#go bison

[matchesandmetaphors]

NDSU Bison colors spotted!

Geology Wonders

Absolutely Gorgeous Wulfenite with Mimetite from Ojuela Mine, Malimí, Durango, Mexico.

[divineandmajesticinone]

THE HEART KILLERS (2024) I EP. 6 "Fadel. They're the snitches."

[khaoala]

GIFSET REQUEST: Tender deleted kiss.

FIRST KANAPHAN as KANT PATTANAWAT and KHAOTUNG THANAWAT as BISON AECHITPOL deleted scene of THE HEART KILLERS

[deliriousblue]

THE HEART KILLERS (2024) episode nine

[bird-inacage]

The Heart Killers EP7 | Vengeful Meowmeow

Holy Moly, the way Khao delivers those stares is absolutely chilling.

[khaotunq]

I just want to spend some alone time with you at the place we first met. Khaotung Thanawat as Bison; First Kanaphan as Kant (The Heart Killers, 2024-2025)

[babybison]

Maybe you're overlooking someone. Someone you can't bring yourselves to suspect.

[gunsatthaphan]

the 🍑 quartet is complete 😌🙏🏻

[spicyvampire]

[earthfluuke]

KantBison + The Look of Love™️ THE HEART KILLERS (2024)

[raypakorn]

EVERY KISS KANT WENT IN FOR & HE WAS DENIED

VS THE ONE HE ASKED FOR & GOT (SURPISED TF OUT OF HIM TOO)

[nutcasewithaknife]

Ok we need to talk about how Bison whipping the gun out on James was not about him being jealous over Kant. Sure, he probably was some measure of jealous, but that's not what pushed him to the point of tracking the guy down and confronting him. He literally says that it's Kant's business and none of his, but what he draws the line at is James stalking him, Bison. It's the fact that he and Fadel may be at risk that actually worries him (And he does not pull out the gun till James gets physical, and even then it's only after it happens a second time). His desperation isn't about Kant, it's about his and Fadel's life being turned upside down just when he can see a happy ending in sight for them both. It's right there, just out of reach, and he cannot let this stupid hung-up ex get in the way!

[scrumptiousstuffs]

“FADEL and BISON”

Source: Joong’s IG

13/02/2025

[khaoala]

❝What else there is to do at a bowling alley but play bowling.❞

FIRST KANAPHAN as KANT PATTANAWAT and KHAOTUNG THANAWAT as BISON episode 6 of THE HEART KILLERS

[secriden]

oh man bison's guilt when he has to confess his part in the whole scheme to fadel was palpable.

because bison had his reasons, he was backed into a corner, nearly suffocating under his mother's rules and fadel's rigidity, and desperate for any semblance of a life he could call his own.

and he meant well! part of it was that he genuinely was doing it for love of his brother!! and he didn't mean for it to get so out of hand.

but its too late now to say he's sorry. its too late now to try to fix this. because his precious person already got hurt.

but wait...

doesn't this...

...kind of sound...

...oddly familiar?

(and this is why you can see the threads of forgiveness already shimmering in the distance.)

[bird-inacage]

The Heart Killers EP7: The Boat Scene 'Do you want to jump or do you want to fall?'

So yep, joke's on me. I was so wrong about how this scene may unfold and the episode in general. Credit to Jojo for keeping me on my toes. I wanted to dedicate a post to this, both for the fantastic performances but also the great character beats here.

BISON'S RESOLVE FOR REVENGE

I kept wondering just how resolute Bison would be. I thought that if he saw how upset Kant was about him getting hurt, he may waver. But it actually seemed to have the opposite effect.

Bison is understandably livid at Kant. I think a portion of that rage is intensified because it's with himself. The betrayal cuts deeper due to his own negligence. He should have known better, and Fadel warned him as such. As the confrontation unfolds, Bison's steely resolve veers towards agitation and restlessness. A twitch. An itch beneath the skin. An almost defiant urgency to squash any margin for hesitancy or doubt - that the sooner this is over with, the less risk there is for him to have second thoughts. Khao does a wonderful job of trickling out only the tiniest of hairline cracks in that resolve, to keep us guessing.

Forcing Kant to jump could also be a test for remorse. 'If I tell you to jump, will you do it or will you fight back or even beg for mercy?' If Bison wanted Kant dead, he could have done it already. We see him consider all the brutal ways he could do so. And yet the one he chooses is actually the least hands on. Watching Kant enact his own demise seems to be a testament to something Bison wants an answer to: a confession perhaps. 'Are you sorry for what you did? Do you regret it? Do you feel bad for me? Was it worth it?' and most importantly 'Do you love me? Did you ever love me?' When someone hurts us, we often want them to admit to their wrongdoing. To take responsibility for the damage they've caused as it gives validation to our pain.

Kant is debilitated by fear, but he's also resigned to his guilt. It's been chasing him this entire time. So he doesn't deny or rebuff what Bison's saying. Doesn't try to deflect or swerve like he's done before now. Neither does he put up a fight for his life. He displays a bedded in helplessness, an acceptance that something you saw coming has finally caught up to you.

When Kant does jump, it seems to take Bison a second to register what's happened. The fact that Kant doesn't come back up. The realisation that Kant may actually drown and die. And he panics.

KANT LAID BARE

(This is my cue to gush about First's acting). I loved his choice of line delivery in this scene. How quietly he speaks. How small, tired, broken and subdued this makes Kant appear. It's such an unexpected but phenomenal choice. It provides a complete 180 to Kant's usual brand of flirty showmanship. That's isn't to say that version of Kant is entirely false but he's definitely been playing up the 'perfect boyfriend' bit. To be as smooth and charming as possible, and to say all the right things to win Bison's heart. This is the first time Bison is seeing Kant stripped of all that bravado. And what's left underneath? Just a man whose desperately afraid.

The sheer terror that First portrays here is so layered and visceral. He doesn't just capture that primal fear of death, but there's so much more you can read into outside of the little he does say. Underlying all that physical and mental torment is trauma, a childlike desperation that renders him completely at a loss.

He didn't have a choice when Chris threatened him to become a pawn. He didn't have a choice when it came to choosing between his brother or Bison. He didn't have a choice to walk away. And now he doesn't have a choice in how Bison wants his revenge. I've talked about the loss of control and agency with these two characters quite a bit, but this is the epitome of having your autonomy entirely stripped from you. Kant is both paralysed by his fear of drowning, but also by his guilt and knowing that he brought this on himself - having sealed his fate when he agreed to the job in the first place.

"I promise when you wake up, the version of me you'll see is the real me." What happens when you strip a person of all their defences? You get down to their rawest form. And now we're seeing it.

Thank god the pair reconcile next week, because this was absolutely agonising to sit through. Firstkhao have done it again, but did we really expect any less?

You can keep tabs on bird-inacage’s BL meta directory for my other long-form posts around The Heart Killers, which I’ll be updating in real time as the show airs.