In fact, I am too good to be true.
GLEN POWELL as JAKE 'HANGMAN' SERESIN
TOP GUN: MAVERICK (2022)
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When Taylor said, “I bet you think about me,” she was so right.
And now she’s taking home 6 AMAs!
♥️ Artist of The Year
♥️ Favorite Music Video for All Too Well: The Short Film
♥️ Favorite Female Pop Artist
♥️ Favorite Pop Album for Red (Taylor’s Version)
♥️ Favorite Female Country Artist
♥️ Favorite Country Album for Red (Taylor’s Version)
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one Warmup Gone Wrong later i finally have a full ref for the man, the myth, the legend, the minor annoyance, the thorn in the side of petty criminals and more successful heroes the world over, the one and only GOLDEN BOY (civilian name TBD. it's gotta be something super boring like, Jim or Something)
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the thing about adaptation discourse (specifically with pjo but this can apply to others i've seen) is that people fail to realize:
a) they are adapting it for a NEW audience. and
b) they are making it fresh for the ORIGINAL audience!
as much as people say they want a 99% accurate representation of a book to screen, be for real that would just be boring!!!! knowing every plot twist every turn every development would get tired sooo fast. by adding changes however minor or major to themes, plot, details, WHATEVER, it makes it fun while still keeping the heart of the thing! maybe i'm just an optimist but holy shit it's so fun to be taken on a whole new journey while still knowing where they'll end up, but being able to be surprised by what may happen to get there! i audibly gasp in delight when things happen that weren't in the books. i LIKE being surprised and falling in love with something all over again for new reasons. especially in a book to tv format, there's so much room to add, to develop, and to REdevelop aged out moments of the books!
tl;dr be kind to adaptations. just. just shhhh. it's okay. they can be good things on their own.
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