New to Me - January 2024
New to Me #boardgames - January 2024 @thing12games @white_goblin
@_dailymagic_ @BoardAndDice @Quinedgames @FarOffGames @Zmangames_ @Funforge @Helvetiq @pegasusspiele
It’s the first month of the year!
And it’s also almost the end of February.
Yes, it took so much energy to get my Top 50 games played of all time done, along with getting sick recently, that we’re into the last week of February and I still haven’t talked about the “new to me” games that I played in January!
I know, right?
With OrcaCon in January, I knew that this would be a long post.
I did…
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LUCIENNE EPRON (1876-C. 1940)
EGYPTIAN COFFEE
EGYPTIAN CAFÉ
Watercolor on paper, signed at the bottom right.
Tajan
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Five years after their summer together in Barcelona, Xavier, William, Wendy, Martine and Isabelle reunite.
Credits: TheMovieDb.
Film Cast:
Xavier Rousseau: Romain Duris
Wendy: Kelly Reilly
Martine: Audrey Tautou
Isabelle: Cécile de France
William: Kevin Bishop
Gérard: Olivier Saladin
M. Boubaker: Zinedine Soualem
Natacha: Evguenya Obraztsova
Neus: Irene Montalà
Grand-père: Pierre Gérald
Barbara: Frédérique Bel
L’homme qui veut aller aux toilettes dans le train (uncredited): Cédric Klapisch
Kassia: Aïssa Maïga
Edward: Gary Love
Celia Shelburn: Lucy Gordon
Mère Xavier: Martine Demaret
Platane: Pierre Cassignard
Madame Vanpeteguem: Hélène Médigue
Productrice TV: Carole Franck
Auteur Série: Robert Plagnol
Directeur Série: Nicolas Briançon
Michel Hermann – Editeur: Bernard Haller
Soledad: Cristina Brondo
Alessandro: Federico D’Anna
Tobias: Barnaby Metschurat
Lars: Christian Pagh
Snowboarder: Lannick Gautry
Jean-Édouard: Julien Guéris
Odile: Laura Weissbecker
Caroline – Copine Isa 1: Sophie Barbe
Juliette – Copine Isa 2: Julie Durand
Copine ‘Cogneuse’: Catherine Lebegue
Copine Fête Isabelle: Florence d’Azémar
Nounou Grand-père: Fatiha Cheriguene
Concierge Xavier: Marie-Renée George
Père Natacha: Igor Gusev
Mère Natacha: Yelena Solovyova
Frère Natacha: Aleksandr Karpukhov
Père William: Nicholas Day
Mère William: Amanda Boxer
Copain Celia Moscou: Julien Hans di Capua
Miguel: Jake Canuso
Traductrice Russe: Senia Devine
Chorégraphe Russe: Katrina Vasilieva
Mac Master: Julien Pabion
Journaliste ‘Prune’: Agathe Robilliard
Journaliste Cosmo: Annette Faure
Copine Xavier 1: Anne Steffens
Copine Xavier 2: Stéphanie Ricco
Copine Xavier 3: Isabelle Joly
Lucas: Amin Djakliou
Danceuse de ballet (uncredited): Amanda Jane Manning
Danceuse de ballet (uncredited): Stéphanie Montreux
Livreur (uncredited): Philippe Soucy
La Fille de la Gare (uncredited): Eléonore Stern
Film Crew:
Screenplay: Cédric Klapisch
Producer: Bruno Levy
Producer: Matthew Justice
Executive Producer: Elena Yatsura
Music: Loïc Dury
Editor: Francine Sandberg
Orchestrator: Laurent Levesque
Musician: Christophe Minck
Key Makeup Artist: Judith Gayo
Unit Production Manager: Anne Férignac
First Assistant Director: Kira Sinelshikova
Assistant Costume Designer: Julia Patkos
Digital Colorist: Christine Szymkowiak
Musician: Simon Andrieux
Script Supervisor: Barbara Constantine
Catering: Georges Gautier
Production Accountant: David Kerney
Extras Casting: Jeanne Millet
Makeup Artist: Véronique Nguyen
Set Dresser: Stephanie Guitard
Key Grip: Colin Strachan
Location Manager: Frédéric Vialle
Location Manager: Martin Wady
Assistant Unit Manager: Benjamin Dewaele
Assistant Director Trainee: Samantha Mialet
Second Unit Director: Bertrand Normand
First Assistant Art Direction: Florian Sanson
Art Direction: Tim Stevenson
Assistant Camera: Mounia Lamrani
Musician: Guillaume Dutrieux
Administration: Géraldine Toitot
Second Assistant Art Director: Chloe Leguay
Key Grip: Michel Dechaud
Assistant Camera: Kathy Sebbah
Location Manager: Tony Hood
Musician: Felix Niel
Music: Bruno Epron Mahmoudi
Production Manager: Caroline Levy
Second Assistant Director: Ophélie Gelber
Assistant Director Trainee: Gabriel Levy
Assistant Sound Editor: Sophie Durand
Sound Assistant: Sergey Ekinow
First Assistant Camera: Julian Bucknall
Lighting Technician: Philippe Wegiel
Set Decoration: Shirley Robinson
Compositing Supervisor: Sylvian Fabre
Still Photographer: Jérôme Plon
First Assistant Camera: Galatae Politis
Director of Photography: Dominique Colin
Assistant Unit Manager: Laurent Blu
Unit Production Manager: Antoine Théron
Third Assistant Director: Paul Bennett
Sound: Xavier Prêtre
Digital Intermediate Producer: Sophie Denize
Production Secretary: Séverine Guignard
Costume Design: Anne Schotte
Props: Daniel Ainslie
Sound Recordist: Vincent Laurence
Boom Operator: Jean-François Schenegg
Digital Compositor: Sebastien Dupuis
Casting Assistant: Hermine Poitou
Executive Music Producer: Monte Christo
Painter: Thierry Poulet
Sound Re-Recording Mixer: ...
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Trailer de la pelicula Au fil des ondes
"En 1948, Francis Bernard, que trabajaba en la radiodifusión francesa, decidió permitir la reconstrucción de un pueblo devastado por la guerra pidiendo a los oyentes que enviaran sus entradas usadas. Epron, en Calvados, fue sorteado. Por ello, muchos artistas y Los presentadores se movilizan a través de varios programas muy populares para motivar a los donantes e informar sobre el progreso del trabajo.
Año: 1951
Duración: 83 min.
Director: Pierre Gautherin
País: Francia
Reparto principal
Charly Bailly ------- Self
Robert Blome ------ Self
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De l’amour, de l’art Quoi d’autre? Exposition du 21 Janvier au 5 février 2023 Vernissage le vendredi 20 des 17h À Plateforme Paris 73 Rue des Haies 75020 Paris Commissariat Laurent Quénéhen Avec : Sarah Barthe, Lina Batov, Myriam Baudin, Nathalie Bibougou, Dominique Chazy, Anne Cindric, Matthieu Crimersmois, Ayako David Kawauchi, Marielle Degioanni, Laure Djourado Kramer, Delphine Epron, Marion Expert, Awa Fijolek, Raziye Ghadimi, Fanny Gosse, Coralie Grandjean, Anthony Gripon, Maria Ibañez Lago, Edith Landau, Cendres Lavy, Layral Sébastien, Sophie Lecomte, Monique Lucas, Hélène Milakis, Tristan Mory, Marie-Christine Mozas, Nancy Caramello, Kim Nezzar, Rosalie Oakman, Muriel Patarroni, Jean-Baptiste Perrot, Eric Pougeau, Sophia Proença, Jeanne Rimbert, Auréline Roy, Céline Turlotte et Jérémy Bindi, Elizabeth Saint-jalmes, Clotilde Salmon, Delphine Sandoz, Vanda Spengler, Magali Suire, Zazoum Tcherev, Yves Tenret, Doina Vieru, Jojo Wang, G.Wen, Sophie Yin. Amours IV Quatrième salon sur le thème de l’amour. A l’instar des salons sur les réseaux sociaux, des liens s’établissent entre les oeuvres, des connexions visuelles et cérébrales. C’est une immersion dans un salon sur l’esthétique de l’amour à Paris en 2023. Beaucoup de femmes artistes sont présentes, peut-être est-ce la reconnaissance d’une féminitude dans l’art, à l’instar de ce que Aimé Césaire évoquait de la négritude ou Jean Dubuffet de l’art brut. L’art est peut être plus du côté féminin, même chez les hommes, comme on n’y trouve pas cette volonté de destruction de l’humain bien réelle et plutôt masculine que l’on constate dans la guerre. Poutine n’est pas un artiste. Hitler a malheureusement très vite compris qu’il n’en était pas un. L’art est une tentative de connexion, de communion, qui va au delà du genre, de l’âge, du niveau social et des frontières et il est aussi imprévisible que l’amour. Quenehen Laurent (à Plateforme Paris) https://www.instagram.com/p/CnTw733robS/?igshid=NGJjMDIxMWI=
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https://jovempan.com.br/programas/os-pingos-nos-is/enquete-os-pingos-nos-is-voce-apoia-a-indicacao-de-ministros-contra-aborto-ao-stf.html https://www.instagram.com/p/Ci3cG-EprON/?igshid=NGJjMDIxMWI=
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epron831
心機一転して改めて作るエプロン1号。
サイジング等、前作のデータ消失の為の手探り。
ただトイレで用を足す、自転車に乗る、靴を履く、それらの行動が難なくこなせる様に丈を短くした。
自転車に乗る事においては、ドロップハンドル下持ちダンシングで坂を登ってはいないのではっきりとは言えないが、太ももが当たりポケットから物が飛び出ることは無かった。距離はサイコンなしなので細かくは分からないが、岡山西署から鬼ノ城迄。長距離走行によるお腹の冷えは軽減する事間違いなし。後ろ手に腰で紐を縛ってはいるが、後ろネックポイントに全ての重さが掛かるので、紐だけの構成はやはり辛かった。首の後ろだけでも共地の三角布に差し替える事は決定。
胸の台形のパーツ上辺が長く余って居るので5cm(両端2.5cmずつ)狭める。
831の身幅はmサイズと華奢なので首の太い人様に2サイズでも良いのかもしれない。
胸の台形のパーツの裏側もポケットに成っていて1stに関してステッチで左右に分けたが、カンガルーポケットにする。そうする事で、A5サイズが入る。
販売価格は、税込¥5000を目指す。
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Il fait bon vivre dans le Calvados
Il fait bon vivre dans le Calvados
Partez à la découverte du Calvados
Un département de la région Normandie où vous pourrez profiter aussi bien des joies de la ville, de la mer, de la campagne, de la forêt.
Culture, patrimoine, gastronomie sont au rendez vous.
Deux villages de la périphérie de Caen font même partie du TOP 5 des villages où il fait bon vivre (voir l’actu ) avec la commune de Martinvast située elle dans le…
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セーラーエプロン 白に青 &サークルタックワンピース/18SS
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Muy pronto volaras ..... #f15 #epron #modelismo #modellismo #pixhawk #ardupilot #arduino #macclifdrone #brushless #kv #lipo #turnigy #hobbyking #cagliari #ideas #proyectos #aviones #laboratotio
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健康エプロン『きれい だいすき! あらいぐま くうちゃん』ラベル製作(メイト)
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Parade of the Diving College EPRON (Expedition for Underwater Special Purpose) in Balaklava. 1930s USSR
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The Chase and Capture of the french Pallas by John Bentham-Dinsale (1927-2008)
In the early morning of 5th February 1800, HMS fairy, a 14- gun brig, was laying at anchor in St Aubyn's Bay, Jersey in company with the 18 gun brig-sloop HMS Harpy. The previous day, the 16-gun cutter HMS Seaflower had been chased by a French frigate, identified as the 38 gun frigate Pallas. After breaking off the chase, the Pallas was seen to put into St Malo. At about 6am, the two British sloops weighed anchor and headed to St Malo, their intentions being to see if the Pallas was still there. At about 11:30, the two British sloops sighted a large ship running along the shore towards Brest, which was quickly identified as being their target. Commander Horton as the senior officer decided to bring the Pallas to action, calculating that between them and especially with HMS Harpy's 32pdr carronades, they should be able to get the better of the large and powerful French frigate. At about 12:20, seeing that there was no chance of bringing the Pallas to action all the time she was so close to the shore, Commander Horton decided to back off and open the range, hoping to entice the Pallas to give chase.
The Frenchman took the bait and began to give chase immediately. At 13:00, the fight started, with both British sloops engaging the big French frigate at pistol-shot range, or about 30 yards. HMS Harpy took up a position astern of the Pallas and raked her through the stern a number of times. At about 15:00, the Frenchman broke off the action headed off under all sail to the north-east. After quickly making running repairs to their damaged rigging, HMS Fairy and HMS Harpy gave chase. At about 15:15, the Pallas sighted two ships dead ahead of her. The ships were soon afterwards sighted by the two British vessels. On sighting the strangers, Commander Horton signalled HMS Harpy to try to take up a position upwind of the French frigate. Having guessed that the strangers were friendly, Commander Horton ordered the signal 'Enemy in Sight' to be hoisted, repeated by HMS Harpy and both sloops began firing signal guns to draw attention to it.
The approaching vessels were soon identified as being the ex-French 18pdr armed 38 gun frigate HMS Loire, the ex-French 32pdr carronade armed 20 gun post-ship HMS Danae and the small ex-French 12pdr carronade-armed 14 gun ship-sloop HMS Railleur. These vessels had been sent from Plymouth on 27th and 28th January with the express purpose of bringing the Pallas to action and capturing her. Realizing he was horribly outgunned, Captain Jacques Epron of the Pallas decided to try to run for Brest, pursued by no less than five enemy vessels. By 22:30, HMS Loire had caught up with the Pallas, which had managed to close with the shore and the cover of a shore battery. Undeterred, HMS Loire began a gunnery duel with the Pallas, despite coming under fire from the shore as well. By 23:00, the sloops had caught up. At about 01:30, HMS Harpy assumed a position under the Pallas' stern and fired in a full broadside. The French had had enough and surrendered. In the Capture of the Pallas, HMS Fairy suffered casualties of four seamen killed, Commander Horton and Mr Hughes, the purser, plus six seamen wounded. The Pallas turned out to be a fine and powerful frigate and was purchased into the Royal Navy as HMS Pique
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Epron Music Theme for WordPress v2.0.0
Epron Music Theme for WordPress v2.0.0
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