#emeraldfennell

[lilymarch]

oliver quick really said eat the rich despite being comfortably middle class himself and I mean I have to respect that.

[unblogparaloschicos]

Cine: Saltburn (2023)

El año es 2006. El carismático Felix Catton es el imán que atrae todas las miradas durante su paso por la Universidad de Oxford, y, considerando que el actor que lo interpreta es Jacob Elordi, es perfectamente comprensible. En el otro lado de la popularidad se encuentra Oliver Quick (Barry Keoghan): tímido, inteligente y extraordinariamente educado, pero de presencia imperceptible. Un encuentro fortuito, en el que Oliver lo salva de un compromiso escolar, los convierte en amigos. Tras confirmarle la muerte de su padre, Catton se conmueve por el suceso y le invita a pasar un verano en su imponente residencia de verano, que lleva el nombre de Saltburn.

Allí se topa con un universo de personajes que parece salido de una película de Wes Anderson: un mayordomo severo y con poca paciencia (Paul Rhys), los padres aristócratas de Felix (Lady Elspeth, en la piel de Rosamund Pike, y Sir James Catton, interpretado por Richard E. Grant), su hermana Venetia (Alison Oliver), la amiga de Elspeth, Pamela (Carey Mulligan) y Farleigh, primo de Felix (Archie Madekwe). Todos con una perspectiva frívola e incluso desalmada sobre los acontecimientos que la familia irá afrontando. Oliver, aunque parece un pez fuera del agua, recibe el respeto de casi toda la parentela.

La obsesión del protagonista con su nuevo amigo y anfitrión es narrada con una fotografía prodigiosa y un ritmo vivaz que elude todo aburrimiento. Es cierto que el metraje incluye escenas, por decirlo de una manera suave, "polémicas", pero la dirección de Emerald Fennell, también autora y productora (rol que también ejerce la actriz Margot Robbie) dota de gran belleza visual, utilizando frecuentemente una simetría que fascinaría a Stanley Kubrick, un cuento salvaje y audaz.

[fashiongrunge]

🎙️[new podcast episode ] BONUS: Oh we burning…Saltburn (2023) [Patreon Unlocked]🧂🔥 

Apple: https://apple.co/3H0Q1oZ

Spotify: https://spoti.fi/4aAnog3

Well, we're here. Yes I had to talk about Saltburn, the recent release by Emerald Fennell. I can't remember a time where I've seen a film twice in the theater within a week. There was just something that grabbed me from the first trailer viewing that I knew I had to see this in the theater. 

Because I haven't shut up about it over the past two weeks I had to enlist both Charles and Mikey that I saw it with on two different occasions for this special episode. We talk about some crazy story points, the wild reactions to several scenes, and how I now worship at the altar of Barry Keoghan. 

[film-book]

‎

Film Review: SALTBURN (2023): Emerald Fennell's Latest Struggles a Bit to Live Up To Expectations Despite Good Acting https://film-book.com/film-review-saltburn-2023-emerald-fennells-latest-struggles-a-bit-to-live-up-to-expectations-despite-good-acting/?feed_id=95966&_unique_id=65600d4693a5f

[phonemantra-blog]

In a groundbreaking move, prominent British actresses, including Keira Knightley, Cara Delevingne, and Carey Mulligan, have joined forces to address the pervasive issue of harassment and bullying within the U.K.'s entertainment industry. Their efforts, outlined in an open letter, underscore the urgent need for systemic change and the establishment of an independent watchdog to ensure accountability and promote a safe working environment for all professionals. British Stars Advocate The Call for Action Uniting Against Harassment Knightley, Delevingne, Mulligan, along with Rebecca Ferguson, Naomie Harris, and Emerald Fennell, are among the vocal advocates demanding a crackdown on bullying and sexual harassment in the entertainment sector. Their collective call for action highlights the widespread nature of these issues and the pressing need for decisive measures to address them. Demands for Accountability The group, representing a larger coalition of 25 industry figures, has urged creative organizations to support the funding of a new watchdog, the Creative Industry Independent Standards Authority (Ciisa). This independent body would be tasked with investigating complaints across various entertainment sectors, including music, film, TV, and theater. The Importance of Ciisa Ensuring Fairness and Transparency The open letter emphasizes the necessity of an external body, such as Ciisa, to provide impartial mediation and accountability for misconduct within the industry. It highlights the lack of existing mechanisms for addressing grievances and underscores the critical role Ciisa would play in promoting fairness and transparency. A Collective Effort for Change Time's Up U.K., a leading advocacy group, has championed the establishment of Ciisa since 2021, rallying support from industry stakeholders and government officials. Despite challenges in securing funding, the initiative has garnered backing from major broadcasters, including ITV, the BBC, and Sky, signaling a collective commitment to driving meaningful change. Voices of Support Acknowledging the Need for Reform Actress Ruth Wilson, known for her roles in "The Affair" and "Luther," has voiced strong support for Ciisa, describing it as "invaluable" in addressing misconduct and promoting accountability. Her sentiments echo those of BBC boss Tim Davie, who views Ciisa as a transformative force for creating a safer and more inclusive industry. Highlighting Ongoing Challenges Recent research by Bectu has shed light on the prevalence of harassment within the entertainment sector, with 92 percent of surveyed professionals reporting firsthand experiences of bullying or harassment. Despite high-profile allegations, such as those against Russell Brand, efforts to address these issues have yielded limited results, underscoring the need for comprehensive reform. The Path Forward Building a Safer Environment The establishment of Ciisa represents a significant step toward fostering a culture of respect and accountability within the entertainment industry. By providing avenues for reporting and addressing misconduct, Ciisa aims to create a safer and more supportive environment for all professionals. Continued Advocacy and Collaboration Moving forward, sustained advocacy and collaboration will be essential in driving meaningful change and ensuring the effective implementation of Ciisa. As industry stakeholders unite in support of this initiative, the path toward a more equitable and inclusive entertainment sector becomes increasingly attainable.

[donnemoilemonde]

[blackspell]

Una Donna Promettente (2020)

https://mubi.com/ Una “Donna Promettente” è un film del 2020 scritto e coprodotto da Emerald Fennel che è al suo debutto alla regia. Il film ha come protagonista Carey Mulligan e incorpora numerosi generi come la commedia nera, film femminista di stupro e vendetta e il thriller vigilante. Il film ha vinto come miglior sceneggiatura originale alla 93^ Academy Awards con ulteriori candidature al…

[artbychelcie]

Murder on the Dancefloor: The Chokehold of Oliver Quick

'Saltburn' has catapulted leading actor Barry Keoghan into our daydreams, revitalised music careers stagnant since 2007, and ensured we never look at a bathtub the same way ever again. It's delicious darkness has amassed a huge audience, some revelling in its lurid glory and others questioning what the f*** they just watched. There’s so much to say about this film, so many parallels and Easter eggs that tickle the brain notice - for today, I’m focusing on why Oliver Quick intrigued me the most.

As a devoted horror fan, some of the more controversial scenes served to stimulate rather than disturb… The vampire scene? That's just an average Tuesday night for some. The grave scene? Nothing compared to the visual impact Patrick Bateman’s hobbies. But what did succeed to unnerve me was the turning point of the film, when Felix suprised Oliver with a trip home for his birthday. You watch with stunned panic as she says his dad has been pacing all day waiting for him - in real time the web was unravelled and Oliver's traumatic background was quickly proven to be a façade. For me this scene positioned the 'real' Oliver to the audience, realising the person we thought we knew isn’t real at the same time his friend does. And this is where my interest peaked. For me, this film suddenly turned from a critique of the upper class, to a mythological study of a sociopath, and the subsequent events demonstrate how someone with an apathetic disposition could easily infiltrate and dominate a household of such wealth and status.

On a second watch, I couldn't help but laugh at Felix's naiveity as he pulled into the driveway of this enormous house, and noted that it looked as though his mother 'had really turned things around'. Anyone watching this would immediately question how someone allegedly suffering with severe mental illness and drug abuse issues manages to, in the space of less than 6 months, become the owner of a property of that scale. This small observation highlights just how out of touch Felix is anyone outside of his social class, and how Felix's pity towards Oliver, be it through kindness or ego or a convenient blend of the two, blinded him to the manipulation.

Another incredibly successful aspect of the film is the iconic soundtrack. It has brought some early 2000 musical classics back into the spotlight (we all know the best one) and I can admit I have listened to 'Loneliness' more times in the past two weeks than ever in my 26 years of life. The soubdtrack embodies the nostalgic and romanticised qualities of the film, set in 2006 before smartphones dictated every aspect of daily life, especially as a fresher. I may have been only 10 when Oliver Quick started university, it still made me long for the simplicity of this era of my life, when getting to know another person was fundamentally down to face to face interaction.

The choice to turn back time to the mid 2000s contributes to maintaining the mystery of Oliver's identity, depriving the characters of the ability stalk his social media profiles and forcing them to take his personality at face value. His manipulation, and eventual dismantling of the Catton family, was arguably possible through his ability to present himself without the hinderance of a digital footprint. There was no evidence available to anyone in Oliver's immediate circle of the sisters we found out he had, of the father that had infact not died, nor been an alcoholic drug dealer. So why did he lie?

In analysis I've seen online, many people contribute his deception to a need to be noticed by Felix, or in Oliver's own words, to 'perform' for his attention and friendship.

Revisiting the film, I picked up on certain phrases Oliver used to describe his home life, describing it as 'dirty' and proclaiming he could 'never go back'. To us, this sounds like the way you would describe his chaotic home life he described. But when the reveal comes, you can’t help but question why he’s adamant to distance himself from a seemingly stable, and privileged background.

During the scene, his parents also mention how he is the top scholar at Oxford, a member of the rowing team, participating in the school play... his chronic deception extends beyond the Catton family to his own. They also share with Felix that he was 'such a loner' and was 'so clever' that he struggled to make friends, both earmark characteristics of someone with sociopathic tendencies. This illustrates an individual who has never been satisfied, who always saw himself as superior, and who's fixation with Felix was just a desire to climb up and out of all the menial and average and into a position of absolute control.

The grandiose and self-absorbed lifestyle of the Saltburn estate allowed for someone like Oliver, whatever his original or developed intentions, to blend in without being truly seen until, both before and after death came knocking. The need to stifle emotional expression (We don't want to hear your American feelings, Farleigh!) and the uncomfortable obligation to uphold the British sentiment to 'Keep Calm and Carry On' gave him an invisibility cloak, blending in with his surroundings. It reframed Oliver's awkward disposition as one of politeness, and his manipulative sexual deviancy was guarded by members of the household behind a wall of upper class social etiquette.

I can safely say I have fallen into the deliciously depraved world of Saltburn, so much so I’ve felt like I had to write this. I love experiencing and analysing media, but this one really had me captivated. This is a maze will happily lose myself for weeks to come, especially when it comes to the complex and captivating portrayal of Oliver Quick - I would definetly sign my estate over to that beautiful crazy bastard.

[sssm68]

Crítica de la salvaje Saltburn (2023) en http://www.portalarlequin.com.ar/saltburn/

[saltburnupdates]

emeraldfennell: Elordi vs. Elordi vs. Minotaur height check

Jacob Elordi on the set of Saltburn 🧂🔥

[paulsalfen]

So much happened during this awards season that I didn’t even get to post most of it. Some films fell off the radar and some rose up. Either way, now that Saltburn has been shocking the general public, it makes me think about that party with Barry Keoghan and Emerald Fennell in Beverly Hills that was one of those memorable wild parties that kept going. Gotta love Hollywood…I left there with only a rock. I feel like Charlie Brown at Halloween. 🎃 #saltburn #barrykeoghan #emeraldfennell #beverlyhills #hollywood #awardsseason #igotarock

[back2backagain]

Felix invites Oliver home to #saltburn for the vacation where soon there are a series of horrifying events. Stellar casting and performances #amazonprime #barrykeoghan #jacobelordi #rosamindpike #alisonoliver #archiemadekwe #richardegrant #emeraldfennell #metrogoldwynmayer

[brennerrama]

MOVIE QUOTE OF THE DAY:

“May I be permitted to close the curtains, sir? The coroner is outside and they need to pass the window.”

Paul Rhys in Saltburn

#Saltburn #EmeraldFennell #PaulRys #Moviequotes #MovieQuoteOfTheDay

[adamwatchesmovies]

Promising Young Woman (2020)

The "rape-revenge" formula can be "fun" in a cathartic way but hasn’t it always felt like something was missing? Promising Young Woman gives us the movie we've been craving, and more. Emerald Fennell’s directorial debut is a game-changer.

In college, Nina Fisher was raped. Now, her best friend Cassie Thomas (Carey Mulligan) pretends to be drunk at clubs, waiting for men to take advantage of her. After she teaches them a lesson they won’t forget, their names are put in her diary but one man still eludes her: Al Monroe.

For what he did, Al Monroe is a terrible person. The circumstances, how much time has passed don't matter. When the justice system fails this spectacularly, it's clear society is complicit. Cassie is willing to roll up her sleeves and make the change happen, one pervert at a time. You're on board but once she goes for her ultimate target, things get dicier. If it were solely about him, it’d be one thing but Cassie wants to take down EVERYONE, including the women she feels didn’t do enough at the time. She goes to cruel, manipulative extremes. You’ll wonder if the real villain of the film isn’t our protagonist.

This is a dark but sensitive film. There is no nudity, the rape is never shown. You feel exhilarated as Cassie embarks on her nightly campaign but revenge isn't glamourized the way you’d expect it. Vengeance has ruined her life. She’s a 30-year-old medical school dropout living with her parents, working at a crappy coffee shop. She has no friends and nothing to do except prey on the lowest of low lives. It’s only a matter of time before her crusade goes too far. And for what? Even if she finds Al Monroe, ruins his career, destroys his reputation, gets everyone to disown him, keeps him in a cage until he gives up all hopes of escape, castrates him, and then tortures him to death for 10 years… it won’t bring Nina back. It won’t bring Cassie’s life back either.

Emerald Fennell repeatedly confronts you with moral ambiguity. Then, she dangles a carrot. Cassie begins dating a former classmate, Ryan Cooper (Bo Burnham). Carey Mulligan is amazing throughout. You sense the swirling emotions beneath her acidic exterior but you’re never able to predict what she will do next. She’s funny, tragic, scary, and has terrific chemistry with Burnham. It's a glimpse of what life might be like if she just let go of her anger, but is it too late?

Promising Young Woman gives you far too much to unpack in just one sitting. We’re shown how you don’t have to participate in sexual assault to be complicit. Failing to intervene, making excuses, giving someone the benefit of the doubt “just because” or simply doubting might make you even worse than “nice guys”. Its conclusion is unexpected and bold. The contrasting messages about revenge are brought together magnificently. It’s frequently uncomfortable and confrontational; a movie for right now that also applies to every era in the past. It’s the best movie of the year because it’s as safe as a black-out-drunk woman at a club. (April 30, 2021)

[inoahbear]

Kathryn Bigelow is still the only woman to take home Best Director (The Hurt Locker). There's a chance she'll be joined this year by either Emerald Fennell (for “Promising Young Woman”) or Chloé Zhao (for “Nomadland”)

[blackspell]

Analisi Simbolica di "Saltburn"

https://www.harpersbazaar.com/ UN MONDO TRA SESSO E SANGUE “Saltburn” è una maestria d’intrecci che danno spessore nella gran parte del film ed è il secondo film di Emerald Fennel, dopo “Una Donna Promettente”, “Saltburn” scava nel profondo dell’animo umano spaziandosi tra vari generi letterari da “Dracula” di Bram Stocker/Francis Ford Coppola a Shakespeare con “Una Notta di Mezza…