#going insane over this song actually

[taniushka12]

[heartorbit]

i'm sending this endless melody to a nameless you

[spirited-splashes]

“One way to absolve his crime.”

“A different form, a different time.”

(Click for higher quality)

[johnslittlespoon]

curtbuckbucky nightclub au .* :☆ﾟ. ☽

open for drabble/more pics! <3

alright, i've never done a proper 'intro' post for a fic/au i have in mind, but this one has been rotting in my brain for ages and i know there's no way i'm not gonna write something for it eventually so here goes, bear with me <3 made a lil edit (took me fucking hours to collect enough stock footage lmfao) to go along with it too >:)

a modern au where college student curt is a regular at a new–ish queer nightclub, showing up every friday night without fail to dance his heart out, his way of de–stressing at the end of every week and getting his pent up energy out. he's the prettiest little thing, dresses up so fun– some nights he throws on dresses or crop tops with skirts or short shorts when he's feeling it, other nights he goes for more of a relaxed baggy pants and flowy linen button up type of vibe– always with the same pair of scuffed up sneakers on for ease of dancing.

the bartenders and other regulars adore their bubbly little club bunny, always looking out for him, doting on him with free drinks and food. and even if some of them eye curt like he's dinner when he's out on the floor swaying his hips, eyes closed to fully lose himself in the music, the glitter on his eyelids and cheekbones catching the lights just right, curt's not there for any of that. he dances with people occasionally, he's confident and carefree and likes the attention and it makes him giggle when he catches newcomers staring, doesn't mind a wandering hand here and there, but he never goes home with anyone. the same routine, every friday, dancing until his dark waves are curling damp with sweat against his temples and his black eyeshadow is smudged and he leaves to make the walk back to the flat he shares with a few roomies.

enter john and gale, longterm boyfriends who sometimes like to go out clubbing and find someone pretty to bring home for a fun time, only an open relationship in that sense– they have no interest in actually dating other people, both adamant that it's no strings attached, too head over heels for each other to have eyes for anyone else anyway.

they decide to check out a club they haven't been to yet, usually sticking to the tried and true ones, but a couple of their friends recommend it, so they give it a go one friday night. they've barely sat down at the bar with their drinks when they see a boy who, john comments to gale, looks like the 'energizer bunny' (gets a snort out of curt when he tells him so in the future.) even once they're buzzed enough to head out onto the dance floor together, neither of them can take their eyes off of the bundle of energy, mesmerized.

they both know the other is equally enamoured with the boy, drinking up all the glitter and bouncy curls and blissed out smiles, already knowing they just have to have him– the prettiest thing they've ever seen. curt's confused when they approach him, because he's noticed them too, has been admiring from afar, but he's also noticed their hands and lips all over each other, dancing much too close and comfortably to not be a couple. but john purrs out "we just like to have a little fun every now and then sweetheart, don't you?"

and no, not really, he doesn't. usually a night of exhausting himself dancing is his idea of fun, not ever looking for anything else, not finding most guys worth his time. but john and gale sweet talk him just right, spend time actually getting to know him when he agrees to let them buy him a drink at the bar, and fuck, they're both the hottest things he's seen walk into the club in a long time, and they're giving him all their attention? he decides that maybe he'll be brave and flirt back. despite his confidence and lack of caring what other people think about him, he's so shy and easily flustered when someone he's actually into makes the moves on him, doesn't even know what to do with himself when he realizes he's blushing at their compliments and the combination of their heavy gazes on him.

obviously they all get each other worked up as the night goes on, and curt goes home with them and gets his world rocked, spoiled and pillow princess–ed and showered in praise, not at all what he expects hook–ups to be like after having only been with people he's been dating. he expects to walk back home after since they all live in the same vicinity of downtown, tries to ignore his wobbly legs when he finally crawls out of bed, gets dragged back down by gale for one last messy breathless makeout while john gets him an uber before curt can protest or offer to pay.

normally john and gale don't get the numbers of their one night stands, but they want to make sure he gets home safe, and they can both gauge how the other is feeling and they know they'll want to see him again if they're lucky enough for curt to say yes, so john puts his number into curt's phone and tells him "text when you're home safe, yeah? or, y'know, text whenever you want." and curt isn't sure if this is john saying they both want to see him again, because he's dense and shy and they made it clear beforehand that they're in a closed relationship, but next friday he texts to let them know he'll be at the club again, and john and gale tell him they'll be there, the three of them going home together for a second time that night, and they fall into a routine from then on.

curt gets giddy every friday, dolling himself up extra pretty for the two men, flushed at their attention every time and so thrilled to dress up for someone other than himself for once. he can already feel himself going all heart–eyes for them after the second or third time they hook up, but he knows where he stands, and he's having fun experimenting for the first time and having two experienced, sweet guys show him a good time every week, so he doesn't want to jeopardize that by getting his feelings involved.

little does he know that john and gale are falling head over heels too for this sweet energetic boy, loving how much he spices up their lives, both in the bedroom and out, realizing their flat feels so quiet now on the nights where they don't take curt home with them. so that leads to some serious conversations to see if they're on the same page about getting to know curt better, both of them learning how to navigate this new territory because neither of them expected to want to bring someone else into their world like this. they agree they'd like to take curt out on a cute date, during the daytime for once, to properly test the waters and see how curt feels– of course he slots into their lives perfectly, as if he's been there all along. <3

but along the way: lots of slow burn, miscommunication, endless filthy smut, curt trying to balance college and work and friends with his newfound feelings for john and gale, john and gale getting dragged to raves and festivals by their always adventurous bf, city night–life juxtaposed by early morning domesticity, etc etc.

this has been floating around in my head for a couple weeks since i got this vision of 2012–stalker–era barry with eyeshadow and glitter stuck in my brain and thus a whole universe/plot spawned from it. honestly would mostly be pwp, but would love to write a proper fic for it anyway eventually, each chapter littered with filth, obviously LOL. i have so many thoughts and so many little scenarios planned out in my head already... these three have me in a chokehold.

i need to make proper intro/drabble posts like these for my other aus too aghhh it just takes so longggg because i get carried away with the drabble and then i have to find the perfect clips for edits and the perfect pics to tie it all together and suddenly i've spent half a day on one post but. someday <3 leaving!bikeriders au next surely! thx for reading hope u enjoy this version of the boys and hopefully i'll have time to write it soon!

all posts about this au will be under #curtbuckbucky nightclub au :-)

[canibeanythingelse]

arcane incantation

[facefullofsadness]

CAN WE PLEASEEEE TALK ABOUT DOPAMINE IM TIRED OF STAYING SILENT IVE BEEN TWEAKING FOR DAYS "BE MY LITTLE SECRET, KEEP IT HUSH HUSH BUT I THINK IM IN LOVE" "MY PRETTIEST PROBLEM, YOU LOOKING LIKE YOU DON'T WANNA SOLVE EM" "I DONT NEED A MAN JUST ACCESSORIES, YEAH YOU LOOK SO GOOD STANDING NEXT TO ME"

Q U E E R C O D E D AND YOU CANNOT CONVINCE ME OTHERWISE AERI UCHINAGA I KNOW WHAT YOU FUCKING AREEEEE

[theelectricalcity]

hey life series nation

how we feeling with the new crane wives song?

[starfishlikestoread]

I have probably posted this before but. forever delusional about Ship In A Bottle by Fin being such a quintessential Memory song, both from the chip breakdown perspective:

You can fit everything you know In a bottle for you to show Pick your brain apart and put it in And build it again with needles and pins

Oh, captain, make up your mind Before the salt burns your eyes and you run out of time 'Cause you're popping the cork, you get lost in your brain And you lose touch with all the things that made you feel sane

and Miles trying to get out of being fired:

Oh, captain, let's make a deal Where we both say the things that we both really feel I feel scared and I'm starting to sink And I only sink deeper the deeper I think

and Haroche attempting to bribe Miles with the captaincy:

Oh, captain, oh, captain, deal Oh, captain, deal, oh, captain, deal, oh

like!! do you see my vision,,

[timeturner-jay]

I am cringe but I am free, so I'm gonna appreciate Evanescence in 2024 for brainrot purposes.

Because MAN, it just occurred to me how Minato- and Ryoji-coded the lyrics of Oceans are. Just... *helpless gesturing* all of this. If this doesn't perfectly describe their dichotomy and their desperation towards the end of P3, then I don't know what does.

You can split the different paragraphs between their POVs and it just works. so. well. augh. Look, I'm even gonna colour-code them to show you my vision. Blue for Minato's POV, yellow for Ryoji's.

I am chewing drywall. Help.

[hella1975]

girls will say they’re tough shit until 7 by catfish and the bottlemen comes on

[kumakuma-circus]

does anyone have any p3 song recommendations cuz my current playlist that's only songs from it is.

kind of underwhelming-

[quietwingsinthesky]

Hiiiii! So, a few days ago you were talking about the whole thing with Amy, Rory, and River. And when I saw those posts a thought arose in my head and I wish to share it with you.

Since River grew up with Amy and Rory as Mels. And Mels was Amy's best friend do you think that they ever talked about children? Since I know that it can come up when talking with friends, and like... do you think that Amy might've ever expressed whether or not she wanted children?

And if she didn't, that Mels would've had to listen to her mother say that she doesn't want children? The idea is so heartbreaking and sooo interesting.

What do you think about it?

no, no, see, you're so right and this drives me wild.

because, the way i see it, i don't think amy wanted children. she's somewhere on the 'hasn't thought about it' to 'vaguely negative feelings about it happening' range to me, which falls sharply into 'Not Happening Ever Again' post-s6. (specifically, in terms of having a kid herself, even if she could, i really don't think she would. i do love that she and rory end up adopting a kid later, because that does make sense, for amy pond who grew up alone in one universe with her family swallowed by cracks in time before the doctor helped her set it right again, for her to want to make sure another child won't be alone in the world like she was. getting off-track here.)

and that's so. because the first real memory river/mels has of amy is of amy shooting at her. and depending on how well the silence fucked up the rest of her memory, it might be one of the very first memories she has at all. that's how she met her mother, crying for help and getting a bullet instead. her mother tried to kill her, so of course, you have to think. she must have needed to hear that she was wanted, right? even if she was taken away, even if amy shot her, at some point, melody must have been wanted?

river is good at getting people to do what she wants, but she is very, very bad at subtlety. and mels is younger, has less practice, so when she wants to know this, she's just going to ask. blunt and quick, easy enough because amy's used to the way mels will open her mouth and you just have to be ready to roll with what comes out if you want to keep up. it's why they're such good friends (like mother, like daughter.)

they're nine, and mels asks if amy wants kids, and amy wrinkles up her nose and says she won't have time for children, obviously, once her raggedy doctor finally comes back. they're fifteen, and amy and rory dance will they-won't they in a way that makes mels twitchy to watch, and taunting amy about wanting to have rory's babies is a good way to get on her nerves. but amy calls her gross, tells her she's got more life planned than children would leave room for, and besides, imagine her, a mom? it'd be a disaster.

mels does. a lot. she looks at her mother and just sees her best friend instead. she's not even sure what she wishes was there, but. maybe amy's right. and besides. imagine her, a daughter, instead of the ticking time bomb she really is? it'd be a disaster.

they're sixteen, seventeen, eighteen, and on. mels stands on the outside of a love story that births a universe. and her. how do you compete with that? not that she would know, not yet, she hasn't been there. but it doesn't make her feel any less alienated when amy and rory talk in whispers about a half-remembered world that's bled through to this life, about roman soldiers and boxes and the big bang of belief.

all these memories, they never mention children. on amy's wedding day, she's different, not like someone remembering a dream but someone who lived it. rory stands straighter, won't leave her side, and they're both so much older than they were yesterday. maybe now, right? a wedding's as good a time as any to decide you want kids.

mels not being at amy & rory's wedding is such an obvious lazy way of them trying to explain why they totally didn't just throw this plot twist together at the last minute that i'm not even going to acknowledge it. of course she was at their wedding. she's their best friend. there's too many people around the doctor, and she wasn't ready today of all days, so despite this horrible burning need under her skin to strike, she stays her hand. doesn't let him dance with her because she might just tear his throat out if he gets too close. stays with amy and rory as the maid of honor should. she must have been there for the awkward questions that always gets asked, 'so, any plans for a baby?' 'when am i getting grandkids?' 'oh, you two are going to have gorgeous children together.' standing a few feet from amy in her wedding dress and watching her mother tense and grit her teeth and brush off the questions. watching her look nervously at rory but never ask if he means it when his mom asks him if he'd prefer a son or a daughter, and rory answers 'either one, some day, not anytime soon.'

god i'm just going on and on, aren't i. but really, what's it like to know that amy never changed her mind. the next time she sees them, she's already been born and stolen. i don't like let's kill hitler for. so many reasons. but there is something compelling about how recklessly river lashes out at the world, at the doctor. even her sacrifice at the end is almost suicidal, throwing all her regenerations into this man without knowing if that will even work or if it might kill her to do it. but it makes more sense in the context of someone who has reached the end of a long, long wait for some kind of indication, any kind, that her mother wanted to have her. and finally been told, no. she didn't choose melody.

[bedforddanes75]

somehow i think closer by nine inch nails is deus in absentia coded but Idk it just makes sense to me like the way i'm thinking about it is waaay too harsh for them but in the same vein it's just harsh enough to be some kind of stereotypical vintage 80s esque kink stuff (girl pls) and i really like when people use kink as a way to express vulnerability and i think it should be used more Actually. i just really like this song

[tamaharu]

okay thats interesting! in the SF try-outs during the song "legally blonde" she sings about how she cant be legally blonde, while in the official version AND THE DEMO she sings about letting her be legally blonde. which means that at some point they changed the lyrics around, and then changed them back! laurence o'keefe.... nell benjamin.... what occurs in your twisted minds

[peachpitocs]

"Nonononono, I need you to listen closer. I know it sounds like just a song at first, but I swear if you pay attention to the lyrics and the different elements at play in the music- did you catch that? In the bass?- I'm starting the song over."

He does so almost frantically, a wild excitement in his eyes.

"I'm gonna try to shut up this time, but- wait. String section. Did you hear that? It's recorded so quietly, and with the brass you barely notice unless it's loud... I'm starting it over again."

[patchworkspringlocks]

Other people about the fnaf movie: omg it looks so good I can’t wait to see the animatronics in action and the visual effects, the cast all look great and I’m sure the actors will do a great job, I hope it’ll follow the games’ canon closely

Me: WHAT IS THE SOUNDTRACK GOING TO BE LIKE I NEED TO KNOW RIGHT NOW IMMEDIATELY