#female actors in Indian cinema

[travellingwithhemant]

PK Rosy birth anniversary: Google Doodle celebrates first lead Malayalam actress. Who was she?

PK Rosy, the first lead Malayalam actress, is being celebrated by Google Doodle on her birth anniversary. The Indian actress and dancer, who made her debut in the South Indian film industry in the 1930s, paved the way for generations of actors and actresses in the Malayalam film industry. PK Rosy’s debut film was Vigathakumaran (The Lost Child, 1928).(Google) Born in Thiruvananthapuram, India…

[hotvintagepoll]

Suchitra Sen's impending loss is tearing my heart out. How can Bengali cinema's greatest female icon lose out in round 2 itself? I won't let her go down without a fight!

Suchitra Sen entered films as a married woman and a mother which was highly unusual for not just Bengali cinema, but for the whole of Indian cinema as well. In an age when actresses tried their best to hide the fact that they were married and had children, Suchitra Sen was not afraid to swim against the tide.

Hailing from erstwhile East Bengal (present day Bangladesh) she left with her family for present day West Bengal in India following Partition in 1947 and she had to adapt to the dialect and pronunciations used in Bengali films made in India.

Many talk about Suchitra Sen's quiet dignity on screen, but summing it up so briefly does her injustice. She played melodramatic without resorting to melodramatic acting. Her screen presence was so heartbreakingly real and didn't have the theatrical nature that was associated with Indian cinema of that era.

Starting from the 1950s, Bengali rom coms were all Suchitra Sen and Uttam Kumar. They had incredible chemistry on screen. But Suchitra Sen was determined to prove that she was not just Uttma Kumar's other half on screen but a capable and frankly good actress in her own right. So, in the 1960s she went on to do many women centric films opposite other lead actors (such as Bikash Roy and Soumitra Chatterjee), thus giving us some gems of Bengali cinema like Uttar Falguni (1963) and Saat Pake Bandha (1963), the latter won her the best actress award at the Moscow International Film Festival making her one of the first Indian actresses to win an International award.

In Uttar Falguni (1963), she plays a woman who flees an abusive marriage and becomes a courtesan to support her daughter. In Saat Pake Bandha (1963), she plays a young woman whose marriage disintegrates due to her mother's interference. In both these films, Sen doesn't need words, her loss, her pain, her anger are all etched on her face in different moments but never does it fall to melodramatic theatrics.

In Devdas (1955), Bimal Roy's classic production of Sarat Chandra Chattopadhyay's celebrated novel, she plays the role of Paro and is in my opinion the best of the many Paro's I've seen on screen in adaptations ranging from 1936 to 2002 and beyond.

In Aandhi (1975), she played a politician estranged from her husband dealing with a clash of love and career.

Suchitra Sen was a classic Bengali beauty and an icon, not just of Bengal but of India as a whole

https://www.youtube.com/watch?v=kSV2xoFQCJ8&list=PLA_A9T_Uj7IxMGFk5Pif7gjJR46v8FRPZ&index=5

Suchitra Sen vs Cyd Charisse

The linked video:

[infinityluna]

Seeing all the love for Prithvi is honestly giving me a lot of happiness (though a small part of me is sad because now I have to share him with you all). He deserves much more recognition for his great contributions to Indian cinema so far. I could go on for ages talking about him, but now I just want to mention some of his performances that are really close to my heart. I’ve seen some of you asking for recommendations, so here is my small contribution.

Nandanam

When listing Prithvi’s movies, this one must be mentioned first imo. This is his debut film, but no one could ever tell it was his first attempt! That’s how beautifully he has performed his role. It’s a female-led movie, but he still stood out and caught everyone’s attention. I still can’t believe he was just a teen while shooting this film!

Anandabhadram

This movie is straight out of a Raja Ravi Varma painting. Every single shot is so beautiful and, as you can guess, Prithvi was so lovely, and the aesthetics in the movie just made everything gorgeous. You will feel like you’re hearing a grandma’s tale while watching this film.

Ayalum Njanum Thammil

There is one particular scene that can be shown as the epitome of acting. You could watch the entire movie just for that one scene! One of my favourite combos is Prithvi and Narain, so I was thrilled to see them together in this movie.

Urumi

This movie showcases Prithvi in his full glory with long hair and those arms?! 11 yr old me was on the floor when this song came out. We also have Genelia and Prabhu Deva in it! What more could you want?

Picket 43

One of my favourite movies, with two of my favourite actors in the lead roles. However, I’ve only watched it once because it’s a very emotional movie.

[drivingsideways]

Year-end discussion in the Indian film space was dominated by the success of controversial film maker Sandeep Reddy Vanga's latest offering of undiluted misogyny and rage, appropriately titled "Animal"; but the best commentary I've seen on failed fatherhood and violent, toxic masculinity this year comes in a 2 minute scene in Kaathal: The Core, where a wizened old man testifies quietly in a family court that yes, he always knew that his son is gay, and still coerced him into a heterosexual marriage.

Kaathal: The Core isn't a film without flaws; one could argue that it's the quintessential film made about queer people by straight allies- actually more interested in the reaction to queerness and the adjustment to queerness by cishets, than in queer lives; that it has a one dimensional view of the reality of queer living in India. It has its moments of what I call "educational speechifying" that feel tonally at odds with the rest of it, but again, this paternalism in Indian cinema of the self-consciously "progressive" variety isn't unfamiliar.

The ending feels a little trite, and some artistic choices- an actual rainbow in the sky appears as the two lovers drive off into the sunset of their newly liberated lives-feel particularly anvil-like- much like the ending of another of director Jeo Baby's films, The Great Indian Kitchen, which was an exploration of the brutality of Indian-flavoured patriarchy. In short: a movie filled with intricately and deliberately placed subtleties that occasionally - somewhat inexplicably-loses confidence in its audience, and chooses to remedy that by being a bit over the top.

But those are minor quibbles. This movie gutted me. The story revolves around a middle-aged closeted gay man from a small close knit village community in Kerala whose life- and the lives of those around him- is thrown into disarray when his wife of twenty years files for divorce citing his gayness as the reason for the breakdown of the marriage- a step she takes just as he's nominated as his party's candidate for the local elections. With this premise, you'd be forgiven for expecting the movie to be high decibel melodrama- and possibly a tragedy- from start to finish. Instead, it deliberately chooses the quieter route, the most tender one; while not flinching away from the grim realities of widespread homophobia, it portrays both individuals and a community who , in a moment of crisis, discover that they are better than they think they are. And it does this not from a jingoistic, self-congratulatory ethno-nationalist perspective- but from a place of genuine love- as a reminder and a beacon in these dark times.

All of this is anchored in some fantastic performances- Mammootty once more showing up to remind us why he's one of the greatest living actors in the world, and Sudhi Kozhikode as Thankan in what should be a multiple-award winning performance as his long time lover. I've rarely seen an actor make so much of their limited screen time. When I say that minutes 50-52 of this film are the most devastatingly tragic-romantic moments in world cinema, you'll think I'm exaggerating and perhaps I am, but I can also guarantee that you're going to want to rewatch that sequence at least ten times and cry about two old geezers in love. Lives were changed in those moments, no lie.

My one disappointment in terms of performances is Jyothika, playing Omana, the long suffering wife. Omana is one of the stand-outs in the history of female characters in Malayalam cinema, and Jyothika is- barely adequate. When you contrast it with a similar role - say Hsieh Ying -xuan's performance as Liu San-lian in Dear Ex (2018)- the flatness is even more jarring. Still, the sheer love with which her character and her relationships, especially with her husband, are written carry the film through.

Tl;dr: watch it on Amazon Prime or at a theatre near you! You will not regret it.

[nisreensartworld]

In terms of painting about Indian cinema, I'm aware that paintings about blockbusters and star male actors are likely to get more attention. But I tend to focus more on female actors and art-films as much as possible, because I'd love to convey their splendor that usually gets less coverage on the mainstream media. I also think both in the US and Japan there is this stereotype that Indian cinema is only about happy-go-lucky dancing and singing or over the top actions. I want diversity in Indian films to get more international recognition.

(Not to say that I don't find stereotypical films also attractive. My first encounter to an Indian film was 'Bunty Aur Babli.' Aishwarya Rai was my girl crush.)

[bollywoodirect]

Today, we remember Vikram Gokhale, who passed away on November 26, 2022. A renowned actor in Marathi theatre, Hindi films, and television, he was the son of veteran actor Chandrakant Gokhale. Born in Pune in 1945, Gokhale came from a family of cinema pioneers, including his great grandmother Durgabai Kamat, the first female actor of Indian screen, and grandmother Kamlabai Gokhale, the first female child actor in Indian cinema.

Gokhale's directorial debut came with the Marathi film 'Aaghaat' in 2010. He received the National Film Award for Best Actor for 'Anumati.' Married to Vrushali since 1975, they had two daughters, Asawari and Neha. Gokhale was also a successful real estate businessman and a committed social activist, supporting disabled soldiers, children of lepers, and orphan education through his family's foundation.

Retiring from stage due to a throat ailment in 2016, he continued his film career until his last days. Gokhale passed away at 77 in Pune, leaving a legacy in Indian cinema and theatre.

[brokoala-soup]

South Indian cinema: Part 1

I think we (I) don't talk enough about my obsession with the South Indian film industry. I'm less of a star or fame powered fangirl and most of my obsessions start from very niche observations and qualities. Both me and my mom are good cinema enthusiasts, that being said, we love not just watching movies but also analyze them and talk about them in great lengths and detail; and it isn't always just about the actors but also the scenes, the cinematography, the dialogues and so on. We enjoy a good story based cinema that's more about carrying the characters in place and action than about how much hype a movie gets. I enjoy old movies, including monochrome movies of the yesteryears and the faded coloured classics of the 70's and 80's.

Let me go from one obsession to other. First, comes my unexplainable obsession with actors who are also trained dancers. That's a sexy characteristic because it adds an edge to the actor's identity over being just a movie star and IMHO, it also refines the depth of character and acting skills (many talented actors who aren't dancers do exist, this is just my view). I have this captivation with dancers because something in them, be it the unseeable depth of efforts and practice and hurdles they cross before they set foot on the stage or be it the inordinate amount of beauty they express and portray in both costumes and jewelry or be it the grace with which they carry themselves or be it the way the fluidity, fragility and fierceness of dance entwines with their soul and body making it indistinguishable, obvious and redefines their identity and adds meaning to their character for the better. Irrespective of gender, classical dance forms in my opinion, have a profound effect on the individual and somehow makes them all the more charming to me because it's art that flows in their body and art has that unique fragrance to which you can never turn a blind eye to. It also anchors you down to your inner zen because gender conforms and norms are all broken (atleast in Indian classical dances) as both male and female dancers play either roles in dances and it's all the more about expression and emotion than the role per se. And that I think is a very liberating thing and I love Indian classical dances for it.

So here goes the list: Kamal Haasan is a trained Bharatanatyam and Kathak dancer; the best of which is seen in his performance in the movie Sagara Sangamam which is a majorly dance based movie. My most favorite scene is when he humbles Sailaja when she opposes his critique. Padmini, one of the famous Travancore sisters, was a trained Bharatanatyam dancer and in her retired days also opened a dance school and taught abroad. Shobana, one of my favorite actresses, who is also the niece of the Travancore sisters is a trained Bharatanatyam dancer; she also received a national award for her performance in the Malayalam movie Manichitrathazhu which was the original for the famous Chandramukhi, Bhool Bhulaiya, Nagavalli, Aatmamitra etc. I rate her acting top notch because her expressions and her eyes often speak way more than the dialogues. Revathi, is again a trained Bharatanatyam dancer and has delivered multiple box office hits and is also one of my favorite actresses. Bhanupriya, who's pretty famous in tamil and telugu cinema, is a trained Kuchipudi dancer and appeared in the film Sitaara which went on to win the National award for that year. Jayalalitha, apart from her successful political career was a leading film actress in the tamil industry. She was trained dancer of multiple forms like Bharatanatyam, Kuchipudi, Mohiniyattam, Kathak etc. Sukanya, who famously starred against Kamal Haasan in Indian, is a trained Bharatanatyam dancer. Prabhu Deva, who we all know as the Michael Jackson of India, is a trained Bharatanatyam and Udupi dancer. Amala Akkineni, is a trained Bharatanatyam dancer and also has a degree bachelor degree for the same from Kalakshetra. Vineeth, who works mostly in tamil, telugu and malayalam films is a trained Bharatanatyam dancer; lesser known but he's Shobana's cousin and Padmini's nephew from her husband's side. Asin, who is well known for her role in Ghajini, is also a trained Bharatanatyam dancer. Jayam Ravi, now well known as the Ponniyin Selvan after the famous novel adaptation, is also a trained Bharatanatyam dancer.

This is in my list (can't think more, brain fried) do feel free to add more. Tagging @sister-of-satan @voidsteffy and @bipdf because I think y'all will enjoy reading this

Do reblog and tag people who'd enjoy reading this

[salmankhanholics]

★It’s going to be Salman Khan v/s Shah Rukh Khan as Aditya Chopra plans a Tiger v/s Pathaan film!

February 16, 2023 

Exactly 30 years after Karan Arjun, Shah Rukh Khan and Salman Khan will feature in an epic two hero action film in the YRF Spy Universe.  On August 15, 2012, Salman Khan took charge as Tiger aka. Avinash Singh Rathore in Ek Tha Tiger, and followed it up with Tiger Zinda Hai in 2017. A year later, in 2019, Hrithik Roshan made an impact as agent Kabir in War. All the three films proved to be huge blockbusters and also highest grossing film of the respective years. In the same time frame Aditya Chopra had locked an independent spy film, Pathaan, with Shah Rukh Khan in lead. The success of three spy films motivated the visionary producer to come up with the first ever Spy Universe of Indian Cinema with the biggest names of the Indian Film Industry. All three YRF Spy Universe films are now the biggest IP’s in Indian cinema!

The crossover of characters from this ambitious spy universe started with Pathaan, which saw a union of Shah Rukh Khan and Salman Khan in an action-packed scene celebrating the aura of these two superstars. This Diwali, Salman Khan returns as Tiger in Tiger 3 and the film has an extended cameo from Shah Rukh Khan.

Aditya Chopra locks the first draft of Shah Rukh Khan – Salman Khan two hero film

Coming to the point, on July 5, 2022 - Pinkvilla was the first to report that Yash Raj Films is planning to make the biggest action film of Indian cinema with Shah Rukh Khan and Salman Khan in lead. And now, we have exclusively learnt that the two-hero film is on track as planned and the basic story too has been locked.

“The plot of this epic two hero crossover film featuring Tiger and Pathaan has been locked. The film will be the first proper 2 hero collaboration for the two mighty Khan’s since the release of Karan Arjun in 1995. The story of this Tiger – Pathaan two hero film has been developed by Aditya Chopra himself along with Shridhar Raghavan, who has been appointed by Adi as the Mentor Writer of the haloed YRF Spy Universe,” revealed a trade source.

It's going to be Tiger v/s Pathaan in YRF Spy Universe

When prodded to share more details on this biggest Indian film, the source added, “It’s going to be Tiger v/s Pathaan in this two-hero film. The film will be a face off between the two giant superstars of Indian Cinema, much like what happened between Iron Man and Captain America in the Marvel Cinematic Universe and Batman vs Superman from the DC Universe

While a team at YRF is presently working on the post production and VFX of Tiger 3, all the energies on the creative front are invested in locking the screenplay of this Tiger v/s Pathaan film, which will be this union of SRK and Salman on a two-hero film after 30 years (Karan Arjun release in 1995).

The actors in YRF Spy Universe

Apart from SRK and Salman, the YRF Spy Universe also has superstar Hrithik Roshan as Kabir, who will also cross path with Pathaan and Tiger at some point of time. The franchise has two female protagonists too – Zoya (Katrina Kaif) and Rubai (Deepika Padukone) – and Shridhar Raghavan, in an official interaction with Pinkvilla, had not ruled out the possibility of a probable crossover between the two female protagonists too.

The fan-favourite anti-heroes John Abraham (Jim) and Tiger Shroff (Khalid) too are a part of this spy universe. Having the biggest superstars of Indian Cinema on board, and many more to be added in the time to come, the YRF Spy Universe is all set to dominate Indian Cinema for the coming years.

[keralatour10]

The Faces Who Made Kerala Proud

Kerala boasts the highest literacy rate in India and as per the latest census it has a projection of 94%. With the sobriquets ‘God’s Own Country’, ‘Land of Coconut’ and ‘Spice Garden of India’, Kerala has always been in the limelight from the perspective of tourism. Thanks to its incredible geographical features. Although being a small state, occupying around 1% of India’s total area, Kerala is always presented as an honorary example for its rich culture, education, ayurveda and other development. Kerala has also given rise to several personalities who have made Kerala and India tremendously proud.

P T Usha - Frequently called ‘Queen of Indian Track and Field’, P. T. Usha was born in Kozhikode, Kerala on 27th June, 1964. Nicknamed the Golden Girl, P T Usha has been associated with Indian Athletes since 1979. She had an illustrious career in athletics and won 33 international medals. In 1984 she was honoured with the Arjuna Award and the Padma Shree Award. The Indian Olympic Association has crowned her with the name ‘Sportsperson of the Century’.

Raja Ravi Varma - Raja Ravi Varma was born on April 29, 1948, in Kilimanoor Palace, Kerala, and is the most celebrated artist in the history of Indian Arts. His artistic talent was exposed at a young age by his uncle who provided him the elementary guidance. He got exposure to various art forms and himself mastered portraits, portrait-based compositions and myths and legends-based theatrical compositions. Ravi Varma received the first prize at the Madras Painting Exhibition in 1873. Shakuntala Composing a Love Letter to King Dushyanta, Damayanti Talking to a Swan and many more are among the famed paintings of Ravi Varma.

Dr. K J Yesudas - A notable Indian classical musician and playback singer, Yesudad was born in Fort Kochi, on January 10, 1940. His musical voice has recorded more than 40,000 songs in Malayalam, Kannada, Tamil, Hindi, Bengali, Telugu, Gujarati, Marathi, Odiya, Arabic, English, Russian, Latin and many more. Initially, Yesudas was groomed by his own father Augustine Joseph, who was a classical musician and a stage actor, and later he joined the Music Academy. His career started with playback singing in Malayalam and Kollywood movies in the 1960s and in the mid-1970s, he set his foot in the Bollywood industry. Yesudas garnered 7 National Film Awards for the best singer in Indian Cinema.

Arundhati Roy - A renowned novelist and political activist, Arundhati Roy was borned on 24th November, 1961. Although she took birth in Shillong, she shifted to Kerala, to her mother’s maternal house at the age of 2, and completed her schooling there. She has won several awards both for her writing talent and social work. Arundhati Roy began her career by writing the screenplay ‘In Which Annie Gives It Those Ones’ in 1989, which was directed by her husband Pradip Krishen. Her semi-autobiographical novel ‘The God of Small Things’ in 1996 brought her worldwide fame and received the Booker Prize in 1997. 

Vidya Balan - The popular Indian actress was born on 1st January, 1978, in Palakkad, Kerala. She has played the role of a strong female protagonist in several movies. In 2005 she acted in the movie Parineeta and received the Filmfare Award for best female debut. Paa is yet another notable movie of Vidya Balan which brought her the Filmfare best actress award. Vidya Balan was honoured with the Padma Shri award in 2014 for her meticulous contributions to Indian Cinema. 

Almost every travel enthusiast’s bucket list in India contains a trip to Kerala. Your Kerala Tour Booking will provide a detailed overview of the unique landscapes of Kerala, but familiarising with these personalities and their achievements is worth cherishing the talents of India. There are many more individuals who inscribed their identity in Indian history for their distinguished attributes. 

[a-film-app]

Exploring the vibrant worlds of the Gujarati, Bhojpuri, and Marathi film industries.

Among the oldest and biggest cinema industries around the globe is found in India. A public screening of an Indian movie occurred at the beginning of 1913. It was called Raja Harischandra. Finding someone to play female characters at the time was quite difficult. It has only recently been questioned whether the middle and lower classes still associate acting with a decline in virtue, female chastity, and credibility.

Gujarati Film Industry

Among the important regional and popular film industries in Indian cinema is Gujarati Cinema. The business has reached its best point over the past ten years thanks to sane and competent directors who have won the audiences' high praise. The movies have original stories, excellent acting, beautiful music, and a wide range of genres, including Family, Tragedy, Comedy, Mystery, Sports, Sci-Fi, Historical Drama, Action, and Relationship.

At the 64th National Film Awards, the movie "Wrong Side Raju" won the National Film Award for Best Motion Picture in Gujarati. The next film, "Reva," took up the 66th National Film Award for Best Motion Picture in Gujarati.

The Gujarati film industry's most admirable quality is that it consistently embraces Bollywood stars who are not Gujarati (Bollywood). Amitabh Bachchan, a Bollywood celebrity, and Jaya Bachchan both had cameo appearances in "Carry On Kesar."

The Gujarati film sector has produced numerous films filmed outside of India, demonstrating the sector's rapid expansion. The industry supports artistic filmmaking and its promotion across various media.

More than 8 crore Gujaratis and a global audience have been reached by Gujarati cinema thanks to innovation and art over the years. Gujaratis are wealthy, and the Gujarati movie business will soon reach new heights of development. There are several Gujarati actors in Bollywood as well.

Bhojpuri Film Industry

In recent years, Bhojpuri cinema has seen a significant evolution. This has enticed numerous prominent Bollywood actors to join the Bhojpuri film industry.

Bhojpuri film was fighting for its life and was on the verge of extinction until lately. However, the collaborative effort of the Bhojpuri film industry's creators, directors, and producers brought the sector back to life by turning it profitable once more.

Bhojpuri cinema has established a niche today, and its popularity on the international market has skyrocketed. There is a worldwide audience for Bhojpuri films, not just in Bihar and Uttar Pradesh. The Indian diaspora living in Brazil, Fiji, South Africa, Guyana, Suriname, Mozambique, and Trinidad & Tobago enjoys watching Bhojpuri films. To know more about this in detail you can log into our Bhojpuri film industry app.

Marathi Film Industry

The Marathi film industry has continuously produced works of art. The business has developed a reputation for being content-centric and important thanks to movies like Fandry, Court, and Kaasav. A few years ago, the phenomenal box office success of Marathi films like Sairat, Natsamrat, and Lai Bhaari gave the impression that the industry was prosperous. But, the reality of Marathi cinema's box office performance could be better. 2019 witnessed 11 weeks where three or more Marathi films were released on the same day, which is unusual in an industry where even a solo movie struggles to maintain at the box office. This gives these movies no chance at the box office.

The Marathi movie business has its work cut out for it as the pandemic effect on the box office fades over time, and the box office throughout languages starts to rebound. It must address some fundamental structural issues for more sustained success at the box office. To know more about this in detail, you can log into our Marathi film industry app.

Bollywood is acknowledged as having the biggest global film production sector. In all, 2961 films were made in India, including 1602 features in 2012. India offers some of the lowest prices in the planet for movie tickets.

[celebglobenews]

Mammootty on Hema Committee Report: ‘There is No Powerhouse in Cinema’

Mammootty, the legendary actor and a towering figure in the Indian film industry, recently shared his views on the Hema Committee Report, stirring discussions across the entertainment world. The Hema Committee, led by Justice Hema, was established to investigate the issues faced by women in the Malayalam film industry, including workplace harassment and the lack of a safe and inclusive environment.

Mammootty’s statement, “There is no powerhouse in cinema,” has gained attention, raising questions about the power dynamics, hierarchies, and deep-rooted issues in the film industry. Let’s delve deeper into what the Hema Committee Report entails, the challenges highlighted, and what Mammootty’s comments signify for the future of cinema.

Understanding the Hema Committee Report

The Hema Committee was formed in 2017 following a series of incidents that highlighted the unsafe conditions for women working in the Malayalam film industry. The report aimed to address various problems, such as:

Workplace Harassment and Misconduct: The report brought to light numerous cases of sexual harassment, bullying, and exploitation of women, from actresses to junior technicians.

Lack of Proper Redressal Mechanisms: One of the major concerns raised was the absence of proper systems and processes to address grievances. Victims often face further harassment or career setbacks when they speak up.

Gender Pay Gap: The report also pointed out the glaring gender pay gap in the film industry. Female artists and technicians are often paid significantly less than their male counterparts, despite delivering equally impactful performances or technical work.

Power Dynamics and Hierarchies: The committee highlighted how entrenched power dynamics and hierarchies prevent newcomers and outsiders from establishing themselves in the industry.

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Mammootty’s Viewpoint: ‘There Is No Powerhouse in Cinema’

Mammootty’s statement that “There is no powerhouse in cinema” has been interpreted in multiple ways. It seems to challenge the notion that any individual or group holds absolute power or control in the film industry. His comment implies a need for a more democratic and inclusive approach to filmmaking where talent, creativity, and dedication take precedence over power and authority.

A Call for Fairness: By denying the existence of a “powerhouse,” Mammootty might be suggesting that the industry should not be ruled by a few powerful individuals or groups. Instead, the focus should be on fairness, equal opportunity, and inclusiveness.

Encouraging New Talent: Mammootty’s statement could be seen as encouragement for new talent to enter the film industry without fear of oppression or being sidelined by established names. He emphasizes that there should be space for everyone to grow and shine based on merit.

Questioning the Status Quo: His comments challenge the status quo, hinting at a possible shift in the industry where more balanced power dynamics could emerge, providing equal opportunities for all.

Reactions from the Film Industry

Mammootty’s remarks have garnered mixed reactions from the film fraternity. Some industry insiders believe his statement is a positive step toward breaking down toxic power structures. Others feel that the reality on the ground might be different, and powerful cliques still hold significant influence over casting, production decisions, and more.

Support for Mammootty: Several artists and technicians have backed Mammootty’s statement, calling for reforms to dismantle existing power structures and make the industry more welcoming for newcomers, especially women and marginalized groups.

Criticism and Counterarguments: On the other hand, some argue that despite Mammootty’s optimistic viewpoint, entrenched hierarchies still exist. They stress the need for more concrete actions and not just statements to bring about real change.

The Way Forward: What Needs to Change?

While Mammootty’s comments have sparked much-needed dialogue, it’s clear that the Malayalam film industry still has a long way to go in ensuring a safe and equal environment for everyone. Here are some steps that could be taken:

Implementing Recommendations from the Hema Committee Report: The government and film bodies should seriously consider the recommendations made in the report and implement measures to ensure a safer work environment for all.

Creating Effective Redressal Mechanisms: Establishing committees with equal representation of all stakeholders—actors, technicians, producers, and legal experts—can help ensure a fair process for addressing grievances.

Promoting Gender Equality and Diversity: The industry should actively work towards closing the gender pay gap and creating more opportunities for women and marginalized groups both in front of and behind the camera.

Breaking Down Power Structures: There is a need to create a more democratic environment where talent and hard work are the driving forces rather than connections, power, or gender.

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Conclusion

Mammootty’s statement about the lack of a “powerhouse” in cinema is both a challenge and a call for introspection within the Malayalam film industry. The Hema Committee Report has shed light on the serious issues that need to be addressed. While it is encouraging to see influential figures like Mammootty speaking up, the real change will only come with actionable steps and a collective effort to transform the industry.

For the Malayalam film industry to truly thrive, it must embrace diversity, equality, and fairness. Only then can it provide a platform for every artist and technician to succeed without fear of oppression or exploitation.

[yamigautam56982]

Yami Gautam Biography: From Law Student to Bollywood Star

Yami Gautam Dhar, a name synonymous with grace and talent, has carved a niche for herself in the dynamic world of Indian cinema. But her journey to the silver screen wasn't as linear as one might think. Let's delve into the captivating story of Yami Gautam, from her humble beginnings to her reign as a leading Bollywood actress.

Early Life and Family Ties

Born on November 28, 1988, in Bilaspur, Himachal Pradesh, Yami Gautam hails from a Punjabi family with a strong connection to the film industry. Her father, Mukesh Gautam, is a renowned Punjabi film director and former VP of the PTC Network [Wikipedia: Yami Gautam]. Yami, raised in Chandigarh alongside her younger sister Surilie (also an actress) and brother Ojas, initially dreamt of pursuing a career in law. However, destiny had other plans, and at the age of 20, while studying law, Yami decided to embrace her passion for acting.

Television Debut and Stepping into South Indian Cinema

Yami's foray into the entertainment world began with television. She starred in popular soap operas like "Chand Ke Paar Chalo" and "Yeh Pyar Na Hoga Kam," showcasing her natural talent and charming screen presence. But Yami's ambitions extended beyond the small screen. In 2010, she made her film debut with the Kannada movie "Ullasa Utsaha," marking her entry into South Indian cinema. She subsequently went on to star in Telugu, Tamil, and Malayalam films, showcasing her versatility across regional languages.

Bollywood Breakthrough and Critical Acclaim

The year 2012 proved to be a turning point in Yami's career. She landed a lead role in the Bollywood film "Vicky Donor," a quirky comedy-drama that tackled a sensitive subject with humor and sensitivity. The film became a critical and commercial success, propelling Yami into the spotlight. Her performance earned her the prestigious Zee Cine Award for Best Female Debut, solidifying her place in the competitive world of Hindi cinema.

A Career Highlighted by Milestones and Accolades

Yami didn't rest on her laurels after her successful debut. She went on to deliver critically acclaimed performances in films like "Bala" (which earned her a Screen Award for Best Comedian) and "Batti Gul Meter Chalu." Her filmography boasts a diverse range of roles, from the fierce warrior princess in "Vicky Kaushal" to the headstrong social activist in "Dasvi." Yami's dedication to her craft and her ability to portray complex characters have garnered her a loyal fan following and numerous accolades, including an IIFA Award for Star Debut of the Year – Female.

Beyond the Spotlight: Personal Life and Interesting Facts

Yami Gautam is known for maintaining a private life. In 2021, she married director Aditya Dhar in an intimate ceremony. Interestingly, even before entering the film industry, Yami battled a skin condition during her teenage years. This experience shaped her perspective and made her a strong advocate for self-acceptance and inner beauty.

Yami Gautam's story is an inspiration for aspiring actors. From her humble beginnings to her meteoric rise in Bollywood, she has proven that dedication, talent, and the courage to chase one's dreams can pave the way for success. With her captivating screen presence and her commitment to diverse roles, Yami Gautam is sure to continue captivating audiences for years to come.

[bhumipednekar6976]

Bhumi Pednekar Biography: From Casting Director to Award-Winning Actress

Bhumi Pednekar is a name synonymous with strong female characters and powerful performances in Hindi cinema. But her journey to the spotlight is unique, taking her from behind the scenes as a casting director to captivating audiences on screen. Let's delve into the life and career of this talented actress.

Early Life and Family Background

Born on July 18, 1989, in Mumbai, Bhumi comes from a blend of Konkani and Haryanvi heritage. Her father, Satish Pednekar, was a former politician who served as a Maharashtra MLA and Home and Labour Minister [Wikipedia: Bhumi Pednekar]. Her mother, Sumitra Pednekar, became a vocal anti-tobacco activist after losing her husband to oral cancer, highlighting the importance of social causes in the Pednekar household. Bhumi also has a younger sister, Samiksha, who is a lawyer and a model.

Education and Early Steps in Entertainment

Bhumi's artistic side emerged early on, and at the age of 15, she pursued acting studies at the prestigious Whistling Woods International Institute. However, her attendance wasn't ideal, leading to her expulsion. But this setback didn't deter her. Bhumi landed a job as an assistant casting director at Yash Raj Films, a leading production house in Bollywood. Here, she honed her understanding of the industry for six years, working on films like "Chak De! India" and "Rocket Singh: Salesman of the Year".

From Casting Couch to Center Stage: A Remarkable Debut

While working at Yash Raj Films, Bhumi impressed director Sharat Katariya with her dedication and talent. This led to a life-changing opportunity in 2015. Katariya offered her the lead role in his film "Dum Laga Ke Haisha," a romantic comedy with a unique twist. Bhumi was required to gain weight for the role of Sandhya, an overweight bride in a small town. Her commitment to the character was evident, and the film became a sleeper hit, earning her critical acclaim and several awards, including the Filmfare Award for Best Female Debut [Wikipedia: Bhumi Pednekar]. This marked a remarkable transition for Bhumi, from casting couch to center stage.

Career Milestones and Major Achievements

Bhumi has carefully chosen her roles, often portraying strong-willed women who challenge societal norms. She has worked with acclaimed directors and actors, delivering powerful performances in films like "Toilet: Ek Prem Katha" (2017), "Sonchiriya" (2019), "Saand Ki Aankh" (2019), and "Badhaai Do" (2022). Her dedication to portraying diverse characters and social issues has earned her three Filmfare Awards, solidifying her position as a leading actress in Bollywood.

Personal Life and Beyond the Screen

Bhumi is known to be private about her personal life, preferring to let her work speak for itself. However, she is vocal about environmental and social causes, following in her mother's footsteps. She is a strong advocate for animal rights and body positivity, using her platform to spread awareness about these important issues.

Notable Facts and Looking Ahead

A lesser-known fact about Bhumi is that she is a trained dancer and can even speak fluent Marathi. Looking ahead, Bhumi Pednekar continues to push boundaries and experiment with her craft. With her talent, dedication, and social conscience, she is sure to leave a lasting mark on Indian cinema.

[bollywoodirect]

Today marks the 6th death anniversary of the legendary actress #Sridevi, who left an indelible mark on the Indian film industry with her exceptional talent and unforgettable performances. She was a true icon and a shining star in the world of cinema, and her untimely death has left a void that can never be filled. Sridevi began her career as a child artist in Tamil films, and later went on to become one of the most popular and accomplished actresses in Indian cinema. She starred in over 275 films across various languages, including Tamil, Telugu, Hindi, Malayalam, and Kannada. Her versatility as an actress was unparalleled, and she effortlessly portrayed a wide range of characters, from the bubbly girl-next-door to the fierce and powerful woman. Sridevi was not just a great actress, but also a trendsetter, a style icon, and a cultural phenomenon. She was the first female superstar of Indian cinema, and her films continue to inspire and entertain audiences to this day. Her performances in iconic films such as "Chandni," "Mr. India," "Sadma," "English Vinglish," and "Mom" are etched in our memories forever. Despite achieving so much success and fame, Sridevi was known for her humility and down-to-earth nature. She was a devoted wife and mother, and her sudden death in 2018 shocked the entire nation. Her fans, colleagues, and the film fraternity continue to mourn her loss even today, as her legacy lives on through her work and the countless lives she touched with her talent and grace. On this 6th death anniversary of Sridevi, let us remember her fondly and celebrate her life and her contributions to Indian cinema. Her unparalleled talent and her infectious smile will always be missed, but her legacy will continue to inspire generations of actors and film lovers. Rest in peace, Sridevi. You will always be remembered and cherished.

[aliabhatt578]

Alia Bhatt: Bollywood's Shining Star

Alia Bhatt's name is synonymous with success in Bollywood. From her captivating performances to her entrepreneurial ventures, she's become a force to be reckoned with both on and off-screen. But her journey to stardom is more than just filmi lineage (her father, Mahesh Bhatt, is a renowned filmmaker, and her mother, Soni Razdan, a celebrated actress). It's a story of dedication, talent, and a constant push to reinvent herself.

Born on March 15, 1993, Alia's early life was steeped in the world of cinema. While she attended Jamnabai Narsee School in Mumbai, she eventually left to pursue her acting dreams full-time. Her big-screen debut came in 2012 with Karan Johar's "Student of the Year." While the film itself received mixed reviews, Alia's charm and freshness were undeniable.

However, Alia wasn't content with being just another pretty face in Bollywood. She craved challenging roles that showcased her versatility. This desire led her to projects like "Highway" (2014) and "Udta Punjab" (2016). In "Highway," she played a young woman who develops an unexpected bond with her kidnapper. Her performance in "Udta Punjab," where she portrayed a Bihari migrant caught in the drug trade, was nothing short of powerful. These films not only garnered critical acclaim but also established Alia as a bold actress unafraid of unconventional characters.

Alia's ability to portray strong female characters continued to shine in films like "Raazi" (2018) and "Gangubai Kathiawadi" (2022). In "Raazi," she embodied the courage of an Indian spy undercover in Pakistan during the 1971 war. Her portrayal resonated deeply with audiences, showcasing the complexities of duty and love. "Gangubai Kathiawadi" saw her take on the layered role of a brothel madam seeking redemption. Alia's nuanced performance brought depth and humanity to a character often relegated to stereotypes.

But Alia's talent isn't confined to critically acclaimed films. Blockbusters like "Badrinath Ki Dulhania" (2017), "Kalank" (2019), and the recent phenomenon "RRR" (2022) showcased her ability to balance critical acclaim with mainstream success. These films solidified her position as a bankable star and a box-office powerhouse.

Alia's influence extends beyond acting. In 2014, she launched her own clothing line, 'It's Alia,' showcasing her entrepreneurial spirit and keen fashion sense. She's also a vocal advocate for various social causes, including mental health awareness and animal rights, proving that her compassion extends far beyond the silver screen.

Alia's personal life has also garnered significant attention. In 2022, she married actor Ranbir Kapoor, and in November of the same year, they welcomed their daughter, Raha. While Alia maintains a healthy boundary between her personal and professional life, she often shares glimpses of her happiness with her fans on social media.

Looking ahead, Alia's future seems nothing short of stellar. With a plethora of upcoming projects, including her Hollywood debut in "Heart of Stone" alongside Gal Gadot, she's constantly evolving and pushing herself to new heights.

Alia Bhatt's Accolades:

National Film Award for Best Actress (2016) for "Udta Punjab"

Six Filmfare Awards, including Best Actress for "Gully Boy" (2019)

Three IIFA Awards

Featured in Forbes India's Celebrity 100 list since 2014

Recognized by Forbes Asia in their 30 Under 30 list of 2017

Time Magazine's Time100 Impact Award (2022)

Alia Bhatt's story is an inspiration for aspiring actors and a testament to the power of hard work and dedication. With her infectious energy, captivating performances, and ever-evolving filmography, Alia Bhatt is undoubtedly a shining star who will continue to illuminate the world of cinema for years to come.

[brazilnews]

"India Is Proud Of You": PM Congratulates Payal Kapadia For Cannes Win

Filmmaker Payal Kapadia scripted history after her film 'All We Imagine As Light' won the prestigious Grand Prix at the 2024 Cannes Film Festival. The film was a strong contender for the top award, Palme d'Or, at Cannes, which was awarded to Sean Baker's comedy-drama Anora.

Prime Minister Narendra Modi congratulated Ms Kapadia for the feat and said, "India is proud of Payal Kapadia for her historic feat of winning the Grand Prix at the 77th Cannes Film Festival for her work 'All We Imagine as Light'. An alumnus of FTII, her remarkable talent continues to shine on the global stage, giving a glimpse of the rich creativity in India."

"This prestigious accolade not only honours her exceptional skills but also inspires a new generation of Indian filmmakers," he posted on X.

"Many congratulations to FTII alumnus Payal Kapadia for winning the Grand Prix at the 77th Cannes Film Festival for her film All We Imagine as Light. This makes it the first Grand Prix win for the country and a nomination in the Palme d'Or after 30 years," Union Broadcasting Minister Anurag Thakur said.

"Bharat's creative economy is indeed shining with 3 films winning awards this year at Cannes," he added.

Congress leader Rahul Gandhi congratulated Ms Kapadia and said, "Indian stars shining bright at the 77th Cannes Film Festival! Congratulations to Payal Kapadia and the entire team of 'All We Imagine As Light' for clinching the prestigious Grand Prix award."

"Kudos to Anasuya Sengupta for winning the Best Actress award under the Un Certain Regard section for her performance in 'The Shameless'," Mr Gandhi.

'All We Imagine As Light Gets Good Reviews'

Ms Kapadia's directorial debut received good reviews in the media and scripted history after it became the first Indian film in 30 years and the first ever by an Indian female director to be showcased in the main competition.

An alumna of the Film & Television Institute of India (FTII), Ms Kapadia is best known for her acclaimed documentary "A Night of Knowing Nothing", which premiered at the 2021 Cannes Film Festival's Director's Fortnight side-bar where it won the Oeil d'or (Golden Eye) award.

Praise From The Film Industry

She received praise from the film fraternity in India. Actor Mohanlal called it "A momentous occasion for Indian Cinema as Payal Kapadia, Kani Kusruthi, Divya Prabha, Chhaya Kadam, and the talented team behind "All We Imagine as Light" bask in glory!"

"Immense love and gratitude to Anasuya Sengupta and the illustrious Santosh Sivan for their remarkable," he added.

Actor Mammootty said, "Making Indian Cinema Proud. What an amazing achievement. Congrats to Payal Kapadia, Kani Kusruthi, Divya Prabha, Chhaya Kadam and the entire team of All We Imagine as Light."

Film director, lyricist and writer Varun Grover said, "Unbelievable day for Indian cinema. An independent filmmaker - from much hated FTII - whose first film was a poetic love letter to the idea of dissent in a democracy, wins the second highest honour at the biggest film festival in the world."

"Payal Kapadia's All We Imagine As Light wins Grand Prix. Magical to see four Indian women on stage at Canne," Mr Grover said.