#ellsworth fredericks

[sesiondemadrugada]

Invasion of the Body Snatchers (Don Siegel, 1956).

[burtlancster]

The final scene of General Scott leaving a building, getting into his car, and telling his driver to take him home, was shot in Paris, France while John Frankenheimer and Burt Lancaster were filming The Train (1964). John Frankenheimer explains this in the 1999 DVD commentary that the doors of the building are all propped open so the French names of the shops are not visible.

Seven Days in May — 1964. dir. john frankenheimer, cin. ellsworth fredericks. quote via IMDb.

[elbisonodelcine]

🎞️Invasion of the Body Snatchers (1956) 🎥Don Siegel 📷Ellsworth Fredericks

[howardhawkshollywoodannex]

The Light in the Forest (1958) was photographed by Ellsworth Fredericks. Ellsworth is thought to be the only black cinematographer in Hollywood's golden age. There is a photo of a black man looking through a device next to John Frankenheimer on the set of Seven Days in May. It is unclear if the man is Ellsworth. Perhaps Ellsworth is the man standing by the door. There are two other images of Ellsworth, but he is white in both of them.

Ellsworth's two entries among my best 1001 are Invasion of the Body Snatchers and Seven Days in May.

[timthemovieman]

Seven Days in May

Directed by John Frankenheimer

Photographed by Ellsworth Fredericks

[joseph-blake-smith-arkansas]

Joseph Blake Smith Arkansas | Influences of Hard Edge Painting

The term “hard-edge painting” refers to an oil painting method that uses a variety of painting techniques. It is as associated with several movements.

Four Abstract Classicists

Hard-edge painting is not so much a movement in and of itself as it is a trend that was first noticed by many artists who banded together to hold an exhibition of this art form in 1959 at the Los Angeles County Museum of Art called “Four Abstract Classicists.” The hard-edge painting was developed as a reaction to some of the forms of Abstract Expressionism. John McLaughlin, Karl Benjamin, Lorser Feitelson, and Frederick Hammersley were the artists who took part in this exhibition.

Joseph Blake Smith Arkansas British curator and critic, gave the exhibition the additional name “California Hard-edge” when it later traveled to Great Britain. Peter Selz and Los Angeles Times art critic Jules Langsner, were instrumental in bringing them together. Artists for the first representative exhibition of this kind of painting actually invented the phrase “hard-edge painting” in 1959.

Before that exemplary exhibition, American artists Josef Albers (1888–1966), a Bauhaus artist who start his series of oil paintings at Asheville, North Carolina’s Black Mountain College in 1949, and Ellsworth Kelly’s 1949 piece from his Private Collection, “Window, Museum of Art, Paris,” are credit with creating hard-edge paintings. Another early illustration is “Counter-Composition V” (1924) by Dutch painter and De Stijl movement pioneer Theo van Doesburg (1883–1931).

PROS AND CONS

Advantages of REACTIVATION:

Once traditional acrylic paint is dry, unlike watercolors (another water-based paint), it stays on the support. This facilitates painting additional layers on top of existing ones.

Cons:

 The paint cannot remove or change after it has dried.

2. Advantages of DURABILITY:

 It seems that contemporary acrylic paint is more malleable and long-lasting than oil paints.

Cons:

 Contemporary acrylic paint is more recent than classic acrylic paint. Although efforts are made to demonstrate their lifespan, nothing can be conclusively demonstrated until enough time has passed.....

For More

[yeuxxsansvisage]

Invasion of the Body Snatchers, 1956. Don Siegel. Ellsworth Fredericks.

[screamscenepodcast]

They're here! And you're next!! Your deadicated hosts enter 1956 with INVASION OF THE BODY SNATCHERS from director Don Siegel and producer Walter Wanger, based on the Jack Finney novel.

The film is often viewed with a Cold War, Red Scare lens, but is it really Communism we're supposed to be afraid of?

Context setting 00:00; Synopsis 43:38; Discussion 1:00:33; Ranking 1:35:49

[tvln]

the power (us, haskin 68)

[facesofcinema]

Invasion of the Body Snatchers (1956)

[lostprofile]

HELEN LUNDEBERG

Unlike her husband, Lorser Feitelson, California hard-edged painter Helen Lundeberg remained committed to figural representation throughout her career. The contours of the analog world remain clearly visible, although they have been subjected to extreme methods of abstraction.

More on Helen Lundeberg

[sesiondemadrugada]

Invasion of the Body Snatchers (Don Siegel, 1956).

[seattlemysterybooks]

ebay

March 29th, 1930 issue

cover art by John A. Coughlin

Christopher B. Booth, “Bad Blood”

N.D. Marbaker, “Emergency Murder”

Paul Ellsworth Triem, “The Iron Hand”

Albert William Stone, “Bitter Oranges”

Ernest M. Poare, “Timely Torture”

Frederick Ames Coates, “Oiled Disaster”

Alex Barber, “The Symbol of Sin”

Leslie Gordon Barnard, “Doctor! Doctor!”

Seattle Mystery Bookshop

[spiderandthesims]

1880s Names

A

Boys

Abel, Abraham, Adam, Addison, Adelbert, Alexander, Alfred, Aloysius, Alphonse, Ambrose, Amos, Anderson, Andrew, Angus, Anthony, Anton, Archibald, Art, Arthur, Aubrey, August, Augustine, Augustus, Avery

Girls

Ada, Adelaide, Adele, Adeline, Agatha, Agnes, Alice, Alma, Almeda, Alta, Anastasia, Angeline, Anna, Annabelle, Anne, Arizona, Augusta, Augustine, Aurelia, Aurora

B

Boys

Barney, Benjamin, Bennett, Bernard, Bishop, Bradford

Girls

Beatrice, Bernadette, Bess, Bessie, Beulah, Birdie

C

Boys

Carlton, Carson, Casper, Cassius, Cecil, Charles, Chauncey, Chester, Christian, Christopher, Clarence, Claude, Clement, Clifford, Coleman, Conrad, Cornelius, Curtis

Girls

Camille, Caroline, Catherine, Cecilia, Celestia, Celestine, Celia, Charity, Charlotte, Christine, Claire, Clara, Clarice, Claudia, Clementine, Conception, Constance, Corda, Cordelia, Cornelia

D

Boys

Dallas, Daniel, Darius, David, Dennis, Dewitt, Dorsey, Douglas, Dudley, Dwight

Girls

Daisy, Delia, Della, Delphia, Docia, Dollie, Dolly, Dolores, Dora, Dorcas, Doris, Dorothy, Dove, Dovie, Drucilla

E

Boys

Early, Edmond, Edward, Edwin, Eldridge, Eli, Elias, Elijah, Elliott, Ellis, Ellsworth, Elmer, Elton, Elwood, Emerson, Emery, Emil, Emmett, Enoch, Ephraim, Erasmus, Erastus ,Eric, Ernest, Ervin, Erwin, Eugene, Everett, Ezra

Girls

Edith, Edmonia, Effie, Elaine, Elda, Eldora, Eleanor, Elise, Eliza, Elizabeth, Ella, Elma, Elnora, Eloise, Elsa, Elsie, Emily, Emma, Emmaline, Era, Erma, Erna, Ernestine, Essie, Esta, Estella, Estelle, Esther, Ethel, Ethelyn, Etta, Eudora, Eugenia, Eula, Eulalia, Eunice, Euphemia

F

Boys

Felix, Ferdinand, Francis, Franklin, Frederick, Fredrick

Girls

Fanny, Fay, Felicia, Fern, Fidelia, Flora, Florence, Florida, Francis

G

Boys

Gabriel, Garrett, General, George, Gideon, Giles, Golden, Gregory

Girls

Geneva, Genevieve, Georgia, Georgie, Goldie, Grace, Gwendolyn

H

Boys

Harmon, Harold, Harris, Harrison, Henry, Hollis, Homer, Horace, Howard, Howard, Howell, Hugo

Girls

Harriett, Hattie, Henrietta, Hester, Honora, Hope, Hortense

I

Boys

Irving

Girls

Imogene, Indiana, Iona, Iris, Isadora

J

Boys

Jack, Jackson, Jacob, James, Jasper, Jeremiah, John, Jonathan, Joseph, Josiah, Judson, Jules, Julian, Junius

Girls

Jane, Josephine, Judith, Julia, Julie, Juliet, June

K

Boys

Kenneth

Girls

Kathleen

L

Boys

Lawrence, Lawson, Leander, Leonard, Lewis, Lionel, Logan, Lucien, Lucius, Luther, Lyman

Girls

Lacy, Lillian, Lilly, Louise, Lucia, Lucille, Lucinda, Lucretia, Lucy

M

Boys

Major, Malcolm, Marcus, Marshall, Martin, Mason, Mathias, Matthew, Maurice, Maxwell, Michael, Miles, Milo, Milton, Monroe, Morgan, Mortimer

Girls

Mabel, Madeline, Magnolia, Marie, Mary, Matilda, Maude, May, Melinda, Mildred, Millicent, Millie, Minerva, Minnie, Miriam, Missouri, Mollie, Mona

N

Boys

Nathan, Nathaniel, Neil, Nelson, Newton, Nicholas, Noah, Noel, Norman, Norris

Girls

Netta, Nettie, Nevada, Nona, Nora, Norah, Norma

O

Boys

Oliver, Oren, Orson, Otis, Otto, Owen

Girls

Odelia, Odessa, Ola, Olive, Ona, Opal, Ophelia, Ora, Orpha, Ottilie

P

Boys

Patrick, Percival, Percy, Peter, Phillip, Pierce, Pleasant

Girls

Pansy, Parthenia, Patience, Pearl, Penelope, Permelia, Philomena, Phoebe, Polly, Priscilla, Prudence

Q

Boys

Quincy

R

Boys

Raymond, Richard, Richmond, Robert, Rodney, Roger, Ross

Girls

Rita, Rosalie, Rose, Rowena, Ruby, Ruth

S

Boys

Samuel, Seymore, Sidney, Silas, Simon, Solomon, Stanley, Stephan, Sterling, Stewart, Sylvester

Girls

Samantha, Sophronia

T

Boys

Thaddeus, Theodore, Thomas, Thorton, Tillman, Timothy, Tobias, Truman

Girls

Tennessee, Thelma, Theodora, Theodosia, Theresa, Tillie

U

Boys

Ulysses

Girls

Una

V

Boys

Valentine, Vernon, Victor, Vincent, Virgil

Girls

Vera, Verona, Vesta, Victoria, Viola, Violet, Virginia, Vivian

W

Boys

Walker, Wallace, Walter, Warren, Watson, Webster, Wesley, Wilber, Wilbert, Wilbur, Wiley, Wilfred, Willam, Willard, William, Wilson, Winfield

Girls

Wilda, Wilhelmina, Wilma, Winifred, Winnifred, Winona

Z

Girls

Zella, Zora

[howardhawkshollywoodannex]

Tarzan and His Mate (1934) was photographed by Charles G Clarke and Clyde De Vinna.  Charles was born in Potter Valley, California and had 148 cinematography credits from The Son of Tarzan in 1920 to three episodes of Arnie (1970-71).  His other film among the best 1,001 is Viva Villa,  Two of his best known films are Mutiny on the Bounty (1934) and Miracle on 34th St.

Clyde was born in Sedalia, Missouri and had 112 cinematography credits from 1915 to four episodes of The Roy Rogers Show (1951-53).  Clyde won the first cinematography Oscar for White Shadows in the South Seas (1928).  His other film among the best 1,001 is Tarzan the Ape Man. 

One of the four other camera operators was Ellsworth Fredericks, the first black cinematographer in Hollywood.  His first credit was as assistant cameraman on The Dawn Patrol (1930) with Howard Hawks, and his last as cinematographer was in 1969.  Ellsworth was Oscar nominated in 1959 for Sayonara.  There is no mention of his being African-American in his imdb entry, and there is only one image from a goggle image search

http://howardhawkshollywoodannex.tumblr.com/post/63619756031/director-john-frankenheimer-and-director-of

[ellsworth-kelly]

White Curve, Ellsworth Kelly, 2009, Art Institute of Chicago: Contemporary Art

Commissioned by The Art Institute of Chicago in honor of James N. Wood, President and Director, 1980–2004. Charles H. and Mary F.S. Worcester Collection Fund; Emily Rauh Pulitzer; Frederick W. Renshaw Acquisition, Mary and Leigh Block Endowment, and Ada Turnbull Hertle funds; Wirt D. Walker Trust; Joseph Shapiro, Helen A. Regenstein Endowment, Marian and Samuel Klasstorner, and Gladys N. Anderson funds; Getty Foundation, Mr. and Mrs. Charles C. Haffner III, Mr. and Mrs. David C. Hilliard, and Susan and Lewis Manilow; anonymous gift; Mr. and Mrs. John H. Bryan, Stuart D. and Nancie Mishlove, Julius Lewis and the Rhoades Foundation, Margot and Thomas Pritzker, Burt and Anne Kaplan, Frances Dittmer, Marilynn B. Alsdorf, and Mr. and Mrs. Maurice F. Fulton; Robert Allerton Income Purchase and Director's funds; Claire and Gordon Prussian, and Nancy A. Lauter McDougal and Alfred L. McDougal; Capital Campaign General Acquisitions Endowment; Polk Bros. Foundation; Marjorie and Louis B. Susman, Patricia A. Woodworth, Mrs. Robert B. Mayer, Mrs. Jetta N. Jones, and Mr. and Mrs. Gordon I. Segal. Size: 14 × 54 × 3 feet (4.3 × 16.5 × .08 m) Medium: Painted aluminum

https://www.artic.edu/artworks/196430/