THESE ARE ATTACK EYEBROWS!
alrightalright new Doctor new Season and also confession that I cannot help comparing where I'm at with the M*ffat run with the new special and the Classic!Who I'm watching, which is perhaps unfair, but then maybe my guy should stop putting out overlong needlessly complicated Stuff
However consider: Peter Capaldi!
sexism rank objectification (female character is ogled/harassed/turned into a sex joke by the doctor and/or a lead we’re supposed to root for and/or the camera): 5/10
sexism rank plot-point (lead female character is only there to serve plot, not to have her emotional interiority explored, or given agency to her emotional interiority): 6/10
interesting complex or pointlessly complex (does the complexity serve the narrative or does it just serve to be confusing as a stand-in for smart, this includes visually): 2/10
furthers character and/or lore and/or plot development (broader question that ties into the previous ones, at least two of these, ideally three should be fulfilled): 8/10
companion matters (the companion doesn’t always have to be there, but if the companion is there, can they function without the doctor– and overall per season how often is the companion the focus or POV of the story): 3/10
the doctor is more than just “godlike” (examines the doctor’s flaws and limitations, doesn’t solve a plot by having it revolve entirely around the doctor’s existence): 8/10
doesn’t look down on previous doctor who (by erasing or mocking its importance, by redoing and “bettering” previous beloved plotpoints or characters, etc.): 6/10
isn’t trying to insert hamfisted sexiness (m*ffat famously talked a lot about how dw should be sexier multiple times, he sucks at writing it): 4/10
internal world has consistency (characters have backgrounds, feel rooted in a place with other people, generally feel like they have Lives): 5/10
Politics (how conservative is the story): 6/10
FULL RATING: 53/100 (if I can count….)
Alright alright, let's get this party going!
OBJECTIFICATION: this episode has one of my least favourite scenes of the whole of Doctor Who, because not only is it sexism, it's male gaze via lesbians, in which M*ffat really really sucks at portraying lesbianism that isn't partly a straight man's fantasy and partly weirdly het... the scene is of course when Vastra has Jenny posing in her corsetry... undergarments? idk what clothes are called, apologies, and Jenny thinks she's being painted, when actually Vastra just wanted to look at her being (uncomfortable) pretty while she was doing the important brainy work
she then dismisses Jenny's complaints about why in the world she's been posing for so long with telling her how she brightens up the room and that it's for "art" -- we'll get more into their dynamic in a biiit
PLOT-POINT: Clara is ostensibly the point of this episode -- new Doctor, new face, and she's unsure how to feel about it, because apparently she really fancied Eleven's pubescent charm. This reminds me of The Christmas Invasion in which Rose has a similar journey of figuring out how she feels about the new Doctor, except of course that Rose's internal and external life is a big focus of early Doctor Who, and she also had no idea that the Doctor could just explode and become a totally new body
also the Doctor was unconscious for a lot of it, and the question of what was going on + when you track the timeline the poor girl probably hadn't slept for a million years properly aside from fainting after having the Time Vortex in her head... she's going through it, we're seeing the journey, there's big aliens fucking about, she's stressed! it's all about relearning that trust and a new relationship, and while there's a subtext of romance, it's not pushed at you, so much as this was something deeply important and now it's been unsteadied unexpectedly
Clara's journey by contrast is one in which we met her family for the first time properly-ish an episode ago, most of her arc in her first season was being a mystery, her "fancying" the Doctor was likewise introduced in the previous episode, and crucially... she already knows the Doctor regenerates, because as per M*ffat's own writing she's literally seen all the previous faces (also Capaldi is objectively hotter than Smith, so jot that down, but I can forgive that, personal taste and all that)
there's also a whole weird little "test" scene between Vastra and Jenny that's ostensibly about tolerance but does that common M*ffat thing of having some good lines out of context that aren't really properly about what's happening right now. do I really like the idea of the Doctor as young in order to fit in/be accepted? unclear, need to think about it a bit, but maaaybe, considering how I read Eleven, who perhaps gets away with being a bit fucked up by Appearing Young, versus Twelve who's immediately got everyone going ahhh what is wrong with you bestie????
but it's muddily mixed in with the whole fancying thing + Vastra thinking Clara is hot or whatever, it's all... me not liking a lot of Vastra's dialogue generally, which feels like M*ffat trying so hard to be deep and mysterious (the one word test from last season as well)
there ARE a couple of things I like, in that I do want Clara and Twelve to reassess where they stand with each other, and I kind of like Twelve being a mess that's abandoning her because he has no idea what his emotions are doing or who he really is or what's going on... especially that last scene of Twelve having a little stuttery sorry, that works for me, look at this weird alien grandpa that speaks like a child at times, what do you feel about that Clara?
the build-up is... rocky, especially everything with Clara opposite Vastra, the latter of whom mainly seems to exist to extol the Doctor's godlike virtues and bully her wife/maid and sound clever
I ALSO like when Clara is facing the bad guy and is clearly very scared but still trying. I liked that from s7b Clara, who was often very openly scared, but still tried
COMPLEXITY: the problem with this episode is that it could be a standard 48mins easily and be better for it. there's nothing technically wrong with it, but there was no need for a dinosaur, no real need for a lot of the dialogue, and many scenes could have been trimmed
also after several episodes that are Quite Long that don't need to be, I'm beginning to grow tired of it. thank goodness we're heading into average episodes again at last
CHARACTERS/LORE/PLOT: I mean, new Doctor. it's mainly the Doctor that's got some stuff going on, but again the last scene. reminiscent of End Of The World (chips? coffee and chips? I haven't got any money)
there's also a new character who's arrived... and it's The Master! and yes, she's got a bit of that M*ffat DNA, but man Michelle Gomez is so good, so so so good! Scottish Bastard Aliens let's do this!
COMPANIONS MATTER: Clara kiiind of... so she doesn't necessarily do much, but there is that... thing. of her figuring out where she stand with this new Doctor, and that's quite important
the Paternoster gang do more actiony-based things and it's... I mean, fine, I guess. they're not companions, and they're mostly more sci-fi elements to all of the plot, rather than what A Person can do
“GODLIKE” DOCTOR: I will say that Capaldi is instantly more workable for me. even some of the stupid hangovers in dialogue from the Matt Smith era flow better with him. I don't like the whole monologue at the dinosaur, it's pointless and this episode is an hour and 15mins (this fuckn dinosaur), and the Doctor designating humans as "pudding brains" for ages and the general dismissive "I'm so smart, you're so stupid" attitude... well I can buy it a little easier from Capaldi. also I know that Capaldi's Doctor eventually tones that down and I mean... it's giving Grumpy Old Man rather than Petulant Child
there's meaning, there's point, the Doctor feels more grounded than before. speaking of grounded, I like that the Doctor isn't all-powerful. a lot of this is surviving a bit on your wits, staying one step ahead, and there's also the bit at the end where we don't know if roboboy jumped or was pushed... it's perhaps controversial as choice, but I'm going to sit on it a bit more, especially with the tone this era has inherited of a more Alien Doctor that is trying to reground themself and their values
PREVIOUS DOCTOR WHO: uuuuum so the thing here is that these droids are basically the same as the ones from Girl In The Fireplace. now, regardless of how one feels about some of the thematic handling of that episode, and the Thing M*ffat was showing early on of a preference for writing about "Important Monarch-Related People" and other such things, the droids were really fucking cool in my opinion, and the plot of them getting shit wrong in their brains and causing a massive disruption in one person's life, fascinating
it's a great One Off Idea
but we all know M*ffat's no good at One Offs so here we are doing a slightly worse version of it. M*ffat this is your own episode you're referencing, why are you beating this horse? (like the time M*ffat insisted on an actual horse jumping through a mirror even though it was very stupid and people told him to please drop it... oh wait, that was Girl In The Fireplace....)
“SEXINESS”: okay well aforementioned "art" scene I think is a lot of the Thing that irks me about the writing of Vastra and Jenny, where I wish I liked them more, but I cannot stop seeing the way they're written as an unexplored power-dynamic -- rich vs working class, powerful alien "simple" human, Sherlock Holmes genius rich type and simple maid (who, granted, sometimes gets to beat people up, we like the action stuff, even if I'm not a fan of the sexy leather and I feel like a traitor writing that M*ffat! you've made me dislike sexy leather lesbianism in something how?????), and while all of this is occasionally pointed to, it's only ever as a joke
this includes things like Vastra flirting with (at?) Clara in front of Jenny, when they're ostensibly a monogamous couple and Jenny isn't happy about it, or Jenny pointing out that it's weird she's "pretending" at being a maid in private and being brushed off
INTERNAL WORLD: it's Victorian London, but it's the "these kinds of episodes" Victorian London, which has never felt like much other than a bit of a backdrop. we're not really exploring Victorian London, it's just where the Paternoster gang happens to be and so we get big dresses and hats
also a big Dinosaur is there and that's unimportant and doesn't change things I suppose
POLITICS: it's so... there. as an episode. so not a lot of politics, but how does it write lesbians? eh, not the most horrible thing I've seen -- I genuinely like the acting of the characters and we do get one big ol' kiss this episode (scifi vibes, but this is a scifi show), which is framed reeelatively romantically -- we did have Jenny dying in the Name Of The Doctor and Vastra having many emotions about it (just remembered how her being emotional about her partner dying was an invite to getting harassed for being too emotional and silly just like a womaaaan) (I also still think about how Jenny still calls her Ma'am for some reason... like yeah, that could be a hot prolonged roleplay, but it definitely isn't, except for the way it is because of the guy writing it knowing that it doesn't make sense but it's kind of a hot prolonged roleplay... does that make sense, idk)
we're in Victorian London, some robots are stealing peoples bodies and it's not about anything really
also we had a baffling line from Vastra espousing her fighting the bad guys as "for the British Empire"???? what does she care about that???
(also Clara says they should call the police more often, which is kind of a joke, but also no you shouldn't)
FULL RATING: 53/100 (if I can count….)
the worst thing about this episode is actually that its story does not justify the runtime. it is so long and it is so average
Peter Capaldi is a wonderful wonderful actor. Michelle Gomez is immediately great: "He can be very mean sometimes. Except to me of course, because he loves me so much. I do like his new accent though. Think I might keep it" <- this could have been so eye-rollery, but she makes it work and makes me shiver and knowing this is The Master is sooo 👀👀👀
the story is so-so. Clara is still moooostly under-utilised/underappreciated but with some good moments that will (if I remember correctly) continue to thread through their relationship of Clara not being quite sure about this person, who is clearly a bit on-edge and confused: "The man I hope you are with, believe me he is more scared than anything you can imagine right now. And he needs you"
Clara's place in this story is still constantly buffeted by the wind. the things that do come up "person he knows the best (I guess, comparatively)," and "someone who fancies the Doctor" is kind of the weakest part of that, when actually what's going on is more interesting
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