#ganja princess

[bratty-kitten-bby]

Happy 420

I've posted a bunch of lovely ganja themed photos on my Fansly

I'm having a special sale!

[weed-lovers]

[catarinapetite]

[lilbbyhaiku]

Baby Milo, Maryjane & Me ♡︎ ₊˚⊹

[thegraceofganja]

Hand me a Blunt & Tell Me I’m Pretty

[bratty-kitten-bby]

DNI blogs that are

> under 18 years old

> Terfs

> homophobes

> showing hard drugs

[ any blank or bot blogs will be blocked ]

Link to all rooms

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[sizzysizz420]

Hell yeah I'm the mf**n

✨✨Princess✨✨

[cravinganescape]

✨ INDICA PRINCESS 👑 💕

[crispysinnsawwce]

デ 𝔐𝔢 𝔞𝔣𝔱𝔢𝔯 ℑ 𝔰𝔪𝔬𝔨𝔢 𝔞 𝔧𝔬𝔦𝔫𝔱 𝔞𝔫𝔡 𝔥𝔞𝔳𝔢 𝔰𝔬𝔪𝔢𝔱𝔥𝔦𝔫𝔤 𝔱𝔬 𝔢𝔞𝔱: ══━一

[bratty-kitten-bby]

I'm having a sale for the rest of April on my Fansly page.

It's full of loads of good content and lots of full length videos coming this month 😜

[thousandhandbrightskycannon]

Towa dear, take a breath.

[the-stars-sigh-when-i-get-high]

The way my puckered hole suckled right back up into my sphincter when I saw those flashing lights😳😮‍💨🫠

[tybaltsjuliet]

must see horror movies?

the cabinet of dr. caligari (1920). the first cult film. the first horror film. the sets! the somnambulist! the cultural debts we owe this movie will never be repaid.

häxan (1922). a folk-horror fantasia. i've been thinking a lot lately about that teju cole quote about how fiction and nonfiction is not a natural way to split up narrative experiences, and this is a wonderful example of that.

frankenstein (1931). and, really, all of the universal horror movies. but to get your foot in the door at the monster mash, this one is the way to go.

the night of the hunter (1955). robert mitchum as the most sinister of ministers. you can argue that this isn't a horror film per se, but i'll argue harder. one of my favorite pieces of southern gothic, too.

(horror of) dracula (1958). the best of all dracula films and the place to begin with hammer horror. (the sequels get mad campy. but no less entertaining.)

psycho (1960). you don't need me to recommend psycho but i'm doing it anyway and i am doing it for anthony perkins, who deserved a goddamn oscar for this.

night of the living dead (1968). dawn and day are equally worthy for different reasons but nothing beats the locked-down nightmare that started it all.

ganja & hess (1973). this is the only gothic vampire romance that matters. like so much great horror (see: the night of the hunter, above), and especially great horror by marginalized creators, this was rightfully vindicated by history and yet still deserves to be vindicated harder.

the wicker man (1973). summerisle's got everything: christopher lee; bawdy folk songs; phallic maypoles; the battle between christian law and order and the old ways' rights and rites; A CHILD. if you've gotten this far in life without knowing the ending, go watch this immediately before that can change. not only the best folk horror movie of all time, but possibly one of the best movies of all time, period.

the texas chain saw massacre (1974). i didn't see this till 2020, somehow. i thought i was desensitized to whatever it might throw at me after spending my adolescence bragging about getting through a serbian film and thinking house of 1000 corpses was the funniest thing i ever saw. i was dead fucking wrong and i'm so glad i was. every now and then you come across a movie, new or new to you, that reminds you why you're so in love with a genre and revitalizes your passion for it. texas chain saw did that for me.

the omen (1976). my favorite religious horror movie of all time, even more so than the exorcist. also has what i personally consider the scariest scene in any horror movie (the graveyard sequence). gregory peck having been a lifelong devout catholic really adds a certain je ne sais quoi to his performance as the father.

halloween (1978). what is horror without the slasher, and what is the slasher without halloween? i really don't care about your freddys and your jasons. michael myers is where it's at.

hellraiser (1987). like texas chain saw, one of the classics that really puts the horror back in horror. a complete fucking nightmare from start to finish, and the cenobites aren't even the worst of it.

event horizon (1997). yes, see alien. yes, see annihilation. but don't neglect this (literal) hellscape of an outer space horror movie. it is neither glossy nor groundbreaking but it is deeply committed to being horrifying and it succeeds.

el laberinto del fauno (2006). nothing like a fairy tale about a princess of the underworld set against the backdrop of franco's spain to remind you that no one is doing the blending of fantastic horrors and very, very real horrors like guillermo del toro. not to mention that the creature designs in this movie are off the charts - the faun is the most beautiful being i have ever seen.

over the garden wall (2014). (not technically a movie but watched all together it's only about two hours and this is my list, so.) don't let the cutesy old-fashioned cartoon style and jaunty songs fool you. what starts off as charming, if unsettling, folksy quirkiness quickly gives way to another terrific fantasy horror. i watch this annually at halloween and it fucks me up every year.

last night in soho (2021). i hesitate to put something with a plot pretty much entirely revolving around rape and SA on a "must-see" list, but if that is subject matter you're not highly sensitive to, this is a terrific angle on the rape revenge horror movie. not as crass as the, uh, classics of the subgenre, but not defanged to the opposite end of offensiveness like a certain other blonde-led "revenge" movie i won't name. another one of my personal favorites.

[taraljc]

Somehow despite having watched The Gentlemen all the way through and enjoying it tremendously and thinking about it non-stop for 2 days it only occurred to me just now that the whole reason Eddie is made Duke instead of Freddy is almost certainly because the Duke and Duchess knew that Eddie would be able to handle Susie. And I do kind of love how the whole family embraces their new enterprise in positive ways that will probably lengthen Freddy's life by several decades because instead of doing so many lines of coke his heart is going to explode, he is now smoking every new strain of ganja that Jimmy comes up with.

I really genuinely wanted Freddy to die a horrible death in the first episode, and then by the end of it I was like ok Fredward, you can stay.

Speaking of ridiculous posh people, the three posh siblings calling each other increasingly bizarre pet names is so hilarious in part because Jack and Susan are such normal non-gangster names. And all the way through the way that Susie alternates calling people by their chosen diminutive versus full name when she's cross (she is the one to call Jimmy 'James' that one time she found out that he was in fact telling his new girlfriend where her super secret apartment was).

Anyway I have been thinking about a wish list of what I would like to see if The Gentleman gets another series and I think mostly it is this:

Terence Stamp.

Geoff taking over training Jack and him and Charly getting on like a house on, which would result in the use of 'my sister and your brother' in two very different contexts.

Freddy takes over Henry Collins' club, and ends up in a very stable threesome with Tamsin and Gabrielle's cheeky bestie.

Johnston tells Bobby Glass where the money Keith nicked is stashed, and that becomes a whole big thing.

Every time we see Susie at home, it's a different home. she has given up her penthouse and is moving from place to place after the whole mess with Henry Collins.

More JP, and especially his cousin riding that horse possibly permanently seeing as how we saw JP on one of those gigantic draft horses so clearly they have the means and the knowledge to keep it.

Sabrina and Geoff come clean to the boys about Charly and possibly Geoff moving into the manor, or Sabrina moving into the cottage which would involve a lot of hilarity given his menagerie.

at least one episode about the network of servants who actually know everything about everything because rich people treat their staff like furniture and sales sorts of things in front of them and there's no way Lawrence doesn't know absolutely everything that's going on at all times.

The return of the Gospel, whom Bobby Glass paid off with £8 mil and the promise of a segment of his business in exchange for never touching a hair on Edward or Fredward's heads.

Collins' accountant Thick Rick moving in with Tibsy at the newly renovated and gangster-free Faringbourne, and quietly and efficiently reorganising the entire back end of the operation so that the money laundering is all done in house rather than via preferred vendors who go insane on social media now and then.

One of Eddie's exes who is entirely less flexible (morally speaking) than the princess is now at the head of the Europol task force currently investigating Susie Glass' weed operation.

We find out why Blanket is named Blanket

[bratty-kitten-bby]

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