#electro-chaabi

[newsjamz]

Ethiopia Jazz instrument "AHADU" Official Music Video 2020

Ethiopia Jazz instrument "AHADU" Official Music Video 2020

A few from our Ahadu album release as many of us are confined at our dwelling place. We’re trying to show our effort to entertain … source

[theeincrediblekid]

Tonight’s episode of Kabhi Khushi Kabhie Kush starts off with a set of Mahraganat AKA Egyptian Electro Chaabi, moves into Punjabi bangers, features sets of contemporary autotuned Haryanvi and Bhojpuri pop hits and includes both the current biggest Norteño hit in the world and the biggest Khmer track of the moment. We learn what Phonk hit Indians most want to identify and we include tracks from Chile, Puerto Rico and the Dominican Republic. Tuesdays 10-midnight Pacific Time on @kbooradio at KBOO.FM online and 90.7 FM in Portland. Always archived for anytime listening. https://www.instagram.com/p/CrekEzaP0fr/?igshid=NGJjMDIxMWI=

[burlveneer-music]

Mephisto Halabi - The Arabic Room - drummer Julius Masri adds an interesting array of instruments to this “critical meditation on variations of Orientalism practiced by Arabs themselves“

Mixtape album of all original works, veering into all sorts of musical genres. Exploration of Orientalist tropes so thick that Edward Sa3id is rolling in his grave. This album originally began as a documentation of extended drum techniques, and due to an open timeframe and a propensity to include instruments obsessively picked up and learned over the years, it developed into a project with a more ambitious scope.  I allowed the work to accumulate intentions and guiding principles, and it became rather autobiographical in nature. It eventually morphed into a critical meditation on variations of Orientalism practiced by Arabs themselves, as well as those who were born and raised within the diaspora....Some of the tracks here refer to locations or sounds I grew up with in Tripoli, Lebanon during the 1980s.     The "Arabic Room" of the title refers to the sitting room in my childhood home that was decked out in hyper orientalist exoticism, mashing together furniture, fixtures, paintings from all over the Arabic speaking world. The sitting room, or salon, is common in Lebanese homes made specifically to host and entertain guests. Rimsky-Korsakov's Scheherazade and other western made Orientalist cultural artifacts not only had ubiquitous presence in our house, but also found their way onto tv shows and commercials. After moving to the US, my parents recreated this room in their home. Additionally, my father's generation was one that saw their country transform from a post-agrarian trading society after WWII to a center of banking and finance within the span of a few decades. The sense of some lost Eden-like era of the interwar years permeated much of the media that was available to me growing up there. This album is meant as neither ironic nor as a judgmental pronouncement, but more as a form of critical nostalgia.     All instruments are performed by myself, (drums, Egyptian rababa, Azeri kamancheh, circuit bent electronics, keyboards, hammered dulcimer, and vocals). Genre-hopping is foundational to the album’s ethos; jazz, metal, experimental, electro-chaabi, and sound collage all appear within the framework of Arabic music, creating the sense of adventurous possibilities best associated with well curated mixtapes.

[lezarde]

TOP ALBUMS 2021 (1/6)

[Cinematographic, Anatolian Rock] El Michel Affairs - Yeti Season + The Abominable EP (Big Crown Records) [USA] https://elmichelsaffair.bandcamp.com/album/yeti-season https://elmichelsaffair.bandcamp.com/album/the-abominable-ep

[Compilation/Reggae, Latin, Folk, Afro, & Country] Guts - Straight From The Decks Vo. 2 (Pura Vida Sounds) [France, International] https://guts-puravida.bandcamp.com/album/straight-from-the-decks-2

[Electro Post-Chaabi] CHEB - Sma’Balak (self-produced) [Marocco] https://cheb.bandcamp.com/album/sma-balak

[Popular Music from the “Arab World”] Various Artists - Habibi Funk 015 : An Eclectic Selection From The Arab World, Part 2 (Habibi Funk Records) [Germany] https://habibifunkrecords.bandcamp.com/album/habibi-funk-015-an-eclectic-selection-from-the-arab-world-part-2

[Blues, Folk] Daniel Norgren - Live (Superpuma) [Sweden] https://danielnorgren.bandcamp.com/album/live

[Psychedelic Folk-Rock] Aboukir - Digital Introversion (Rotary Phono Lab) [France] https://rotaryphonolab.bandcamp.com/album/digital-introversion

[Electronic, Orchestral-Folk] Damon Albarn - The Nearer the Fountain More Pure the Stream (Transgressive Records) [UK] https://damonalbarnmusic.bandcamp.com/album/the-nearer-the-fountain-more-pure-the-stream-flows

[yahya-mekkawi]

With Islam Chipsy (Egypt) and Amina Hocine (Sweden / Algeria) From a Jam session between Islam and Amina, during Amina’s visit to Cairo where she also met with Nass Makan (inviting them to Clandestino Festival 2014 & 2015) Left-to-Right: Islam, Damien, Amina, Martin, Karin and myself =) Check out this video from Amina’s collaboration with Nass Makan 

And here’s the video with Islam Chipsy

[playmoss]

► LISTEN to this Playmoss playlist: Good Fridays by Rozzma by Whisper Not Rozzma is a mysterious MC and producer from Cairo, Egypt, that will set dance floors on fire with his incendiary combination of UK bass, electro, Bedouin melodies and rap. Although he ironically refers to his music as “rave bass from Cairo”, others call it "electro-chaabi". His much-expected debut EP, “Donya Fakka,” will see the light on Acid Arab Discs / Crammed Discs this fall. We'll be keeping an eye on it. 

Rozzma serves up a forceful playlist with a focus on new electronic producers from the Cairo scene. An unmerciful and gritty collection of tunes full of saturated basses, cut-up vocals and Arabic melodies with the spotlight on bass music and Egyptian hip hop.

اب يوسف - ABYUSIF | Kont Mestani El Wa2t W Geh - كنت مستني الوقت و جيه Abyusif - Gamed Bas (Clip) | كليب ابيوسف جامد بس ZULI - Robotic Handshakes in 4d (UIQ0002) ISMAEL. - Tell Me To Stop (SR039) El 3omaR - Super Hero ( Al3eZBaa Nous Disques - A2 As She Walks By B2 - Shiel NO ONE DOES IT BETTER - SMASH BEATS PROD. BY SMASH - BEATS A B Y U S I F - Abyusif - FARW أغنية فرو (Prod. By Abyusif)

[let-asmaa-anset]

Copie Non Conforme

Il y a quelques jours, entre mon canapé et mon frigo, j'ai entrepris quelques recherches sur les reprises de samples orientaux dans la musique occidentale. Mon acolyte dans certaines affaires, me faisant remarquer que souvent des titres hip hop ou rap, bien connus utilisaient des sons venant souvent de la pop musique arabe des années 60 / 70 voire 80.

Très vite, après quelques clics, je retrouve des exemples déjà bien illustres, les titres de la chanteuse Aaliyah, More than a woman et Don't know what to tell ya reprennent respectivement   les mélodies de célèbres voix du monde arabe, Mayada El Hennawy  avec Alouli Ansa, et vous l'avez sans doute relevé plus d'une fois celle de Warda avec betwaness bik.  

Un peu plus surprenant, un titre de Foxy Brown "Hood scriptures", qui est quasiment une reprise complète de la chanson de Ragheb Alama Ya Bouy, dans laquelle elle rappe un peu quand même :) ! En poursuivant mes recherches, je découvre une histoire peu banale,   d'un héritier du compositeur égyptien Baligh Hamdi qui aurait attaqué en justice le rappeur mondialement connu Jay-Z pour l'utilisation d'un sample de la chanson de Abdel Halim Hafez , Khossara Khossara dans la chanson Big Pimpin. L'histoire reste assez trouble et pas très documentée, ce que l'on sait en revanche, c'est que la star américaine aurait payé dans les 100 000 dollars, selon moi la Khossara (la perte) ici n'a pas vraiment été du côté de Jay-Z!

Et même si, les reprises sont facilement perceptibles (je trouve) dans ces titres hip hop et Rap, leur utilisation dans les musique électroniques, semble occulter que ce sont des reprises, et a étrangement donné plutôt naissance à un nouveau genre, appelé souvent Electro Chaabi ou Electro Oriental. Hommage ou usurpation d'une culture, ceci est un autre débat qu'on abordera une autre jour, parce que vous ne me contredirez pas, le sujet mérite d'être abordé longuement, et parce qu'entre le nouvel orientalisme et l'engouement pour l'esthétisme arabe, mon cœur balance.

Evidemment ces utilisations de samples que ça soit pour des titres hip hop ou remix de djs, soulève la question des droits d'auteur ,et de la protection du patrimoine immatériel, souvent négligé dans le monde arabe. Ce patrimoine, mal préservé, méconnue et ne suscitant jusqu'ici parfois que trop peu d'intérêt au sein même des pays arabes (pourtant le public parisien et occidental en raffole) est une véritable aubaine et une manne financière très lucrative pour certains chercheurs de trésors sonores.

Ceux que j'appelle chercheurs, sont les vinyles diggers. Qui en quête de la plus rare pépite, rapportent dans leur valises les sons perdus et oubliés de l'âge d'or de la musique arabe. Parcourant frénétiquement et librement ;) le Moyen orient et l'Afrique du nord, tout excités de découvrir sur les étals, ou dans de vielles caves, des noms parfois inconnus mais Ô combien déroutants d'un chanteur de chaabi égyptien, d'un groupe de rock syrien, ou de rap algérien. De Beyrouth à Casablanca, il y a les  purs passionnés bien sûr, mais aussi et  malheureusement pour beaucoup, les opportunistes, qui jouissent alégrement de ce manque de préservation et de protection de nos patrimoines, pour acquérir à des sommes maudites, ce que vous vendra excessivement cher Jay-Z la prochaine fois ;)

Et vous alors, vous avez remarqué des reprises dans certaines de vos musiques préférées, balancez nous ça :)

Aya terbhou   

[a---z]

DÉCALÉ #4 When dusk arises, agitated spirits awake DÉCALÉ X JUPITER WOODS presents MANARA (Rinse FM) HANNAH CATHERINE JONES YAYA BONES MARIKISCRYCRYCRY TABITA REZAIRE CHOOC LY ALPHA ⚡TICKETS: ADV £5 / OTD £8 https://tickets.partyforthepeople.org/events/4737-decale-4 Décalé = 1 year! So we would like to make it more special than ever. For this reason, we are joining forces with our friends Jupiter Woods, a South East London art organisation, to co-curate an invigorating programme of live acts, screening and DJ sets that are uncompromising and forward-thinking. And we are doing it at one of our favorite venue: Ormside Projects! ▶ MANARA (Rinse FM) Manara is a London DJ and producer who is no stranger to making the dancefloor bounce, whether in London, New York or Berlin. A regular on the airwaves at BBC Asian Network, NTS and Rinse FM, she is also a Night Slugs and Fade To Mind affiliate. ▶ HANNAH CATHERINE JONES I am an artist, multi-instrumentalist, scholar, radio presenter (NTS), composer, conductor and founder of Peckham Chamber Orchestra. My broad practice is connected through a central spine of inclusivity and decolonization. Myths, (both ancient and modern), word-play, appropriation and my own voice (in song) are my materials. ▶ YAYA BONES YaYa Bones is the musical moniker of multi-disciplinary artist Ayesha Tan Jones. Coining their genre 'dream n bass', YaYa Bones makes protest music for witches, fusing operatic melodies and earthcore beats. ▶ MARIKISCRYCRYCRY marikiscrycry is the performance project of London-based choreographer and artist Malik Nashad Sharpe, born in 1992 in New York City. They make emotional choreographies that are less like descriptors of themes and more like worlds in themselves. Their work deals primarily with the social imprints and inflections left on the body, existentialism, the necessity to proliferate pro-Queer and pro-Black aesthetics under neoliberal hegemonies, choreography as an expanded formal proposition, and allostatic load. ▶TABITA REZAIRE Tabita Rezaire is infinity incarnated into an agent of healing, who uses art as a mean to unfold the soul. Her cross-dimensional practices envision network sciences - organic, electronic and spiritual - as healing technologies to serve the shift towards heart consciousness. Tabita is based in Cayenne, French Guyana and is a founding member of the artist group NTU, half of the duo Malaxa, and the mother of the energy house SENEB. ▶CHOOC LY Not limited by a specific genre, though a penchant for electronic and club music. Chooc Ly's DJ sets present a varied selection forging astral connections through spectrums of Techno, Kuduro, futuristic Chaabi الشعبي, high-voltage Electro, Hip hop, Qgom through to fusions we haven’t found names for yet. Chooc Ly recently played at Chale Wote Festival 2018 (Accra, Ghana), the Living Art Museum (Reykjavik), Tate Modern (London) and Villa Empain (Brussels). ▶ALPHA Alpha (Anne Duffau) is a cultural producer that creates soundscapes  exploring & defying preconceived/imperialist hi.Stories of identities & bodies. Through the scope of narratives & distinctive genre ranging from art, youtube mash-up, performances, discussions. Exploring artistic practices and knowledge exchange through presentations, screenings and discussion A---Z aims at opening up to a large audience by sharing discursive practices in order to deconstruct preconceived ideas on race, gender identities and the so call history in terms of power relationship. ---- DÉCALÉ ‘When dusk arises, agitated spirits awake A night on planet earth, Décalé A platform for nocturnal creatures and loud existential insurgents Disobedient children will come together and rise from the dark to encounter experimental collapsing, flawless sounds, visuals and people. Together they will declare the unspoken, and embrace the hybrid and reactive nature of their collective experience. Together, we rewrite reality now, against distorted norms, for an alternate tomorrow.’ Décalé’s mission is to create a safe and fun space for nocturnal creatures, in an environment animated by visuals and uncompromising sound. The collective want to break down fences and boundaries in an ever-inclusive atmosphere. There is no tolerance for unethical, racist, homophobic, transphobic or any other abusive behaviors. ---- ABOUT JUPITER WOODS Jupiter Woods is a London-based art organisation and platform for interdisciplinary research and practice. Our activity is rooted in developing and experimenting with different methods of working and forms of collaboration and exchange. By proposing alternative formats of production, presentation and dissemination of contemporary art, Jupiter Woods is devoted to continuously creating a dynamic space for multiple encounters. http://jupiterwoods.com/ ⚡TICKETS: ADV £5 / OTD £8 https://tickets.partyforthepeople.org/events/4737-decale-4

_________________________________

Ormside Projects 32 Ormside St London SE15 1TR

– No one will be turned away for lack of funds, please contact Décalé in advance:

decaledecaledecale@gmail.com

– Access via stairs to first floor (assistance can be provided, please get in contact with any queries).

– Gender neutral toilets.  

poster by latica.co.uk Twitter: @Decaledecale Insta: Décalé fb: https://www.facebook.com/DecaleDecaleDecale/

[nonichemusic]

That Chaabi tuk tuk music

[praedband]

(PRAED)

[chililarissa]

كازبلنكا جنكل Casablanca jungle Ce clip est une pepite… fin mélange de différentes cultures, jeunesse marocaine qui cherche à affirmer son identité.. et Quand l’ancienne génération côtoie baskets TN, t-shirt Gucci, strass sur les jogging, scooter dans une maison tradi marocaine et quad sur la plage… En marocaine, berbere et femme libre, je suis fière de voir ce mouvement naitre et traverser les frontières à travers la musique.. Hybride, Chaabi, Rnb, psychédelie, electro, pop, rai…

[newsjamz]

Classical Indian Music

Hindustani music style is mainly found in North India, Pakistan and Bangladesh. It exists in four major forms: Dhrupad, Khyal (or … source

[theeincrediblekid]

Tonight’s radio show kicks off with a set of Punjabi Drill, moves into hard Bhangra, touches on Moombaton, Electro Chaabi, Desi Bass, Bollywood Electro Swing and Reggaeton in a set of two hours of surpsises. Tuesdays 10pm-12am PDX time on @kbooradio at KBOO.FM online and 90.7 FM in Portland. Always archived for anytime listening. (at KBOO Community Radio) https://www.instagram.com/p/Cq6lqNiPsE2/?igshid=NGJjMDIxMWI=

[atifistam]

chaabi electro 2017

[yahya-mekkawi]

Oka & Ortega - Haty Bosa Ya Bet / El Wesada El Khalya أوكا و أورتيجا - هاتي بوسة يا بت / الوسادة الخالية

#ValentineSpecial =)

[audiopedia2016]

What is ELECTRO DANCE? What does ELECTRO DANCE mean? ELECTRO DANCE meaning - ELECTRO DANCE definition - ELECTRO DANCE explanation. Source: Wikipedia.org article, adapted under http://ift.tt/yjiNZw license. Electro dance (otherwise known as Tecktonik and Milky Way) is a frenetic and quirky form of street dance typically performed to electro house music. It is based on, although is not limited to, a blend of different dance styles, such as industrial dance, moroccan chaabi, disco, vogue, waacking, hip-hop and freehand glowsticking. It started in the 2000s and originated from the southern suburbs of Paris, France, mainly from the Metropolis nightclubs and has grown around the world. Fast-paced techno and electro house music imported from Northern Europe is the usual choice for Tecktonik dancing. Electro dance is predominantly about arm movement, taking basic elements from glowsticking such as the concept of Freehand, the Figure 8 and the idea of the Leading Hand (one hand geometrically following the other), while staying very much in a disco taste, by amplifying points and poses as a main aspect to this style. Down below electro dancers tend to use their hips, knees and feet to gently shuffle across the floor in beat to the music, quite often in a random and jerky fashion. They also tend to include elements of toprock, b-boy-like footwork, lending to the hip hop-like influences in a lot of the electro house music. The term "Tecktonik" is a registered trademark that began in Paris, and this has created issues for dance events or other uses of the name. The creators of the Tecktonik brand (most notably Cyril Blanc, the artistic director of Metropolis) sell official products, such as clothes, Matts CDs, and energy drinks. In 2002, Cyril Blanc and Alexandre Barouzdin organized "Tecktonik Killer" parties under their project called "Tecktonik Events" whose purpose was to promote in France two styles of music which originated in Belgium and the Netherlands: hardstyle and jumpstyle. This project foresaw, in the Metropolis nightclub, the creation of three types of parties where DJs from the hardstyle genre would meet: "Blackout" evenings, "Electro Rocker" evenings and "Tecktonik Killer" evenings. Cyril explained that the name "Tecktonik" is a pun on the theory of tectonic plates. Along with tecktonik killer parties, Cyril and Alexandre created, with the help of designers and sales staff, symbols that would surround the phenomenon: neon colors, mittens, tight clothing, etc. Given the success of these evenings, Cyril Blanc filed applications for "Tecktonik" and "TCK" trademarks at the National Industrial Property Institute (INPI), and internationally in 2007, to prevent other clubs from promoting their parties using those words. A number of products were then developed and marketed using these brand names, including clothing and an energy drink. Two other clubs in Paris then took over the Metropolis club; the Mix Club and the Red Light. Tecktonik has enjoyed increasing success and has spread to France and Tunisia through gatherings in the street and videos available on the Internet. During 2007, mainstream media took interest in the phenomenon, further contributing to its spreading. The dance is known to the general public through its appearance in videos, including "Alive" by Mondotek, the Tepr remix of "A cause des Garçons" by Yelle, "Sucker" by Dim Chris, or songs by artists such as Lorie. In September 2007, the Techno Parade raised the visibility of Tecktonik. In November 2007, TF1 became the official international agency for Tecktonik, with the goal of promoting the brand outside France. Clubs must obtain permission from Cyril Blanc and Alexandre Barouzdin to use the term "Tecktonik" or "TCK".