pre-season testing in bahrain on march 1—a blessing in disguise, seeing as caio, hadrien, and christian remained behind and would soon be stuck quaranting in a hotel in tenerife—then briefly spent a week at school before returning home for what was meant to be a quick pit stop at the australian gp, which at the time had yet to be canceled.
then, of course, lockdown happened.
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simplified breakdown of renault junior stints, notably showcasing the academy's struggles to meaningfully promote any of its juniors
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oscar at the 2020 renault season opener alongside then-academy director mia sharizman, then-tp cyril abiteboul, alain prost, f1 drivers esteban ocon and daniel ricciardo, and the other academy juniors: fewtrell, lundgaard, zhou, david (feb 12, 2020)
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oscar and maxf behind the scenes of the same event (feb 12, 2020)
stuck in australia for three months, oscar would end up participating in two fia virtual races, one for f2 and another for f1 (jun 7, 2020). a fun landoscar tidbit is that he finished 5th in the virtual gp right behind lando, so they technically had raced each other before 2023, depending on... well, whether you count a 2020 sim race wherein george russell and alex albon lead the pack as a real race. nevertheless, this was a time when drivers were becoming much more active online, seeing as streaming was the best way to keep their images relevant and connect with fans, and despite oscar expressing little interest in streaming on twitch he would still experience a considerable uptick in his online activity and twitter reach that year.
racing resumed on july 4 at the red bull ring in austria; oscar had been granted an exemption to travel to the uk and complete a 2-week quarantine back on may 27, a reassuring indicator to the motorsport world that the f3 season would run after all. now that he no longer had to attend school, having received 2 b's and 1 c for his maths, physics, and computer science a-levels, oscar relocated from hertford to oxford in june to be near the renault facilities, which he visited nearly every day to train at, and began living independently (as in in a flat) for the first time since 2016, rooming with fellow renault junior caio collet.
as i said before, this season is when oscar's online presence and "memeability" began to really conceptualize, enabled primarily by the fact that he was a) finally living outside of a school dormitory, and b) now, of course, signed at prema, a team notorious for its social media visibility, literal family atmosphere, and frequent youtube pandering. according to this f3 article, his twitter followers jumped from 795 at the start of the season to 11.6k by the time he won the championship, an audience built significantly off the self-deprecating string of jokes he used to tweet regarding drs and general reliability issues faced throughout the season.
what i guess i want to touch on here is how oscar's online presence has always been concentrated around the bare fundamentals of his personality: dry humor, candid words, sparing emojis, a few humorous photos detailing the mundane reality of his everyday routines, and at most the occasional inopportune meme or reaction gif (#thepiastri 🤷‍♂️, f2 in baku, jetpack guy, so on). he's bantered frequently with callum on twitter and near-obsessively liked memes, videos, and other updates lando shares with his audience, but he also has seemingly little interest in building up his own "brand" the way lando so smartly has with ln4 and quadrant, and quite frankly seems viscerally incapable of wanting to engage one-to-one with fans or otherwise leveraging the popularity of his material image. basically what i like to say is that oscar enjoys being adjacent to "lad humor" and will happily enable it, but he really has no interest in being the one to initiate it himself!
"there's some things you want to share, some things you don’t. in today's age and sort of having the profile that us drivers do, we kind of just have everything shared,” piastri said. “but (social media) can be used for good, certainly within the profiles that we have. but in some ways, it can be negative, and there's always going to be people out there that don't like you for being you.” piastri tries to write as many of his posts as possible, and he checks those written by his team to be sure they sound authentically him. (the athletic; jun 29, 2023)
along these lines, oscar does enjoy the spotlight, only he seems to prefer it concentrated in a specific lens toward a specific productive end. he's endlessly capable of seeing the objective upside of a situation, joking after he was made a meme in baku following his f2 sr1 collision that he was all for it if it got him popularity. after his eurocup championship he also said: "i think everyone loves a bit of spotlight on them. i think that's just human nature, so a bit of attention's always nice." which is interesting to me!
but back to racing. this season would unexpectedly become two things: maxf's last competitive season in motorsport—especially disappointing considering that he'd gone into the championship expecting to put on a second-season title charge, instead failing to gel with the hitech team to the point that each increasingly poor weekend made him spiral mentally—as well as oscar and logan's last season racing against each other before f1, since logan would later encounter financial difficulties that left him stranded in f3 as oscar catapulted himself to f2 victory. 2020 was obviously a weird season in general because of covid and the gap from pre-season testing, so it also meant that oscar had gone into the season fairly rusty; he managed to win the first race of the season, but on top of his drs rollercoaster he did struggle with middling results in qualifying and was met step-by-step throughout the championship by logan.
maxf's last race in f3 was the barcelona sprint race on august 16, with three rounds left to the end of the season. he dnfed in an unfortunate first-lap incident mere moments after oscar charged his way up from 5th on the grid to the front of the pack, where he would eventually breeze his way to victory and pull himself near-level with logan for the championship lead. i recognize that this is an oscar post and not a maxf post, but i think their time in f3 during an extremely isolated and covid-affected period speaks to both an interesting dynamic between them (the little kid who always lagged a series behind you suddenly beating you on merit) and their respective temperaments toward racing. while at renault, max reportedly lived with jack aitken during the week but would return to his family home on weekends, so it makes sense that he struggled to adapt when covid hit and drivers were collectively forced into very regimented sporting bubbles. mark webber, who worked for channel 4 as a commentator and had access to the f1 paddock, basically couldn't see oscar in person and instead spoke to him over the phone every day on race weekends. maxf said of his decision to quit:
"normally [...] i’m able to stay calm under pressure and i don’t let many things get to me but when you have a bad qualifying result and you see guys up there that you know you’re capable of beating, it definitely takes a dig at you inside and it’s been a lot to process throughout the year." (source)
while then-academy director mia sharizman, who worked closely with the renault juniors, spoke of oscar's inherent propensity for independence and how he adapted well to the pressures of living on his own:
"if you look at oscar piastri, he has been living on his own, [away] from his family who are in melbourne for the past five to six years. because he has been living on his own in boarding school, he learns how to live on his own, and he thrives in that. we have to force him... 'have you spoken to your father?!' it's just things like that, but he thrives in that. that's why he thrived in those weekends racing. he loves being on his own without anybody. on the other hand, we had max fewtrell, for example, who can't – he couldn't survive the 11 weekends racing, because he always needed his family to be around him. so those are the things that suddenly you see and, i think that that we see now, after a few years a driver who is quick, a driver who has the talent, and then the driver who is stable." (source)
2020 is also when lando and oscar spoke to each other on twitter for the first time. yay! after lando went semi-viral for having a meltdown over a hornet on three separate social media platforms, oscar first joked with him about it on august 24 (this was incidentally also the day maxf announced his functional retirement, which oscar liked as well 😭), before referencing the incident again a few weeks later in september.
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(aug 24, 2020) / (sep 10, 2020)
outside of drs tweets and trying desperately to banter with lando norris, oscar's popular tweets at the time included several food-related mishaps and home appliance tragedies. while this isn't actually a lando moment, he was also slandered by the LN4 twitter account a month later on october 17 for reasons that remain a mystery, resulting in this set of interactions:
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(oct 17, 2020) / (oct 19, 2020)
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bonus: maxf's tweets @ oscar (when you aren't close enough to just text him.......)
but back to f3. similarly to his second season of eurocup, oscar would go on to clinch the title in only the final race of the year, this time even more stressfully—he never got pole that season and won arguably off of consistency, benefiting from errors and unfortunate collisions involving his primary competitors. after a hectic qualifying and string of contentious grid penalties set for the before-last round in monza, he began the feature race 15th on the grid but put on an impressive performance to finish on the podium, buffing his points lead after logan was tapped by clément and put out of the points. he, logan, and fred all dnfed in race 2 (read: the novalak pendulum swung away from oscar's favor to maintain stringent cosmic equilibrium, while logan and fred threw away a points opportunity with a teammate4teammate love tap), and oscar went into mugello with only an 8-point lead over logan and a 24-point lead over pourchaire. this weekend proved equally hectic, as is frequently the case with f3 racing standards, but in short oscar and logan entered the final sprint race level on points, with théo approaching terrifyingly near in their rearview mirrors. logan was unceremoniously taken out of contention on the first lap after contact with zendeli, and oscar managed to squeak his way to 164 points in the championship by placing 7th in the race; théo finished 3rd, with 161 points, two positions away from claiming both the race and the championship title.
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a succinct summary of an eventful season! (posted jun 30, 2021)
despite winning the f3 championship in far-from-dominant fashion, oscar's career was now steadily on an upward trend. on october 30 he was rewarded with a private test in the r.s.18 at bahrain alongside christian and guanyu, and a month later confirmed that he would be racing for prema again in f2 (december 1, 2020). as a rookie f3 champion there was a moderate amount of interest in him, but no one really expected him to carry home the f2 title on his first try and so one of the main favorites going into the next season was his second-year teammate and 2019 f3 champion rob shwartzman.
4. f2, alpine reserve duties, #piastrigate (2021-2022)
at the start of 2021, fernando officially took daniel's place at renault and the team rebranded itself as alpine, parting ways with team principal cyril abiteboul and functionally replacing him with new ceo laurent rossi—part of a no-tp management structure, frankly a self-evident infrastructural faux-pas from a million miles away. the renault sport academy was then also renamed to alpine academy; again i know that this is an oscar post so i won't get too into the details of Alpine Being Alpine, but understanding how the academy functioned does help better contextualize the inevitable unfurling of piastrigate.
the main issue, really, would always be laurent rossi, or at least the values laurent rossi had been hired to represent and which he willingly peddled during his controversial tenure at alpine. after rossi's appointment it was reported that "the renamed alpine academy was now being tugged in two directions between director mia sharizman's ideal as a creator of future f1 drivers and alpine's chief executive officer laurent rossi's commercially-led preferences." (source) mia directed the academy from january 2016 until may 2022, and had been the one to restructure its recruitment process by demanding better funding and robust testing programs to cyril:
"when we first restarted the team in 2016, it was, we didn't even have a two-year-old car program at that time. we had to use a 2012 program using the [lotus] e20. [...] then in 2018, i went through it, and i said to cyril abiteboul, "look, let's try and do this." we needed financial resources. i needed a head start with financial resources to kick start the program whereby you entice drivers, and you offer [a place] to the academy drivers. it was more to see how they are... it was more of an evaluation process... that was what the first idea was. then we developed the program to develop the drivers to suit their formual 2 program." (source)
(note: mia also believed that 2020 was a disappointing year for all of his juniors save for oscar's performance in f3, which is a whole other thing. but rossi's greatest shortcoming was that he had singular, insulated vision, and he resisted any external input to the detriment of reactionary business decisions, a fact that alienated alain prost and soon led to his exit from the outfit in 2022. not a good look!!! prost would later call rossi "the best example of the dunning-kruger effect, that of an incapable leader who thinks himself able to overcome his incompetence with his arrogance and lack of humanity toward his troops." 🤌)
so basically, the cracks of mind-boggling incompetence within the team's leadership structure were long evident. on a brighter note, oscar's 2021 f2 season would quickly become his strongest single-seater contest ever (f1 youtube has a good summarizing video of his season, if interested); because of covid, f2 was experimenting with a three-race format this year in which quali set the reverse grid for sr1 and sr1 results then set the reverse grid for sr2, which essentially meant high qualifiers were rewarded for simply maintaining composure in the first sprint and running cleanly in the top 10 in order to secure a favorable grid spot in sr2. oscar adapted well to this format, building off his reputation of smooth, consistent driving on top of slowly improving his qualifying results over the course of the season, finally breaking through with his first feature-race win in monza. 
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oscar with mia sharizman
this is also around the time when lando mentioned oscar in official f1 media for the first time, reading off a question about him to daniel in an interview posted in october:
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"this one's not even about formula one. it's about oscar piastri. oscar pias-tree! [...] he's been on it this year." — (full video) (oct 1, 2021)
of his own f2 campaign, oscar said:
"i thought that i could challenge for race wins, but i probably wasn't expecting to be so consistently at the front. consistency is something that i’ve had as a trait throughout my career, and i was expecting to be consistent in my results this year — but maybe a bit lower down!" (source)
not only did he end up being consistently at the front, he became virtually unstoppable in the second half of the season. on december 11, oscar clinched the title in abu dhabi with two races to spare, ending the season with 5 consecutive poles and 4 consecutive feature wins, 60.5 points above his previously-favored teammate in the standings. #notbadforashitqualifier!
by now oscar was a hot commodity in the paddock; the only problem was that alpine didn't really care, mainly because rossi had enthusiastically re-signed ocon to a three-year deal in 2021 and held zero intention of actually promoting any of its juniors to one of the race seats, plus the one open spot at alfa romeo had instead gone to guanyu and his considerable financial package (though oscar has always been vocally defensive of guanyu's appointment to his detractors). instead of moving to another series, such as indycar or super formula, oscar recognized that he'd proven everything he needed to prove within the feeder system and opted to remain on the grid as alpine's reserve driver, mainly so that he could embed himself in an f1 team environment and—most crucially—avoid being left "out of sight, out of mind," because once you go to america you usually don't come back.
i'll keep the rest of this post brief since i feel like everyone already knows What Went Down, but a quick highlight for fellow landoscar enjoyers was the 2022 australian gp on april 10, during which oscar accompanied rosanna tennant for the post-race show and awkwardly participated in a chaotic lando & alex interview. as far as i know, this was landoscar's first time interacting on-camera!
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o: "i haven't raced either of them, no." l: "not yet!" o: "not yet. hopefully soon." — (full video) (apr 10, 2022)
then silly season started, and everything was thrown into disarray when sebastian vettel announced his imminent retirement and fernando subsequently took his place at aston martin; alpine scrambled to recover from this blindsided move and prematurely promoted oscar to an f1 seat, to which oscar eventually posted The Tweet—claiming he'd never signed a contract with alpine and would not be racing for them in 2023, thus kicking off #piastrigate. or the piasco, or whatever you prefer to call it.
here's a good article that properly summarizes the crb ruling, but tl;dr: mclaren and alpine had come to an agreement back in march to loan oscar to mclaren's stable of reserve drivers after daniel contracted covid; mark webber, who was close to andreas seidl from their time at porsche in wec, quietly negotiated a contract with mclaren for 2023 that oscar would then sign on july 4, which was reportedly initially a reserve deal with an upgrade clause to a full-time drive given a dr buyout; alpine's legal team turned out to be essentially one overworked legal director who mishandled the situation thanks to a lack of organizational support, while a concrete williams deal never actually existed no matter what people continuously allege, and any proprietary right to oscar's services that alpine purported to have for the 2023 season would soon be voided by crb rule on september 2. in other words, they dun goofed.
because tumblr dies when i try to include it in this post, here's a link to a condensed chronological timeline version of this post.
that's it for now. i'm sure you know how the rest goes!!!
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dduane · 2 months
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Hey! Just wanted to drop in and let you know that my Star Trek Book Club is reading our way though Spock’s World right now! I love the Horta crewmember so much. Would be cool to hear any thoughts you have on the book, as its writer!
Sure!
Work on the book started while @petermorwood and I were still roaming around the UK, trying to figure out where we wanted to live.
It was around then that Pocket Books decided that the success of their first Star Trek novels as paperbacks suggested they might want to try a hardcover and see how it went. Up until that point I'd written three Trek novels for them—The Wounded Sky and My Enemy, My Ally, and with Peter, The Romulan Way—and as far as I can tell, a combination of strong sales figures and very positive reviews led the editors at Pocket to choose me to do the first hardcover.
(Adding a cut here, because this runs longish. Caution: contains severe weather, peripatetic writers, [offstage] Highland cattle, and [because hindsight is always 20/20...] author idiocy.)
If I remember correctly, the go-to-hardcover decision was made in 1987. The book's outlining would have happened in the winter of that year, while we were staying in Scotland: the post over here talks about that a littie.
Not very long after that we made our where-to-live decision, headed to Ireland, and moved into a little rented terrace house in north county Wicklow, not far from Annie McCaffrey's place. Once we were installed there, I started work on the first draft of Spock's World.
This, though, is where a tragedy almost occurred.
Electric-power infrastructure can sometimes be an issue in rural areas of Ireland. And one night, in the middle of a thunderstorm, the post-top transformer nearest us in our little housing estate was struck by lightning. The ensuing power surge (or just possibly an EMP associated with it: jury's still out...) fried my computer.
Fortunately, most of my working disks were okay. But the last 40K+ words of the novel survived only in fragmentary form... and when I tried to reassemble those chapters from the backups, I discovered that the backups were corrupt. And the book was due at the publisher—by which I mean printed and FedExed to NY: no one was equipped back then to deal with emailed manuscript files—in two weeks.
Needless to say, things around the house then got a bit frantic. I wound up having to completely rewrite nearly the entire back half of the book from memory, as I did not have a printout. (So you'll understand that for the last few decades, hard copy [or PDFs] and backups, and backups of backups, have become something of an obsession for me. These days I use Backblaze, with which I'm extremely pleased: it runs constantly in the background, updating things in realtime as you do, and has numerous smart ways to recover your material if you need it.)
At any rate, my memory's fortunately fairly good for material I've just recently written. And I have to say that in retrospect this whole escapade may have been a blessing in disguise... as I strongly believe that the rewritten material was significantly better than in the draft that would originally have gone to the publisher. The printout went to the publisher just in time to hit that particular production deadline. The only thing really messed up in the aftermath was my back, which gave me grief for months afterward. My advice on this count: never write 40K+ words in two weeks in a straight-backed chair. :/
Anyway, there was a happy ending when the book came out: it spent eight weeks on the Times list, which was nice. (In pretty good company, too...) :)
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And shortly Pocket asked me to do another hardcover. So that was nice too.
Anyway, that's the tale.
Hope this has helped! And give the book club my best. :)
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ur-mag · 11 months
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Ford CEO moans about future of electric vehicles after his own shocking ‘reality check’ behind the wheel of company’s EV | In Trend Today
Ford CEO moans about future of electric vehicles after his own shocking ‘reality check’ behind the wheel of company’s EV Read Full Text or Full Article on MAG NEWS
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alpha-mag-media · 1 year
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I blasted my electricity company for wanting me to ‘live in a tent’ after $1.4K bill – they even admitted it’s a problem | In Trend Today
I blasted my electricity company for wanting me to ‘live in a tent’ after $1.4K bill – they even admitted it’s a problem Read Full Text or Full Article on MAG NEWS
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 Isuzu D-Max EV Concept, 2024. A prototype for a fully electric version of the D-Max pick-up was revealed at the 45th Bangkok International Motor Show. With a lithium-ion battery capacity of 66.9kWh and a maximum output of 130kW, the electric D-Max delivers instant torque and a maximum speed of 130km/h (81mph).  The company plans to launch the D-Max BEV in select mainland European markets in 2025, with further expansion to the UK, Australia, Thailand, and other countries based on market demand and the development of Electric Vehicle (EV) charging infrastructure.
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justforbooks · 3 months
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Donald Sutherland
Commanding and versatile actor known for his roles in MAS*H, Don’t Look Now and The Hunger Games
Donald Sutherland, who has died aged 88, brought his disturbing and unconventional presence to bear in scores of films after his breakthrough role of Hawkeye Pierce, the army surgeon in Robert Altman’s M*A*S*H (1970), one of the key American films of its period. It marked Sutherland out as an iconoclastic figure of the 60s generation, but he matured into an actor who made a speciality of portraying taciturn, self-doubting characters. This was best illustrated in his portrayal of the tormented parent of a drowned girl, seeking solace in a wintry Venice, in Nicolas Roeg’s Don’t Look Now (1973), and of the weak, nervous, concerned father of a guilt-ridden teenage boy (Timothy Hutton) in Robert Redford’s Ordinary People (1980).
Although Sutherland appeared in the statutory number of stinkers that are many a film actor’s lot, he was always watchable. His career resembled a man walking a tightrope between undemanding parts in potboilers and those in which he was able to take risks, such as the title role in Federico Fellini’s Casanova (1976).
Curiously, it was Sutherland’s ears that first got him noticed, in Robert Aldrich’s The Dirty Dozen (1967). During the shoot, according to Sutherland, “Clint Walker sticks up his hand and says, ‘Mr Aldrich, as a representative of the Native American people, I don’t think it’s appropriate to do this stupid scene where I have to pretend to be a general.’ Aldrich turns and points to me and says, ‘You with the big ears. You do it’ … It changed my life.” In other words, it led to M*A*S*H and stardom.
Sutherland and his M*A*S*H co-star Elliott Gould tried to get Altman fired from the film because they did not think the director knew what he was doing due to his unorthodox methods. In the early days, Sutherland was known to have confrontations with his directors. “What I was trying to do all the time was to impose my thinking,” he remarked some years later. “Now I contribute. I offer. I don’t put my foot down.”
Sutherland, who was born in Saint John, New Brunswick, Canada, was a sickly child who battled rheumatic fever, hepatitis and polio. He spent most of his teenage years in Nova Scotia where his father, Frederick, ran a local gas, electricity and bus company; his mother, Dorothy (nee McNichol), was a maths teacher. He attended Bridgewater high school, then graduated from Victoria College, part of the University of Toronto, with a double major in engineering and drama. As a result of a highly praised performance in a college production of James Thurber’s and Elliott Nugent’s The Male Animal, he dropped the idea of becoming an engineer and decided to pursue acting.
With this in mind, he left Canada for the UK in 1957 to study at Lamda (the London Academy of Music and Dramatic Art), where he was considered too tall and ungainly to get anywhere. However, he gained a year’s work as a stage actor with the Perth repertory company, and appeared in TV series such as The Saint and The Avengers. He was Fortinbras in a 1964 BBC production of Hamlet, shot at Elsinore castle and starring Christopher Plummer. He also appeared at the Criterion theatre in the West End in The Gimmick in 1962.
In 1959 he married Lois Hardwick; they divorced in 1966. Then he married the film producer Shirley Douglas, with whom he had twins, Kiefer and Rachel; they divorced in 1971. Kiefer, who grew up to become a celebrated actor, was named after the producer-writer Warren Kiefer, who put Sutherland in an Italian-made Gothic horror film, The Castle of the Living Dead (1964). Christopher Lee played a necrophile count, while Sutherland doubled as a dim-witted police sergeant and, in drag and heavy makeup, as a witch.
In an earlier era, the gawky Sutherland might not have achieved the stardom that followed the anarchic M*A*S*H, but Hollywood at the time was open for stars with unconventional looks, and Sutherland was much in demand for eccentric roles throughout the 70s.
He was impressive as a moviemaker with “director’s block” in Paul Mazursky’s messy but interesting Alex in Wonderland (1970), which contains a prescient dream sequence in which his titular character meets Fellini. In the same year, Sutherland played a Catholic priest and the object of Geneviève Bujold’s erotic gaze in Act of the Heart; he was the appropriately named Sergeant Oddball, an anachronistic hippy tank commander, in the second world war action-comedy Kelly’s Heroes; and he and Gene Wilder were two pairs of twins in 18th-century France in the broad comedy Start the Revolution Without Me.
Sutherland was at his most laconic, sometimes verging on the soporific, in the title role of Alan J Pakula’s Klute (1971), as a voyeuristic ex-policeman investigating the disappearance of a friend and getting deeply involved with a prostitute, played by Jane Fonda.
Sutherland and Fonda were teamed up again as a couple of misfits in the caper comedy Steelyard Blues (1973). It initially had a limited distribution due mainly to their participation together in the anti-Vietnam war troop show FTA (Fuck the Army), which Sutherland co-directed, co-scripted and co-produced.
Sutherland always made his political views known, although they surfaced only occasionally in his films. In among the many mainstream comedies and thrillers was Roeg’s supernatural drama Don’t Look Now, in which Sutherland and Julie Christie are superb as a couple grieving their dead daughter. Despite the dark subject matter, the film was notable for containing “one of the sexiest love scenes in film history”, according to Scott Tobias in the Guardian, the frank depiction of their love-making coming “like a desert flower poking through concrete”. The actor so admired Roeg that he named another son after him, one of his three sons with the French-Canadian actor Francine Racette, whom he married in 1972.
John Schlesinger’s rambling version of The Day of the Locust (1975) saw Sutherland as a sexually repressed character – called Homer Simpson – who tramples a woman to death in an act of uncontrolled rage. Perhaps Bernardo Bertolucci had that in mind when he cast Sutherland in 1900 (Novecento, 1976), in which he is a broadly caricatured fascist thug who shows his sadism by smashing a cat’s head against a post and bashing a young boy’s brains out. “And I turned down Deliverance and Straw Dogs because of the violence!” Sutherland recalled.
In Fellini’s Casanova, the second of his two bizarre Italian excursions in 1976, Sutherland coldly calculates seduction under his heavily made-up features. The performance, as remarkably stylised as it is, still reveals the suffering soul within the sex machine.
In 1978 he appeared in Claude Chabrol’s Blood Relatives, a made-in-Canada murder mystery with Sutherland playing a Montreal cop investigating the murder of a young woman. More commercial was The Eagle Has Landed (1976), with Sutherland, attempting an Irish accent, as an IRA member supporting the Germans during the second world war, and as a chilling Nazi in Eye of the Needle (1981). Meanwhile, he was the hero of Invasion of the Body Snatchers (1978), who resists the insidious alien menace until the film’s devastating final shot.
In 1981 Sutherland returned to the stage, as Humbert Humbert in a highly anticipated version of Vladimir Nabokov’s Lolita, adapted by Edward Albee. It turned out to be a huge flop, running only 12 performances on Broadway. Both Sutherland and Albee played the blame game. “The second act is flawed,” Sutherland said. “Albee was supposed to have rethought it, but he never did.” Albee told reporters that he had scuttled some of his best scenes because they were “too difficult” for Sutherland because “he hasn’t been on stage for 17 years”.
Continuing his film career, Sutherland played a complex and sadistic British officer in Hugh Hudson’s Revolution (1985), and in A Dry White Season (1989) he took the role of an Afrikaner schoolteacher beginning to understand the brutal realities of apartheid. In Oliver Stone’s JFK (1991), he held the screen with an extended monologue as he spilled the conspiracy beans to Kevin Costner’s district attorney hero Jim Garrison.
After having made contact with young audiences in the 70s with offbeat appearances in gross-out pictures The Kentucky Fried Movie (1977) and National Lampoon’s Animal House (1978), the latter as a pot-smoking professor, he was cast as an unconvincing bearded stranger in Buffy the Vampire Slayer (1992).
On a more adult level were Six Degrees of Separation (1993), in which he played an unfulfilled art dealer; A Time to Kill (1996), as an alcoholic, disbarred lawyer (alongside Kiefer); Without Limits (1998), as an enthusiastic athletics coach; and Space Cowboys (2000), as an elderly pilot. By this time, he was gradually moving into grey-haired character roles, one of the best being his amiable Mr Bennet in Pride and Prejudice (2005).
The Jane Austen novel was also featured in the television series Great Books (1993-2000), to which Sutherland lent his soothing voice as narrator. Other series in which he shone as quasi baddies were Commander in Chief (2005) – as the sexist Republican speaker of the house opposed to the new president (Geena Davis) – and Dirty Sexy Money (2007-09), in which he played a powerful patriarch of a wealthy family.
Sutherland continued to be active well into his 80s, his long grey hair and beard signifying sagacity, whether as a contract killer in The Mechanic, a Roman hero in The Eagle, a nutty retired poetry professor in Man on the Train (all 2011), or a quirky bounty hunter in the western Dawn Rider (2012), bringing more depth to the characters than they deserved. As President Coriolanus Snow, the autocratic ruler of the dystopian country of Panem in The Hunger Games (2012), Sutherland was discovered by a new generation; he went on to reprise the role in three further films in that franchise, beginning with The Hunger Games: Catching Fire (2013).
He played artists in two art-world thrillers by Italian directors: in Giuseppe Tornatore’s Deception, AKA The Best Offer (2013), he was a would-be painter helping to execute multimillion-dollar scams, while in Giuseppe Capotondi’s The Burnt Orange Heresy (2019) he was on the other side of the heist as a reclusive genius targeted by a wealthy and unscrupulous dealer (Mick Jagger).
Aside from James Gray’s science-fiction drama Ad Astra (also 2019), in which he co-starred with Brad Pitt, Sutherland’s best late work was all for television. In Danny Boyle’s mini-series Trust (2018), which covered the same real-life events as Ridley Scott’s All the Money in the World, he played J Paul Getty, the oil tycoon whose grandson is kidnapped; while in The Undoing (2020), he was the father of a psychologist (Nicole Kidman), reluctantly putting up bail when her husband (Hugh Grant) is arrested for murder.
For the latter role Sutherland was in the running for a Golden Globe, having already received an honorary Oscar in 2017.
He is survived by Francine and his children, Kiefer, Rachel, Rossif, Angus and Roeg, and by four grandchildren.
🔔 Donald McNichol Sutherland, actor; born 17 July 1935; died 20 June 2024
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sophie1973 · 17 days
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Let me kiss and make it better
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A little Birthday fic written for my darling Kim @kj-bee ❤️(2.9k of fluff)
Can be read on AO3 or under the cut
The atmosphere inside the O2 Arena is electric, with anticipation hanging in the air as fans from around the globe fill the stands, waving flags and chanting. The field, a flawless expanse of green, awaits the start of one of the most eagerly anticipated matches of the World Cup. 
It's the quarter-finals, and the UK is set to face off against the US.
Alex is doing some last-minute stretching while half-listening to his teammates' banter. His gaze flickers discreetly to the opposing team—more specifically, to their captain.
Henry Fox.
This isn't Alex's first encounter with Henry on the field—not by a long shot. Henry is an incredible player, and Alex's competitive spirit thrives on the challenge of having such a formidable opponent. 
He just wishes Henry weren't so distracting.
He's half-tempted to draft a strongly worded letter to FIFA about it. Because seriously—those thighs in those shorts? It's obscene. Bordering on illegal. Fucking Criminal.
The teams start to line up, and Alex jogs on the field, meeting Henry at the center circle. The referee, holding the match ball, stands between them, and Henry extends his hand for Alex to shake, a mischievous glint in his blue eyes and a playful grin on his lips.
“Ready to get your ass kicked, Fox?” Alex asks good-naturedly, and Henry shakes his head, chuckling.
“Famous last words, darling.”
The referee goes over the rules, emphasizing fair play, while the captains nod in acknowledgment. Alex, having heard it all countless times before, instead focuses on how the blue of his football jersey enhances Henry’s azure eyes, or the sheen of sweat over Henry's upper lip and the beauty mark nearby. Alex briefly wonders how much chaos it would cause if he leaned in for a kiss.
He really needs to get it together.
A few lewd whistles from the crowd punctuate their handshake. The press and fans have speculated about the nature of their relationship for years. Some days, they’re painted as bitter rivals; other times, rumors swirl of them being secret lovers—just because they’ve been spotted laughing and sharing a drink at events.
Apparently, simply being friends who enjoy each other’s company is too dull for the public imagination.
The shrill blast of whistles pierces the air, signaling the start of the football match and sending a wave of excitement through the packed stadium. Alex catches Henry's eye across the field as players swiftly take their positions. With a subtle, confident smirk, Alex delivers a playful wink. The gesture has its intended effect; a soft blush blooms across Henry's fair cheeks, visible even from a distance. Inwardly pleased with this small victory, Alex's chest swells with pride as the match begins in earnest.
The first quarter-hour unfolds like a choreographed dance, with both teams testing the waters with cautious passes and strategic positioning. The cacophony of cheers from the stands fades into a distant hum as Alex's mind whirs, plotting the perfect strategy to breach their opponents' stubborn defenses.
Suddenly, an opening presents itself. Spencer executes a brilliant maneuver, and the ball reaches Alex's feet. In an instant, he's off, a blur of motion as he weaves through the opposition's defensive line. He darts past Henry, their eyes meeting for a split second, charged with competitive energy. Alex pushes on, his legs pumping furiously as he races towards the goal.
The next minute, Alex finds himself flat on his back, the lush grass cushioning his fall. A searing pain explodes from his ankle, radiating up his leg in agonizing waves. He clutches at it instinctively.
The piercing sound of the referee's whistle cuts through the sudden roar of the crowd. Through watering eyes, Alex sees the official reaching into his pocket, producing a yellow card, which he brandishes towards the English player who tackled him.
Alex hasn’t even seen him coming.
The game comes to a standstill as Alex’s teammates and some British players gather around him. He grimaces, watching his ankle begin to swell rapidly. A hand touches his shoulder, accompanied by a British voice asking, “Alex, are you alright?”
Lifting his head, Alex meets Henry's concerned blue eyes.
“Yeah, the game’s over for me. Fuck,” Alex mutters.
Henry’s expression falls, and Alex feels a jolt in his chest. Henry should be relieved by this turn of events, not upset. Losing their captain and one of their best players—his coach's words, not Alex’s—is a significant blow to the U.S. team.
“I called for a gurney,” Spencer interjects, and Alex nods, a heavy sigh escaping him. He tries to focus on the throbbing pain in his ankle rather than the crushing disappointment of seeing things coming to an abrupt end for him. He had been eager to win this game and lead his team into the semifinals. They were supposed to face the Belgian Red Devils, and Alex, who had been friends with their captain Kevin for years, was looking forward to the match.
Now, even if his team manages to pull off a win—and Alex is convinced they can do it—he doubts he'll recover in time for the semi-finals in just three days. The realization hits him like a punch to the gut, and he struggles to maintain his composure as the reality of his situation sinks in.
Alex extends his hands to Liam, who grasps his arm firmly. With Spencer's assistance, they cautiously attempt to hoist Alex to his feet. The moment his injured foot grazes the ground, a sharp, unbearable pain shoots through his leg, and he lets out an involuntary cry.
“Where on earth is that gurney?” Spencer mutters in frustration. Alex shares his concern, desperately wanting to leave this fucking field and escape the prying eyes so he can indulge in a moment of self-pity in the privacy of the infirmary.
Before he can process what's happening, strong arms encircle him, and his feet leave the ground. Startled, he finds himself cradled against a firm chest, looking up into Henry's determined face.
"Enough of this," Henry says, his voice low and authoritative. "We're not waiting for the gurney."
Alex opens his mouth to protest, but the words die in his throat. Henry’s arms are secure around him, one supporting his back and the other carefully cradling his legs, mindful of the injured ankle. Despite the circumstances, Alex can't help but notice how effortlessly Henry seems to carry him. He also notices Henry still smells really good despite having run across a football field for the past twenty-five minutes.
A hush falls over the stadium as Henry strides purposefully towards the sidelines. Cameras flash, capturing this unexpected moment between the rival players. Alex can already imagine the headlines, but right now, he's too grateful for the relief from pain to care.
"Couldn't resist playing the knight in shining armor, could you?" Alex quips, his voice a mix of gratitude and exasperation
Henry's lips quirk into a mischievous smile. "I could always bend you over my shoulder instead if you'd prefer," he suggests, his tone playful.
Alex's mind stutters to a halt, fixating on the words 'bend' and 'over.' His imagination runs wild with far less innocent interpretations, none of which involve Henry’s shoulder. 
The momentary distraction from the pain is almost worth the mental whiplash.
Regaining his composure, Alex mutters, "You know this is going to set the rumor mill on fire, right?"
And Henry, the cheeky bastard, grins. “I’m very well aware of that, love.”
Alex tries—and fails spectacularly—to suppress a shiver at the endearment, earning a knowing smirk from the Brit.
"Oh, shut up," Alex grumbles, his cheeks flushing.
Henry's rich laughter fills the air, and Alex can practically see the social media storm brewing. Tomorrow's headlines are going to be relentless.
As Henry gently lowers Alex onto the infirmary bed, a doctor and nurse immediately spring into action. After a thorough examination, they declare his ankle sprained, not broken. Despite having suspected as much, Alex can't help but feel a wave of relief wash over him. The doctor, however, insists on precautionary X-rays at the hospital.
"I'm not going anywhere now," Alex protests. "I need to see how the game ends."
The doctor sighs, obviously accustomed to stubborn football players. "Very well, Mr. Claremont-Diaz, but I strongly advise you go first thing tomorrow morning."
Alex nods noncommittally, flashing a grateful smile at the nurse - her badge says her name is Kim -  who turns on the TV, allowing him to follow the match.
Henry lingers by the bedside, his face etched with concern. "I'm truly sorry about this, Alex," he says softly.
Alex attempts a casual shrug, wincing slightly. "Not your fault, sweetheart," he reassures, the endearment slipping out before he can catch it. The painkillers are starting to kick in, dulling the throbbing in his ankle and loosening his tongue. He finds himself fighting the urge to ask Henry to stay, to sit beside him and hold his hand. Not exactly the right time.
"Basil's reckless move caused this," Henry explains, his jaw tightening with frustration.
Alex blinks, momentarily distracted from his thoughts. "Hold up. His name is Basil? I got steamrolled by a guy named after an herb? What kind of fucking posh nonsense is this, Henry?"
A smile tugs at Henry's lips, breaking through his concern. "’Steamrolled’ might be a tad dramatic, but he certainly did a number on you."
Their eyes meet, and they exchange a smile. The spell is broken when one of Henry's teammates bursts through the door, looking exasperated.
"What the bloody hell are you doing, Henry? The entire team's waiting for you to resume the match!"
Henry's posture straightens, and his voice takes on a crisp, authoritative tone that sends a shiver down Alex's spine. "I'll be there momentarily," he says, the subtle rebuke clear in his words.
Alex finds it incredibly hot.
Turning back to Alex, Henry's expression softens, a mix of concern and reluctance in his eyes. "Duty calls. Are you certain you'll be alright?"
Alex can't help but roll his eyes, though there's no real annoyance behind it. “Yes, mom. It’s a sprained ankle, not the ebola virus. Go. You have a game to lose.”
A smile tugs at Henry’s lips.“I’ll see you after the game.”
Alex gestures at his leg. “I ain’t going anywhere, baby.”
The nurse's eyebrows shoot up at their exchange, her gaze darting between them with poorly concealed interest. Henry catches her look and clears his throat, a faint blush creeping up his neck. “Right. See you later, then.”
Alex grins. He has no doubt this exchange will be all over Twitter tomorrow.
                                                      🇬🇧 ⚽ 🇺🇸
As the final whistle blows, announcing Henry's team's victory, Alex finds himself oddly detached from the outcome. The events of the evening, coupled with the hazy effects of pain medication, have left him drained. All he can think about is the allure of home – a hot shower, a comfortable bed, and the promise of rest.
He drifts in and out of consciousness, the sounds of the post-game excitement a distant hum. When he finally forces his eyes open, he's greeted by the sight of Henry standing at the foot of the bed, showered, dressed, and holding a pair of crutches.
He’s a sight for sore eyes.
“Congrats on the win,” Alex says, rubbing at his eyes. “Guess you were the best.” 
Henry's lips quirk into a soft smile as he leans the crutches against a nearby wheelchair. He moves to perch on the edge of Alex's bed, close enough that Alex can smell his subtle, expensive cologne.
"Alex," Henry says, his voice gentle, "we both know the outcome might have been vastly different if you'd been on that field."
Despite his fatigue, Alex can't help but grin. "Learn to take a compliment, Fox," he retorts. "It's not often I stroke your ego; you should savor it."
Henry's mouth opens, then closes, as if he's weighing his words carefully. Something flickers in his eyes, but it's gone before Alex can decipher it.
"I'm taking you home," Henry announces instead, his tone brooking no argument.
Alex's eyebrows shoot up, a smirk playing on his lips. "My, my. Not even dinner first?”
Henry rolls his eyes, but there's a hint of amusement beneath his exasperation. "You're a menace, Claremont-Diaz, and you're in desperate need of a shower. So, you have two options: get your arse in that wheelchair and let me ensure you get home safely, or attempt to navigate the nearest tube station on those crutches. Your choice."
The authoritative tone in Henry's voice, now directed squarely at him, sends an unexpected thrill through Alex.
"I'm sure Liam or Spencer can take me home," he counters weakly, more out of habit than genuine protest.
"They came by earlier, but you were asleep," Henry explains. "I assured them I'd see you home safely, so they've left. They'll check on you tomorrow."
Alex sighs dramatically, though internally, he's not as put out as he pretends to be. "Guess that leaves me no choice but to accept your gracious offer, then."
A slow, triumphant grin spreads across Henry's face. "Good boy," he says, his voice low and teasing.
The words hit Alex with unexpected force, sending a jolt of heat coursing through him. He bites his lower lip hard, barely suppressing a moan that threatens to escape. The sudden intensity of his reaction catches him off guard, leaving him breathless and slightly dizzy.
Acutely aware of the bustle of activity just outside the infirmary door, Alex forces himself to take a steadying breath. They've already provided enough fodder for gossip tonight; the last thing they need is for someone to overhear something that could be easily misconstrued.
"Right," he manages to croak out, his voice slightly strained. "Let's get this show on the road."
                                                              🇬🇧 ⚽ 🇺🇸
“Oh Christ…Alex!”
With a breathless laugh, Henry collapses onto Alex's chest, supporting himself on his forearms to avoid crushing him. Alex, however, wraps his arms around Henry's back, pulling their bodies flush together as they share a deep, lazy kiss, their bodies still trembling slightly from the force of their shared orgasm.
“Told you I could still rock your world, even with a sprained ankle,” Alex says, a self-satisfied grin spreading across his face. Henry responds with a soft, affectionate chuckle.
As they bask in the afterglow, Alex can't help but think that no amount of World Cup victories could ever compare to the rush of endorphins he experiences when having sex with Henry.
Henry reluctantly disentangles himself from Alex's embrace and heads to the bathroom. The sound of running water reaches Alex's ears as he takes his phone on the nightstand, idly scrolling through his social media feeds.
Returning with a damp washcloth, Henry begins to clean Alex. "Let me guess," he says, "my prince charming moment is trending online?"
Alex snorts. "What did you expect? You might as well have tattooed 'Property of Henry Fox' across my forehead."
Henry's eyes sparkle with mischief. "Now there's an idea."
"Keep dreaming, Fox," Alex retorts, rolling his eyes fondly.
"That's Fox-Claremont-Diaz to you, darling," Henry corrects him, leaning in for another kiss.
Alex takes his hand, pressing a soft kiss on the rose gold band that found its rightful place on Henry’s finger after the game. They returned to their apartment in London - a convenient haven when participating in the World Cup hosted in England. After a shower for Alex and a light snack, they fell back into bed, where Alex convinced Henry that a little post-game celebration was in order, even if one of the two parties involved had lost.
“So it’s celebratory sex for me and consolation sex for you?” Henry had  inquired with a raised eyebrow.
Alex had grinned and shrugged. “As long as we both get our happy ending, you can call it whatever you want, baby.”
Henry climbs back on the bed and snuggles with his husband. The atmosphere shifts subtly, becoming more soft and tender.
"Should we tell people?" Alex finally broaches the subject, and Henry exhales softly.
“I mean, I’m not opposed to it. Shaan and Zahra suggested we wait until after the Cup frenzy died, but…”
“Yeah, but now they are married too, so I don’t think we should listen to them anymore.”
Alex turns to face Henry, planting a soft kiss on his forehead. "I'm ready for the world to know you're mine," he whispers, and the radiant smile blooming on Henry's lips lets him know that the feeling is wholeheartedly mutual.
"How do you want to do it?" Alex asks. "Should we ease into it or go for a hard launch?"
Henry pretends to ponder, though Alex knows his answer. He shakes his head fondly as Henry gives him a brilliant smile.
"I want to break the internet."
***
A few days later, Alex's Instagram features a new post. 
The image captures their pajama-clad legs intertwined on the sofa, with David, Henry's dog, snoozing contently beside them. In the background, slightly out of focus but unmistakable, are their football jerseys draped over a chair, proudly displaying their names and numbers.
The caption reads: “I lost the World Cup, but I won at life.” 
Photo credit: Hubby @hgfoxofficial. 
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