#franz philip kafka dick
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the neodymium microcosmos or the anticipation of received forms
last week was the seventeenth anniversary of my first post in this place and after three thousand one hundred thirty-seven posts, i am pretty sure i'm still not doing it right
my kids and my girlfriend came over friday night and we drank pink lemonade tequila spritzers and ate pizza and shared this week's stories. it was a really nice night
yesterday, a cover of thirteen by big star came on the radio, and i was barely able to explain to cassidy how that song always makes me cry just before i lost my voice
last night i dreamt of quitting, i dreamt of a magazine cover with red stars on a blue field and no words, and i dreamt again of walls filled with pastel fauna absent menace or comfort
today, i am spending the day with finn and fall and they have surprises in store!
this week spans bloomsday, the solstice, the full moon, and midsummer
i'm spending next weekend in the mountains up near the gorge and my anticipation grows

#three thousand one hundred thirty-eight#happy#bloomsday#imaginary constructs#come inside where it's ok#emergent phenomena#the owls are not what they seem#the inconsequential collapse#dazzles gradually#and i'll shake you#happy anniversary mumblelard#perfect days#franz philip kafka dick#summer continues#i remember drainage#rage hats#homemade brownies#egg sammies#frogs from a hidden pond#awkward goslings#gone daddy gone#i want to be a turtle when i grow up#and that would fix everything#second blue moon epoch#first summer#end of messages
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trying to come up with some sort of list of literature which evokes a parallel feeling to lynch’s movies to me. lynchian literature if you will. so far i’ve got
kafka, e.g. metamorphosis - structurally, in terms of tension, in terms of the absurd introduced into the expected ‘script’ of a given interaction …
fever dream, samanta schweblin - the horror coming from lack of understanding, the idea of “darker layer lurking underneath normalcy always” but only now coming to light. the desperation of clinging to human connection. very in line with the return
djuna barnes’s work - nightwood is basically a modernist mulholland drive, haunting, heavily symbolic and full of dread. so are her short stories, some scant and parable-like the way the gotta light? episode of the return is; some like blue velvet
autobiography of red, anne carson - mostly visually, and in terms of incommunicable but vivid emotion, the scenes where geryon is travelling alone to the city especially always evoked the silencio scene in mulholland drive in me
philip k. dick - but only sometimes; in things like ubik where the structure of the world disintegrates visibly which brings to light its instability
… what i have so far. i want to both expand and update this. but it’s a rare connection.
#i welcome suggestions Please if something comes to mind….#do tell#david lynch#franz kafka#djuna barnes#samanta schweblin#philip k. dick#anne carson#mine#lit tag
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I like your comic book stories and curated images.
I appreciate that as I am trying to work out the storyline, which has to do with the collective consciousness of all of us and how creativity has a unique power in the scheme of things...
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Hello, my darlings!
Aqui está a lista completa das resenhas:
Piranesi - Susanna Clarke O Hobbit - J.R.R. Tolkien Amêndoas - Won-pyung Sohn A mansão Hollow - Agatha Christie Flores para Algernon - Daniel Keyes Força da natureza - Jane Harper O poder da espada (A Primeira Lei #1) - Joe Abercrombie O Velho e o Mar - Ernest Hemingway O navio das noivas - Jojo Moyes A seca - Jane Harper Mar aberto - Caleb Azumah Nelson Coração Corrupto - Trilogia Demon's Blood - G. Benevides Iris Kelly não namora - Ashley Herring Blake Herança de Sangue - Conn Iggulden Nada de novo no front - Erich M. Remarque Matéria Escura - Blake Crouch The Wrong Alpha Series - Alessandra Hazard A deusa em chamas - R. F. Kuang A ingênua libertina - Colette Em um bosque muito escuro - Ruth Ware O homem do castelo alto - Philip K. Dick O caso caravaggio - Daniel Silva When strangers marry - Lisa Kleypas A ilha dos deuses - Nora Roberts Território Lovecraft - Matt Ruff Carta ao pai - Franz Kafka O perfume - Patrick Süskind Um tom mais escuro de magia – V. E. Schwab Fascínio Sombrio – G. Benevides The Beast & his Beauty - Willow Winters Não é amor – Ali Hazelwood Senhor das Moscas – William Golding Calamidade - Brandon Sanderson Eu, Tituba: Bruxa negra de Salem - Maryse Condé Selah Gothic - Kat Blackthorne Straight Guys series - Alessandra Hazard (Part 1) (Part 2) (Part 3) A república do dragão – R. F. Kuang Mesmo sabendo como tudo acaba – C. L. Polk Ilíada - Homero Conclave - Robert Harris Na Casa dos Sonhos - Carmen Maria Machado
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100 Books to Read Before I Die: Quest Order
The Lord Of The Rings by J. R. R. Tolkien
In Search of Lost Time by Marcel Proust
The Great Gatsby by F. Scott Fitzgerald
A Wrinkle in Time by Madeleine L’Engle
Jane Eyre by Charlotte Brontë
Pride and Prejudice by Jane Austen
Frankenstein by Mary Shelley
The Good Soldier by Ford Madox Ford
Under The Net by Iris Murdoch
American Pastoral by Philip Roth
The Unbearable Lightness of Being by Milan Kundera
Animal Farm by George Orwell
Housekeeping by Marilynne Robinson
Anna Karenina by Leo Tolstoy
Atonement by Ian McEwan
Crime And Punishment by Fyodor Dostoyevsky
The Grapes Of Wrath by John Steinbeck
Midnight’s Children by Salman Rushdie
Lucky Jim by Kingsley Amis
Slaughterhouse-Five by Kurt Vonnegut
The Sun Also Rises by Ernest Hemingway
Invisible Man by Ralph Ellison
A Passage to India by EM Forster
Of Human Bondage by W. Somerset Maugham
The Prime of Miss Jean Brodie by Muriel Spark
The Amazing Adventures of Kavalier and Clay by Michael Chabon
If on a Winter’s Night a Traveller by Italo Calvino
The Hitchhiker’s Guide to the Galaxy by Douglas Adams
1984 by George Orwell
White Noise by Don DeLillo
The Count of Monte Cristo by Alexandre Dumas
The Sound and the Fury by William Faulkner
The Stranger by Albert Camus
Lolita by Vladimir Nabokov
Oscar And Lucinda by Peter Carey
The Wind-Up Bird Chronicle by Haruki Murakami
Gulliver’s Travels by Jonathan Swift
Brave New World by Aldous Huxley
As I Lay Dying by William Faulkner
To Kill A Mockingbird by Harper Lee
Lord of the Flies by William Golding
The Portrait of a Lady by Henry James
The Call of the Wild by Jack London
Pale Fire by Vladimir Nabokov
Beloved by Toni Morrison
Tinker Tailor Soldier Spy by John Le Carré
Austerlitz by W. G. Sebald
The Scarlet Letter by Nathaniel Hawthorne
Brideshead Revisited by Evelyn Waugh
Tropic of Cancer by Henry Miller
The Age of Innocence by Edith Wharton
Mrs. Dalloway by Virginia Woolf
The Heart Is a Lonely Hunter by Carson McCullers
The Phantom Tollbooth by Norton Juster
Ulysses by James Joyce
Scoop by Evelyn Waugh
Haroun and the Sea of Stories by Salman Rushdie
Things Fall Apart by Chinua Achebe
Middlemarch by George Eliot
Are You There, God? It’s me, Margaret by Judy Blume
Clarissa by Samuel Richardson
Moby-Dick by Herman Melville
The Handmaid’s Tale by Margaret Atwood
Herzog by Saul Bellow
The Brief Wondrous Life of Oscar Wao by Junot Diaz
Wuthering Heights by Emily Brontë
Don Quixote by Miguel De Cervantes
A Bend in the River by V. S. Naipaul
A Dance to The Music of Time by Anthony Powell
The Strange Case of Dr Jekyll and Mr Hyde by Robert Louis Stevenson
Go Tell It On The Mountain by James Baldwin
Wide Sargasso Sea by Jean Rhys
Catch-22 by Joseph Heller
The Rainbow by D. H. Lawrence
Song of Solomon by Toni Morrison
I, Claudius by Robert Graves
Nostromo by Joseph Conrad
The Tin Drum by Gunter Grass
Madame Bovary by Gustave Flaubert
The Catcher in the Rye by JD Salinger
Charlotte’s Web by E. B. White
Tom Jones by Henry Fielding
His Dark Materials by Philip Pullman
Alice’s Adventures In Wonderland by Lewis Carroll
Little Women by Louisa M Alcott
Great Expectations by Charles Dickens
Portnoy’s Complaint by Philip Roth
Watchmen by Alan Moore
One Hundred Years of Solitude by Gabriel García Márquez
Robinson Crusoe by Daniel Defoe
Tristram Shandy by Laurence Sterne
On the Road by Jack Kerouac
The Big Sleep by Raymond Chandler
The Wind in the Willows by Kenneth Grahame
To the Lighthouse by Virginia Woolf
The Corrections by Jonathan Franzen
The Trial by Franz Kafka
Their Eyes Were Watching God by Zora Neale Hurston
Money by Martin Amis
David Copperfield by Charles Dickens
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100 must-read books!
This is a list of books considered "must-reads" from various lists and online posters. I'll be reviewing them as I go but mainly keeping track of what I have and haven't read here.
American Gods by Neil Gaiman
Lord of the Flies by William Golding
Fahrenheit 451 by Ray Bradbury
Sophie's World by Jostein Gaarder
Wide Sargasso Sea by Jean Rhys
The Great Gatsby by F. Scott Fitzgerald
To Kill a Mockingbird by Harper Lee
Matilda by Roald Dahl
The Secret History by Donna Tart
Do Androids Dream of Electric Sheep by Philip K. Dick
The Godfather by Mario Puzo
Murder on the Orient Express by Agatha Christie
The Man Who Mistook His Wife for a Hat by Oliver Sacks
Noughts and Crosses by Malorie Blackman
In Cold Blood by Truman Capote
Frankenstein by Mary Shelly
Alice's Adventures in Wonderland by Lewis Carroll
Heart of Darkness by Joseph Conrad
Wuthering Heights by Emily Bronte
Nineteen Eighty-Four by George Orwell
The Grapes of Wrath by John Steinbeck
Norwegian Wood bt Haruki Murakami
One Flew Over the Cuckoo's Nest by Ken Kesey
The Man in the Iron Mask by Alexandre Dumas
The Color Purple by Alice Walker
The Girl with the Dragon Tattoo by Stieg Larsson
Lolita Vladimir Nabokov
Great Expectations by Charles Dickens
The Harry Potter Series by J.K Rowling
His Dark Materials trilogy by Philip Pullman
The Old Man and the Sea by Ernest Hemingway
The Picture of Dorian Gray by Oscar Wilde
The Road by Cormac McCarthy
Ulysses by James Joyce
Bad Science by Ben Goldacre
I Capture the Castle by Dodie Smith
Fear and Loathing in Las Vegas by Hunter S. Thompson
Les Miserables by Victor Hugo
The Catcher in the Rye by J.D Salinger
The Wind in the Willows by Kenneth Grahame
Wild Swans by Jung Chang
The Hitchhikers Guide to the Galaxy by Douglas Adams
Tinker, Tailor, Soldier, Spy by John le Carre
Crime and Punishment by Fyodor Dostoevsky
The Poisonwood Bible by Barbara Kingsolver
Adventures of Huckleberry Finn by Mark Twain
Gulliver's Travels by Johnathan Swift
The War of the Worlds by H.G Wells
Anna Karenina by Leo Tolstoy
Freakonomics by Steven D. Levitt
Persuasion by Jane Austen
The Help by Kathryn Stockett
Beloved by Toni Morrison
A Clockwork Orange by Anthony Burgess
American Psycho by Bret Easton Ellis
Notes from a Small Island by Bill Bryson
Macbeth by Shakespeare
The Lord of the Rings (trilogy) by J.R.R Tolkien
The Outsiders by S.E Hinton
Mrs. Dalloway by Virginia Woolf
The Handmaid's Tale by Margaret Atwood
A Wild Sheep Chase by Haruki Murakami
Schindler's Ark by Thomas Keneally
London Fields by Martin Amis
Sherlock Holmes and the The Hound of the Baskerville's by Arthur Conan Doyle
My Man Jeeves by P.G Wodehouse
The English Patient by Michael Ondaatje
The Mill on the Floss by George Eliot
The Count of Monte Cristo by Alexander Dumas
Little Women by Louisa May Alcott
Gladys Aylward the Little Woman by Gladys Aylward
Mindnight's Children by Salman Rushdie
Tess of the D'Ubervilles by Thomas Hardy
The Boy in the Stripped Pajamas by John Boyne
Hamlet by William Shakespeare
Goodnight Mister Tom by Michelle Magorian
Dissolution by C.J Sansom
The Time Machine by H.G Wells
Winnie the Pooh (complete collection) by A.A Milne
Animal Farm by George Orwell
The Diary of a Young Girl by Anne Frank
The Castle by Franz Kafka
Dracula by Bram Stoker
All Quiet on the Western Front by Eric Maria Remarque
Bridget Jones's Diary by Helen Fielding
The Kite Runner by Khaled Hosseini
Pride and Prejudice by Jane Austen
To The Lighthouse by Virginia Woolf
Memoirs of a Geisha by Arthur Golden
Misery by Stephen King
The Chronicles of Narnia by C.S Lewis
The Shining by Stephen King
The Odyssey by Homer
War and Peace by Leo Tolstoy
The Secret Garden by Frances Hodgson
Tell No One by Harlan Coben
Moby Dick by Herman Melville
A Tale of Two Cities by Charles Dickens
Middlemarch by George Eliot
Jane Eyre by Charlotte Bronte
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"What Franz Kafka was to the first half of the 20th century, Philip K. Dick is to the second half." — Art Spiegelman
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Classic weird fiction reading list
A chart of recommended strange, disturbing, and unsettling books published before 1990. This is a selection from my list of over 200 works of weird literature that I published on my website.
#book recs#book recommendations#book reccs#reading list#book list#literary#literature#weird fiction#weird tales#weird books#the weird#philip k. dick#franz kafka#robert aickman#samuel r. delany#shirley jackson#h.p. lovecraft#jorge luis borges#bruno schulz#alfred kubin#leonora carrington
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"Could he be an animal, if music moved him so?"
-- "Metamorphosis, Franz Fafka
***
"'Did you ever hear of an andy having a pet of any sort?' [...]
"'In two cases that I know of, andys owned and cared for animals. But it's rare. From what I've been able to learn, it generally fails; the andy is unable to keep the animal alive. Animals require an environment of warmth to flourish. Except for reptiles and insects.'
"'Would a squirrel need that? An atmosphere of love? Because Buffy is doing fine, as sleek as an otter. I groom and comb him every other day.'"
-- Do Androids Dream of Electric Sheep?, Philip K. Dick
***
"'When I was as old as you, I was a feeling fellow enough, partial to the unfledged, unfostered, and unlucky; but Fortune has knocked me about since: she has even kneaded me with her knuckles, and now I flatter myself I am hard and tough as an India-rubber ball; pervious, though, through a chink or two still, and with one sentient point in the middle of the lump. Yes: does that leave hope for me?'
"'Hope of what, sir?'
"'Of my final re-transformation from India-rubber back to flesh?'
"'Decidedly he has had too much wine,' I thought; and I did not know what answer to make to his queer question: how could I tell whether he was capable of being re-transformed?"
-- Jane Eyre, Charlotte Brontë
***
"'Porco! What if I try kissing you?'
"'Huh?'
"'You know, like the fairy tale where a prince is turned into a frog and a princess turns him back into a human by kissing him.'
"'Silly. Save it for something important!'
"'Don't you like me?'
"'Of course, you're a nice girl. Seeing you makes me wish I were human again.'"
-- Porco Rosso, dir. Hayao Miyazaki
***
"How all occasions do inform against me,
And spur my dull revenge! What is a man,
If his chief good and market of his time
Be but to sleep and feed? a beast, no more.
Sure, he that made us with such large discourse,
Looking before and after, gave us not
That capability and god-like reason
To fust in us unused. Now, whether it be
Bestial oblivion, or some craven scruple
Of thinking too precisely on the event,
A thought which, quarter'd, hath but one part wisdom
And ever three parts coward, I do not know
Why yet I live to say 'This thing's to do;'
Sith I have cause and will and strength and means
To do't?"
-- Hamlet, Act 4, Scene 4, William Shakespeare
***
"Of all the souls I have encountered in my travels, his was the most ... human."
-- Star Trek II: The Wrath of Khan, dir. Nicholas Meyer
#franz kafka#metamorphosis#philip k dick#do androids dream of electric sheep?#charlotte brontë#jane eyre#hayao mizayaki#porco rosso#william shakespeare#hamlet#wrath of khan#star trek#long post
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grace or RAGE or a secret third thing

in the last nine days, i've gone swimming in two different pools, a creek, a river, a lake, and a waterfall
i brought a dozen new socks home and they are all soft and fresh with refreshingly optimistic outlooks on life

i'm craving rice and avocados and cold beer in a frosty glass that yesterday put in the freezer today
i'm remembering drawing lines on maps with fat markers
i'm thinking about a story full of raucous waiting, restlessly unwinding between the country doctor and autofac, where i might like to go
i know what happens next, i really do, but i still wish somebody would give me a little hint

#manifestations of my familiar#antidotes#franz philip kafka dick#watermelon#i have eaten thirty eight distinct types of plant since sunday#thursdays#boba#battered wooden desks#i have slept in two beds and on two couches#mugs#magnets#grace#rage#second blue moon epoch#first summer#end of messages
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☾ book recommendations: *✲⋆.
my all time favorites:
the brothers karamazov by fyodor dostoevsky
notes from underground by fyodor dostoevsky
the picture of dorian gray by oscar wilde
frankenstein by mary shelly
the plague by albert camus
we have always lived in the castle by shirley jackson
the seven who were hanged by leonid andreyev
blackshirts & reds by michael parenti
others that i'd recommend:
break the body, haunt the bones by micah dean hicks
tomie by junji ito
uzumaki by junji ito
berserk by kento miura
the haunting of hill house by shirley jackson
i have no mouth, and i must scream by harlan ellison
the tell-tale heart by edgar allen poe
the cask of amontillado by edgar allen poe
rebecca by daphne du maurier
wuthering heights by emily brontë
dune by frank herbert
a shadow over innsmouth by h. p. lovecraft
the color out of space by h. p. lovecraft
the dunwich horror by h. p. lovecraft
crime and punishment by fyodor dostoevsky
demons by fyodor dostoevsky
the idiot by fyodor dostoevsky
jane eyre by charlotte brontë
do androids dream of electric sheep? by philip k. dick
a long fatal love chase by louisa may alcott
the stranger by albert camus
the metamorphosis by franz kafka
the trial by franz kafka
dragonwyck by anya seton
discipline and punish by michel foucalt
the castle of otranto by horace walpole
faust by johann wolfgang von goethe
the fall by albert camus
the myth of sisyphus by albert camus
the strange case of dr jekyll and mr hyde by robert louis stevenson
blood meridian by cormac mccarthy (do look into the content warnings though, there's heavy violence/depictions of 1840s-1850s racism)
the death of ivan ilyich by leo tolstoy
the dead by james joyce
the overcoat by nikolai gogol
dead souls by nikolai gogol
hiroshima by john hersey
useful fictions: evolution, anxiety, and the origins of literature by michael austin
no exit by jean paule satre
candide by voltaire
white nights by fyodor dostoevsky
notes from a dead house by fyodor dostoevsky
the shock doctrine by naomi klein
the 100 year war on palestine by rashid khalidi
killing hope by william blum
the karamazov case: dostoevsky’s argument for his vision by terrence w. tilley
stiff: the curious life of human cadavers by mary roach
lazarus by leonid andreyev
imperialism, the highest stage of capitalism by vladmir lenin
the viy by nikolai gogol
dracula by bram stoker
carmilla by sheridan le fanu
the phantom of the opera by gaston leroux
the odyssey by homer
prometheus bound by aeschylus
the bacchae by euripides
medea by euripides
electra by euripides
antigone by sophocles
andromache by euripides
hecuba by euripides
helen by euripides
iphigeneia in aulis by euripides
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Center of Gravity

“Center of Gravity” Now at the West End Gallery
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In the center of an irrational universe governed by an irrational Mind stands rational man.
― Philip K. Dick, Valis
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You could possibly substitute the word country for universe and it wouldn’t much change the meaning of this quote. At least, not here in a land that feels more and more Kaf…
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What are your favorite books, and which books do you feel have been the most influential on your work? Do you read much non-fiction?
I watched all of School Days because of you. What do you like about it? How ironic is your enjoyment?
I am loving CQ thus far.
When I was very young, the books I read and reread again and again and which certainly had some formative impact on me as a writer were Loser by Jerry Spinelli and Ender's Game by Orson Scott Card, but I think the most clearly influential books on my writing today are Franz Kafka's novels, The Castle and The Trial, as well as Ralph Ellison's Invisible Man. I first read all three of these novels as a teenager and they really unlocked the world of literature for me. All three depict ordinary landscapes as surreal nightmares, the way I would go on to depict the locations in Modern Cannibals and Cockatiel x Chameleon. Another work I read as a teen and which surely influenced me was King Lear by William Shakespeare. I've always been a fan of the bleak and tragic.
Other favorite literary works of mine include (in no particular order):
Moby-Dick by Herman Melville
VALIS by Philip K. Dick
Wide Sargasso Sea by Jean Rhys
Ulysses by James Joyce
Catch-22 by Joseph Heller
2666 by Roberto Bolaño
The Day of the Locust by Nathanael West
Nightwood by Djuna Barnes
Heart of Darkness by Joseph Conrad
The Crying of Lot 49 by Thomas Pynchon
Demons by Fyodor Dostoyevsky
Grendel by John Gardner
Paradise Lost by John Milton
As I Lay Dying by William Faulkner
The Last Unicorn by Peter S. Beagle
As you can see, my reading is on the European and especially Anglo-centric side, which is probably to be expected given I primarily speak English myself. I'm always reading new stuff and try to branch out into time periods and locations outside of Western canon, especially given I've read most of the Western canon by now anyway.
I'm not a large reader of nonfiction. Fiction has always been my passion, since I was very young.
As for School Days, I want to stress that my enjoyment of it is in no way ironic. People ask me this all the time, but I legitimately just think School Days is excellent on its own merits. School Days is a detailed, complex psychological drama in which characters are pushed or push themselves into increasingly uglier directions based on initially small flaws or miscommunications that they are unable to overcome or grapple with. There's very little fat or filler in School Days, it is a lean work in which nearly every conversation has some kind of psychological subtext or is deepened by its context, and the pacing consistently pushes the story toward its explosive, tragic end. I recently watched Breaking Bad (also excellent) and found it similar in how an initially neutral or merely flawed protagonist gradually devolves into outright villainy on account of those flaws; other comparable works would be Nightcrawler, Taxi Driver, the aforementioned Wide Sargasso Sea, or Shakespeare's play Macbeth.
I think the overwhelming backlash about School Days is a byproduct of the Western anime culture back when it aired in 2007. This was just about when the internet was coming to prominence and Western viewers were able to access seasonal anime for the first time via fan subs and dubs; before this, anime watching in the West was either hack-n-slash dubs of kid's shows like Sailor Moon or Pokemon or isolated to a few select (and often Western-influenced) shows like Cowboy Bebop on late-night programs such as Adult Swim. Because of this, the Western anime community was fairly embryonic in 2007, comprised mainly of younger people, and almost entirely male. I don't think this audience collectively had the patience and comprehension skills to appreciate a dialogue-based psychological drama, and especially not one primarily concerned with digging into and exposing what we might nowadays call "toxic masculinity."
2007 was a year where "There are no women on the internet" was taken as an absolute truth, a pre-GamerGate era before even tepid incipient criticisms of sexism in gaming were being made by the likes of Extra Credits or Anita Sarkeesian. School Days, depicting a seeming everyman whose casual objectification of women transforms him into a callous monster, was simply not something this anime community was ready for. And so it was raked over the coals, memed on, and generally held up as "one of the worst anime ever made" (around the same time the anime community thought mind-boggling dreck like Elfen Lied was "mature" art). You would see School Days on Worst Anime of All Time lists right next to Mars of Destruction. I think even if you're only lukewarm on School Days you can see how that level of excoriation is utterly unwarranted.
The community, and the internet in general, and popular media criticism, has changed a lot since then, and I think the current zeitgeist is one that would be far more willing to accept School Days and realize its virtues, but its reputation precedes it and few are willing to watch "The Room of anime" with any amount of good faith. Certainly not enough good faith to pick up on its subtle and psychological writing. I think it's no longer as frequently held up as one of the worst anime of all time, but it's still generally despised (usually by people who haven't even seen it).
So, that's why I do my part to try and change the perspective on School Days.
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Noah's reading recommendations
Brave New World - Aldous Huxley
Abarat - Clive Barker
I Know Why the Caged Bird Sings - Maya Angelou
Rosemary's Baby - Ira Levin
Frankenstein - Mary Shelley
The Hitchhikers Guide to the Galaxy - Douglas Adams
Hyperion - Dan Simmons
The Book of the New Sun - Gene Wolfe
The Trial - Franz Kafka
The Broken Earth Trilogy - N. K. Jemisin
The Master and Margarita - Mikhail Bulgakov
Northanger Abby - Jane Austen
The Hobbit - J. R. R. Tolkien
The Color Purple - Alice Walker
The Road - Cormac McCarthy
Matilda - Roald Dahl
Do Androids Dream of Electric Sheep? - Philip K. Dick
The Dispossessed - Ursula K. Le Guin
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A review of Blade Runner 2049
A review of Blade Runner 2049

Film poster for Blade Runner 2049 by James Jean I don’t remember how old I was the first time I saw Blade Runner (dir. Ridley Scott, 1982), but I do remember that it had an instant and formative aesthetic impact on me. Blade Runner’s dark atmosphere and noir rhythms were cut from a different cloth than the Star Wars and Spielberg films that were the VHS diet of my 1980’s boyhood. Blade Runner…
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#Blade Runner#Blade Runner 2049#e.e. cummings#Franz Kafka#literary allusions in Blade Runner 2049#Pale Fire#Philip K Dick#Reviews#riffs#Sci-Fi#The Trial#Vladimir Nabokov
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book recommendations?
(apologies for the late reply!)
Gone with the Wind by Margaret Mitchell
Animal Farm by George Orwell
Rebecca by Daphne Du Maurier
The Metamorphosis by Franz Kafka
Do Androids Dream of Electric Sheep by Philip K Dick
Burma Chronicles and Jerusalem by Guy Delisle
Normal People by Sally Rooney
The Bone Series by Jeff Smith
Wheels by Arthur Hailey
Mill on the Floss by George Elliot
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