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#gladiator!din djarin
corazondebeskar-reads · 3 months
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live to rise - chapter four
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live to rise series
four: where the light won't find you
series masterlist | prev chapter | next chapter
gladiator!Din Djarin x f!reader
word count: 4.3k
summary: After the Mandalorian is removed from your barrack and you are given a new assignment, you see him fight for the first time.
chapter warnings: graphic descriptions of violence, canon-typical violence, genre-typical violence, implied rape/non-con (NOT involving reader or Din), implied physical abuse, near-death encounter, mando fic tropes galore
Please heed the series and chapter warnings.
also on ao3
dividers by @saradika-graphics
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Reassigned. Not terminated. Reassigned. Your hand rests on your heaving chest as you try to settle from the surprise of it all. 
The Mandalorian’s been sponsored. 
You hadn’t thought it possible; his price was supposedly astronomical. This person must be obscenely rich. 
And then your heart drops further. This is why you shouldn’t have gotten so close. Yes, you’d rather have him leave your barracks alive than dead, but you can’t help the wave of sorrow that crests. You had enjoyed his company immensely, even dismissing the feelings you weren’t acknowledging. 
It’s not like you didn’t treat each parting as potentially permanent anyway, but sometimes, with your long-term residents, you got a little too comfortable. 
You pack up the bedding hastily and head toward Cresh. You know he won’t still be there, you tell yourself, you’re just going to get the cell turned over as soon as possible. 
It hurts a little to find it empty, anyway. 
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Cresh goes through three more C-5s before you hear about the Mandalorian again.
“How did you deal with him?” Hali asks you one night after the attendants have shared the day’s news. 
“With who?” you ask, even though there’s no one else she could mean.
“That Mandalorian. He was so gruff and rude. I’m the fifth attendant he’s rejected, and it’s making everyone on edge. Like there’s something wrong with us .”
You shrug it off. “He’s just guarded. He probably doesn’t want someone in his space.” 
“Yeah, well,” she grumbles. “It’s not like we want to be in his space.”
“Has anyone explained that to him?”
“I tried to,” she says. “But it’s like he wouldn’t even listen to me.”
Cold clarity finds you with your lips parted and eyes wide. You can’t tell her. But your stomach sinks. The design of those cells puts him at the back of the chamber. If they’re being quiet, from fear or otherwise, he can’t hear them. 
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They come for you the next day. Two guards. The fear when they beckon you is almost enough to bring you to your knees. 
The only reason you don’t panic completely is because they don’t bind you. They just march you between them to the upper levels. 
When you reach the lounge, they shove you through the door, and you stumble a little. 
“This is the girl, as requested, Madame, but we really can’t spare her from her duties,” says one of the commanders. You don’t know his name; the officers never come downstairs. 
“If she’s the only attendant he’ll accept, you don’t have a choice. Or am I paying these frankly extortionary caretaking fees for nothing?”
You stiffen, all nerves sparking on high alert. 
The commander stammers a little, losing his composure when he realizes credits are on the line.  
“I can handle both, Commander, I swear," you say, immediately wishing you hadn't.
The Mandalorian's sponsor turns slowly, a thin eyebrow arched. You figure you’re already in for it for speaking out of turn, so you clench your jaw and meet her eyes.
She’s petite, but there’s an undeniable aura of danger pouring from her. Her dark eyes are cold, and her plum lips narrowed. Her clothing is intricate and expensive in the way of the truly wealthy—it’s not dripping with jewels or gold; it’s quality fabric tailored immaculately, with delicate embroidery creating striking and flattering designs. She does wear jewelry, but it’s subtle and almost assuredly custom. 
“Why you?” she says.
“I don’t know,” you admit. “I was his barrack caretaker.” 
She hums and blatantly looks you up and down, circling you like a nexu. You keep your head up and force yourself not to follow her with your eyes. To let her prowl and remain uncowed. 
It’s unbecoming of a servant, you know. But you want her to know you can handle him, that you won’t be intimated and manipulated by the infamous Mandalorian.
When she comes back around, she has a pleased, sharp grin. Turning to the commander, she crosses her arms. 
“Make it happen, or I’ll withdraw my sponsorship.” 
“Yes, Madame,” he says. 
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You don’t want to leave the barracks. Not Cresh and not the servant’s quarters. It doesn’t really hit you until you hug Eli and realize you’ll barely see him anymore. 
“Shut up,” he grumbles when you say as much. “You’re going to come by and report, right?”
You nod, sniffling into his tunic. “I will.”
He puts his hands on your shoulders. “This is a good thing. You’ll have better… everything. And you said you trust him, right?”
“I think so,” you say. 
“C’mon, I’ll walk with you,” he says. 
You shove his shoulder. “You just want to see what it’s like inside.”
“Well, duh,” he shoves you back. 
He only gets to peek in, of course. But he still plays it up to get a smile from you. “This is kriffing wizard,” he teases. “You get your own fresher? Practically Canto Bight.”
But you’re not really seeing it through the same lens. Because your new quarters are in the Mandalorian’s cell. There’s a barred gate between you, but your cot is still behind the solid durasteel door, same as his. 
Eli sees the fear on your face. “It’s okay,” he murmurs. “It’s not locked for you. Your badge will always open it.”
He sets your bag down on the small cot and hugs you again. “You know where to find me.”
“I will,” you say. You don’t catch the look he gives Mando over your shoulder. 
You sit down on the cot when Eli leaves, more unmoored here than you’ve been in years. You let it sit, ugly and misshapen in your chest, before steeling your focus. 
“Do you have everything you need?” you say. 
“I think so,” he says. 
“Okay,” you say, and silence resettles. It’s strange to feel so uncertain around him again. “I’ll go retrieve your dinner.” 
“Do you eat here as well?” he asks. 
“If you wish,” you say. Your hands are folded together and wrapped up in the top apron layer of your skirts. 
“I don’t want to disrupt your routine,” he says. 
“I’m here to attend to you,” you remind him, feeling a little frustrated by all the things unsaid. 
“I’m sorry.” 
“It’s—it’s nothing,” you say and sigh. “I’ll be back in a moment.”
He’s almost relieved when you only bring one tray. Everything about this has been chaotic and messy. But it’s a sacrifice that has to be made. 
You retrieve his tray when you return from dining with the others, but this time, you come back to him after. The lights are out, and you think he might be asleep already, so you duck into the fresher from your side of the bars and wash up for the night. 
You settle onto your cot, almost grateful that it’s not any more comfortable than your old one. It’s strange, without the shuffling and snoring of your peers. 
And then it starts. A horribly unmistakable sound from the cell next door. You hope you’re wrong. You pray you’re wrong. 
You’re not. 
You sit up, fingers digging into your knees, and eyes on the ground. 
You can’t see into the cells around you, but you can certainly hear your neighboring attendant’s screams and cries. 
They’re begging and pleading, but no one will help them. It’s the champion’s right. The attendants must serve every request unless it goes against arena rules. 
Very few things do. 
It’s not that you’re afraid of the Mandalorian. It’s more like you’re just afraid. But he’s done nothing to lose your trust, so you try not to flinch when he comes near the bars between his cell and your chamber. 
While you manage not to, you do flinch each time the noises intensify or change. The sound of skin against skin is constant, but some are more obviously violent, emphasized by the nauseating responses. 
“Hey,” he says. “Come here.”
You’re trembling a little, but you tense and try to hold steady as you stand and approach him. The gate is not locked. It only locks when you access the main door, so that you may come and go without releasing him. 
If you’re inside? All he has to do is push. 
But he doesn’t. “Don’t listen,” he says. “Cover your ears if you have to.”
“I’m fine,” you say. 
He doesn’t quite catch it, but he can wager a solid guess from your expression. He sighs. “You can look at me, you know,” he says. “You’ll see me eventually.”
“I might be able to avoid it,” you say. 
“I appreciate it,” he says. “But this is all going to be easier if you don’t have to be trying so hard.” 
“It’s okay. I don’t want to take anything from you.”
“I’m asking you to. I don’t want the first time you see my face to be in the arena.” 
You bite your lip. It makes sense. “You’re sure?”
“I am.” 
And you can’t really argue. Not because you’re supposed to do what he says but because you get it. He’s right; you will see him in the arena. But he can control how it happens this way. It doesn’t have to be another thing they just take. 
So you look. 
Your eyes scan his face like they always do when you see one of your fighters for the first time. Searing it in so you can find it later in the pigments. 
You won’t paint him, though. Not like this.
He holds steady eye contact. You feel like he’s waiting for a reaction, but nothing comes. He’s beautiful, but that’s not yours to say. 
“I’m sorry,” you say instead.
“Thank you.” He pauses. “Worked, though, didn’t it?”
You blink at him for a moment. 
The smallest shadow of a crooked smile flickers but doesn’t ignite. “Distracted you.” 
The hall is quiet. You hadn’t realized, but the horrors next door had wound down. Stars, you hope they’re okay. Sleeping or tending their wounds. Not… well. Not forcibly silenced. 
“I’m not going to hurt you,” he says, drawing your eyes back to him. His fingers wrap around a bar near yours. Not touching, but inviting. 
“Okay.” You’re not really sure what else to say. You’ve heard it before. Some mean it, some don’t. You think he’s genuine, that he’s safe, but that caution is like a little burn that never heals, leaving you to flinch away. 
Your fingers twitch, and he thinks you’re about to touch his. 
But you wince when the main door of the neighboring cell opens. His eyes bear a plea he won’t voice, but you only hesitate for a moment before pressing your badge to the scanner. His gate clicks and the door whooshes open. 
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They’re already ducking into the medbay when you catch up, so you stick your hand in front of the sensor to force the doors back open. 
It’s the girl whose name you couldn’t remember on the Mandalorian’s first night. Sessa. She startles and whirls around when she hears you, hand pressed to her chest. 
“I’m sorry. I didn’t mean to scare you," you say quietly.
She looks at you for a moment, something hauntingly empty in her eyes before she seems to recognize you. She covers her face with her hands. 
“Please,” you whisper. “Is there anything I can do?”
“I—” her voice breaks, and you step closer, offering an embrace she folds into. 
You don’t say anything. What could you? That you’re sorry? She knows. That it’ll be okay? It won’t. It’s horrible, she doesn’t deserve it, it’s inhumane, but none of those things will help her. She knows. 
She doesn’t even really cry. It aches, but the tears don’t come, just the soft prickle of numbness. She’ll survive this, you think. She shouldn’t have to, but she will. 
When the time for softness has faded, you let her pull back, and she lets you assess her. She sits on the counter with an ice pack to her cheek and drinks the tea you press into her hand. Her nose wrinkles at the bitter taste, but the tincture within is worth it. A reassurance. Nothing will come of this that she can’t bear. 
When she leaves, she hugs you again, and you stay behind in the dark room, leaning against the counter with your arms folded over your chest. 
It wasn’t a secret, what happened here. It didn’t always; a lot of the fighters are honorable people. But sometimes… sometimes this life warps the psyche beyond repair. Sometimes, desperate people do desperate things. Become something terrible to survive. 
You just hadn’t been witness to the cruelty before. 
When you go back, Mando is still awake. Waiting, you think. 
“Is she—” he hesitates. He doesn’t want to ask if she’s okay, because the answer is no. It’s not really what he’s asking, anyway.
You nod, lips pursed tight. She’ll live, your silence says. And it’ll have to be enough.
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It’s strange. Waking in his cell but rising to follow your old habits anyway. He gets served first, and then you take breakfast down to Cresh as if nothing has changed. Except you can’t linger, you can’t chat and learn of them as you used to. You have to return to the Mandalorian.
It’s strange for the both of you. Your time is usually spent busy or with the other servants. His time is usually spent alone. He doesn’t have a fight that first day and so you are forced to learn to navigate one another.
The gate between you remains closed. 
He does push-ups while you fold laundry, executes a series of jumps that cycle between laying on the floor and springing to his feet that exhaust you just to see from the corner of your eye while you clean, and balances on his hands—one and both—while you flip through the agenda on your datapad and try not to be caught impressed.
It’s quiet, this life, with neither of you inclined to interrupt the other. You let him know when you phase in and out to attend to your duties and his needs. Otherwise, you don’t really speak until nightfall.
“I’m sorry,” he says in the safety of the dark. “I didn’t know it would create more of a burden for you. I just… couldn’t trust anyone else.”
“It’s not a burden, just a change. I understand,” you say softly. 
He sighs, an edge of frustration biting. “I disrupted your routine.”
You snort. “So?”
“I separated you from your friends.”
You sigh. “Will it make you feel better if I pretend to be mad?”
“Why aren’t you?”
You sit up on your cot. “Nothing about this life is fair, and it’s all temporary. Everyone leaves, one way or another. Everything shifts. This is just another phase of my time here, and there’s no point in being upset about it.”
He lets it sit for a minute. “How long have you been here?”
“Three years. I have just under two left.”
The weight of the time is not lost on him, and you can see the hint of a grim smile. “You haven’t let it break you.”
You return the smile. “Not yet.”
He reclines against the wall, legs sprawled and dangling over the side of his bed. “For what it’s worth, I truly am sorry. It was a selfish thing for me to ask of you.”
“I’m glad you’re not alone.” You mean it. It may have disrupted what you knew before, but getting moved here did the same for him. And it took away his opportunity to talk to others. “I’m glad you trust me with this.”
He sighs, bittersweet. “Me too.” 
Something shifts, then, that you’re grateful for. The guilt and awkwardness dissipate and leave behind that budding comradery you had started to forge together. A sense of peace. 
It’s one of the better nights of sleep you’ve had in a long time.
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You’ve never been in the stands before, let alone in the box. Though it’s exposed to the open sun, the vents wash it in cool air, unlike the curved benches where the crowds jeer and hiss. 
No, up here in the sponsor box, surrounded by the important and the rich, you’re considered fortunate. The Mandalorian’s sponsor is late, but you’re in place. While he waits for battle, your services shift to her.
“You’re still here,” the Madame says as she approaches her seat. 
You stand to the side, stiff and silent, until she draws near. “Yes, Madame.” 
She gives you an appraising once-over. “Good.” Her voice is as sharp as her eyes, and she settles to watch. 
You don’t really know the protocol here. Your days serving in the lounge were passed silently, circling the room with a loaded tray. Here, you’re meant to cater to her alone. 
She doesn’t speak to you, though. Doesn’t acknowledge you. She lounges, coiled and elegant, like a tree viper. 
You don’t want to watch the fights. You don’t. But you know, now, that you must. You owe it to the barrack caretakers; you can’t leave this responsibility to the other attendants alone. You all bear the burden together.
When the first fight ends in a double loss, both fighters fatally wounded, you know you’re not strong enough for this. The nausea rises until all you smell is blood, a phantom sense as the sand turns red beneath each pair’s feet. You’re shaking and all you can think is how glad you are not to have to hold a tray of glasses. 
And then it’s time.
The Madame sits up, focused, and you know. Teeth dig into the soft flesh of your cheek to hold your breath steady and shallow. Quiet as possible, as if you need to strain to hear what’s playing out in front of you.
And you think, he should not be caged, for he is power and beauty and ferociousness. You can see why his people followed him to death. He is death. 
His opponent lands exactly one strike, and you almost think the Mandalorian allowed it. Like he was gauging the strength and will. He prowls, teeth bloodied and bared, a snarl natural in the set of his lips. You think it’s laid in beskar steel, a scar you can’t smooth out into the soft curve of a smile. 
No, that’s been stolen from him, too. 
He asks his opponent’s name, and you think he’s carving it into his ribcage, so each time he breathes, it impresses upon his lungs. 
When he moves, it’s calculated. Like the arena is a map he’s plotting, each strike or dodge choreographed and steadfast. There are no weapons today, just fists, and though his opponent has the advantage of razor-sharp teeth, they never even come close to slicing him open. 
And then it’s over. The Mandalorian’s broad hands dwarf the other fighter’s jaw as he secures his grip and snaps. The body falls limp and the Mandalorian sneers at the crowd before he looks up.
There’s no way he can see you, but it feels like it. It feels like he sees you there, and doesn’t find what he was afraid of. 
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He’s not in the room when you get back down, and you pre-set his towels and clean clothes, so you won’t need to go hunting them down if he wants to shower. It’s still mid-afternoon, and you’re buzzing with the leftover cocktail of adrenaline and cortisol when he comes back. 
Neither of you speaks at first as he goes into his half of the cell and cracks his knuckles, sighing deeply once the main doors are shut.
“Are you okay?” he says.
You’re surprised until you realize you shouldn’t be. He knows how weak you are. “Yeah,” you say. 
“Are you afraid of me now?” he says quietly, not looking at you. 
Oh. You get up and come closer to the gate. “No. I’m not.” 
He meets your eyes and must find the truth in them, nodding grimly. “So what did you think?”
“Why do they have you fight with a shirt on?”
His eyes widen. “What?”
“Well, it’s just, they usually—um.”
“What?”
“They usually make the more attractive fighters wear as little as possible. You know. To appeal to the crowds.”
Huh. He thought it was a choice made by the few he’d seen showing skin. And then he can’t help it. You won’t look him in the eye, and he can’t resist. “You think I’m one of the more attractive fighters?” he teases. 
Your cheeks burn, and you look very seriously at the ground. “I—I mean like, um, objectively—“
He spares you. “It’s because of my tattoos. They don’t want me out there covered in Mandalorian symbology.”
“Oh,” you say, imagination kicking off. “Can I—I’m sorry, that’s so inappropriate of me. I just… like… art.” It sounds so stupid and crude, but you mean it. 
“I’ll show you when I’m clean,” he says with a shrug. 
He always seems to understand. It’s a comfort you’ve never known before.
When he gets out of the fresher, though, you realize you have severely overestimated yourself. Because your first thought when he steps into his room is fuck. He’s big. You know he’s big. And broad. But without a shirt on? Stars. And he’s still a little wet, his crumpled curls dripping down his shoulders. 
You have got to get yourself under control. You’re pretty sure you’ve already been busted, though, because he’s suddenly looking at you, something a little dark in the lines of his face, and you feel flayed under his disapproval.
Your brain reboots in time to recover, though, as you really do take in the way his skin is bathed in black ink. A lot of it is abstract, sharp angles and curving arcs intertwining with constellations and letters in a language you don’t recognize. Some of it almost looks like smears of paint, the ink laid across his body in a manner so akin to brushstrokes that the craftsmanship is breathtaking. 
But there are a few pieces that differ, ones that stand out against the intricate patterns. You realize you’ve stepped up to the gate once he does the same. 
“These are incredible,” you say. “How long did this take?” You nod at the swirl of ink on his bicep that wouldn’t look out of place in your own work. 
“A very long time,” he says. 
“I’ve never seen anything like it. What was your first one?” 
He turns around, and you’re struck by the mythosaur skull that takes up most of his back. It’s almost shimmering. 
“The ink…” you start. 
He turns back around. “It’s imbued with beskar.” 
Your jaw drops. “It’s what?”
“It’s—I’m going to be honest, I don’t fully understand the process. But we use a small amount of molten beskar in the ink for certain tattoos. These have it, too.” He indicates the two on his front that had stood out from the rest.
“Do you mind if I ask what they are? Why they’re the ones that use beskar?”
“No,” he says casually. “They’re things that I should never be without, parts of my armor that can never be fully taken. This,” he taps the diamond-esque design on his chest, “is a beskar’ta. Every Mandalorian has one. It’s the heart.” 
You’re staring, unashamed, as he indicates the other glimmering mark on his shoulder. 
“This is a mudhorn, the symbol of my clan. Someday, my son will have the same one. He’s too young. Or, well. He’s…” he pauses like he can’t decide if he wants to get into this. “He’s not ready yet.” 
“So… so you always have it with you. Your armor. The beskar.” 
“Yes. Not everyone gets them, but many do.”
“That’s beautiful.” You’re a little speechless. Not just from the beauty of the art but the sheer idea. “That’s…” 
“You can see why Gideon doesn’t want them to be seen.”
“Yeah,” you say, a small scoff slipping out. “No kidding.” 
You step back, and he tugs on his shirt, ruffling his still-damp hair like nothing world-shattering has happened. And yet, the room seems to have tilted and knocked you to the side, the shift undeniable. 
You don’t realize why until you remember the look on his face when he caught you staring the first time. It wasn’t discomfort. It was hunger. 
It’s not a tension, exactly, that settles between you. It’s more like an acknowledgment. Something is going to change. It’s just a matter of when. And it lingers in the air for weeks. 
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It happens, like almost all things here, in the wake of fear. 
You return to the cell before him, having fled the box as soon as his narrowest victory was called. Not that it gave you much of a head start, but you had time to grab a medpack and fresh clothes before they brought him in.
He never uses the arena freshers anymore, not even just to wash away the sticky, fresh blood. No, he’s still quite coated in it when the door snicks shut behind him, his face gaunt and haunted.
You think, at first, that he was afraid to die. 
Who moves first is irrelevant. Your only focal point in the galaxy is the way he feels pressed right against you, fingers digging into your soft flesh like he’s trying to pull you into his ribcage as you embrace.
You’re not being much gentler, clinging on as you shake with unshed tears. 
He lets go of your waist to clutch your face in his bloody hands. “Promise me you won’t watch.”
“What?” you say, rearing your head back to look at his furrowed brows and pouted lips. 
“Don’t watch. When it happens. I don’t want you to have to see.”
Oh. “Stop,” you whisper, but he’s shaking his head. 
“It’s all I could think about. Look away, and don’t find out what they do with my body. Promise me, kar’talyc.”
All that comes out is a sob when you try to argue. 
His hand cups the back of your head, and he pulls you against his still-soaked chest. 
Once you’ve settled a little, he pulls back but leaves his hands on your shoulders. “Promise.” 
“Mando—“
“Din.”
You blink at him for a moment. “What?”
“My name is Din.”
next chapter
*Din calls her kar'talyc, which basically means "bleeding heart" (from kar'ta, meaning "heart," and talyc, meaning "bloody.") He's been calling her that in his head since the last chapter.
*tattooed Din and his mythosaur were inspired by this art by @xxlumos
*title from "Everybody Wants to Rule the World" by Tears for Fears, but I listened to the Lorde version while writing this and highly recommend it for the vibes. The original is quite a different mood lol.
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pedro: has multiple major projects going on right now. landing role after role. a very popular man in the industry.
also pedro:
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dindjarindiaries · 4 months
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Pedro Pascal 🤝 Din Djarin being wildly prone to accidents
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mybworlds · 7 months
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I don't usually like sharing paps photos, but these can't not be shared. He's f*ck*ng hot.
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groovy-hippie-chick · 3 months
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So proud of him and he’s just getting started! Yowza! Pedro sure knows how to wear a suit! l ❤️😍😍
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papitopascal · 18 days
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Paul Mescal is just the blue eyed Irish version of Pedro Pascal 😂 I hope they are paired up together for the Gladiator 2 press tour. They are both boyishly silly and giggly
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spacelatinos4life · 11 months
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Pedro Pascal on the Challenge of Filming Mandolorian S3: "It's mostly a voice over gig"
Pedro Pascal dicusses his recent roles in 'The Last of Us' and 'The Mandalorian, teases his character in the upcoming sequel to 'Gladiator' and talks about his habit of spoiling his work to Uber drivers. | Variety (20 June 2023)
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God, I love him so much!!!!!! My boy is so pure, my heart can’t fucking handle!!! He truly deserves the whole fucking world. 💜
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if this turns out to be true then Joel will be getting his head smashed in episode 1 and Grogu will be found in an orphanage in S4
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nkp1981 · 3 months
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Pedro Pascal and Paul Mescal
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callsigncatfish · 1 year
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Anybody else seen this!? Am I late….early….???? Why is no one talking about it….,
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corazondebeskar-reads · 3 months
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live to rise - chapter two
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live to rise series
two: morning will come soon
series masterlist | prev chapter | next chapter
gladiator!Din Djarin x f!reader
word count: 3.2k
summary: As the Mandalorian makes himself a more permanent addition to the barracks, you get to know the elusive man a little more while grappling with the reality of the arena. [We get to know everyone a little better before things kick up a notch in chapter three :) ]
warnings: dark, dead dove do not eat, captivity, forced proximity, canon-typical violence, prisoner of war, slavery, fight to the death, au where the empire wins, discussions of genocide & war, graphic descriptions of violence & injuries, gore, brutality, religious themes, fictional religion, major character deaths, minor character deaths, angst, helmetless Din Djarin, themes of grief and loss, slow burn
Please heed the warnings.
also on ao3
dividers by @saradika-graphics
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He doesn’t notice until his forty-eighth fight, but there are children in the stands. It’s not their mere presence that simmers his bile. 
It’s the glee.
Violence is a wet nurse for Mandalorian children. They witness the raw essence of life turned to food and know the gush of a foe’s blood early in life. But they respect it. 
They respect the fight and honor the lives they take. They weigh each kill and hang it from their ribs. They know what it means to be capable of exposing a being’s innards to the sun, what it means to hold a creature as blood froths in its lungs. 
These children are reared to crave it. They’ll never feel the touch of violence, he thinks, but they’re fed by it. They play with these lives like it's a game.
The distraction costs Din a chunk of flesh but gains him a rotted tooth on the edge of the gash. 
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You’re in the barracks when they bring him back that afternoon. You go still and quiet, ducking into the shadows, but, as usual, they don’t bother to check the cells. He saw you, though. You’re inside C-6, and he has a clear view through his window into the cell opposite. 
Once the guards leave, you pick back up mid-sentence into what must have been an already brewing rant.
“—pride. So stupid. The only—punished when you resist—is you.”
The humanoid grumbles something Din can’t quite hear. 
“Yeah, well, —bacta, and I don’t, so—” you retort.
When you slip out of the cell, the automatic lock snaps shut with a resounding clunk. Your hands are wound up in the underbelly of your skirts and come back out dry, at least, if not spotless. 
Not that Din notices right away. His mouth had gone fuzzy when you hiked up the layers to reveal the length of your calf. He shoves the feeling away and watches as you check carefully around the corners before slipping into the chamber between the barracks and the rest of the facilities. 
He shakes it from his fingertips. It’s the post-fight adrenaline, he knows. Mandalorians are no strangers to fucking out their feelings as the world burns around them. He cannot—will not—entertain these thoughts of you, lest he become more of the monster they make him out to be.
And every part of him is too rough for the likes of you. He won’t be responsible for marring you with his too-tight grip and desperate cock. He wouldn’t press his pain into your cunt and learn to breathe again through your cries and moans. 
He wanted to preserve you somehow, press you like a flower between the pages of a book. Even his protection would see you crushed by his selfish desire. 
So instead, he funnels the feeling into righteous anger and determination, pushing himself in his exercises until his muscles ache and scream for oxygen. He slumps against the wall, not bothering to go to the cot, and dreams fitfully of his son.
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He had made the call in his own chambers. The ship had left two hours ago, tracking along the path with no issues—yet.
“Who is this? How did you get this line?” snaps a voice he does not recognize. 
“He’ll know. Tell him we’re going forward with operation esk, and the package is on-route.” 
“Message received,” cuts in the voice he was waiting for. “May the Force be with you.”
“May the stars light your way,” Din returns, and cuts the line. 
Grogu’s fast asleep when Din tucked him into the pod. He slipped the stuffed blurrg under one of the baby’s arms. It’s to be a short journey, but there’s a canteen and a tin of snacks.
The rest of his son’s belongings are carefully packed in the small cargo hold of the StarSpeeder 1000 they’d managed to salvage, complete with an RX pilot. Din didn’t favor leaving the child’s fate to a droid, but it had been thoroughly reprogrammed to override its tourist-geared protocol. 
All in all, it’s an innocuous ship with a registered pilot and route. The chain code would suffice under basic examination, and the manifest is set with a handful of false identities. 
He may not understand the Force, but he has to draw faith that it will ferry his son safely into the waiting hands of Skywalker at some destination unknown.
Skywalker had sent the coordinates directly to the droid so they couldn’t be tortured from Din. 
A wise decision, Din thinks wryly, but they haven’t interrogated him yet. 
It makes sour hope bloom—perhaps they think there’s nothing to be gained. In the darker moments, he worries they know there’s nothing to be gained. 
As it was, each of the four of them only knew part of the plan. Din had the main strategy. Vizsla, the backup. Kryze, the route. And Fett—the rendevouz. For a man who claimed no ties to the Mandalorians, he was risking everything. 
Even the loneliest striil is loyal to someone, he supposes. 
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He loses count after 60 fights or so. That’s about when he stops hating the idleness of his off days and starts longing for more rest. 
It’s not just the physicality. He does seem to be perpetually bruised and bleeding, but that’s not so much different than his bounty-hunting days. He’s loathe to admit that he’s perhaps beginning to feel the effects of aging. To grow old is an honor for Mandalorians. It means you’ve emerged victorious from your battles. He doesn’t feel he can wear that pride, though.
But no, his weariness is from the killing. He tried to see his opponents as quarry, but it was too hard to maintain. Not when he’d see their sallow faces and sunken eyes. Beings with broken tusks and battered limbs. Rebel starbirds. Shock trooper stripes. Prison numbers and slave brands. 
Yesterday’s fight had him facing a Miraluka who couldn’t have been much past her girlhood. And she wanted to live; oh, she wanted it so badly he could taste it. 
She didn’t know a thing about fighting. Worse yet, their weapons for the day were flails, something even he hadn’t much experience with. He could wield it, but instead, he let it fall to the sands. 
What a terrible way to die.
He saw it before it happened. Telegraphed in the arc of the chain, his brain completing the motion before it became real. She swung her arm out hard, trying to strike him in the chest, but he pushed back on his heel and easily dodged. Without something to crush, the momentum carried.
She grappled at the chain, trying to stop it. If only she had dropped it and moved, Din thought. If only, if only. 
Instead, it wedged itself in her back, spikes between her ribs. She gasped, wavering for a moment in shock, and dropped to her knees. The crowd moaned a collective “ooh” at the turn of luck.
He knelt in front of her, grasping her shoulders. 
“Just finish it,” she said, the trace of a whimper on the end. 
“What’s your name?” he said.
“Biala.”
“Biala, is there a prayer I can make for you? Any rites for your journey?”
She shook her head and coughed. Blood dribbled, and they both knew.
“I’m so sorry, Biala,” he murmured, cradling her head in his hands. 
And then it was over. He laid her body down as the bell rang and rose to his feet. Stomps and cheers from the stands fell muffled around his shoulders, and he sneered into the crowd. 
It only made them chant louder. 
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He’s brought back to the reality of today at your entrance, voices buzzing as trays clattered back and forth.
“Come here, girl,” calls a voice from across the way. Din watches as you pause, his own tray of food waiting in your hands.
The gruff old Devaronian in C-4 is reaching his large hand between the bars of the window. 
“One sec,” you tell him, making your way to Din. You go to knock before you spy his shadow between the bars and avert your eyes. 
“Good evening,” you say, sliding the tray through the slot against the floor. “Need anything?”
It’s the same old song and dance. “No, thank you,” he says. 
“Okay, have a good night,” you tell the door politely. 
He doesn’t grab the tray right away. He watches instead as you go back across the hall. 
“Whatcha need, old man?” you tease. Vrar is your favorite, mostly because he’s been around for nearly a year, and you’ve had a chance to know him.
But something about his expression gives you pause. 
Din feels suddenly intrusive as you step closer and let the warrior touch your cheek, his palm much larger than your face. 
He can’t hear what’s said, but something terribly sad comes across you as you close your eyes and shake your head. 
“No, you can’t just give up,” you say, loud enough that Din can hear. 
His heart sinks. He had wondered how many were lost to hopelessness. 
“I’m not giving up,” Vrar tells you. “I’m an old man. I don’t want to fight anymore. I’m tired.”
“No,” you say, a harsh but quiet protest. You want to yell, but the guards will make you leave if they hear you. Tears burn at the corners of your eyes. 
“You can’t change my mind. I just wanted you to know before it happens. To know that I made this choice, that I will be at peace. You’ve been the one spot of kindness in this life.”  
Your voice is softer, breaking, crescendoing at the end as it pitches alongside your urgency,“—how much more you need; I’ll trade another year, please.”
“Absolutely not,” Vrar says. “When your time is up, get out and never look back. Look at me.” He waits for your focus. “You can’t save us.”
You break down into tears. Din feels something sharp pricking at his eyes, too. He shuts them and sits down on his cot, food forgotten. 
He doesn’t need to look to know you stay at Vrar’s door until the guards make you leave for the night. You sit against it, skirts splayed out around you like the rising sun, and talk to him, listen to his stories, even the ones you’ve heard over and over before. Especially those, as you try to commit them to your memory, to carry him with you. 
When you bring Din his breakfast in the morning, your eyes are bloodshot, and lips cracked from biting back your grief. For the first time, you don’t say anything. You rap your knuckles and slide the tray under. 
You stay until they come for him. You wait and stand with your hands wrapped around the bars of his window. When they take him to prepare for the arena, you watch down the hall until he’s gone. As he passes Din’s cell, he looks straight in. 
Neither man says a word, but their eyes meet, and Din nods. Vrar returns the gesture, satisfied. 
When Din looks back, you’re gone.
When you return two hours later, as his own turn in the arena nears, he doesn’t have to see your face to know. 
You’re not crying. But you move so quietly, held so tense, as you open the cell and scrub it clean, fitting it with new bedding. It’s the same routine as a deep cycle, but there was just one yesterday, and your sadness, though smothered, is palpable. 
They take him up before you’re done. Din lives to fight another day. He scrubs clean of his opponent’s blood in the cold fresher and tugs on the stiff, starched clothes left behind for him. When they take him back to his room, it’s been cleaned, but you’re gone, and there’s a new prisoner in C-4.  
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You’re quiet again when you bring dinner, and though you do speak this time, it’s void of your usual softness. 
“Need anything?” you say, muted tone bristling his spine.
“I’m sorry,” he says, in lieu of an answer. 
You look up at the window out of reflex before quickly looking away. He’s not close enough for you to see, anyway. “What?” you say. 
“I’m sorry,” he repeats, “for your loss.”
Your eyes close tight, and you cover your mouth for a moment. “I—thank you,” you whisper. Your voice cracks a little, and he feels terrible, like he shouldn’t have said anything, shouldn’t have upset you. 
But you hesitate there, outside his door. You swallow hard against the ache. “Thank you,” you repeat, but it’s stronger, now, and laced with the heaviness of recognizing oneself in another. 
Which is why, when you pass by the newcomer’s door, and he tells you to smile pretty for him, Din snarls, “Shut your fucking mouth.” 
You freeze and look back at his dark door. The man is saying something idiotic, but Din can’t hear it from the pulse throbbing in his ears and his single-minded focus on you. 
You shake your head minutely, and he accepts the request to stand down. Before you turn and leave the barracks, you give his door a small, sorrowful smile. 
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He worries a little about the newcomer. You shouldn’t have to be harassed and accosted like this. 
When you had brought breakfast, the man had tried to reach through the bars to grab your face. You had recoiled and dodged his grimy hands but otherwise ignored it. 
It turns out he doesn’t need to worry. The next day, the guards take both him and the creep up to the arena. 
When Din returns, your relief is unmistakable. 
You never ask about the fights, so he doesn’t have to lie to you. He doesn’t have to tell you the truth, either; doesn’t have to tell you how it’s the first one he’s dragged out on purpose. How he broke the man’s hands in his own for daring to try to touch you. How he broke his jaw for talking to you like that. 
It’s unlike him, and he hopes he can shrug it off, that the endless killing of beings he knows are fellow prisoners builds a layer of beskar in his bones each day. But Vrar was right. 
You’re a spot of light here, like the yellow blossoms that push up between duracrete. He’s not sure how you’ve kept it up this long, not after seeing how deeply you’re cut when “your” fighters die. But he’s going to do whatever it takes to make sure you don’t lose that. Including keeping lowlife scum away where they can’t contaminate the barrack.
He dreams that night of taking you with him when he leaves and isn’t sure what to do with the thought in the morning. 
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You paint him, too. Nicolai. The one who made your skin crawl. Even the portrait comes out predatory, and you wish you wouldn’t have to look at it every time until the page is full. 
It’s not the first time a resident has made you feel unsafe. Won’t be the last, either, you reckon. Unlike those of you who are serving criminal sentences, the fighters are all prisoners of war. But just because they were an enemy of the Empire does not make them a friend.
Most of them are good. Not all even raised a weapon against the Imperials. Some were support—medics, pilots, suppliers. Some were strangers who stood up to protect a Stormtrooper’s victim in the town square. Some were no one, who had the unfortunate luck of being related to or seen with a known insurgent. 
But some, well. Some were grifters playing both sides. Some were mercenaries, assassins, slavers. Some, like Nicolai, were druglords who couldn’t be bought—too busy running their own empires to respect the government. 
It’s funny, in that way that makes your stomach bile bite and claw at your throat. Everyone thought you needed to be afraid of the fighters. You have to shut and stow the book, not wanting to smudge Vrar’s portrait any further by thinking of him.
He never liked you being in the servant’s barracks. And for some reason, he never liked your bunkmate. Didn’t like Eli, who had never been anything but kind. Who was maybe your only friend. 
“Just something off about him,” Vrar had said. “But you shouldn’t trust anyone.” 
You had shaken your head. “I’m one of them,” you insisted. 
“Oh, how could I have forgotten,” he deadpanned, “you and your criminal record of… what was it again? Stealing from your own farm to feed hungry children? Being too polite to a trooper?”
“Shut up,” you groaned. “Evading tariffs is considered very serious, I’ll have you know.” 
When he was done teasing you, he had sobered right up. “I still don’t like it. Do you even know how to throw a punch?”
“No, but I’m sure they wouldn’t trust someone dangerous as a caretaker.”
He hadn’t been so sure, but it’s not like they let just anyone work down here. You had done a stint upstairs for a while, like everyone else, serving drinks in the sponsor’s lounge. 
After all, caretaker neglect could (and did) prematurely kill their stock. And it granted access to much more of the complex than most other roles. 
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When you deliver dinner, the Mandalorian speaks to you again. You try to take it in stride. 
“If there’s another like him,” he says, voice like the creak of trees at night, “are you safe? Can you defend yourself?” 
It’s not what you expected. You purse your lips, frowning as you weigh your answers. “Harming a caretaker is prohibited,” you say after a moment.
“That’s not what I asked.” It’s firm and compelling in a way you can’t explain. Maybe it's the regality that he can’t contain, a tone leftover from negotiating and persuading or whatever kings do. 
“I don’t have to worry about being hurt by a fighter,” you say. 
He hums, accepting your answer.
You wonder if he heard the unspoken words you swallowed back. 
You eat with them again at Disdraa’s request, though it’s a quieter affair without Vrar’s booming voice. You find you don’t have it in you to joke around. 
She takes mercy on you, setting aside her meal to regale the hall with a story from her childhood on Ryloth. It’s not a happy story, exactly, but it ends with hope. 
You feel warm for the first time since Vrar’s death. “Thank you,” you murmur through her bars when you stand. 
She makes a show of rolling her eyes. “For what? I just like to hear myself talk, little bird.”
You make a show of returning the gesture, including the solemn smile she gave. 
It wasn’t the story, really. It was the way it reminded you of home. When you would visit the families of the dead and dying. When they would share themselves while sharing their love, how they would leap to comfort despite their own grief. 
Even for you, a stranger until that moment, someone they could easily hate for only arriving while someone was leaving. 
But that was not the way of things for your people. They allowed you, for however small a time, to be the vessel for their loved one, to gather and hold the memories until you could spill them on your canvas. To stand between their spirit and the void of the forgotten. 
To love and be loved, even fleetingly. 
Did you wish that just once, that love would stay? That you wouldn’t love knowing it was to be lost? In the dark of night, though you’d never admit it, you ached for it. 
next chapter
*title from "Prayer of the Refugee" by Rise Against
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he looks so good wtf
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morallyinept · 5 months
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Every Pedro character and every single line they say.*
Exactly what it says on the tin! A list of every Pedro character and their full dialogue/lines. I'm putting this together, mostly as a writing source.
Sometimes, referring to an original character's dialogue can help when trying to write for them. For example, you can see patterns in their speech, words they favour to use over again etc... So, I hope this proves useful for anyone writing for Pedro's Characters. Or if you just want to simply read the dialogue for fun.
☝🏻This will be updated regularly, and when new characters are added to Pedro's portfolio of works.
*List does not include certain adverts, skits, voiceovers, guest appearances on shows/SNL, or table/script readings.
Please see below for all the Pedro characters in TV, podcasts and film. Translations included.
Enjoy! 🖤
Buy me a Ko-fi ☕️ If you like my work and enjoy what I put out there, you have the option of buying me a Ko-fi, if you'd like to. It's never expected, but always greatly appreciated. 🖤
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In alphabetical order:
TV & FILM:
Billy - Iris
Clint - Freaky Tales
David - Window Shopping
David Portillo - Homeland ALL EPISODES
Dave York - The Equalizer 2
Dieter Bravo - The Bubble
Din Djarin - The Mandalorian ALL EPISODES & THE BOOK OF BOBA FETT EPISODES
Ed Indelicato, Detective - Wonder Woman UNAIRED
Eddie The Freshman - Buffy The Vampire Slayer
Ezra - Prospect
Francisco 'Catfish' Morales - Triple Frontier
Frederick Mercer - Charlie's Angels UNAIRED
Goth Guy - Earth vs. The Spider MINIMAL LINES
Greer, Special Agent - L&O SUV
Greg - Undressed
Gregor New - Good vs. Evil
Jack Daniels, Agent Whiskey - Kingsman: The Golden Circle
Jay Castillo - Red Widow ALL EPISODES
Javier Gutierrez - The Unbearable Weight Of Massive Talent
Javier Peña - Narcos ALL EPISODES
Joel Miller - The Last Of Us ALL EPISODES
Juan Badillo, Agent - Graceland ALL EPISODES
Kyle Hartley - CSI
Kyle Wilson - Without A Trace
Liam - Nikita
Lucien Flores - The Univited
Marcus Moreno - We Can Be Heroes
Marcus Pike - The Mentalist ALL EPISODES
Maxwell Lord - Wonder Woman 1984
Max Phillips - Bloodsucking Bastards
Nathan Landry - The Good Wife ALL EPISODES
Nico - House Comes With A Bird
Noah - I Am That Girl
Oberyn Martell - Game Of Thrones ALL EPISODES
Omar Assarian - Lights Out
Ortega, Special Agent - The Sixth Gun UNAIRED
Oscar Castro Varga - Exposed UNAIRED
Paul, Maître'D - The Adjustment Bureau MINIMAL LINES
Paulino - Sweet Little Lies
Pedro Across The Street - Calls
Pero Tovar - The Great Wall
Pietro Alvarez - If Beale Street Could Talk
Reggie Luckman - L&O Criminal Intent
Ricky Hauk - Touched By An Angel
Santos - Drive Away Dolls TBR
Shane 'Dio' Morrissey - NYPD Blue
Silva - Strange Way Of Life
Steve - Hermanas
The Thief - Casillero Del Diablo Wines ALL COMMERCIALS
Steve - Nurse Jackie
Ted Garcia - Eddington
Tim Rockford, Detective - Merge Mansion ALL COMMERCIALS
Tito Cabassa - L&O
Veracruz, Comandante - Burn Notice: The Fall Of Sam Axe
Zach Goffman - Body Of Proof
Zach Wellison - Brothers & Sisters
PODCASTS:
Dan Landry - Motherhacker
AWAITING CONFIRMATION OF ROLE:
Materialists - Character TBC
Gladiator 2 - Character TBC
☝🏻New characters will be added as and when new projects are released.
If I've missed any, or there is one you would specifically want to see, please let me know. 🖤
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groovy-hippie-chick · 8 months
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Pedro striking for himself and all actors! ✊🏼✊🏼👏🏼👏🏼
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dindjarindiaries · 1 month
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Yes yes I saw the footage descriptions of Gladiator 2 yes yes I will be projecting another Pedro character onto Din Djarin
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spacelatinos4life · 11 months
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Together on Graham's sofa tonight:
Oscar-winner Dame Helen Mirren, starring in Shazam! Fury of the Gods; award-winning actress, singer and dancer Ariana DeBose; and Game of Thrones and Narcos star Pedro Pascal, promoting the new series of The Mandalorian. With music from Freya Ridings, performing her single Weekends. | Graham Norton Show (25 Feb 2023)
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HE FREAKING LOOKS SO FINE IN THIS ALL BLACK SUIT🧎‍♀️🧎‍♀️🧎‍♀️🧎‍♀️🧎‍♀️
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