#frederico rivera

[beast-of-moss]

Something like this happens in canon.

Inspired by this

[beastofmoss]

I got tagged in a picrew game by @midnight-coffee94 for this picrew !

I decided to do two/two of the fandoms I'm into right now sooo~

Here's me~

~~Dragon age ocs, in order: Deshan Lavellan (They/them), Viveras Lavellan (he/him)~~

~~Enstars oc, in order: Diwa García (she/them) and "Frecil" Frederico Rivera (they/them/any)~~

I'll like to tag @galactic-menaces @reisakumaproducer @merrillapologist if you guys would like to join in this game, of course! And if anyone wants to join in, feel free to say you got tagged by me, okay~?!

[mossofbeast]

Bite size Socks and Buskins ft. Diwa

Socks and Buskins

- theatrical theme unit

- trio (Sierra, José, and Frecil) producer Cherry

- Co-founded by José and Frecil

- Three "roles/characters" Queen(Sierra), King (José), and Jester (Frecil) (inspired by Oberion, Titania, and Puck from Midsummers night)

- Each song tells/contiunes a story (Written by José)

- Works on perception and comedy/tragedy hence the name

- Originally from sister Yumenosaki school in New York

- Supposed to avoid: Most units but especially: Fine, Switch, Ryuseitai, Eden, Crazy:B, UnDead, annnd Anzu (all Cherry's order)

José Diaz

- made leader, much to his dismay, by Frecil

- selective mute due to anxiety/speech issues, which is why being an idol + being able to sing and write is very important to him

- has a prosthetic for his forearm and foot

- is generally the one keeping the unit together. Very goodboy

- secret Valk fan (small crush on both Shu and Mika wtf get help)

- inferiority complex

- aloof, but easily flustered

- likes Sanrio a lot

- writes the songs with Frecil

- trying to be a good leader, but gets overshadowed by Cherry/Sierra

- you think he's the moon, but he's actually a sun

- has a star motif

Sierra Rivera

- this girl has some issues and she's making it your problem

- overly sweet to the point that it's sickly, she's condescending on purpose

- trouble maker, does things to either piss you off or love her

- starts fights for fun

- does have a hearing aid (more research will be done)

- tones down her sweet act around the juniors, but not much

- very outgoing, but also very double face

- she will talk about you behind your back and then play buddy-buddy with you

- doesn't want to be forgetten (plot)

- has a deal with Frecil

- step-sister with Frecil (their relationship is...complicated)

- another sun, but so bright it hurts

- broken heart motif

- choreographer of the group

Frederico "Frecil" Rivera

- eldest and most experienced of the trio, but shortest

- plays into a childish role to get you to underestimate them, knows more than they let on

- theater kid

- yes, they are in the vents, yes they are sleeping underneath your bed. You can't escape them

- is legally blind and uses a white cane, despite this they are incredibly reckless

- due to events in their third/senior year, they were held back

- already did their time in the light, now they're acting as a teacher to José and...Sierra, although their teaching methods is different. (José has soft love, Sierra tough love)

- Aka they're playing a supporting/defense role, does know how to work behind scenes.

- composes the songs for Socks and Buskins

- smells like..?? Petrichor for some reason?

- Sparrow motif

- did know OreRei

Producers

Aela "Cherry" Barbasdotter

- Heiress to a company in Germany

- Had grown up hopping between Germany and Japan

- is German and Japanese

- Despite being a rich kid, kinda grew "normally" compared to the other rich kids

- Is very much built and towers over Rinne and Kuro

- She knows how to box and is constantly looking to learn other fighting form

- Very stoic and doesn't trust others/overprotective to the point that it's stiffling

- Ceo of OuterGalaxies (Oc Idol Industry)

- Does soften up towards the youngins (Aira, maybe Kohaku.. Sora..deffo Sora)

- Is surprisingly good at making candies

- Doesn't like fighting, but will end them if she needs to (thx sierra)

- Yes, you're getting a background check. Yes she knows about you.

- have stolen cigarettes from people, especially when she's stressed

-cherry motif

Diwa García

- 2nd year student but uhh, how does school work?

- enroll in producer course on pure impulse/wasn't thought out

- extremely impulsive/reckless at times

- you think they would freeze when there's a fire, but you're wrong (isn't afraid of death)

- is very hard to scare and tends to be rather expressionless

- kinda like a jotoro situation where they think she's expressing their emotion, but they're really not?

- only when extremely flustered/confused does she express

- is studying you

- naive in the sense of people, but not in the sins of the world

- knows more then she let's on, let's say the dead don't keep their secrets

- trying to separate herself from her family's gifts

- is very easy to influence/tends to mimic the people she's studying

- has beef with Eichi

- can and will go guard dog for Tomoya/Anzu

- Produces Rab*its

- Makes knitted phone charms (with wards inside them) for Tomoya and Anzu

- this ends up with all the cast getting a charm from Diwa

-did meet Chiaki and Eichi when they were at the hospital.

-cat/death motif

-medium and trying to be normal

- missing their left pinkie

[brookston]

Holidays 7.18

Holidays

Anti-Bigot Day

Chrysanthemum Day

Constitution Day (Uruguay)

Hug a Fat Bald Person Day

Insurance Nerd Day

Lollapalooza Day

Make A List of the People You Love Day

Marine Day (Japan)

National Dapper Your Data Day

Nebet-Het (Birthday of Nephthys, Egyptian Goddess of Beer)

Nelson Mandela Day (a.k.a. Mandela Day; UN)

Perfect Family Day

Perfect 10 Day

President’s Day (Botswana)

Tony the Tiger Day

Weinermobile Day

World Listening Day

Food & Drink Celebrations

International Brewers Day

National Caviar Day

National Sour Candy Day

St. Anou, Bishop of Metz's Day (patron saint of brewers; a.k.a. St. Arnulf, Arnould, St. Arnold)

Third Monday in July

Global Hug For Your Kids Day [3rd Monday]

Guelaguetza (a.k.a. Festival of Lunes del Cerro; Oaxaca, Mexico) [Monday after 16th]

Munoz-Rivera Day (f.k.a. Birthday of Don Luis Muñoz Rivera; Puerto Rico Day) [3rd Monday]

National Get Out of the Doghouse Day [3rd Monday]

National Prosecco Week begins [3rd Monday]

Umi No Hi (Ocean Day/Marine Day; Japan) [3rd Monday]

Feast Days

Arnulf of Metz (Christian; Saint) [brewers]

Bruno of Segni (Christian; Saint)

Camillus de Lellis (optional memorial, U.S. only)

Eadburh (a.k.a. Edburga) of Bicester (Christian; Saint)

Eid-e-Ghadir (Iran)

Elizabeth Ferard (Church of England)

Frederick of Utrecht (Christian; Saint)

Maternus of Milan (Christian; Saint)

Odulph (Christian; Saint)

Pambo (Christian; Saint)

Philastrius (Christian; Saint)

Rabelais (Positivist; Saint)

Symphorosa (Christian; Saint)

Theneva (Christian; Saint)

Theodosia of Constantinople (Christian; Saint)

Thomas Morton Day (Church of the SubGenius; Saint)

Vitulatio (Feast to Vitulatio, Ancient Roman Goddess of Exultation, joy & life)

Water Pistol Day (Pastafarian)

Lucky & Unlucky Days

Prime Number Day: 199 [46 of 72]

Sensho (先勝 Japan) [Good luck in the morning, bad luck in the afternoon.]

Unfortunate Day (Pagan) [41 of 57]

Premieres

Aliens (Film; 1986)

Bad Boys II (Film; 2003)

Closer, by Joy Division (Album; 1980)

The Dark Knight (Film; 2008)

Eureka (TV Series; 2006)

Friends with Benefits (Film; 2011)

Johnny English (Film; 2003)

Jurassic Park III (Film; 2001)

Mamma Mia! (Film; 2008)

The Nun’s Story (Film; 1959)

RWBY (Anime Series; 2013)

Sketches of Spain, by Miles Davis (Album; 1960)

UHF, by Weird Al Yankpvic (Soundtrack Album; 1989)

Today’s Name Days

Arnold, Friedrich (Austria)

Emil, Emilian (Bulgaria)

Bruno, Emilija, Frederik, Ljuba (Croatia)

Drahomíra (Czech Republic)

Arnolphus (Denmark)

Eerika, Erika (Estonia)

Riikka (Finland)

Frédéric (France)

Arnulf, Friedrich, Ulf (Germany)

Aimilianos, Emilianos (Greece)

Frigyes (Hungary)

Calogero, Giusta (Italy)

Rozālija, Roze, Rozīte (Latvia)

Eimantė, Ervinas, Kamilis, Tautvilas (Lithuania)

Arnulf, Ørnulf (Norway)

Arnold, Arnolf, Erwin, Erwina, Kamil, Karolina, Robert, Roberta, Szymon, Unisław, Wespazjan (Poland)

Anna (Russia)

Kamila (Slovakia)

Federico, Marina (Spain)

Fredrik, Fritz (Sweden)

Alfie, Alfred, Avery, Federica, Federico, Fred, Freda, Freddie, Freddy, Fréddy , Freed, Frederic, Frédéric, Frederich, Federik, Frederick, Frédérick, Frederico, Fredrick, Fredy (Universal)

Fred, Freda, Freddie, Freddy, Frederica, Frederick, Frederico, Fredrick, Fredy (USA)

Today is Also…

Day of Year: Day 199 of 2022; 166 days remaining in the year

ISO: Day 1 of week 29 of 2022

Celtic Tree Calendar: Tinne (Holly) [Day 10 of 28]

Chinese: Month 6 (Héyuè), Day 20 (Red-Shen)

Chinese Year of the: Tiger (until January 22, 2023)

Hebrew: 19 Tammuz 5782

Islamic: 18 Ḏū al-Ḥijjah 1443

J Cal: 19 Lux; Foursday [19 of 30]

Julian: 5 July 2022

Moon: 70% Waning Gibbous

Positivist: 3 Dante (8th Month) [Rabelais]

Runic Half Month: Ur (Primal Strength [Day 7 of 15]

Season: Summer (Day 28 of 90)

Zodiac: Cancer (Day 28 of 30)

[brookstonalmanac]

Holidays 7.18

Holidays

Anti-Bigot Day

Chrysanthemum Day

Constitution Day (Uruguay)

Hug a Fat Bald Person Day

Insurance Nerd Day

Lollapalooza Day

Make A List of the People You Love Day

Marine Day (Japan)

National Dapper Your Data Day

Nebet-Het (Birthday of Nephthys, Egyptian Goddess of Beer)

Nelson Mandela Day (a.k.a. Mandela Day; UN)

Perfect Family Day

Perfect 10 Day

President’s Day (Botswana)

Tony the Tiger Day

Weinermobile Day

World Listening Day

Food & Drink Celebrations

International Brewers Day

National Caviar Day

National Sour Candy Day

St. Anou, Bishop of Metz's Day (patron saint of brewers; a.k.a. St. Arnulf, Arnould, St. Arnold)

Third Monday in July

Global Hug For Your Kids Day [3rd Monday]

Guelaguetza (a.k.a. Festival of Lunes del Cerro; Oaxaca, Mexico) [Monday after 16th]

Munoz-Rivera Day (f.k.a. Birthday of Don Luis Muñoz Rivera; Puerto Rico Day) [3rd Monday]

National Get Out of the Doghouse Day [3rd Monday]

National Prosecco Week begins [3rd Monday]

Umi No Hi (Ocean Day/Marine Day; Japan) [3rd Monday]

Feast Days

Arnulf of Metz (Christian; Saint) [brewers]

Bruno of Segni (Christian; Saint)

Camillus de Lellis (optional memorial, U.S. only)

Eadburh (a.k.a. Edburga) of Bicester (Christian; Saint)

Eid-e-Ghadir (Iran)

Elizabeth Ferard (Church of England)

Frederick of Utrecht (Christian; Saint)

Maternus of Milan (Christian; Saint)

Odulph (Christian; Saint)

Pambo (Christian; Saint)

Philastrius (Christian; Saint)

Rabelais (Positivist; Saint)

Symphorosa (Christian; Saint)

Theneva (Christian; Saint)

Theodosia of Constantinople (Christian; Saint)

Thomas Morton Day (Church of the SubGenius; Saint)

Vitulatio (Feast to Vitulatio, Ancient Roman Goddess of Exultation, joy & life)

Water Pistol Day (Pastafarian)

Lucky & Unlucky Days

Prime Number Day: 199 [46 of 72]

Sensho (先勝 Japan) [Good luck in the morning, bad luck in the afternoon.]

Unfortunate Day (Pagan) [41 of 57]

Premieres

Aliens (Film; 1986)

Bad Boys II (Film; 2003)

Closer, by Joy Division (Album; 1980)

The Dark Knight (Film; 2008)

Eureka (TV Series; 2006)

Friends with Benefits (Film; 2011)

Johnny English (Film; 2003)

Jurassic Park III (Film; 2001)

Mamma Mia! (Film; 2008)

The Nun’s Story (Film; 1959)

RWBY (Anime Series; 2013)

Sketches of Spain, by Miles Davis (Album; 1960)

UHF, by Weird Al Yankpvic (Soundtrack Album; 1989)

Today’s Name Days

Arnold, Friedrich (Austria)

Emil, Emilian (Bulgaria)

Bruno, Emilija, Frederik, Ljuba (Croatia)

Drahomíra (Czech Republic)

Arnolphus (Denmark)

Eerika, Erika (Estonia)

Riikka (Finland)

Frédéric (France)

Arnulf, Friedrich, Ulf (Germany)

Aimilianos, Emilianos (Greece)

Frigyes (Hungary)

Calogero, Giusta (Italy)

Rozālija, Roze, Rozīte (Latvia)

Eimantė, Ervinas, Kamilis, Tautvilas (Lithuania)

Arnulf, Ørnulf (Norway)

Arnold, Arnolf, Erwin, Erwina, Kamil, Karolina, Robert, Roberta, Szymon, Unisław, Wespazjan (Poland)

Anna (Russia)

Kamila (Slovakia)

Federico, Marina (Spain)

Fredrik, Fritz (Sweden)

Alfie, Alfred, Avery, Federica, Federico, Fred, Freda, Freddie, Freddy, Fréddy , Freed, Frederic, Frédéric, Frederich, Federik, Frederick, Frédérick, Frederico, Fredrick, Fredy (Universal)

Fred, Freda, Freddie, Freddy, Frederica, Frederick, Frederico, Fredrick, Fredy (USA)

Today is Also…

Day of Year: Day 199 of 2022; 166 days remaining in the year

ISO: Day 1 of week 29 of 2022

Celtic Tree Calendar: Tinne (Holly) [Day 10 of 28]

Chinese: Month 6 (Héyuè), Day 20 (Red-Shen)

Chinese Year of the: Tiger (until January 22, 2023)

Hebrew: 19 Tammuz 5782

Islamic: 18 Ḏū al-Ḥijjah 1443

J Cal: 19 Lux; Foursday [19 of 30]

Julian: 5 July 2022

Moon: 70% Waning Gibbous

Positivist: 3 Dante (8th Month) [Rabelais]

Runic Half Month: Ur (Primal Strength [Day 7 of 15]

Season: Summer (Day 28 of 90)

Zodiac: Cancer (Day 28 of 30)

[whengeorgiawentblue]

Frederico Garcia Lorca and Jorge Luis Borges and Octavio Paz and Rosario Castellanos and César Vallejo and Isabel Pérez Montalbán and Sofía Castañón and Carlo Matos and Raquel Salas Rivera and Natalia Borges Polesso and

Thanks Mish 🥰

Don't forget Rafael Alberti!

[dementedsnowfox]

Introverted Disaster.

Eyeless Jack x OC Description.

Serafina Rivera lived a simple life in the small town of Elizabethton Tennessee, university being the most important thing to her aside from her four year old little girl, and foster parents. Until she met Frederico. Frederico was a mysterious man who she had few classes with, but he drew her in nonetheless. They went on a few dates, and her daughter adored him. And then, with just the blink of an eye it all changed. Blood scattered her walls, her child lay lifeless as he cornered her. He stabbed her in the chest, his eyes glowing an evil red as fangs exposed from his lips. He bit her, watching as her skin turned a sickly white and her eyes began to glow purple. Her mortal life was over, along with her daughter and unborn son's. She gives in to the darkness known as sleep, but awakens to see her children aren't dead at all, merely turned into the same demons as she. That, is when he walks in. And the beast in her awakens as she fully comprehends what he's done to her. And she kills him.

Few weeks later she and her children are hiding in the woods, killing unfortunate innocents who dare enter the woods, when Slenderman shows up with blankets, water, and the promise of a warm and safe home. The price? She gives her life to work for him. She agrees.

[songwriternews]

New Post has been published on SONGWRITER NEWS

New Post has been published on https://songwriternews.co.uk/2020/08/ian-carey-s-o-s-official-music-video-hd/

Ian Carey - S.O.S. (OFFICIAL MUSIC VIDEO) HD

Ian Carey – SOS Produced by Ian Carey featuring vocals by Craig Smart Official Music Video http://www.iancarey.com

Produced by Vid-Atlantic Media Productions, USA http://www.vid-atlantic.com in association with 8112 Studios http://www.8112studios.com

Featuring: Chelsea Harshman, Frederico Magnorsky, and Junior Rivera

Director: Ian Carey and Michael Zemrose Executive Producers: Edward Enciu and Anissa Vance-Harshman Producer: Tadeus Paul Enciu Key Grip: Toy Spears Photography by: Michael Zemrose and Damon Meledones Additional Photography & Assistant Producer: Brendan McQuaid Post Production: Michael Zemrose and Edward Enciu

Special thanks to Gabriel Vance, Greg Fabic, Spinnin Records, Eelko van Kooten, Roger de Graaf, 8112 Studios, John Vallon of JBV Media, Manny Perez and Bahia Honda Rangers, Chris Walter, Andie Teeter, Hawks Cay Resort.

Filmed in The Florida Keys, USA 2009 source

All of the Artists Featured on our pages are already getting lots of publicity everywhere!

Emerging Songwriters & Artists – Songwriter News has evolved into a slick robust music press platform with a smart trendy multi-platform adaptive appearance and an increasing level of site traffic which numbers approx 30,000 page views per week – circa 120,000+ page views per month.

Fans and followers – Get access to the Latest upcoming hits and stars before everyone else ! – Artists and Songwriters get your music in front of our fast growing audience !! 

Now Independent songwriters and artists have access to our platform via our online Press-Room where it is possible to create your very own press release and run a campaign to gain the attention of industry, fans, followers and other site visitors.Find out more by clicking on Press Room in the menu above. Businesses – Studios, Producers , Music Coaches Event Organisers – We have a place for you on our pages too – Click on the Advertising section to see our banner advertising rates and Find Your tribe with SongwriterNews.

[loverepresentstuff]

25.01.19

Modern Couples

The following serves more as a warning than a review of an exhibition, as Modern Couples: Art, Intimacy and the Avant-garde is only exhibiting at the Barbican for another two days. If like us, you were late to discover this extraordinary show, we’d recommend you hightail it to east London tout suite! Should that be impossible between now and Sunday evening, here’s an overview of what you missed.

“Featuring the biggest names in Modern Art, Modern Couples explores creative relationships, across painting, sculpture, photography, design and literature. Meet the artist couples that forged new ways of making art and of living and loving. The exhibition illuminates these creative and personal relationships, from the obsessional and fleeting to the life-long.”

This ‘greatest hits’ introduction to the show does little to capture the breadth and depth of Modern Couples, nor its illumination of many lesser-known talents of the 20th Century. Of course, the show pays homage to some of art’s most celebrated relationships; Frida Kahlo and Diego Rivera are featured, so too are Picasso and his lover Dora Marr. But both of these couples have already been editorialised extensively in books and exhibitions, and we learn little more about them from the scant offerings on display.

But that really doesn’t matter. We know these people already, and where Modern Couples really excels is in its exploration of the lesser known. It is unlikely, for example, that anyone without an in-depth knowledge of the Bauhaus would know that Walter Gropius had an illicit affair with Gustav Mahler’s wife, Alma, and that the two were married some years after Gustav’s death.

Fewer still would be aware that in between those two relationships Alma shared an intense romance with the painter Oskar Kokoschka. For three years the painter rendered his lover and muse obsessively in all manner of media until his affections smothered her and she left him for Gropius while Kokoschka fought in the First World War. To deal with this loss, Kokoschka kept a life-size furry replica of Alma in his studio for almost four years after the relationship ended.

After her marriage to Gropius, Mahler married a third time, to the novelist and playwright Franz Werfel, whose work she supported until his death in 1945. A composer, writer and socialite of iconic status at the time, Alma Mahler was a prodigious talent in her own right. In Modern Couples, she is presented not simply as a passive bystander and muse, but an active partner engaged in the creative development of her lovers.

Elsewhere in Modern Couples, the artistic and romantic links are more tenuous, and it’s debatable whether particular relationships are really echoed in the creative work. In spite of this, the reward of revelatory stories like Mahler’s, or the exploration of the relationship between Salvador Dali and Frederico Garcia Lorca (Gala barely gets a look in) ensure that there is an abundance of material for the viewer to enjoy.

Modern Couples: Art, Intimacy and the Avant-garde is at The Barbican until January 27

[beast-of-moss]

So yeah, anyway, 4/10 of my enstars ocs.

[beastofmoss]

SOCKS AND BUSKINS: ENSTARS OCS UNIT!:

Okay, okay. So it's a three unit group that had theater motifs, each song is supposed to be a story and deal with comedy/tragedy (hence the name). The unit members are José Díaz(Silent King), Sierra Rivera (Double-faced Queen), and "Frecil" Frederico Rivera(Blind Jester).

I'm still trying to figure out the uniforms for the unit, but I'm thinking of basing it off the fairy court from Midsummer's night (Oberan, Tirana, and Puck) or something similar to that aspect. Keep switching between light greens/earth tones and more royal colors. All I know is that each unit member will have some motifs for their character that they play.

Each song is supposed to tell a story—first starting off with one of the characters (Jester, Queen, or King) setting the stage and telling the audience what they think is happening verus what's actually happening. Much like a musical or play. Each character has a different point of view of each event/past songs, and it changes from either tragic to comedic really quickly. I want to explore the relationship between tweaking a story/how comedy and tragedy are linked/etc. And how easy it is to change the perceptive.

Funny enough, all the idols in this unit are trans—I didn't realized this until a few weeks ago.

Also, disabled as well—José has a arm prosthetic and is selective mute while Frecil is legally blind. This does cause some issues with getting shows done, it just means that they have to do things a little differently. Something I'm willing to explore more.

Sierra has a hearing aid, but I need to do more research into hearing aids/hearing loss—so please be patient with me^^!

The Silent King and The Blind Jester are supposed to be semi-foils. The story of Socks and Buskins is still being fleshed out atm.

José is actually the writer for the story with Frecil being the co-writer. Frecil composes the music and Sierra does the choreography.

The unit was founded by both Frecil and José. Despite Frecil being very, very, experienced in the idol world—they gave the leadership/"King" position to José. Frecil acts more like a guide/mentor towards José and sometimes Sierra. Sierra and Frecil are recent step-siblings (both their mothers met due to the creation of the unit, yes its hell)

Aela "Cherry" Barbasdotter is their sole producer. She's been with the unit since near the start of its creation and damn, very very overprotective to the point that its suffocating.

Anyway, that's it so far~! I'm really excited to, well, get character sheets down for these guys~! I've been working on them for quite a while, and kinda just upped the silliness/antics a bit more due to the media being—well— Enstars. Also, I wanted to touch roots with my amateur theater kid sooo~!

[mossofbeast]

Basically how it went down

[diagramatologias]

Bólide

Esboço para a segunda parte de uma resenha do livro “Hélio Oiticica Para Além dos Mitos”, organizado por Bárbara Szaniecki e Giuseppe Cocco. 

Manusear um bólide. Segundo o Google, “bólide” é um termo pertencente ao campo da astronomia: meteorito de dimensões apreciáveis que, na forma de um globo inflamado e brilhante, atravessa velozmente a atmosfera terrestre, podendo fazer ruído, deixar rastro luminoso e mesmo explodir. Por analogia, qualquer corpo cujo deslocamento se dá em grande velocidade. Um bólide é um corpo intenso, veloz e radiante. Sua cor não se reduz a uma propriedade abstrata, mas é parte física e dinâmica do objeto, como se este estivesse possuído ou inflamado pela cor. E seu toque queima, afeta, oferece perigo. Suas partes móveis estão disponíveis ao manuseio, de modo que a sua forma, sua materialidade, sua cor não estão dadas: estão abertas a uma experiência participativa. Essa abertura à participação, uma vez sugerida, avança todos os limites: depois do bólide, tudo vira bólide. Nunca mais deixará de se impor, no museu, a pergunta por que não posso tocar? Daí que a socialite Narcisa Tamborindeguy, na sua visita a um estande da Tate Gallery, possa tornar-se a crítica de arte definitiva ao parodiar a censura a ela dirigida: “don’t touch – it’s art!” – hoje os bólides de HO expostos na Tate já não podem ser tocados, e apresentam-se em uma configuração estática das suas partes móveis, para a simples contemplação.

Já fora do museu, na generalidade dos objetos e de seus diferentes valores de uso e de troca, se sugerirá sempre a questão: por que isso não é arte? Qual a diferença da minha experiência pariticpativa do bólide e da minha participação em tantos outros objetos vivos do cotidiano? Falando da sua experiência com o bólide lata-fogo, Oiticica (1986, p. 80) explica que faz-se ali uma espécie de “aproximação geral”, no sentido de que “quem viu a lata-fogo isolada como uma obra não poderá deixar de lembrar que é uma ‘obra’ ao ver, na calada da noite, as outras espalhadas como que sinais cósmicos, simbólicos, pela cidade”. Arte cósmica! Como ressalta a introdução de HO para além dos mitos, os objetos participativos de HO, junto à proclamação de que “o museu é o mundo”, nos levam a dar-nos conta da generalidade da produção artística como produção de gestos e de modos de vida sempre operante e independente de qualquer autoria ou vontade individual. Muitas vezes o gesto (e o gosto) de HO não é mais nem menos que o de apontar a poesia por trás da criação geral e anônima. 

Como coloca Giuseppe Cocco (2016, p. 79), o trabalho de HO põe em questão “uma circulação que já é produção" e que se aproxima muito da temática do trabalho imaterial e da produção do comum: "entre redes e ruas, os territórios metropolitanos são atravessados e desenhados por um trabalho que se torna cada vez mais comunicação" (Cocco, 2016, p. 80). Nesse movimento, “a instituição museu hoje aparece ao mesmo tempo obsoleta e nova, ultrapassada e urgente”, na medida em que museu e mundo entram em tensão. Como lembra Paola Berenstein Jacques (2016, p. 148), a percepção da generalidade e abundância da produção estética já se encontrava no Manifesto da Poesia Pau Brasil de Oswald de Andrade: “A poesia existe nos fatos. Os casebres de açafrão e ocre nos verdes da favela, sob o azul cabralino, são fatos estéticos” (Andrade, 2017, p. 21). Com efeito, avançando um pouco no mesmo manifesto, podemos encontrar já ali referência a uma “democratização estética” (Andrade, 2017, p. 23) prefigurativa de toda essa temática: “Veio a pirogravura. As meninas de todos os lares viraram artistas. Apareceu a máquina fotográfica […] – o artista fotógrafo. Na música, o piano invadiu as saletas nuas […]. Todas as meninas ficaram pianistas”. O que diria Oswald diante da proliferação de dispositivos móveis, aplicativos e redes sociais de todo tipo, que fazem de cada usuário um produtor de conteúdo em múltiplas mídias? 

Lisete Lagnado (2016) ressalta o aspecto programático do pensamento/prática de HO, e coloca a questão se não seria possível pensar e praticar o terreno baldio e o ponto de ônibus como museu. Já Frederico Coelho (2016) ressalta que o “momento ético” no trabalho de HO se liga à necessidade de por-se em contato com o marginal (de estar sintonizado com ele, antenado – o que só pode ser feito de um jeito corporal), e não, simplesmente, de defender a sua representação no âmbito de determinadas instituições. Não se trata aqui – “os casebres de açafrão e ocre nos verdes da favela” – de uma romantização da pobreza, mas do reconhecimento de uma certa riqueza da pobreza, que não permite nenhuma condescendência e é – isso sim – desafiadora ao pensamento e à prática. Como explica Celso Favaretto (2016, p. 162), “o interesse de Oiticica por práticas populares não implicava recurso à valorização, dada naquele momento, à cultura popular com ênfase na mitologização das raízes populares” – esse interesse vai além dos mitos. 

Nesse ponto, Cíntia Guedes (2017, p. 124) faz uma ressalva importante: “tanto a retórica da 'descoberta' quanto da 'apropriação' faz parte de um vocabulário que se tornou obsoleto para aqueles atentos aos debates sobre as questões raciais". Chega-se a um ponto em que o modo de funcionamento da obra de Oiticica, representado de um jeito demasiado estrito, “não é mais suficiente” (Guedes, p. 133) para resolver a questão da relação favela-museu. Hoje talvez já não fosse questão de apropriar-se de um recorte do múltiplo para assim transformá-lo em arte, mas de manter a não-propriedade (a "comunidade" -- e aqui se deve ouvir tanto a identidade entre a arte e a corporalidade geral quanto o nome “politicamente correto” das favelas) da produção estética. Já basta que elementos da favela sejam apropriados e trazidos para o museu. Que o museu seja o mundo deve ser interpretado em toda a radicalidade que a fórmula já trazia, de certo modo, na concepção de Oiticica: que a favela, na própria favela, já é o motor artístico e democrático radical, de produção estética e de formas de vida em comum. 

Nas palavras de Zacca (2016, p. 209), a radicalização das proposições de HO “exige a socialização dos meios de produção artísticos”, sendo possível que estes “se tornem, gradualmente, mais importantes que as poucas obras que terminemos por deixar" (nós; HO; artistas quaisquer). Mais importante que a obra de Oiticica é o gesto, a sua reprodutibilidade open source”, o seu “creative commons” avant la lettre. "Penso em fábricas geridas pelos trabalhadores”, escreve Zacca, “penso na reforma agrária, na expropriação dos meios de produção, e na sua socialização". No mesmo sentido, o filósofo Peter Pal Pelbart (2016, p. 235) afirma que “o que realmente está em questão é o modo de produção de novos valores”. Já não se trata, para ele, simplesmente de “mexer nos valores”, “substituir um por outro”, “revirar colocando no alto o que estava embaixo”, mas de “mexer no modo de produção dos valores, na maneira em que eles são criados, investidos, idealizados, reificados, para que a criação de valores reflita uma relação outra com a instância que os produz”. 

Ana Kiffer (2016, p. 182) ressalta, entre a importância da correspondência e da “máquina arquivística” posta em funcionamento por HO, a “sensação de que em proveito do projeto a obra foi abortada”, isto é, de que já não é tão importante o conjunto de obras assinadas por Hélio Oiticica quanto um projeto aberto (“propor propor”) que é posto em circulação e abandonado ao uso comum. Nesse sentido, interessa a noção de programa e sua relação possível com a de algoritmo – série de instruções a ser executada em um contexto por determinar. Criação de algoritmos que podem ser executados e editados por diferentes agentes em diferentes situações. Se hoje, como alguns propõem (Cf. Rouvroy, 2016), a governamentalidade é praticada cada vez mais à base de algoritmos – e, de certo modo, isso já estava em Foucault (1982) –, talvez seja em um gesto de devolução dos algoritmos à propriedade e à editabilidade comuns que se possa encontrar uma prática política à altura das questões contemporâneas. 

Nesse sentido, levar HO "para além dos mitos" talvez tenha a ver com superar o projeto mítico do "fundar o si mesmo" (Rivera, p. 176) em prol do outro projeto que HO leva em paralelo, aquele de desfundar o si mesmo, renunciar à apropriação, à autoria, em proveito da generalidade produtiva da vida – é possível que HO não tenha se dado conta de como a noção de “apropriação” trabalhava, em certos sentidos decisivos, no sentido contrário da sua proposta. Basbaum (p. 231) fala de "uma pedagogia das vanguardas" ainda a ser ativada a partir da obra de HO – mas isso só pode fazer sentido se a concepção de vanguarda for deslocada consideravelmente (coisa da qual Basbaum tem consciência). Não mais o artista de vanguarda na sua concepção modernista, mas a vanguarda talvez como essa potência criativa comum que se dispõe além de qualquer indivíduo, pessoa, sujeito, autor ou artista. 

Daí a crise da noção de museu – que não implica na sua desaparição, mas em um reposicionamento radical do seu problema. Em sua contribuição para o livro, Isabela Pucu (2017, p. 257) busca incluir, através do conceito de crise, da crítica no seio da própria instituição museu. Esse “fazer instituição como crítica” vem na forma, de um lado, do "movimento de saída dos espaços institucionais por parte dos artistas" e, de outro, no "engajamento de artistas e críticos na reelaboraçao de espaços institucionais". Trata-se ao mesmo tempo de "manipular estrategicamente a força de instituições canônicas" (Pucu, 2016, p. 264) e de uma "produção de institucionalidades minoritárias", a exemplo do movimento de coletivos de artistas iniciado em meados da década de 1990, baseada em "políticas da amizade e em processos de trabalho colaborativos”. Para Pucu (2016, p. 268), essas práticas “nos ajudam a estruturar não apenas outra ideia de museologia, mas, em última análise, são fundamentais para instituir a sociedade que queremos". O museu de arte, nesse sentido, se coloca como paradigma para uma democracia que vem ou por vir, a ser pensada a contrapelo da representação em seu sentido amplo – não a partir da representação do povo no poder, mas da plasticidade do poder e sua vulnerabilidade à força do povo, com a inclusão de um conceito de crise que aproxime o máximo possível os conceitos de instituição e de crítica. 

Jesús Maria Carrillo Castillo (2016) chama atenção à dificuldade do dispositivo museu de permanecer operante hoje, mesmo dada sua preservação como instituição, e para a relação entre esse processo e movimentos como o dos indignados da Espanha – processo em que a relação entre representação e mediação política e artística se aproximam muito. “Hoje em dia é impossível e impensável reconstruir a identidade dos corpos, a simultaneidade dos tempos e a continuidade dos espaços que se afiguravam de forma idealizada numa visita a uma exposição”, Escreve Castillo (2016, p. 326) – e talvez o mesmo valha para a política e a democracia. Talvez o próximo passo na história das democracias esteja ligado ao reconhecimento de que, com a disseminação dos jeitos de ser, já não seremos mais parecidos como um dia pensamos ter sido, e que, nessa multiplicidade, as formas de representação e mediação tradicional, calcadas na semelhança, tenham-se tornado insuficientes. 

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[smokedcapybara]

I kinda really want some opinions on the names I’m thinking of using for my comic since I’m not from any of the cultures the names come from so I’m gonna list the names and the countries/religions my internet research told me they’re from and if any of y’all are from those countries/religions please tell me if how I’m using the name is in any way not ok or if it’s not actually from where the internet told me it’s from. and if you aren’t from any but you know someone who is that you could talk to about it for me that’d also be great.

Ailbhe Grey (Ireland)

Marcus Frederico Casiano Vargas (Puerto Rico)

Gonzalo Ermano Padilla Rivera (Puerto Rico)

Romula Andreina Perez Cavallero (Puerto Rico)

Anayah Wali (Arabic/Muslim)

Laila Jones (African American)

Ji-hu Yi (Korean)

and I also need help deciding between the Indian surnames Anand and Ranganathan for a character named Sunandan

[beast-of-moss]

Colored it.

[beast-of-moss]

Been working on this just for fun. Uhuhuh...Oc be upon thee