#giorgia moll

[higherentity]

[lobbycards]

Contempt (Le mépris), French lobby card. 1963

[erstwhile-punk-guerito]

[polyanthea]

[classichollywoodactresses]

Giorgia Moll

[randomrichards]

CONTEMPT:

Making epic film

Reveals cracks in marriage

Fragile writer

[detournementsmineurs]

"Le Mépris" de Jean-Luc Godard (1963) - adapté du roman éponyme d'Alberto Moravia (1954) - avec Brigitte Bardot, Michel Piccoli, Jack Palance, Giorgia Moll et le réalisateur Fritz Lang dans son propre rôle, juin 2023.

[llpodcast]

(Literary License Podcast)

The Music Man is a 1962 American musical film directed and produced by Morton DaCosta, based on Meredith Willson's 1957 Broadway musical of the same name, which DaCosta also directed. Robert Preston reprises the title role from the stage version, starring alongside Shirley Jones, Buddy Hackett, Hermione Gingold, Ronny Howard, and Paul Ford.

 Released by Warner Bros. on June 19, 1962, the film was one of the biggest hits of the year and was widely acclaimed by critics. It was nominated for six Academy Awards, including Best Picture, with composer Ray Heindorf winning Best Music, Scoring of Music, Adaptation or Treatment. The film also won the Golden Globe Award for Best Motion Picture – Musical or Comedy, and Preston and Jones were both nominated in their respective acting categories. In 2005, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".

 Island of Love is a 1963 American comedy film directed by Morton DaCosta and written by David R. Schwartz. The film stars Robert Preston, Tony Randall, Giorgia Moll, Walter Matthau, Betty Bruce and Vassili Lambrinos. The film was released by Warner Bros. on June 12, 1963.

 Opening Credits; Introduction (1.22); Background History (37.48); The Music Man (1962) Film Trailer (38.58); Our Feature Presentation (39.47); Let's Rate (1:07.13); Introducing Our Next Feature (1:11.47); Island of Love (1963) Background Footage (1:12.40; Lights, Camera, Action (1:14.05); How Many Stars (2:23.54); End Credits (2:33.51); Closing Credits (2:35.10)

 Opening Credits– Epidemic Sound – Copyright . All rights reserved

 Closing Credits:  Once Upon A Christmas Song by Peter Kay introducing Geraldine McQueen.  Copyright 2008 Peter Kay and Gary Barlow

​

Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast. 

 All rights reserved.  Used by Kind Permission.

 All songs available through Amazon Music.

[higherentity]

[lobbycards]

Contempt (Le mépris), French lobby card. 1963

[socialistpunk]

Another film made in Fascinecitta.

Le Mépris by Jean Luc Godard

Why did I see it: I'm a basic cinephile and a pretty much simp for Godard and 60's France. Also it was the only one I haven't seen in:

Where did I see it?: MUBI, only Breathless, Masculin Femenin and 2 or 3 things I know about her were there apart of Le Mépris, so simple choice. I was kinda sad because I wanted some of the power duo of Anna Karina and Godard.

Thoughts: Hear me out, this movie is a work of art, and I wouldn't say that for most of the films I've seen (Well, if it's Godard maybe I would) Brigitte Bardot's performance is incredible, as a polyglot it was simply amazing to also hear Giorgia Moll's translating English, French, Italian and German and exchanging all of them at any moment of the movie. I really hated the American character and it made me realize how much I hate American cinema and America in general LMAO (U.S. Embassy if you see this and for some reason I have to go to your hell, I'm kidding) The lightning and scenario was really on point. The landscapes in Italy interpolating with The Odyssey sub-plot while also the main plot being an extrapolation of it was so cool! It really made me think how love can pretty much just vanish at any given moment. While a lot of people see this movie as a big parallel between men and women as most of Godard's films (let's ignore the domestic violence hereee <while I do think it was important in the film and just taking one scene as a critique for the whole movie is reductionist>) I see it more of a parallel between the one who loves more than the other. The end reminded me of Pierrot's and I really liked it. The scenes of The Odyssey while I realize weren't the main focus could've been really better, Odysseus was boring and dumb but maybe it was the reminiscence of the main character who was the same. I hated everyone except for Francesca and Fritz Lang whom I didn't know any movie apart from Metropolis and I'll watch it in full as i haven't. And maybe get more into pre WWII films. (It always just hurts me just seeing pre WWII things as it makes me wonder how things could've been)

Long Term: Be careful with long trucks and hairy scriptwriters.

Score: 8/10

[falsenote]

why was giorgia moll in laura nuda 1961 giving marina

[youviralart]

FESTIVAL DI  CANNES 2023

CANNES CLASSICS

IL DISPREZZO

Godard rielabora Moravia attraverso la figura di Fritz Lang. Drammatico, Francia 1963. Durata 103 Minuti. Un film di Jean-Luc Godard. Con Brigitte Bardot, Michel Piccoli, Jack Palance, Fritz Lang, Giorgia Moll Uscita 6 febbraio 2017. Distribuzione Cineteca di Bologna.

La moglie di uno scrittore italiano, chiamato da un produttore cinematografico per una sceneggiatura, abbandona il marito per unirsi al ricco uomo di cinema.

[gatutor]

Giorgia Moll-Audie Murphy "El americano tranquilo" (The quiet american) 1958, de Joseph L. Mankiewicz.

[miss-accacia27]

Giorgia Moll