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#especially in the middle of the city.
sourpatch-punkin · 10 months
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Me, seeing 1 piece of trash on the ground: bruh
Me, seeing 2 pieces of trash on the ground: BRUH
Me, seeing 3+ pieces of trash on the ground: *goes back and picks up every piece of trash I see even in the middle of the road*
Take care of your planet!!!
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feralboo-the-weirdo · 8 months
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I think my favorite trope in middle grade books is how firmly the narrator manages to convince themselves they're going to have a "normal" anything. (vacation, walk, school year, etc)
Like it's definitely not healthy in any way, but I admire their total commitment to it. like, bud. did you see the cover of this book? the MC tries so hard to have the major plot point not happen so hard, and they never succeed.
feel free to add if you know of more books/MC's that do this, I made a list in the tags, but it's kinda short.
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wonder-worker · 6 months
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Margaret of Anjou’s visit to Coventry [in 1456], which was part of her dower and that of her son, Edward of Lancaster, was much more elaborate. It essentially reasserted Lancastrian power. The presence of Henry and the infant Edward was recognised in the pageantry. The ceremonial route between the Bablake gate and the commercial centre was short, skirting the area controlled by the cathedral priory, but it made up for its brevity with no fewer than fourteen pageants. Since Coventry had an established cycle of mystery plays, there were presumably enough local resources and experience to mount an impressive display; but one John Wetherby was summoned from Leicester to compose verses and stage the scenes. As at Margaret’s coronation the iconography was elaborate, though it built upon earlier developments.
Starting at Bablake gate, next to the Trinity Guild church of St. Michael, Bablake, the party was welcomed with a Tree of Jesse, set up on the gate itself, with the prophets Isaiah and Jeremiah explaining the symbolism. Outside St. Michael’s church the party was greeted by Edward the Confessor and St. John the Evangelist; and proceeding to Smithford Street, they found on the conduit the four Cardinal Virtues—Righteousness (Justice?), Prudence, Temperance, and Fortitude. In Cross Cheaping wine flowed freely, as in London, and angels stood on the cross, censing Margaret as she passed. Beyond the cross was pitched a series of pageants, each displaying one of the Nine Worthies, who offered to serve Margaret. Finally, the queen was shown a pageant of her patron saint, Margaret, slaying the dragon [which 'turned out to be strictly an intercessor on the queen's behalf', as Helen Maurer points out].
The meanings here are complex and have been variously interpreted. An initial reading of the programme found a message of messianic kingship: the Jesse tree equating royal genealogy with that of Christ had been used at the welcome for Henry VI on his return from Paris in 1432. A more recent, feminist view is that the symbolism is essentially Marian, and to be associated with Margaret both as queen and mother of the heir rather than Henry himself. The theme is shared sovereignty, with Margaret equal to her husband and son. Ideal kingship was symbolised by the presence of Edward the Confessor, but Margaret was the person to whom the speeches were specifically addressed and she, not Henry, was seen as the saviour of the house of Lancaster. This reading tips the balance too far the other way: the tableau of Edward the Confessor and St. John was a direct reference to the legend of the Ring and the Pilgrim, one of Henry III’s favourite stories, which was illustrated in Westminster Abbey, several of his houses, and in manuscript. It symbolised royal largesse, and its message at Coventry would certainly have encompassed the reigning king. Again, the presence of allegorical figures, first used for Henry, seems to acknowledge his presence. Yet, while the message of the Coventry pageants was directed at contemporary events it emphasised Margaret’s motherhood and duties as queen; and it was expressed as a traditional spiritual journey from the Old Testament, via the incarnation represented by the cross, to the final triumph over evil, with the help of the Virgin, allegory, and the Worthies. The only true thematic innovation was the commentary by the prophets.
[...] The messages of the pageants firmly reminded the royal women of their place as mothers and mediators, honoured but subordinate. Yet, if passive, these young women were not without significance. It is clear from the pageantry of 1392 and 1426 in London and 1456 in Coventry that when a crisis needed to be resolved, the queen (or regent’s wife) was accorded extra recognition. Her duty as mediator—or the good aspect of a misdirected man—suddenly became more than a pious wish. At Coventry, Margaret of Anjou was even presented as the rock upon which the monarchy rested. [However,] a crisis had to be sensed in order to provoke such emphasis [...]."
-Nicola Coldstream, "Roles of Women in Late Medieval Civic Pageantry," "Reassessing the Roles of Women as 'Makers' of Medieval Art and Culture"
#historicwomendaily#margaret of anjou#my post#henry vi#yeah I don't necessarily agree with Laynesmith's interpretation (that it was essentially Marian with an emphasis on shared sovereignty)#which she herself says is 'admittedly very speculative'#as this book points out that interpretation tips the balance too far on the other side and has a somewhat selective reading#It's also important to remember that this interpretation was not really reflected across wider Lancastrian propaganda at the time#which isn't really talked about - let alone emphasized - as much by historians but remained focused on the King#For example: look at the pro-Lancastrian poem 'The Ship of State' which hails Henry VI as a 'noble shyp made of good tree'#and emphasizes how he was widely supported and defended by many great Lancastrian lords and the crown prince#but not Margaret who was entirely absent#also look at the book 'Knyghthode and Bataile' (presented to Henry) and Fortescue's various pro-Lancastrian texts in the 1460s#even the recording of that Yorkist trial which was iirc reported in the 1459 attainder#all of these were entirely conventional and highlighted the presence and importance of the King. Margaret was not emphasized.#so either the Lancastrians were impossibly inconsistent about what message they actually wanted to convey about the role of their own queen#or the Coventry pageants were not actually meant to emphasize Margaret in the lieu of Laynesmith's interpretation#and would not have been viewed in such a manner by contemporaries#I think we should also keep in mind that we don't really know what Henry VI's condition was like at the time of MoA's entry to Coventry#we know he had been injured in St. Albans and had only just recovered from his second illness#this is especially important to consider since we know he had also arrived at Coventry before Margaret but much more discreetly#and was not welcomed by any pageants that we know of. This is VERY unusual and can be best explained if we consider the fact that he#may have simply not been in the right state (be it physical or state of mind) for it at the time#in which case the pageants for Margaret should be viewed as more of a improvisation/cover-up/temporary measure to bolster prestige#or Henry may have deliberately taken a more discreet role to emphasize the position of his heir - especially important after the long wait#imo I think Kipling's interpretation (ie: that they addressed Margaret but really referenced the prince & heir) makes a lot more sense:#'Coventry [...] regarded Margaret's entry as a kind of triumph-by-proxy: the Queen entered the city but Coventry received its Prince'#though I think he tends to view Margaret as more of a cipher (and has a very questionable view of Henry VI) which I also don't agree with.#The pageants very much DID focus on and reference her but they most prominently emphasized her 'motherhood and duties as queen'#ie: I think Kipling and Laynesmith tip too far on opposite sides and I think this interpretation takes the most realistic middle ground
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derpinette · 7 months
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i hated airpods & phones with those big fugly cameras in the back when they were announced as a concept & i hate them even more each time i see that hideousness in person
#i remember when i was 11 ( sorry for being a zoomer ) getting into an argument with an online acquaintance#over airpods because i thought they were retarded but she thought they were cool as if bluetooth ear pieces were a new invention#remember how the world used to make fun of them not even that many years prior. she was like nooobut you can hide them for cheating#& against thievery ( OK the only fair point I GUESS ) but they are just so ugly to me & stupid not practical too easily lost & damaged#especially with that pricetag like they could have made something COOL or Kawaii but of course sleek Nothing design is “in”#still after a decade now ♯MAKEITSTOP#honestly only like bluetooth for file sharing when necessary anything else is devilwork#as for the new giant multiple cameras design i mean use your eyes has there ever been an uglier decision#even if i had money i could never own a touch screen phone without a middle button & a normal camera lense in the back#like just looking at them makes me angry BUT mostly apple products i think android ones are less hives inducing#but TBH i have no headphone jack so... on my old broken phone i did but not this one -_- where are my principles......#well i will wear this one down until it dies i already have a cracked arse screen so until it breaks i will downgrade#also remember how cute silicone phone cases were in the early to mid 2010s ♯BringThatBack#honestly can you even i think phones today are just too damn big Not mine Doe 🦌 mine is almost perfectly sized for my hands (iphone7)#at least people have more charms than ever in my city at least i see people with cute lanyards & zoomer style JesusBeaters so great ^_^#sorry for complaining all the time but also if you are not here for my Kvetching then what else could you be here for...#*jumps into a well from shame*
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sleepyjim · 8 months
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And Then The Nightmare Started It Got Deafeningly Loud Every Fiber In Me Screamed Out But I Couldnt Make A Sound !!!!! The Whirling Of A Vortex!!!! A Violent Carousel !!! It Sounded Like A Freight Train Was Draggin Me To Hell!!!!!!! And This Was My Prayer !!!!!!!Save Me From This Terrible Nightmare !!!! !! if any one care
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Recent game related things .. hrmm...
#I do like the inconsistency of the first map. that is actually something older but that I re-found and added to my Game Reference stuff#so that when characters reference where they're from I can be accurate. I like that the whole map is kind of shifted up that way. Where the#actual south part doesnt even count as the south since its Too Far and Scary lol. and if you say you're from 'the north' thats basically#like.. one single continent. Though some people do make distinctions like 'north midlands' or etc. still. I like the ways that common#language isn't always precisely accurate like that. and thinking about why a culture would classify things a certain way or etc. etc.#The inventory page is so funny to me because it's literally just the BASe like.. sample layout just to make sure it works properly with 0#actual design into it. just colored rectangles thrown together in MS paint. but what if I like... left it like that.. what if all the other#art in the game and UI is like stylized and fully matching BUT the inventory/journal/etc. screens I just left as plain colored blocks#with random misalignments and black spots and etc gjhbhjj... It looks unfinished in a Funny Contrast way to me.#the wordcounts are just like... my past few days of writing.. I am still not getting 2200 words a day done or whatever I needed. I'm lucky#if it's even half of that .... tee hee.. :3c I do also keep having appointments and other things going on but..grrr...#The full map of the area is probably not necessary but I thought it would be more realisitc if people were able to reference things. Like i#you have people all living in a city area probably at some point someone might mention a neighboring city or some landmark nearby#or etc. so I thought having at least the basic names of what's around for reference would be sensible. A side character mentioning#'oh yeah I don't live here full time I just travel from Marisene sometimes' or whatever makes it seem more like a Real#Fleshed Out Place than people just making vague references like 'the river' or 'i come from a city nearby' or 'i went to a place somewhere#around here' or 'the other city' or etc. lol.. Especially since global cities/global areas are weird as they operate almost like an#independent country within their walls. so it's like a micro country inside of another country usually. just plopped down in some agreed#upon plot of land that won't be too disruptive to the main country around it. That could get very complex depending on the cultural and#political backdrop of where they're placed (though obviously they try to choose the 'easiest' areas possible for it). Asen is a very mild#country without much history of conflict or anything so it's fine. But still interesting that Sifeh and the entire branched out global area#border three other districts of Asen. Which means like 3 times the local representitives you'l have to negotiate with for some major change#or anything. I think one of the 'random characters you can find around the world and have short discussions with just to make the area#feel more populated and real even though theyre not actual important npcs' is going to be a guy who actually serves on the council that#handles running the global areas and he's like.. some perpetually exhausted middle aged elf running around with a clipboard or whatever#ANYWAY...... hrgh... still trying to write when I can....#I WISH so badly that I had the scope for a simple character creation menu and all character interactions would allot for the background#of your player character. And also to have a simple day night cycle where places in the world you explore/people you talk to during the day#have new options or dialogue at night.. BUT alas... I already am so behind on everything as is lol.. aughhh... T o T#As the worlds number one Needless Detail And Complexity Enjoyer i must dilligently prevent myself from adding additional complexity
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girlscience · 9 months
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rural midwest my beloved
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We always talk shit about Mamorus bad fashion and usually think his manga fashion style is very decent (besides the cow print anyway lol)
But listen the boy literally cant dress right he doesnt even wear a tuxedo right, theres 3 types for specific occassions with specific etiquette and our boy is wearing all 3 styles at once what a mess.
imagine newspaper articles and forums just clowning in his drip lmaoooooo
#im breaking his tuxedo mask design down and#he wears a white tie specifically that we can confirm but he doesnt have a tailcoat#in act 4 we see his fit entirely and yeah he wears a white tie blazer but it doesnt have a tailcoat#naoko just doesnt draw it at any point#and in act 6/7 when Usagi learns his identity#he wears suspenders and a cummerbund belt which is a BLACK TIE tuxedo style#which implies under all that white tie shit hes wearing black tie shit#according to the articles i read you don't really do that thats bad etiquette#so Mamorus dressed really nice for sure but the tuxedo police would clown him for sure#also the cape is lowkey corny my boy went to party city and got a cape#he also wears the tuxedo in the middle of day usagi points this out#idk if naoko knew this but usagi has a point you dint wear a white tie in the middle of the day#you can wear morning suits and black ties during the day tho#he also wears this red ribbon in crystal and manga but i never seen white ties wear the red ribbon#in the manga this red ribbon is what holds his brooch in crystal the brooch just sits on his shirt#black ties are formal for sure but a more lenient on color too#white ties its only black or a super dark blue#this is more a situation of bad anatomy but how tight the tuxedo look on him in Crystal all 3 styles implies a tight fit#which is ill fitted he cant wear it right lol#in the early chapters especially its a lot looser fit but idk if its bad or not but it def wasnt making his arms and legs twiggy lookin#mamoru chiba#tuxedo mask#nikki talks
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klapollopilled · 4 months
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yesterday i went out to celebrate finishing exams and one of the clothing stores i went to (i think it was a levi's) was doing a gundam collab and i saw the coolest fucking jacket ever known to man. and then i looked at the price tag and it was like 1.7 million rupiah
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hiv-live-laugh-love · 4 months
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there's this show ive kinda paused on watching in part because of how dubai is folded in
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sassmill · 7 months
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When you want to visit the Alhambra but mom’s like “we got the Alhambra at home”
#niche joke maybe?#unclear how many millennials and elder gen z are familiar with moorish decorative arts#but this is the theatre at New York City center#described in the show program as ‘1943 neo-moorish’#I think theatres need to start having themes again why did we stop doing that#I’m not saying we should randomly model them on landmarks of other cultures#because it’s so fucking weird#like the garde arts center in CT is vaguely Egyptian and it’s like??? that’s a choice#but new build theatres are just like neutral spaces#which I understand completely you don’t want to distract from the production happening onstage#but surely there’s some middle ground we could reach!#some kind of neo art deco revival could be lovely#especially as more and more art deco theatres are getting restored to their historic designs#I don’t know if theatres are this way in other countries but I’m assuming that the American trend at the turn of the century#was influenced by European theatrical tradition#I’ve seen color plates of concert halls and opera houses#so I’m pretty sure our heavily themed theatres built 1900-1950 are a translation of that#unfortunately I don’t really have a knowledge base for American theatres older than that because I haven’t really been to any#well wait that’s a lie I’ve been to ford’s theatre in DC#but I don’t think there was much that stood out stylistically to me I think it was just very bog standard federalist#which isn’t the period most people associate it with because of Lincoln#but I don’t know off the top of my head when it was built and that is likely a modern design choice anyway#this has been another episode of ‘I have approximate knowledge of many things’
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mercysought · 2 years
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anyway I am in fact saying that if the gentleman was ever to actually live in a real world place (it's not a matter that he wouldn't but more that he doesn't get to choose that sort of thing), he would definitely be living either in the dead centre of Lisbon, Porto or in an abandoned village in the middle of nowhere Portugal. No in between.
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el-yon · 1 year
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aa, thanks @jushiro-ukitake for the 10 song tag - I’m following your lead and sharing something Bleach-related. This is a sample of my sunshine-Sunday playlist that ~ also ~ happens to be my Karakura Gang/Six Hearts upbeat writing list (yes I also have a gloomy one).
1. Feel Good Inc. - Gorillaz
2. Piazza, New York Catcher - Belle and Sebastian
3. Wild Stare - Giant Rooks
4. Dirty Paws - Of Monsters and Men
5. Hot Air Balloon - Owl City
6. Oxford Comma - Vampire Weekend
7. The Next Time Around - Little Joy
8. Mistério do Planeta - Novos Baianos
9. Human Behaviour - Bjork
10. Dimanche à Bamako/Beaux Dimanches - Amadou & Mariam
for the life of me I’m a weirdo who cannot tag people so, anyone who wants to join, please do ✨💕
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toolazytodecide · 1 year
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Pleasw reblog and put your country in the tags 🙏
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walkwithme46 · 2 years
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i love coming from the south station stop in the mornings. going from the congested underground and emerging out onto the bustling street makes me feel like the country girl in a movie who just hit the big city. do you see my vision.
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