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#goddamn that ask's formatting
omoriboii · 1 year
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Out of morbid curiosity... How much does sunny weigh? If basil can get his ass to waddle onto it hehe~>
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He once destroyed the household scale into tiny little pieces of plastic and ash, so the world may never know.
(technically in the oneshot he's around 250ish lbs, tho I'm never consistent when drawing him lmao)
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lucabyte · 5 months
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your ocs!!!!! please ramble about them!!!!
i love your art so much
(GRABS YOU) H. CAN DO BOSS.
So ! My ocs. I guess I'll do an overall explainer for the overall groups. If you check out my Toyhouse (LINK!) there's a bunch of folders up top that are how I categorise them. It's primarily by universe except for the folders that are just "misc."
So folder 1: Blatant favouritism:
These are silly little guys that don't fit in any specific wider universe, but I really really like. So I'll spotlight the two important ones before i get real in the weeds with my main universe.
In here are notably, my Fursona (self explanatory), Ali and Pittsburgh Cincinnati. There's also Hauntkit and Clearpelt who are warriorcats ocs that *is dragged away by airport security*
... So, Pittsburgh, lovingly sometimes called pissbug, is a weird little Thing who I made as like, an homage to characters like happy bunny and Sweetypuss. She (and her weird dog) exist to stand next to strange and offputting captions. I love her. No further context. She's just silly. and violent.
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Now. Ali.
Ali Alighieri has thoroughly stolen the show, and also ties into the next folder along, Making Your MK.
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With over a hundred extra images compared to second place (Sorry, Tabitha). Ali is my fucked up little scrunkly. My little baby guy. They're a shared character of mine and @samhainian's, and is from their Creature Feature setting (A modern fantasy setting wherein Cryptids and Magic are real but in our modern world.) They are as such, a modern human young adult... Who is also a demon + magic user.
Strange little pansexual altersex genderqueer poetry-nerd that they are... The modern setting also means they are literally just a tumblr user. A fellow countryman, so to speak.
HOWEVER.... Ali's true origin was in *Purrgatorio*, a scrapped visual novel of mine set in the MYMK universe! They were simply retrofitted into CF as the joke with Purrgatorio was that a regular human had mysteriously just shown up in MYMK's pure-furry setting.... And then when we scrapped the project we got all attatched to our little not-so-blank-slate protagonist. But I'll put a pin in Purrgatorio for later.
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Making Your MK.
(Guest of honour: My super unfinished website <3)
Okay so here's the big one. The setting with.... (looks at spreadsheet) 109 characters not including so-called incidentals. At time of writing.
MYMK is home to... Multiple stories. As you would hope when a setting has 100+ characters. I'd wager each story has about 10-20 relevant characters tops but with a big shared universe like this there gets to be overlap between casts!!! Yay !!! 😊😊😊
MYMK is the name of the main story in the setting. Pronounced "Making your Mark", it is centered around Markus Felidae (The purple one) and their family. It's very action-adventure-y. It's also the plot I'm most secretive about the backend of since I WILL!!!!! Turn it into a nice prose story with pictures SOMEDAY!!!!! But for now tee hee hee secrets secrets. Markus' family is strange and ragtag and is keeping something from them... I can't ramble on too long here unless further prompted in asks about specifics but!!! Everyone in the MYMK folder has a fully furbished little profile with a blurb about them. So if you're curious....
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But yeah, I tend to think of the MYMK setting more in terms of its Locations than its Casts, due to the overlapping nature of them all. The Malbranche may be the villains of the main plot, but they're also major players in relation to The Palsgrave who are the antagonists of Moraine, etc etc,
The country everything in MYMK is set in is called New Orphidian, Southern hemisphere little thing, here's a very cartoony map of it.
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Um. Cliffside!
Since it's the best map I have... Here's an exclusive sneak peek of a Zine I'll be getting back to once the fandom brain cools down a bit.... :3c
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(... I REALLY NEED TO DO A TOUR AROUND THE MINECRAFT CLIFFSIDE SAM AND I BUILT..... IT'S SO CUTE....)
Cliffside is situated on a big ol' Cliff.
A tiny hamlet of a place, it used to have reason to exist, and now does not. It's not even a good tourist locale, as the cliff is much too dangerous compared to the nicer tourist spot of Welkin just a little north. Not to mention nearby Moraine's allure as a tax haven with no labour laws place where a bunch of TV and Movies are filmed!
It's where most of MYMK's main cast reside (except the antagonists from the Big City Varmonte), and is as such a location I have a lot of tiny little worldbuilding thoughts about :)
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I won't go into the other locations here just because then this post will SUPER get away from me but... I think most importantly for Cliffside right now...
Is that it's where Purrgatorio is set. Yes, that VN I said got scrapped. It's not dead. It is in fact serving it's original intended purpose as "A (mostly) noncanon exploration of character voice and setting"
It's back and its prose babeyyyyyyy!!! (A BUNCH OF THE EARLY STUFF IS ME BEING SUPER RUSTY ... BE WARNED)
Purrgatorio is currently the most publicly available coherent work I have out of my ocs! It's very low-stakes and serves mostly to bash my toys together and see what character dynamics come out, but you can look if you want to!
(There's also a whole THING on the meta of its Canonicity... It's not canon, but it's also not NOT canon. But if I talk about Metanarrative Timeline Collapse in my normal mundane non-magic setting im gonna sound bonkers ✌)
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Ali's dynamics with the MYMK cast are so goddamn funny to me. Like I literally just handed my OCs some ET shit but ET is a sexually repressed tumblr user with a mood disorder.
But yeah I don't think I can coherently string together much more about MYMK without just actually explaining THE WHOLE PLOT.... Though I will absolutely elaborate on any given character's Whole Deal if i'm prompted. (OH MY GOD I DIDNT EVEN TALK ABOUT CHROME AND TABITHA. WAIT. OKAY THERE'S. OK NO IF I TALKED ABOUT THEM IT'D JUST END UP AN ESSAY ,SORRY..)
So here's some bonafide classic images for the road.
(IF TUMBLR BREAKS THE FORMATTING AND JUST PUTS THESE ONE AFTER THE OTHER INSTEAD OF IN A GRID IM SO SORRY LMAOOOOO)
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... And as for the other folders on my toyhouse!
Misc and Fandom are what they sound like. Self explanatory,
Then, Ysden is @samhainian's fantasy setting. It's where our DnD games happen to be set but it's also a general fantasy setting :)
and Monster of the Week... Is currently being revamped! It used to be a modern world setting with hidden magic, now it's going to be more... Adventure Time-y. Fantasy world get iphone. Yknow. It has a lower Age Rating than MYMK's "anything goes", as it started as a Pitch Bible Project in my animation class. They're a little neglected but I still love them :) The revamp is extemely recent and not reflected in any of the art/writing yet but I'm workin on it. It still doesn't have a proper title..... OTL
So yeah!! Uh. This wasn't as comprehensive as I was hoping but it turns out I have way, WAY too many thoughts on my guys. And no idea what to do when im actually asked about them so !!!! This was not a very coherent ramble but it was a ramble !
There's things like essays on Chrome and Tabitha (Link) and also The Queer Gender Identities Of The Whole Cast (Link) hiding around on my toyhouse, and once again, Purrgatorio (Link) serves as my sandbox for playing with how these characters act in situations.
But..... ! I did try to make my toyhouse approachable for the average layman. Every character in the MYMK folder (Link) has a *blurb* of information, rather than a giant wall of text explaining everything about them. I want people to be able to understand their general vibe at a glance rather than be overwhelmed.
In any case ???? Uh. Fun game for everyone: If you know your homestuck classpect, every single MYMK character has a classpect and lunar sway. and a birthday. Try and find your andrew-hussie assigned kin! As a Prospitian Witch of Heart, I share my classpect and lunar sway with Chrome. No I don't know what this means. It worries me honestly he's kind of an asshole.
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sofastuffing · 1 month
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i have a headache
#i've been stuck scrolling instagram for the past few days#i don't even like being on there#modern ig is so overstimulating everything is either a reel or a reel in disguise or an image post that inexplicably has audio#i kept making myself go on there because i wanted to find a way to make art friends or a community or w/e#and i thought if i had more of a presence and interacted more i'd eventually get people to like. talk to me and comment stuff ig. idk#but ughhhh#i don't think insta is a good platform for that cause it's either pictures with a short caption or the worst media format known to man#like. idk i wanted to find and follow and be friends with and be Cool Artists (don't ask me to define that)#but no artist on instagram is a Cool Artist because there's no goddamn text on there#like if it makes sense i wanna find people who talk About art as well#but not in an art Discourse way#which is another thing. even if instagram had more Talking it would still be shit because the mainstream 'art community' is insufferable#art tiktok is that on steroids#and instagram is is bootleg tiktok#the same five discourse topics jokes memes advice whatever the only difference is now they're circlejerking about ai too#i wanna be Casual and Spontaenous and Mysterious and shit but IG's layout makes me feel like i can't just post whatever#i feel this pressure to give my posts all the same format and add tags and do this and do that and have good Branding or w/e#and it's just ughhh why can't I be a famous enigma (<- doesn't make or share anything)#even on tumblr the pressure is the same#and at the same time i hate looking back on my art accounts (both ig and here) because it just. doesn't align with what i wanna do#like my attempts at categorising and tagging and being consistent#it's just so. yuck#i want to have a Good Brand but i also want to be 'real' but then i look back at my disjointed messy past work and i cringe#i think i need to block my irls from my art accounts bc i feel super embarassed trying to do any typical Get Noticed on Social Media thing#cause it feels embarassing being seen doing shit that's ''influencer-y'' (idk what to call it)#cause it feels out of character to how i actually am in real life#but also why i do want to show my ''real'' character? I'm not cool#and that's another thing I've had these accounts for ages#looking at my past posts makes me fuckign cringe#I want to purge them or start over
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hi, if you don't mind me asking (since i saw you reblog a post about the orv webtoon): how far into the novel is the webtoon, approximately, now that it's starting the dark palace (?) arc? is there still a long way to go, would you say? sincerely, a huge webtoon orv fan who is trying to muster up the strength to pick up the novel
Hi, anon!! I'm so excited you asked this, because I myself picked up the webnovel right around the dark castle arc! So, um... yeah, chapter 172 of the webtoon is chapter 151 and a good portion of chapter 152 of the webnovel, and there are 551 chapters of the webnovel total. (To be even more precise, with the formatting I have on my phone, chapter 172 covers up to 2290 pages out of 8807 pages-- just over a quarter of the way through the story both ways.) There is, uh, QUITE a ways to go
That said!!!! I literally cannot recommend the webnovel enough, and this is from someone who started with the webtoon as well and then transferred straight to the webnovel where it left off at the time! The webnovel is such a different experience, since there are so many small characterization details that the webtoon doesn't adapt, and I actually bitterly regret not starting the webnovel from the start (I'm in the process of backreading, and I find new things to scream about every day!). There's no rush at all to read the webnovel all at once when the webtoon will take so long to finish, but at the same time, the pacing is so addicting that you'll probably speed through it till you're caught up or even beyond regardless! In case you'd like it, here's some info on accessing the epub file :) Happy reading!!!!
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heartbrake-hotel · 1 year
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Lordy honey yall makin me wanna write my own damn prompt. I got some more little tidbits for ya:
Elvis was turned during his first appearance at the International. But who turned him? I'm thinking there's some sort of deal going on between one the old vampires who invested in the building, maybe even the International's owner and Colonel Parker. They want Elvis to play there for as long as possible, and he isn't getting any younger--so they make it so he can't get any older, either.
At first Elvis is in a state of confusion, because fledglings (at least in my thoughts) are in a sort of fog when first turned. It helps them to adapt to feeding; cue Colonel Parker shoving cigarette girls into Elvis's suite, which he drains dry, much to his own horror when the initial feeding frenzy lifts.
And Colonel Parker isn't exactly picky with what he feeds Elvis: whoever is easy to get up into the suite, and high young girls are the easiest. Elvis tries, when he can afford it, to not feed--he doesn't know that if he drinks regularly then the frenzy won't come, but nobody has told him much of anything. His Sire isn't there, there wasn't any sort of ritual to his Turning as there normally is. No, this was just business.
aLRIGHT WOOHOO SMITTY MY LOVE LOOK AT US !!! im finally getting to this lmaoooo oOOPS 🙈 AND i have some mf THOUGHTS,,
(the orig hc post is here btw) ((idk if yall could tell but it Wrecked my Shit))
also it's been Sooooo long since we discussed this that u now have some Other relevant supernatural!au lore to pull from . so,, i hope u don't mind if i conflate the two universes a lil but ur worldbuilding in you ain't nothin' but a overtook my conscious mind weeks ago and has yet to relent 💝 oh nooooo.. whatever shall i dooooo.. 😏
far too many words under the cut. i, uh.. i may have lost control a lil 🤭🦇 ft. a frankly excessive use of pet names and an e who has been babygirlified maybe more than is appropriate within the confines of the plot (shocking, i'm sure).
right ok so !! vegas as a hub for at least some of the supernatural bc of its transient nature, high tourist volume, and seedy reputation. obvious check
for the most part, unaffiliated vamps stay out of vegas. like you said- it's too hard to monitor their blood concentrations when everyone and their dog is doing truckloads of party drugs well into the night.! but there are, of course, some Old Ones, who saw (or perhaps even built??) the city as their own personal playground btw this blends so seamlessly into the irl high-level mob ties its crazy lmao. marina's bringing up elvis is literally never not on my mind 🙏
if you're rich enough, or powerful enough (or have friends who are enough so), you don't have to fend for yourself the same way, so it's less of an issue. sucking out some rando party girl off the street is faaar beneath the pay grade of the handful of guys at the top, who have their meals carefully cultivated and hand-procured thru what is almost certainly a human trafficking ring
kirk kerkorian [or meyer kohn - u can pick ur universe, here] and the entire board of the international is of course among this group, exerting their power and influence (and perhaps Compulsion) to keep the flow of money running smoothly from the casinos below directly into their cash-lined pockets.
colonel tom parker [a demon again? or perhaps nobody in particular - either way he ends up hellspawn lmao whether literally or figuratively] is acutely aware of this when he first signs elvis on for the hotel's opening season - how could he not be? and of course everything goes perfectly smoothly for those first six weeks in 1969. **ik im twisting ur original idea just a tad but bear w me
but the longer the engagement goes, the more trouble colonel has reining elvis in. he had agreed heartily to those first fifty-eight appearances - purely to fund his upcoming world tour, you understand ("the snowman strikes again!"). but no matter how much colonel wheedles, he's not budging; elvis simply will not sign on for the next year.! he's finally holding his ground... and that's his undoing
coming off the back of his comeback special and last movie, e finally feels like he's got his mojo workin' - the king is back on top! after a looong decade stuffed fit to bursting with his botched movie career, he never thought he'd wrest any semblance of creative control away from the powers that be. but the last year or so has really made him see the value of his own opinion, AND the dangers of continued complacency. so with the backing of his family and extended entourage, he's heading halfway across the world just as soon as he gets off that stage for the last time.
colonel can't have that, not with the remainder of his hefty personal debt hanging in the balance. and with all the dough the hotel is raking in during the first dregs of their opening season, nobody up top wants their prize little cash cow flying away to london or japan or the rock of eternity or wherever he's fixin' to go - not if they have anything to say about it !
and so a plan is devised, swiftly, mercilessly, and without any pesky sense of remorse. after all, what do they have to feel bad about? they're just taking care of business
just after elvis' last performance, he's heading to his packed-up suite to shower and change for what he thinks will be the last time.. the boys are downstairs getting the last of the stuff in the cars and then they'll all head to the airport. he's got just a couple minutes to spare, and he assures them he'll be fine alone. just gonna run on up and change real quick, y'all don't needta worry about me none. [*evil colonel voice* wanna bet?]
he steps into his unusually empty suite, but before he can even shuck the towel from around his neck, his throat is being wrenched to the side in a vice grip as an unseen assailant steps from their hiding spot behind the door. he yelps, tries to throw them off, goes for the gun in his boot, but their grip is like steel, solid and unyielding, and before he can move much of anywhere there's a sharp prick in his neck and a sudden heaviness in his muscles he can't quite shake.
he assumes it's a syringe - he's not wholly unfamiliar with a needle, after all, and why would he suspect anything else? he guesses he's been drugged on account of... well, on account of bein' elvis presley. goddamn sonsabitches don't need any more reason than that. 'course, the sensation is a little different than he's used to - the gauge is unfamiliar, and he could swear he feels two distinct track marks - but by then his head is spinning too much to be certain of anything.
the last thing he feels is a rushing sense of complacency as his legs give out. his vision is swimming too much too see his attacker's face, but they let him go down, hard, and he crumples to an undignified heap on the floor helplessly as they turn to... leave? huh. not what he expected, but he supposes beggars can't be choosers
his sluggishly disjointed musings are broken only by the shadowy figure melting back into the shadows... his increasingly-addled mind knows he should be glad at their sudden departure, but all he can concentrate on is the inexplicable swing out of the vague sense of euphoria that had been the "drugs" kicking in, and a sudden accompanying feeling that he didn't like one bit. he could only describe it as a crawling fear, an absence, a kind of ripping deep in his soul... a pervasive sense of distance, of wrongness so festering he feared it was about to tear him apart from the inside out. he's suddenly certain he's not meant to be alone right now.
he gasps in the worst pain he's ever felt, and at the same moment, he's aware of a rush of footsteps in the hallway outside - he barely manages a wobbly gesture to the door and a slurred request to rip his goddamn tongue out b'the roots to the panicked faces of his boys crowding around his supine form before his vision finally goes dark.
when he wakes up, he's in an all-too-familiar bed. before running for the doctor and his daddy, a frazzled jerry sitting vigil at his side hurriedly explains that without him conscious enough to fill them in, all they knew is he wasn't fit to travel, so they'd unpacked his suite again while waiting for him to return to the land of the living. he's grateful, but assures him that as soon as he's feeling better they'll be heading out again.
he asks jerry to turn down the thermostat and flip off the light on his way out. the heavily-drawn drapes had already ensured it'd been near-pitch dark and freezing, just how he liked it, but he murmured it felt like he was burnin' up from the inside out, and his eyes were too sensitive for even the ambient glow of his bedside lamp. jerry does so and also fetches him a pair of big ol' sunglasses, without a word.
the doctors (who'd been summoned to the hotel; despite protests from the mafia, colonel had suggested that moving elvis to a hospital could be even more dangerous, what with this criminal still on the loose, and vernon had reluctantly agreed) hadn't been able to tell what he'd been dosed with - it'd metabolized too quickly to detect, apparently. all they can tell him after the last four days of monitoring his comatose form is that his vitals have been almost astonishingly strong. the only symptom he's had has been a high fever, but it breaks as soon as he's awake again- and actually, his body temp has overcorrected and is a little low now, is he feeling chilly?
they joke that whatever he'd been given seems to have actually helped him, and he's inclined to agree... despite the fact that they hadn't administered anything to him except an IV drip, in case it had any adverse interactions with whatever he'd been on, his chronic pain has mysteriously vanished. and since he's been awake and in recovery, he's only seemed to get more handsome and charming, no sign at all of being out of it and on fluids for so long. you sure wouldn't have known his recent predicament by looking at him !
he's got a host of baffling new symptoms as well, but nothing that seems dangerous or that points to any kind of diagnosis. he's growing increasingly thirsty, but the buckets of water he's drinking aren't quenching him. he seems to have lost his sense of taste (this one hits him the worst) - at first, the smell of food made him nauseous. now he can keep it down, but it feels like ash in his mouth. his light sensitivity lingers, though for the most part it's limited to natural light, and he takes to wearing the sunglasses often. he seems to have developed a sudden allergy to some of his jewelry - his silver rings and pendants now cause a burning rash. he has them remade in gold and doesn't give it a second thought.
he tells and retells his story to the cops, but they're left scratching their heads; it's widely assumed the panicked arrival of the mafia scared off the creep before they could pull off the rest of their plan. kill him, kidnap him for ransom... seemed like they'd never know for sure, but either way everyone agrees he narrowly escaped a much worse fate. colonel doesn't think it wise for him to be on the road, what with this continued threat hanging over his head, but jerry argues it doesn't seem any better to stay in vegas with this freak at large. and elvis points out that if the bastard follows him overseas, they have bigger fish to fry.
the boys seem confused that the attack doesn't appear to have played into his usual paranoia in any way; he doesn't know quite how to explain it, he tells them, but he feels stronger, somehow. more settled. like if it ever came to it again, he could handle himself. it might just be relieved cockiness, but what didn't kill him made it so he's at least not afraid again. he's been reflecting deeply on psalm 23, apparently.
and so the suite is once again packed up, despite colonel's protestations- this time with elvis under constant supervision, much to his good-natured amusement. it goes without incident, and they make it all the way to the runway before elvis is suddenly doubled over in pain in the back of the limo, sweating and shaking like a leaf.
he's groaning that it hurts, hurts s'bad, but can't say anything more than that, and within seconds the whole caravan has whipped around and is careening back to the relative safety of the hotel. by the time he's being ferried hurriedly up to his room, he's improving steadily, and by the time he's settled in bed and the doctors once more fetched, he's weak and badly shaken but seems no worse for wear.
the doctors can't explain this apparent relapse any more than the first, but tentatively give him a clean bill of health, and two days later they try it all again. this time he makes it within a couple miles of the airport, and it takes him four days to recover. the last time they try, he only makes it four blocks away from the Strip and is bedridden for a week. nobody has any sort of explanation, and the tour is put on hold indefinitely while they're seemingly stranded.
the colonel is the one who offers a possible solution. he'd been hovering around elvis' room the whole time (like a bad smell, sonny mutters when he's out of earshot), fluttering around with assurances that the hotel would gladly host them as long as they needed, maybe even sign them on for another season if elvis so wished...
when elvis finally roars that he just wants OUT of this place, goddammit in response to vernon's suggestion that he stop working himself up with leaving, colonel finally pounces.
he must put his foot down, he says. his boy is clearly in no condition to travel- no, no, not physically, he hastily amends, when elvis opens his mouth to remind him what the doctors said, but clearly mentally. something about the attack has left him emotionally unstable, it appears, and the idea of leaving, even though he's so sure he wants to, is clearly triggering some kind of psychosomatic attack. why doesn't he make up his mind to stay- not forever, just until his head is screwed on right. he can keep playing the international, and they can find him some head-shrinkers to fix him right up, eh? elvis doesn't see any choice but to glumly agree.
of course, unbeknownst to elvis, the real issue is that his Maker won't allow him to leave vegas city limits. he's been kept totally in the dark as to his situation and is thus totally suggestible, so when the vampire who Turned him (continually employed by the Ancients for just this kind of dirty work) uses their mental connection to Compel him to stay within a certain radius, elvis doesn't even know he's feeling it, much less that it's possible to fight it. his Bat simply obeys without question, to the confusion of his body and conscious mind.
if his Turning had been accompanied by proper ritual, if his Maker had explained any of his new life to him, if he'd received any guidance at all, he'd know he could override this instinct, break the Bond they shared (especially as ill-cultivated as it is), and be on his way. as it is, he's like a dog with a newly-installed invisible fence. a dog who's also growing steadily weaker since his Turning because of his lack of sustenance, mind you.
the colonel knows all this. he also knows that any doctors or psychiatrists that see elvis from this point on will be in the know, be provided by the hotel, and be payed handsomely to tell elvis exactly what the colonel wants him to hear. he send word to the Council that they've got him at last. they rejoice at the prospect of chaining elvis to their stage for an eternity, elvis begrudgingly signs the contract for another engagement, and this is where the real trouble starts...
it's been three weeks since he was inadvertently Turned, and elvis is feeling the affects of not having Fed, though he doesn't realize it. he's weak, he's thirsty, he's snappish, and can somebody turn off those godDAMNED lights !!! the mafia assume it's due to his mental slump and are at a loss except to wait it out, but the colonel thinks he has something to cheer him up. he winks and tells red that elvis will have a few, ehem.. lady visitors tonight, and surely they shouldn't be disturbed. the boys get the hint.
colonel sends up the ditziest cigarette girl he can find downstairs, a perky little blonde, so doped-up out of her mind she's wobbling in her heels. she gasped and flushed darkly when he told her that mr. presley was in need of her services; he hadn't even needed to slip her any cash to incentivize her troubles. he chomped on his cigar and grinned darkly as he watched her giggle her way to the elevator.
elvis, for his part, almost makes it. he'd answered the rhythmic little knock in his robe, loosely tied, and didn't miss the way the sweet young thing at his door gaped at the sight of all that chest on display. before he can even say anything, she's slipped under his arm and further into the room, and he raises an eyebrow and grins as he eases the door shut. he peruses her wares (the CIGARETTES !! im talking about the cigarettes..) more for show than anything else, and hands her a $20 in exchange for a pack he doesn't plan on smoking, telling her to keep the change.
she bends over far more than necessary while stacking boxes back in her tray, and flutters her lashes when she asks him if there's... anything else she can get him. flattered as he is, he tells her, he isn't sure he needs anything just now, but thank you kindly anyways, honey. truthfully, he's not sure he's feeling up for it, but she pouts so prettily as she swings her hips sadly over to the door, and turns back to ask if he's really really sure... the colonel had sent her up with express instructions to give him anything he wanted, she explains, sultry little whine in her voice, and he finds his resolve crumbling.
surely a little kissing wouldn't hurt, he reasons, might even make him feel a lil better, and her eyes light up in glee when he beckons her back over. but the minute she's in his arms, easing her way up to his lips as her eyes flutter shut, he isn't sure what comes over him. they're so close her heartbeat rushes in his ears, and without a thought he's effortlessly snapped her neck (with strength he didn't know he had) and is lapping frantically from her torn throat (pierced with the aid of sharp fangs he's never felt before). she never even saw it coming.
he moans as he sags to the ground, clutching her limp form and still slurping desperately as, for the first time since his attack, his thirst is quenched. he dimly realizes he's done something unforgivable, but his head feels like it's been stuffed with cotton, everything around him distant and foggy. the sense of panic he knows he should be feeling is a far-off twinge, all but muted by the combined cocktail of ecstasy running through him: fresh blood, dope, and a brain fog he can't quite attribute to either.
when she's dry he's sated, the sense of woozy relief hits him so strong that he barely manages to stagger to his feet and stumble over to the couch, chin and hands still covered in blood, before he's passing out for ten hours of the emptiest sleep he's ever had. when he wakes up, all traces of what happened are gone, and with a mind that finally feels clearer than it has for weeks, he almost manages to convince himself it was an incredibly fucked-up dream, so potent that the sweet metallic tang is still blooming on his tongue...
...until of course, the next time it happens. it goes much the same way: the colonel has no trouble locating a girl who'll never be missed- this is vegas, after all- and sends her, high as a kite of her own volition, up to the penthouse to keep company with a disgruntled and starving elvis. he drains her dry before he can even blink, but stays awake this time to spend the next few hours totally blissed out in an uncomfortably drugged haze. the more he comes down, the more he hates not only what he's done but also the way it makes him feel.
thus starts a vicious cycle: elvis, terrified of feeding, swears off blood, until he's half-starved but fighting himself at every turn. the colonel intervenes, sending throngs of low-risk girls up to the suite, where e simply can't help himself anymore, and enters a violent blood-crazed frenzy. he spends the hours after staggering around half-lucid, waiting for the effects to fade so he can convince himself he'll never do it again.
the stronger he maintains his tenuous mental fortitude- the longer he goes between feeds- the more girls he needs in a night to fill him up, and the higher he gets afterwards. he doesn't ask where colonel finds them or what he does with the bodies. he thinks dully that he doesn't much want to know.. it's hard enough on his conscience already.
of course, yet another thing nobody's bothered to explain to poor frightened fledgling elvis is that every time he refuses to feed when he should, every time he feels the welling signs of that dark hunger within himself and shoves them down in distress, every time his instincts are forced to take over and quite literally make him feed, that it exacerbates the mental fog he's feeling.
vampiric lore (which of course he doesn't know) attributes it to a sort of easing-in countermeasure; it's only newly-turned vampires, not fully in touch with their desires, that attempt to starve themselves so, clearly suffering from a mental block regarding the morality of preying upon their former species. to smooth their transition into acceptance of their new form, every time they're forced to feed rather than do it willingly, a potent release of hormones and neurotransmitters floods their system, both to combat any lingering guilt and to make them crave the mental release of feeding just as much as the physical.
if he were to feed normally, if he were to provide his body with the nourishment it needed on a regular basis, his instincts wouldn't have to override his mind this way. he wouldn't be forced to feed so violently or so much, he'd be able to control himself such that he could select his own victims preferentially and even bring himself to stop before killing them, and he wouldn't feel so overwhelmed afterwards.
elvis thinks of his... condition as an affliction, a temptation he lacks the strength to overcome, but really, it's his body's desperate attempt to stay alive when his mind insists on thwarting his ongoing survival at every turn. the bloodlust isn't a punishment but a protective measure, and one he could prevent if he'd take consistent care of his new needs.
and on top of all that, the particular way his intake is chemically tainted only adds to this anguish, because now he's unknowingly also developing a dependency on the drugs- the painful withdrawal symptoms of which serve to strongarm him into feeding even more frequently.
things are only exacerbated by his performance engagement starting back up; of course, it's even easier to find girls- hordes of them batter the doors to the showroom after every show, desperate for just another glimpse of him- but it also means he's got a responsibility to be right there on that stage twice a night, able-minded or no, and he takes that very seriously.
he's got people to support, after all, so he gets very used to functioning while highly intoxicated, whether that means performing, schmoozing the high rollers in the casino at the behest of his hotel benefactors, or smiling through a never-ending stream of reporters and photographers during every interview and press conference.
this is where the reader steps in !!!
you're one of less than a handful of vamps, just two or three, really, who manage to stick around vegas (and consume healthy blood) without the influence of the Old Ones, a feat you manage by staying off the Strip almost entirely. you stick to the suburbs, both as a way to ensure you're not tripping out after every meal, and to (hopefully) stay out of sight and out of mind of the powerful Ancients who don't want anyone infringing on their territory. this is very fright night remake vibes btw if anyone remembers that
but there's very little to do in the dusty, sprawling desert neighborhoods that isn't centered around maintaining the tourism industry downtown, especially for an immortal with nothing but time (and the occasional meal) to kill. you're nowhere near as experienced as those you seek to avoid, but you've been around the block quite a few times yourself, and sometimes the neon glow of the city lights overrides the quiet boredom of your safely-maintained little perimeter.
tonight is one such night: elvis presley had been headlining the international hotel for what felt like ages, or maybe just a blink - it was hard to judge that pesky human time, when their lifespans were so much shorter than yours. either way, he'd been this era's answer to jesus for a few decades now, and you had to admit you were curious to see him in person at last.
you decide on the midnight show- maybe if you're lucky, you can scrounge up a snack on the way home. you don't bother with a ticket- though you have more than enough human money stored up over the years, you're sure it's no use for what promises to be a sold-out show. the bouncers aren't any deterrent, either- you simply Compel them into checking the list for your name another time, and they let you in without a murmur. the showroom is packed so full, you notice as you survey the area, that nobody could ever notice one more.
you slip into a vacant seat at the end of one of the long tables that line the stage, with a group of screaming fans who don't seem to notice that they don't know you. you can't tell if their distraction is borne more from excitement or alcohol, but either way, you're grateful for the cover. you order a bloody mary as your own personal joke and bide your time until the show starts, perusing the booths that line the floor behind you. you recognize a few familiar Old Ones, by face if not name- no surprise, considering who runs the casino just outside.
eventually, the lights fade and the orchestra bursts into an opening riff. you clap with the rest when elvis struts out on stage, looking resplendent in a white jumpsuit, grinning wide and boyishly and practically glowing under the stage lights. his rings flash as he waves to the audience, courteous and attentive even as he starts singing. when the song's over he introduces himself and some of the VIPs, including the owner of the hotel (now there's a vamp who's been getting himself a lot of press lately), and the heavyset man next to him, apparently elvis' own manager. the man gives a simpering smile and wave to the crowd as the spotlights illuminate the booth, and you wrinkle your nose as you turn back to the main stage. you haven't placed it yet, but something seems off about that one.
elvis puts on a good show, you'll give him that, but the longer you watch, the more puzzled you become. he's slurring just a bit when he jokes with the band in between numbers, and more clumsy than you'd expect for someone so flexible; you'd say it was just another hollywood star using and abusing drugs if he didn't look so... panicked every time. he's twitchy, too, keeps getting down toward the edge of the stage like he's about to move out into the crowd and start planting kisses on his clamoring fans, like you've heard he does, but he keeps jerking himself back at the last second. they seem to think he's teasing, screaming louder every time, and he plays it off with a slow grin, but it's almost like... like he's afraid he won't be able to control himself, like...
ah. there it is
you zero in on just the barest flash of fang in his smile, and immediately suss out what's going on. elvis presley, a fledgling vamp in what is indisputably the worst city in the world for fledgling vamps... strange things are happening every day, aren't they?
that leaves you with more questions than answers, however... questions like where's his Master? why isn't he feeding properly? who's keeping him half-starved and strung-out? and most importantly, does he even know what's going on?
you narrow your eyes contemplatively as you watch him fool with the microphone before prompting the band to start the next song. all it takes is seeing his hands tremble around the cord to make you nod decisively and shoot back the rest of your drink. you suppose you can stick around a little longer than originally planned... after all, it seemed like elvis might need a little help fixing this, whether he knew it or not.
you lingered just a little after the show ended, waiting until the throngs of frantic women had pushed their way back to the lobby before heading after them yourself. you glanced around surreptitiously, locating the nearest elevator bay... and near it, a familiar older man with a cane whispering furtively to a clearly-tipsy young woman, one you recognized from your table during the show. she had caught a silk scarf fluttering down in front of her from the man himself and hadn't stopped screaming until the lights came back on. bingo
you ran one hand through your hair haphazardly, tousling it slightly as you stumbled your way over to them. "oh, there you are! i was looking for you," you chirped. she gasps and waves excitedly in the earnest way only drunk girls do, but your mouth is open again before she can speak and do something incriminating, like ask your name. "who's y'r friend? s'he coming upstairs with us?" you giggle, leering at... what had his name been again? ah yes, colonel parker. you silently gave a sigh of thanks for your heightened senses- you might not have recognized him just from your brief glimpse during the show otherwise.
the colonel glanced you over dismissively, clearly writing you off as another inebriated fan - his mistake, but exactly what you wanted him to think all the same. he gave you a leering grin and tapped his cane as he said "ah, i was just asking your friend here to do a simple personal favor for me..." you hummed disinterestedly until he continued "...on behalf of mister presley, of course." you gasped exaggeratedly and willed your cheeks to flush- lucky you had fed recently.
he seems to buy it, from the way his eyebrow ticks upwards when he sees your reaction "perhaps you would like to... accompany her to his suite, no?" he teases. you nod raptly, artificial stars in your eyes, and he snorts as he pushes the call elevator button for you with the top of his cane. "top floor. you two enjoy yourselves," he chuckles. the two of you giggle as he saunters away, towards the casino entrance.
as soon as the doors slide shut behind you, you straighten up and tidy your hair in the chromatic reflection until you're once again presentable. you brush off your outfit, fiddling until you're satisfied, then take a deep breath. snapping once to get your lightly confused companion's attention, your turn her shoulders towards you so she's making woozy and bewildered eye contact with you.
"hi honey. having a good night? good. this is how the rest of it is gonna go, ok? now you listen to me-"
when the doors opened again at the thirtieth floor, the girl (tracy. she had told you absently her name was tracy) waved distractedly over her shoulder as she walked straight out of the elevator bay and into the nearby stairwell, head filled with what she believed to be an immutable truth about the elevator being out of service. she'd walk back to her room (on the off chance there was anyone downstairs monitoring the floor indicator dial), wake up perfectly safe in the morning, and think nothing of it.
meanwhile, you let yourself into elvis' suite with the key tracy had handed over, a parting gift from the colonel. you left the lights off, made yourself comfortable on the couch facing the door, and waited.
you didn't have to wait long- just minutes later, there was noise outside, multiple male voices speaking over each other as they all piled out of the elevator and headed for the door, elvis' the loudest. "yeah, yeah, i said i'd meet you down there, didn't i? doin' my damn head in... i'll tell ya what, y'all g'head and i'll call down there when i'm done. yes i swear, now git!" laughter and good-natured ribbing faded as the elevator doors presumably closed behind the crowd once again, punctuated with a sigh and the click of the door lock disengaging another time.
elvis didn't seem to notice you as he walked in, leaving the light off as well as he patted his face dry with the damp towel looped around his neck. he leaned against the wall with one hand to brace himself as he toed off his boots, then whipped his dark shades off onto a side table and gripped the bridge of his nose with another deep sigh.
"are you in any pain, mr. presley?" he yelped in undignified surprise and whipped around with a touch of vampiric speed, dropping the towel in his fright to discover the source of your voice. despite the pitch blackness of the room, his eyes locked onto yours immediately through the dark, without needing to scan the empty space around you- another sign of his transition. no mortal could see as perfectly well in this scenario as the two of you could.
"wh- who-" he stuttered some, regaining his bearings, as you cocked your head in evaluation. "i'm sorry to startle you, mr. presley," you say evenly, but pleasantly. "you can drop that shit straightaway, honey, that's my daddy. can jus' call me elvis." he murmurs absentmindedly, as if it hadn't been what he really intended to say but came out by habit. "and now that you know me, may i ask who you are? and better yet what the hell you're doing in my room?" he doesn't sound angry, per se, more resigned than anything, and you smile wryly in response as you introduce yourself. "real pretty, honey, but i'd like an answer to my other question, too." he raises his eyebrow, and you wonder if he's even aware of how much charismatic mental energy he's leaking right now. it was even more apparent to you now why humans throw themselves at him left and right.
"sorry, m- i mean, elvis. the colonel sent me up. i saw your show- you were fantastic, but i had a couple questions." "he did, did he? just wonderful," he almost growls, squeezing his eyes shut. "and some questions, you said? you a reporter?" his voice sounds hard-edged for the first time tonight, but he seems to relax again when you answer with a simple no. "just concerned, i guess." he hums tiredly at your response, vague though it is. "concerned about what, 'bout the show? i'll do my best to answer your questions, honey, but i really don't think there's all too much to be concerned about-"
"elvis, when was the last time you fed?" you can hear his breath catch from clear across the room. "i-i had lunch after rehearsals, but i ain't had dinner yet, if that's what you're askin'... pretty forward way to ask me on a date, but i-" you put a hand up to cut him off. "i think you know perfectly well that's not what i'm asking, elvis. when was the last time you fed properly? on blood?" "...ha! been watching a little too many dark shadows reruns, honey?" his words trip over themselves getting out, and eventually he gives up to just blink at you, speechless, owl-eyed, and afraid despite his frankly pathetic attempt at a cover. he looks like a little boy caught with his hand in the cookie jar only this time the metaphorical cookie jar is a number of very literal human corpses lol
you bite back a sigh- perhaps you pushed too hard there. poor thing is wringing his hands like he thinks you're gonna put him in cuffs any minute. "maybe we should start over- i'm here to help, ok? i wanna make sure you're alright, cuz i think you might have a lot of questions nobody's explained to you yet. c'mere and sit next to me, baby, and we'll just talk" you pat the seat next to you, flipping his casual pet naming back on him effortlessly. to be fair, he is a baby to you- only, what, a couple months old? that's nothing compared to your few hundred years.
he eyes the spot next to you but shakes his head, still looking like a lost puppy. "n-no, i- m'fine over here," he manages. you furrow your brow; he's gonna need to start trusting you if he wants your help, and this is a bad way to begin. "i promise, i'm not gonna hurt you, elvis-" that sure does it. "i'm not worried about that!" he exclaims. "m'worried about me hurting you!"
you breathe out a surprised little oh, suddenly understanding. "is that what you're so worried about, sweetie? i'm not afraid of you." you try to placate him. "y-you should be afraid of me, honey. i am."
and that's the crux of the matter, isn't it? it breaks your heart a little to know that this is what he's been grappling with alone. it's not meant to be like this- with time and acceptance, he was meant to gain eternal companionship (your semi-loner status nonwithstanding). and whoever heard of a scared vampire?
but you put that aside to focus on elvis- and quickly realize there's one more... little thing you might've left out.
"you don't need to be anymore, ok? i'm gonna help you learn to control it." you beckon him over again, and this time he makes it halfway across the floor before you realize you're not sure if you're Compelling him or not. he'll need to learn what it feels like eventually, in order to both use it and combat it, but now's probably not the time. you break eye contact, just in case, and he falters slightly, but keeps coming, putting you at ease.
as he gets close enough to hear your heartbeat, though, his eyes suddenly turn frantic, and he backpedals, once again in the grip of that familiar terror. "you- you have to get out of here, i can't-" you shush him, not unkindly. "oh, sweetheart. that one's my bad, ok? i guess i haven't been very good at this so far," you grin apologetically. "but you couldn't hurt me, even if you tried"
you use your superspeed to whoosh over to his side and back, the only sign you'd moved at all the slight sway of your hair in the breeze it creates- and the golden ankh pendant now swinging from your upturned palm. elvis gapes, hands reaching up to feel the now-empty space around his neck where the necklace rested just moments ago. "how...?" listen i really can't be assed abt the fact he wasn't wearing necklaces this early ok. it was a cool move
"forgot to tell you - i'm souped up, too." you wink at him, flashing your pupils the deep red they turn when you're Feeding. "and also i think a little stronger than you, given what i saw on stage tonight." this is soo cliche im sorry but Spooky Eyes HAWT. i don't feel bad about it actually
the immediate sense of overwhelming relief on his face almost aches to see, and he's crossed the remaining stretch of floor to practically collapse in your arms sobbing before you can blink. it's... very surprising, you'll admit, but not unwelcome, either, and you're sure the uncertainty lingers in your voice as you gentle him softly, petting his hair and rubbing his back and trying not to overthink the fact that you've known elvis presley for all of ten minutes and now... this is happening. whatever this is.
"woah- woah, hey, what's happening? what's the matter, baby?" he's shaking like a leaf as you hold him, trying to work out in what universe this makes sense. "i-i-i ain't-" he manages through tears. "i haven't been able to touch any-anyone this whole time without b-being so goddamned afraid i'd hurt 'em... and i just- i..."
your worst fears for him, first materialized as you watched him onstage and puzzled about the identity of his Master, are confirmed. "baby... have you been alone this whole time?" you whisper. he just nods from his resting place, face buried in your shoulder. IS this a weird level of intimacy for 2 virtual strangers? totally yup. DO i still think its arguably valid considering how desperately lonely i have decided to make this bitch? uh huh :3
you suck in a breath through your teeth, suddenly filled with the fiery emotion you've been tamping down all night- rage. rage at whoever organized this hit, at whoever must be profiting off it while elvis suffers and innocent girls die, at the colonel who's been shepherding bodies in here endlessly and apparently without deigning to give elvis any proper help or training- yeah, don't think you forgot about him.
but before you can do anything about that, you have to do something with the king of rock 'n roll, who's finally quieting down in your lap. you shove the anger back down, the same way you do your bloodlust- the same way you'll teach elvis.
he sits back up, furiously wiping his tear-stained face. "sorry, honey- i don't know what came over me." he barks a laugh but his eyes tell you it's for show. you tut at him, standing up to fetch him a tissue and maybe a bottle of water, if you can find it- you're sure there must have been one waiting for him after the show. his eyes widen again, but before he has time for concern you cup his cheek to brush the last of his tears away with the pad of your thumb, accompanied by a gently chiding look that says i'm not going anywhere
he has enough time to look sheepish before you putter back over to him with your spoils, talking a mile a minute to distract him. "tch, enough of that! that's part of the change- everything you felt before is doubly strong now. it can be hard to separate your emotions sometimes, especially when you're not used to it. you'll feel everything differently now, and twice as hard."
he takes a moment to mull that over as he mops his face and chugs the water bottle, then nods as he meets your eyes again. "i didn't know that, but it sounds- it feels right. what else can ya tell me?" you chuckle darkly, stretching out on the couch. "oh, just bunches, baby. get comfortable, cuz i know you've got questions- and i've got your answers."
over the course of the night, you explain everything to elvis- how he was Turned, the changes his body's going through, all the symptoms and abilities he'll experience now, why he's feeling the way he is, his options for feeding, how his habits need to change if he intends to keep going like this... it's a laborious process, given how little he knows and how much he thinks he does- he's already got a lot of misconceptions to retrain.
"hey, maybe you're the one who's been watching too many dark shadows reruns lately!" you mean it as a joke, but he flushes. "well, s'not like there's a, a handbook or anythin'! i've been tryin' to study up!" you burst out laughing, and he laughs with you.
at one point he orders up dinner for the two of you, which provides the perfect opportunity for you to offer him a creature comfort- "food? yeah, you can eat food. it won't sustain you, but you're free to eat for pleasure." at his pained look, you give him a knowing smirk. "i bet it tastes nasty right now, doesn't it?" he nods glumly, eyeing your super-rare hamburger, and you chuckle, eyeing him as you take an exaggerated bite. he groans in annoyance, and you laugh as you lick your fingers clean. "don't worry- that'll pass. it's your instincts' way of telling you that you're malnourished- kind of a deterrent from stuff that won't actually keep you alive. you'll be back to your peanut butter and banana in no time, promise." he cheers, and orders up a bottle of champagne, just for that.
"that's another thing- we metabolize differently. your system can tell the difference between the liquid calories it needs and the solid calories you're feeding it just for fun. you won't derive any energy from human food, so you can't gain weight. no reason to store fat," you shrug. "but it also means-" you clink your champagne glass with his in a mock toast, "-you can't get drunk." he sputters, "well, why'd you even let me order the bubbly then?? this shit's expensive, so they tell me!" "i like the way it sparkles! it tickles my nose!"
the hours come and go, but the two of you barely notice, so wrapped up in your conversation. that's another thing you explain- how he'll need much less rest now, if he keeps himself healthy, but that until he's being nourished properly he'll be fatigued and need to sleep pretty much like before. he admits that he was practically nocturnal beforehand, anyway- he hadn't even noticed this one change among so many more pressing.
his drapes were heavy-duty, but you could see just the barest sliver of skyline out the window as the sun began to rise. "it's almost dawn," you whisper, conscious of the fact that the vampire before you is very young, and has had a very long night. a very long month, to be perfectly honest. he hums from where his head is resting on your thigh- you'd encouraged him to lie down an hour ago when he kept breaking off his sentences to yawn hugely. actually, you'd encouraged him to get some rest and you'd talk more later, but he'd refused to go to bed, assuring you he wasn't tired 't all, just sore from the show- he got muscle aches, you know, and he needed to stretch out. you hadn't been convinced then, and you were even less so now, keeping a fond eye on him (fond?? when had that happened) as he drowsed in your lap.
his end of the conversation had started lagging about the same time you started running your hand through his hair, until he was practically purring in contentment. you huffed in amusement. "more like a kitty cat than a bat, i think." he cocked an eyebrow and grinned salaciously, though he didn't open his eyes. "oh honey, i'll show you a cat... a pussycat, to be precis-" "HEY!" you swatted him teasingly and he snickered, settling down again. "keep it clean, presley." "yes, Master." you paused in your ministrations at that, just long enough for his brow to furrow. "you don't have to call me that." "yeah... but can i? i mean, would'ya mind if i-?" his voice was quiet, but sincere. "...ok. but only if you want to." he can hear the smile in your voice without looking, and it makes him smile, too.
"you do have a real one out there, y'know." "i know. but they ain't ever helped me none- all they've done for me is turn my life upside down and leave again. but you... hell, honey, i've only known you one night, and already things are starting to feel right side up again." you sit with that for just long enough to feel pleased before you reach down to tweak his nose. he giggles, and your bid to give the both of you a break from being so fucking earnest goes off without a hitch. the tension stays broken, but the tranquil mood remains.
"guess you're stuck with me again- i can't make it all the way home in that," you venture eventually, nodding at the lone streak of sun making its way past the blackout curtains to pool on the floor behind the piano. luckily far out of the way, or he might've had a particularly unpleasant awakening of his own, had he stumbled through the patch accidentally. he shifts minutely, well on his way to sleep by now. "mm, sounds jus' awful," he drawls, answer delayed only slightly by the fact that he's snoozing, his voice is so quiet that without your enhanced senses you'd have to strain to hear it. "can't imagine quite how i'll make it through if you've gotta stick around s'more." "even dead to the world, you maintain your sense of humor, huh, baby? and those lady-killer tendencies, i see" "yeah, well, i have killed quite a few lad-" "elvis!" you laugh, scandalized, as he huffs a laugh as well as he leverages himself up to sitting.
he rubs his eyes as he tries to get his bearings. "s'pose that's my way of asking real tactful... what happens next?" "well, first we've gotta detox you." "what, from the blood? i thought you said-" "nope, not from the blood. from the drugs in the blood." "from the w-" he gapes, looking shocked and hurt, and also a little appalled at himself. "i really am sorry to break it to you, sweetheart- there's a lot going on with you right now, and only some of it is due to... this," you reach up a hand to thumb at one of his fangs, which had slipped out as soon as you started talking about blood. "the rest of it is a combination of the vegas lights and whoever up top orchestrated the whole thing." he nods slowly, expression inscrutable. "we'll take it slow, i promise. ok?" "yeah," he nods more steadily now. "yeah, i trust you."
"well, then, mr. presley- are you ready?" he nods his head as if on instinct, then has the decency to look confused. "ready for what?" you smile, fangs out. "to start getting you fixed up... so we can take down those bastards responsible for this." he just stares at you a moment before a slow grin starts to take over his face, eyes darkening to match the quite literally bloodthirsty expression in yours.
"let's get to it."
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mejomonster · 8 months
Text
When ppl in person realize i can draw, and i mention im writing, theyre like: oh are you making a comic? Then when i say no, it took me 30 days to do a 30 page 1 chapter comic last time I tried at 4-6 hours of work a day and ideally id like a turnaround of like one 30 page chapter per 1-2 weeks if i was going to do it long term so. No. I am not making comics any more.
Then theyre like: are u gonna illustrate ur book???
And while i deeply appreciate the sentiment. Its also like... well my good sir madam elder, do u typically... look for adult novels with illustration pages? I mean yes i love illustrations too but im not sure why id draw extra, when im already gonna probably make my own cover, and i want my books to be enough within confines of expected that ppl idk... give em a chance? Idk. Food for thought. Do i illustrate my book chapters mm
#rant#shdhdh#to be fair the person who asked me expected like a 100 page handwritten poem book with illustrations#not a 300-500 page novel when she asked if i was gonna do illustrations#i also like. for my Own indulgence. Considered a sexy Guide Book for my story universe. which is where yeah ALL my#goddamn character design sketches and map art and faerie illustrations and landscape art could go#since. i drew thousands of pictures when making lore lmao#but like. all that art is on paper. and i know itll take like 30 hours to 100 hours JUST SCANNING#pages individually one at a fucking time and saving tjem and. dear god the picture editing on them all#even withiut additional digital coloring is at least 5 minutes per picture. then who knows how many hours formatting a combined book with#all art. and thats before ANY text written. which is why i havent even made an art book. like of just art#hell its why i havent even backed up my 9 sketchbooks of traditional art from the past decade#its so much work its like 2000 pages of art. im just gonna let my family ancestors find iy if i get luxky#and its not desyroyed by the elements (like all my older art was ToT)#tldr my point is: i love love love art and i love the momentary joy it brings ppl i share it with#but as far as like Big output i prefer writing. its easier#art is fine wjen its like im paid to make 1 poster 1 flier 1 card one book cover etc#but ive never been commissioned to do like 20 illustrations ( i would tho! sounds like more money)#so like. on my own time for free as far as high scale takes days of work? id prefer to not do more art
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akindablueddy · 2 years
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Ooohh!! Did you post you Cap-wolf/Witch Tony fic or is it a fun head-fic? It looks vry cute in any case, have any points you wanna share?
🎃
Thanks!!
ah!! thanks for asking about it! 〔´∇`〕
It’s um sort of in-between? It's not a completed and posted fic, but it has advanced from the head-fic stage in the sense that I’ve written down lots of notes about it and bits and pieces of scenes. Fingers crossed, one of these days I'll have the time and strength of mind to sit down and wrangle it all into paragraph form.
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As for points I'd wanna share, hm... I could try to give the basic premise of it?
Steve's a werewolf (obviously), and he's spent the past half year since he received this curse trying and failing to find a cure. He's making his way deeper and deeper into a system of caves in preparation for the full moon when the wolf overtakes him (This universe's version of werewolf doesn't need contact with moonlight.). Steve's several days' subterranean journey is reversed in a matter of a few hours by the wolf, and the beast pounds off after the scent of a town filtering through the miles of forest between them.
Halfway through this forest, without warning, Steve is lifted back into consciousness and blearily peers up at the distinctly disappointed face of a witch. He can tell the man's a witch because of the otherwise unexplainable tendrils of light reaching toward him. Before he has the chance to get a single word out, he's shoved back down into unconsciousness. When he wakes, he's on the seashore. The ocean's so far from the region Steve lives in that he's never seen it before now. Even more miraculous than any distance travelled, not a single drop of blood stains his clothes.
Steve spends the next month hunting tirelessly for that witch in the woods.
The thirtieth secluded cottage he visits is overgrown and falling to pieces in places. Disregarding the seemingly abandoned state of the property after the small army of pumpkin golems springs to life and besieges him (as, he's discovered, is standard of occupied witches' dwellings), Steve marches through the bramble and pumpkin guts covering the faint memory of a front path and knocks on the door.
The witch he's been searching for does answer the door, though more out of confusion than anything else. But it takes several tries before Steve can get more than three sentences in before the witch magics him away to whatever far-off, increasingly dangerous location suits his fancy that day.
Wow ok, wait. I'm going on about this "basic premise" for way longer than I'd meant to. I'll try and wrap things up quick!
Eventually a conversation is managed. Steve learns that Tony is a witch who specializes in magical creatures and that his taming spell somehow worked on Steve's wolf. However, Tony, for reasons Steve can't comprehend, refuses to help Steve, you know, not go on a killing spree against his will once a month. Steve despises Tony for having no conscience, and Tony despises Steve for demanding his help, not leaving him the fuck alone, and also for being a former famed beast hunter (not for sport, don't worry).
But then, Steve discovers Tony stopped his wolf in the woods that night because he's deeply interested in studying the creature. Steve's all like "It's kind of sick for you to be so interested in studying bloodthirsty monsters." to which Tony rolls his eyes and tells him, "You're not a werewolf. Somehow, your form got bound to a particularly violent member of a species of beast that's near-extinct. How you two got bound, I don't know. Why's your beast so violent? Well, being bound to you's probably enough to drive anyone to madness." (He'll regret those words.)
Steve soon realizes he can strike up a deal: If Tony keeps Steve's beast tame for the full moon, in exchange, Tony can study the beast during that time. Neither of them is at all trusting that the other will keep their word, so they bind themselves to the arrangement using a magical oath with vague, magical consequences. Those vague, magical consequences are quickly demystified when Steve steps past the low, outer wall of the property.
Tony irritably flips through his spell book to find what on Earth either of them had done to break the oath so soon and then apparently un-break it once Steve walked back toward him. Horror dawns on him as he realizes he forgot about the distancing limit baked into the oath he chose. Steve's equally horrified but doesn't pass up the opportunity to laugh in Tony's face for being such a shit witch.
And so, Tony swears to work out a way of loosening the oath's boundaries, but in the meantime, he has no choice but to let Steve move in with him (mwahahaha). The first morning, Tony refuses to give Steve anything to do. After some arguing, he reluctantly agrees to Steve working around the yard just to keep him out of the house as much as possible. Once Steve's weeded, trimmed, and repaired every inch of the yard (with the help of the recovered pumpkin golems he gradually befriended), Tony reluctantly allows repairs and tidying of the inside of the house, except for the cramped library he spends most of his time in.
Ahh!! I am not "wrapping things up quick"! Ok basically, Steve and Tony slowly warm up to each other, and Tony starts forgetting to work day and night to find a way out of the oath. Steve helps Tony unpack his past and become less of a complete hermit. Tony helps Steve solve the mystery of his curse. Maybe they catch some feelings somewhere along the way.
Anyway! Thanks for shooting me a message letting me know you thought it was cute! Mega-warmed my heart since, as you can tell, this AU is- It's kind of on my mind. like kind of. 🎃
oh! and in the drawing: It's Tony info-dumping about his favorite beasts :3
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the-shark-well · 2 years
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Fic with Hanz Spearman, you say? 👀
yes ! well , he isn't the focus unfortunately KSJAKS but he is an important side character . grabbed some dialogue to . show him off a bit bc I loooovee him in this fic (they didn't appear underlined here for whatever reason but usually docs is yelling at m for how strange his talking pattern is)
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It's written from Reg's perspective btw , he's the person labelled "YOU"
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ryehouses · 2 years
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hi hi! kinda new to your blog (but not ast!) so i’m super sorry if this has been asked before ! i was wondering if you plan on posting any boba povs from ast, and if the answer is yes, if it’ll be short & random oneshots/blurbs or more like a cohesive collection of them! totally fine if not of course :) thank you so much for all the hard work and time you put into writing, you are a gift to this fandom and SO appreciated!!!! :D
howdy!!! thank you for stopping by!!
lol unfortunately all of my coherency and cohesion was spent keeping ast from going completely off the rails (as opposed to only mostly), so while i do have several boba povs to share, they're not going to be organized or anything 😅 i have mostly been sticking them in my queue based on the order in which i received the request, or by how many requests for a particular snippet i got!
i might make an effort later to curate them more intelligently over on ao3, though! all of the pov snips i'm posting here are under my 'ast 'verse pov tag.'
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noirapocalypto · 1 year
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📷 for Salem and Judah? 👀
Thank you! 😍🤗
Salem:
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Judah:
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aethersea · 1 year
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Hello! I really liked the tags that you added to the vampire post that you reblogged recently and would like to screenshot them to add them to my own reblog. BUT, the here’s the but, if I remember correctly you expressed sometime last year that things like that make you uncomfortable and I don’t want to accidentally cause you discomfort. So I wanted to check with you if that’s okay first?
oh my god no please go right ahead!!! the thing that was bugging me was people copying my tags into THEIR tags, whole entire tag rambles, without even mentioning that it was copied. it's all about credit :P people saying 'oh I liked your tags' and copying them is SO great, that's a conversation, plus it's very flattering tbh it's so nice when people like what I have to say. people just parroting my own words as theirs is. a weird haunted mirror? idk it feels bad
but it turns out most of that was just an iphone glitch anyway, so it's all good :) and copying tags onto a post is a time-honored tumblr tradition, I would never object to it.
(though if you can copy-paste instead of screenshot, that's way better for accessibility. removes the need for someone to add on an image description later. I hear that's not really doable on mobile so I get it if not, but just. a note idk)
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vigilantdesert · 2 years
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rjmeta · 2 years
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Phasmus & Raph- 9 14 21 23 24
9. Tell me your favorite moment with your OC. (Either that you wrote or drew.)
For Phasmus... hm. I can't pick a specific moment, but I love its (admittedly mostly offscreen rn) friendship with Memoir. It's very close, vibe wise, to my own friendship w Gale, which makes me smile. For Raph, probably his lightbulb moment in Chaos and Time. Man's dealing with all of that fresh new info and still manages to keep his cool enough to provide a different perspective for these poor beleaguered nickels.
14. Does your OC have any superstitions? Good luck rituals? Do they believe in and/or practice the arcane arts?
Neither Phasmus nor Raph are particularly spiritual; Phasmus is supersitious because that's just how its life is, living as a ghost in Halloweentown. Neither of them are spellcasters. Raph does pray to Chihiro sometimes though.
21. What sets your OC off? What will make them go from a docile little lamb to a rampaging, fire-breathing dragon?
Hilariously enough, they both have "hurting Memoir" as their button. Phasmus also has the addition of its family in there too.
23. What is your OC’s dream? What will they do once they’ve achieved it? Are they done and they disappear into the sunset or will they find a new goal/dream?
They both wanna help people, Phasmus by adventuring and Raphael by proving people's innocence or arguing why they shouldn't be as harshly punished. Raph is kinda living his dream already, Phasmus still has a ways to go (but is getting there!), but neither are the kind to rest on their laurels; they'll keep trucking on until the job is done.
24. What is your OC’s favorite food? Can they cook it? Where do they get their food? (And most importantly, do you feed your OCs enough? Don’t forget to throw them a meal once in a while.)
Phasmus, hands down, anything their mom makes. She runs a cafe for a reason! Raph's favorite food isn't so much a food as a drink - Chihiro showed him how she makes coffee; it's now his drink of choice.
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artofapeach · 6 days
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do you think hazbin hotel is not rushed?
Ooh, okay okay okay
So like, it was! One hundred percent! But that’s not AT ALL the fault of the writers. This was entirely on Amazon and the stupid 8-episode format that companies keep pushing for some reason
As we’ve seen with Helluva, Viv really thrives in character-focused stories, allowing things to be a slow burn and really getting to know each of the characters. And they just weren’t really able to do that with Hazbin :(
I think the episodes themselves are fine. I mean, I personally actually really prefer faster paced episodes, so the actual content was perfect for me! But I think it would have benefited from having a lot more episodes in between. It needs to be Dragon Ball Z’d STAT!!
(okay maybe not THAT much filler, but I wouldn’t complain seeing Charlie and Alastor trying to get a driver’s license)
Unfortunately, season 2 is probably going to be very much the same, since it was renewed before the first season was even out. But fingers crossed that three and four have much more episodes now that Amazon’s seen Hazbin’s success!!
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karmaphone · 2 months
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if anyone needs me I'll be on the sky cotl mix machine for four-hour chunks at a time
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chaoticstabby · 8 months
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Honestly, the fact that I still have to work after the amount of stress/anger I had to deal with in the past three hours or so is frankly ridiculous
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