#frog questions

[butchfairyzine]

Butch Fairy Zine: Answering questions

What art style are we looking for? What is the estimated timeline? Will you get paid? we answer them here!

We will be answering more questions and posting them in the days leading up to the artist application form opening. So if you have questions, use our inbox, or you can fill in our interest form and leave them at the bottom. And if you have queries for the frog, you can leave them there too. He is very busy, so keep that in mind.

Find the interest form here.

Our Artist Application form will open on the 12th of January 2024.

text version under the cut

What type of artists are you looking for? And are you after a specific style or a range of styles?

We are looking for artists who can create pieces with fully rendered fairies and a background within the specified schedule. These can be digital artworks that are flat colour artworks, paintings, a mixture, or another style entirely.

We will also accept mixed media and traditional artworks, but they will need to be scanned at a minimum of 300dpi.

~

When you sign up for an artist position, are there any requirements to be a part of the team?

E-mail communication is required (discord is optional).

You must have a PayPal account to receive payment.

You must be able to communicate comfortably in English.

You must be 18 or older at the time of signing the contract by the 16th of February.

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For artists accepted into the zine what would be the timeline for completing and submitting artwork?

Our current schedule for the artists requires concept ideas to be submitted by Feb 16th, and the final version by May 16th! Progress check-ins will be on Feb 29th, March 21st, and April 11th.

(In the image there is also a table including this information as well as the final submissions date being May 16th)

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When the zine is for sale, where would the profits go to (charity, zine admin, etc.)?

We are aiming to hold pre-orders in June/July of 2024, with a flat fee paid to all contributors and additional proceeds split between contributors and mods.

Our priority is to make sure each contributor is paid fairly for their work. If sales do well enough, 20% will be used for future books and projects, and 80% split between taxes and fees, production costs, contributors and shipping costs.

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Is this physical or digital and will there be prints of the art available? Got any merch ideas planned to go along with the zine?

Both physical and digital! Our goal is to make a 210 x 148 mm (A5) perfect-bound soft cover book.

We also plan to add some paper merch, including prints of some of the art from the book. Additional merch ideas include stickers, sticker sheets and bookmarks.

[gascreates]

emotional support frog

who will absolutely eat your hand.

[vamprisms]

i am sad to report that the pocket sized vampire has been staked with a cocktail stick

[marclef]

a special gift for you guys, for this very important Fake Peppino Friday.... after a week of near-continuous work, i present to you the biggest mess i've posted so far to tumblr:

The Fake Peppino Headcanon/Biology/Anatomy/Whatever the heck this is Post

really just a bunch of headcanons, ideas, and other stuff i've complied together for Fake Peppino, illustrated to the best of my ability. i hope you enjoy! ✨✨✨

(caution: lots of text and assorted Frogs up ahead)

now.... who's ready for walls of text and drawings?

Fake Peppino is a homunculus, made in the shape of Peppino by Pizzahead. He's much taller than the real Peppino, 8 feet tall compared to Peppino's 5 1/2 feet. He was created using the DNA from Peppino (either skin or hair cells), old pizza, and frogs (think Jurassic Park). His entire body, including the hat and "clothes", is comprised of a strange goop, with no flesh organs or bones, though certain areas are made out of specialized goo, meant for an intended purpose.

He can stretch his body to inhuman lengths, though he usually only does this with his legs, mouth, tongue, and arms. His goopy body is extremely strong, able to withstand tearing and most puncture wounds. Attacks from knives or similar weapons are pointless, as it doesn't really harm him, and will likely just lead to him absorbing the knife into himself and retaliating. However, repeated attacks, especially physical blows, can tire him out, and explosives can harm him, splitting his body into pieces if particularly strong. This doesn't kill him, though, since he can reform his body.

If threatened, or trying to get into a tight spot, Fake Peppino can deform his body into a blob-like mass, allowing him to flee, squeeze into small areas, or melt into the floors/walls. He usually keeps his eyes and brain intact, to see his surroundings and act accordingly. The rest of his body, despite deforming and becoming mushy, can still function, meaning he could still eat in this form if he wanted to. He finds tights spaces comfortable, and can often be found squeezed into unlikely places, such as small containers, trash cans, and cabinets.

If greatly threatened, though, or sufficiently angered, Fake Peppino can pool all of the energy into his body into growing larger, by rapidly burning energy into making more goop/cells. This is very tiring, generally only used as a last resort. The process generally makes his head and body much larger, with his limbs, as well as eyes/brain, staying mostly the same size. He is dumber in this state, with all energy and thought going into eliminating the target, something that Fake Peppino doesn't like. He avoids lashing out like this unless he absolutely needs to.

Despite his frog DNA, Fake Peppino doesn't do well with water or other similar liquids. Thanks to his sturdy stomach walls, he can drink most liquids just fine, even fluids that would be dangerous to humans. It's his outside "skin" that's the problem, since it can't absorb liquid properly. Prolonged contact with water or other liquid will quickly cause him to deform, unable to keep his humanoid form, until he's sufficiently dried off/absorbed the liquid properly. He greatly dislikes being wet because of this, and will go to great lengths to avoid it. Warmer liquids are slightly more tolerable, being much more comfortable, so warm, bubbly baths are welcome.

The brain and eyes are connected directly, with the brain protected by Fake's squishy head, and the eyes popping out the widened eye sockets. The brain is made of very specialized goop, and works very similarly to a human brain, sending signals to all parts of Fake Peppino's body.

However, despite it being the central control center of his body, smaller bits of brain cell goop are distributed through the rest of his body, allowing him to control other parts separately. So, even if parts of him are detached or otherwise removed, he can still control them, for a time. After some time, these parts die off though, losing control and deforming into inert goop. He mainly uses this ability to split "clones" off of himself, controlling them to attack perceived threats.

Being made of goop, Fake's brain can withstand damage a normal brain can't, but he still prefers to keep it protected underneath his head. It dries out a bit in the open, too, which he finds uncomfortable.

Fake Peppino's eyes are very strong. Though he's often seen with a cross-eyed look to him, he's constantly watching his surroundings, even if it doesn't seem it. He has excellent night vision, often using this ability to easily stalk and sneak up on prey in the dark without being spotted.

He doesn't need to blink, but he still closes his eyes to sleep, when he's very happy, or during certain actions, such as swallowing. His eyes are one of the most vulnerable parts of his body, though, and attacking them would be a way to easily disorient him.

Fake Peppino's sense of smell is also impressive, being able to smell things long before he sees them. He uses this ability to easily find food, prey, or simply something he wants. The mustache under his nose (which, same as his "hair", is also made of goop) is sensitive, and he doesn't like others touching it.

Fake Peppino often sniffs things he's interested in, including strangers, to try to get a sense for them. He never forgets a particular smell, which makes it easy to tell if a familiar person is nearby. He often sniffs others while holding them or being given attention, likely as a form of interaction. Plus, he just thinks most others smell nice.

Despite, like the rest of him, being made of goop, Fake Peppino's teeth can harden to be extremely tough. They soften if he needs them to, such as when he deforms. His bite force is very, very strong, comparable to a hippo's bite. He doesn't chew his food too often, though, and only really chews up food he finds particularly tasty, such as pizza. His frog-like instinct usually compels him to swallow most foods whole. His teeth are more often used to grip things, such as prey items, or to carry things around. He enjoys carrying things he likes around, and will carry smaller friends around gently with his mouth.

The stretchiest part of Fake Peppino's body is his tongue, which can stretch to several times his body length. It is very sticky, coated with a clear, saliva-like goop that fills the inside of his mouth as well. Like a frog, he uses it to grab onto and eat food from afar, or to grab items he doesn't feel like using his arms to. It's very strong, and can drag even very heavy objects. The tongue's extreme flexibility allows him to reach it nearly anywhere, even down his own throat if he really wanted.

Usually, Fake Peppino uses his tongue to snatch fleeing prey items, and he can wrap it around their body to make them easier to eat. He often leaves his tongue dangling slightly out of his mouth, due to its length, but also making it easy to strike with if needed.

Fake Peppino's "stomach" is a very special case. It functions like both an organic stomach, and similarly to a lung as well, constantly moving by pushing air in and out of himself. He can use this to inflate his body, making himself bigger for intimidation (like some frogs do), or to shrink himself down by releasing all air from himself; this is generally used if a prey item is being uncooperative, to cause them to suffocate. To help keep live prey in place as well, he's able to close off his throat with a mass of goop, preventing escape.

The constant movement of the stomach makes digesting meals easier, allowing them to be coated by a specialized goop that absorbs and dissolves what it covers, like stomach acids. Fake Peppino's stomach can digest almost everything, aside from very tough materials, such as most metals, very solid plastics, tough minerals (like rocks), and bones. Anything he can't digest, he simply spits up eventually, generally in a place it can be disposed of, such as the trash.

His stomach is very sturdy and stretchy, able to withstand almost anything, and can stretch as much as needed to fit what's inside. As such, there's not much of a limit to how much Fake Peppino can eat. Eating too much makes him sluggish, though, as his body tries to process it all. Fake Peppino is most content with a reasonably-full stomach, and is generally quite calm and relaxed after a large meal. Belly rubs at this point are greatly appreciated.

If needed to, he can reach his arms back into his own throat, to grab something from inside of his stomach. He doesn't do it often, due to most things he eats being digestible, making carrying stuff around in there fairly pointless. This is only ever really the case if it's something too difficult to spit up, or something that wasn't supposed to be eaten in the first place.

There is no further digestive system, however; all food eaten is 100% absorbed in the stomach. Everything he eats is converted into more goop like him, leaving no trace behind, unless it is undigestible. Bones from eaten prey such as rats get thrown out, or disposed of in an appropriate spot.

and... though I didn't get to drawing them, here's a couple extra unsorted headcanons/dumb little tidbits I just felt like sharing!

He makes lots of strange sounds, communicating more through groans and frog-like croaks than trying to speak. He CAN talk, but not well, mostly in broken, short sentences, and usually speaks "backwards". He can understand others just fine, though he struggles with especially long and complicated words. The sounds he makes when not talking are generally unintelligable, but his mood and tone can indicate how he feels. He uses the ability to inflate his body to produce very loud, aggressive sounds when trying to ward off threats.

His gooey body is what allows him to cling to walls and ceilings with ease. He sticks to walls while trying to stalk prey, or just to play around with friends. Though, in some cases, he'll cling against the walls or ceiling if frightened, finding them a safe vantage point. If you're in the dark and feel something creeping its way towards you, it's likely Fake Peppino, silently stalking you from the walls.

Despite his inhuman traits, Fake Peppino generally doesn't like the idea of eating humans. He still sees himself as somewhat human from his time spent believing he was the real Peppino. Attacking or eating things he doesn't see as prey is kept as a last resort, or if he's extremely angered. As of now in my canon/AU, there is only one person Fake Peppino has killed in this way. He didn't like the taste.

[thatsbelievable]

[markscherz]

Prepare for the worst frog question you've ever received :(

Why do frogs pee when they make their escapes? They've soared high over my head, raining pee down on me (and in one case, my ice cream). They've leaped into the water at astonishing speeds, with the aid of projectile peeing. They've paced themselves and done one thousand short hops, peeing the entire way for emphasis.

But none of them have ever told me why... no matter how politely I've asked. Wise and powerful Tumblr frog guy, why do they do it?

Frogs are actually employed by the local firefighting service to help prevent wildfires. Every time they get scared, they release the flame retardant.

[beatcroc]

i already wrote up a whole essaypost about the dynamic for these two but it's funnier to summarize it like this. also it's the only way youre gonna see anything resembling fp getting closure abt any of this :^) [x]

[crystal-mouse]

if they'd shown me this in science maybe i would've learnt more

[mousebraintakeover]

wordgirl if it took place in nevada

[elizabethrobertajones]

Deliberately chose the binary yes/no, but with the caveat that you can be as pedantic as you like because it's about how you FEEL. Are they from Doma but actually that nice farm you can see across the water in Yanxia and so you've never set foot there but you sort of feel at home in the zone? You can click yes. You made them from Dalmascus and an alliance raid runs right past their old front door, but it doesn't feel like a legit place to hang out in game and you're sad they didn't give us a full zone out there? Click no!

I've wondered about this since I started playing because the character creator gives you vague geographic details before you even start and maybe know nothing about the world, and then takes you up to the starter city like you're from somewhere else, and sometimes if you roll a character without knowing the story you end up accidentally Magnai's long-suffering sibling because of your choices and the naming conventions in the randomiser. How much drastic change has that caused or are you sticking with early OC characterisation plans?

[butchfairyzine]

What content is allowed?

Will artists be able to draw fairies from mythology and folklore? How about non-european inspiration? Will there be nsfw art in this zine? What type of writing will be included?

Apps open on the January 12th , 10 am AEDT, (Jan 11, 6pm EST for the US). And will close on the 19th of January, or once we reach 500 applications.

[amphibianaday]

could I use ur life changing firefrog art as icons for firefox on my computer (so for personal use)? it would improve my quality of life tenfold i think

hell yes i actually made them transparrent for this very reason

also here they are again so you (or others who wanna do this) don't have to go searching

[askblueandviolet]

emotional support frog returns to check on things

it has lots of stuff from its travels

MASTER POST

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[kagender]

my neurons are snapping like cat gut strings

[markscherz]

A new friend!

[daily-hanamura]

I kind of wished that the persona 4 cast wasn’t stuck in a narrative where the main theme is ‘always accept the role thrust upon you and if you don’t like it, just force yourself to like it’. Yukiko actively wants to leave Inaba and create her own life, but is portrayed negatively when doing so, with her character arc involving her accepting the role thrust upon her. Don’t get me started on Naoto. I know you’re the Yosuke guy, and was wondering what are your thoughts on this when applied to Yosuke?

I want you to know that being called "the Yosuke guy" is now my greatest achievement you've made my day everyday for the last week

I do agree with you, and I think it was one of my initial issues with P4 where, for a game whose entire narrative is about being true to yourself, it sure falls back into that tired sense of social conformation a lot. It's grating, right, because it feels like what they really mean to say is "be yourself! but not too much and not in a way that makes other people unhappy and make sure you're still living up to other peoples expectations because that's the real reason why you're unhappy with yourself, you haven't accepted who we want you to be (which is the real you that we've decided) etcetc" and it just undercuts the emotional impact of their self-acceptance (see also kanji and rise). (dw I know P5 also kind of has the same problem, and I can go into a whole thing about the limits of transformative narratives written by capitalist corporations but i wont. today-)

I think with Yosuke though, it's really interesting because his character arc is more so tied to his relationship with Inaba as a place, rather than his fundamental self-perceptions. It's established early on that Yosuke hated the town for various reasons; he's a city boy who wants excitement and connection, but most of the town hates him so he's shit out of luck and it gives him little reason to like the town back. As the game progresses, he starts to like the town -- "it's not about where you are, but who you're with", so it's his friendships (and having people who accept him for who he is) that makes the place meaningful for him. And, at the end of the day, Yosuke did get what he wanted - excitement and connection.

But he's not tied to Inaba.

In P4AU, it's revealed that Yosuke's struggling to figure out what he wants to do in life, but by the end of it he tells Yu that he wants to leave the town and go to college with Yu in the city, and that he wants to see the world and experience more things for himself. It fascinates me because it very strongly implies that Yosuke's arc isn't complete as we're very expressly told that he's still developing. It stands in contrast to the other characters who have effectively been fixed into some role or position (Yukiko as an inn manager, Rise as an idol), and unlike them, Yosuke hasn't been permanently relegated to the things that he starts off hating. He hasn't been written to stay in Inaba or even to continue working at Junes after graduation, instead he gets the opportunity to try things. imo this makes his arc more situational (and therefore layered) - Yosuke's perspective on his circumstance matures, but who he is as a person doesn't have to change, and he's not forced to make a trade-off with the wishes he had at the start.

This might be because Yosuke is Atlus' favourite character of the contrast between Yosuke's city background and the rest of the Inaba folk. There's a guy in the school who talks about how most people who finish high school in Inaba just go on to get jobs, and very few actually leave for college and beyond. It's something deeply realistic and reflective of human geography IRL, because that's very common in small communities. A fear of the outside world because of how isolated they are (and Inaba kind of is - remember how Yosuke said they barely had cell connectivity up until recently) means they tend to look inwards instead of out, so there isn't as strong an awareness of what else there is out there and a belief that your options are basically just that (it also makes it all the more impressive that they have surprisingly well-traveled teachers). Yosuke, on the other hand, is very much connected to the internet and the outside world, and he also tends to think about the things that he's missing out on more tangibly.

It makes for a very interesting parallel with Yukiko, who had grown up in Inaba all her life and also expresses that same interest in wanting to go out and see the world. Yukiko's idea about the kind of options that she has is weirdly limited for someone who is supposed to be at the top of her class. When you meet her at the bookstore, she talks about getting a job license so she could leave town, and her first thought was interior decorator (do you even need a license for that? it's not a chartered profession unlike an architect or interior designer, but things might work differently in japan). And maybe she does have a genuine interest in it so I'm talking shit, but it also feels like it's a job that she's aware of only because of the ryokan. As far as I could tell, we don't actually see her express any interest in, say, furniture themes or colour swatches and fabric textures in the way Kanji very clearly does. Her world view, like everyone else, is bounded by the reach of her experience, but because Inaba is so small and cloistered it impedes her ability to imagine beyond that. Even when she's thinking of leaving, her options are still limited to her experiences at the inn. I'm still really salty about how she decided to stay at the ryokan in the end, because something much more satisfying in my opinion would have been for her to get the opportunity to try different things elsewhere in the world, and if she decided that the ryokan was the right thing for her, then, well, fine, I guess? Or some cliche like exploring other inns elsewhere so she could bring that knowledge home. Especially since she had the support of her family and the inn staff, it makes her narrative feel more like an acceptance of her lot in life, rather than a genuine realisation that yeah, this was what she wanted, which was what the game wanted us to think, except it's not convincing. Instead, it just feels like a weird stagnation because her initial wish of wanting to see the world beyond the ryokan was not satisfied.

But hey, guess who does!

Yosuke gets to learn how to make the best of a situation, but ultimately, he's not beholden to it. He - and his writers - understand that he's not done growing, so he doesn't fix himself to a role that he doesn't like. AND IT'S GOOD. I just wish everyone else got that opportunity.