#gonna start posting my stuff here more for practice ig. also i got too confident bear with me

[kaltacore]

Some time after the Blight ends, they're invited to Redcliffe. There's going to be a statue in their honour, the letter says, made by one of the best Fereldan artists — and it needs their approval for some reason. A formal one, of course. “At least they didn't pay Orlesians. Let them stick to their fancy chateaus,” Alistair says jokingly, but he seems excited — and Keeris, well, not that much. She doesn't tell him about it anyway. He deserves to feel like a hero for once. Statues and celebrations and all.

It's nice to see Redcliffe rebuild though. It's nice to see anything rebuild — no more darkspawn and barricades, no more walking corpses and burning roofs. Former wastelands are green and full of blooming spring flowers that cover the ruins of something that cannot be restored anymore, completely destroyed houses and fallen mill wings that no one had time to take away; it's a beautiful sight. She'd better stay here instead of going to the castle. She's, frankly, sick of the castles — and they are probably sick of her.

People inside are still friendly, though. Cheerful even. Keeris sees the shade of nervousness crossing Eamon's face when he shakes her hand, but it's not unexpected, really — he couldn't be that fond of her, not after what happened at the Landsmeet, she's aware of that.

The Fereldan sculptor, on the other hand, is very proud and just can't stop talking — about the greatness of his project and how honoured he is to work on it and set the Heroes of Ferelden in stone. Before he bows his head, he gives her a brief look, a strange one for sure, almost terrified — Keeris doesn't know what to make of it nor she wants to try.

Then, he shows it. The art, the concept. It's a big, big piece of paper full of little sketches and drafts and one glorious drawing of a statue in the middle of it.

For a moment, no one says a word.

“What is that?” Alistair asks and his voice sounds genuinely baffled. There are tones of anger in it, loud and clear. Keeris slightly squeezes his hand.

She's not surprised at all.

The statue is a man and a woman in Grey Warden uniforms standing in pretentiously heroic poses. A man resembles Alistair very well, with the same features and even the way he holds his shield. It's almost like him, really, just lifelessly stony grey.

A woman is slightly shorter than him: her features are smooth and pretty, her braided hair is long and wavy, scattered by the wind, and her ears are flat. Her face is so strangely, unfamiliarly bare.

Oh, it does make her angry, furious even. Just a little. Even if she shouldn't care.

She shouldn't care, a girl with vallaslin and sharp features and sharp ears and hair too short to cover them.

“Somehow,” she says calmly, looking Eamon straight in the eyes, “I didn't expect less from your kind.”

They argue. Alistair and Eamon, mostly — she herself wouldn't waste time on it nor she thinks it would change anything, but now they can't go away and loudly shut the door.

Eamon says something about his gratitude. Something about the gratitude of his people and how they all cherish both of them here. Something about the cruelness of the world around. Something about the vile, vile people, who are obviously not there, but they will come and they will not tolerate an elf standing in the middle of their beautiful human town. They will not let it be.

Of course, they won't. She saw the alienage in Denerim. She saw what Anora did to it after she gave her a crown and was proclaimed a friend. It always ends up like this. All the promises and gratitude — they never matter. She learnt it the hard way.

“Then,” she says finally, “Don't make it. Don't place it here. If not for my people's sake — don't lie to your own at least.”

Nobody dares to object.

They leave in awkward, unpleasant silence: no farewells, no partings. They don't even stay for the night at Redcliffe. Alistair keeps repeating he's sorry, that he never wanted it to be this way, that he was sure his uncle would do better than this — Keeris laughs with just a little bitterness in her voice. He shouldn't be sorry. She was the one who took his statue away, wasn't she? He promises they will get a nice, proper one. Maybe somewhere in Amaranthine.

Another letter comes, informing them it is going to be a griffon. A beautiful creature, a symbol, a compromise, it says. None of them respond.

When they get to Redcliffe a couple of years later, there it is, standing in a square. No faces, no names and no shameless lies.

People here still recognise them. They wave their hands when they pass by and promise to buy them a beer if they happen to be around. An elven servant in the crowd blesses her path with Mythal's name. A young girl throws her a flower crown.

They do not put portraits in the archives of Weisshaupt after all.

At least there is no woman who never was.

[radiantmists]

i feel like this is gonna be an unpopular opinion but i sometimes see people talk about grizzop as a sort of paragon of logic and morality and it always bugs me.

bc like. yes, i love grizzop. and i think it’s clear that he is very much trying to be good, and he’s very committed to doing what he sees as the right thing. 

but the same are true for azu and hamid and plenty of characters, and i don’t think he’s any better at moral reasoning than most of the rest of the party. i think the impression that he is comes from his unshakeable confidence and his mastery of what I’ve started to think of as catholic logic. 

(this is fairly stream of consciousness and i’m not gonna tag it bc it’s not gonna be entirely coherent or especially well argued, i’m just getting some thoughts down. but my understanding is that sometimes untagged stuff shows up in search, plus ig i have followers, so feel free to reply and discuss this, i’d actually love that. but not much i say here is stuff i’m super confident about so... please don’t get too offended by my wrongness. just tell me why you feel im wrong without aggression, or move on.)

the first bit is the confidence. we don’t ever see grizzop have a moral crisis in the way that most of the other characters do. I can’t think of a time that he’s appeared to look back on something he’s done and wonder if it was wrong; the closest that occurs to me is when he regretted shooting the guy’s legs off in the cairo bar, but tbh i think that was more of a judgement error where he expected to hurt the person much less than he did. we don’t see him question things like flooding the orc town near damascus or dragging sasha into the politics of ancient rome when she didn’t want to be, and honestly, i think this lack is mostly to do with how short a time he was with the party.

most of the arcs he were present for were focused on hamid and sasha’s growth. where he played respectively the accuser and the protector, both roles that made him look good because they cast him as the arbiter of who was right. 

i think hamid, especially, bought into this in the cairo arc, because i think hamid is very consciously in the process of recalibrating his moral compass at the time and he has a marked tendency to do so based on the people he admires-- and the loudest voice in the room. hamid really doesn’t like people he admires having a problem with him, and he already felt that he wasn’t necessarily a good person, so he was very open to seeing grizzop or azu as the authority on whether he could be good, and since grizzop pushed where azu prevaricated, grizzop was the one who got the final say.

but in the same arc, you can see sasha and azu starting to question grizzop’s moral compass; sasha notices how legalistic grizzop’s judgement is, and that it really ought to condemn her too, while azu takes issue with how brutal grizzop’s methods are (see punching wilde). but neither of them are willing to press the issue with him at that point, and so he’s never really confronted with something that contradicts him.

and notably, grizzop’s confidence comes from the obvious source: he believes that artemis is inviolably good, and he knows she approves of what he’s doing because his powers still work. but there’s an arrogance here, too, a very strong belief in his own moral superiority with the slightest confirmation; look at rome, where he refuses to listen to azu and ed’s assertions that there’s something wrong with the gods there, because he was able to bull through to artemis the one time he tried, so obviously he must just be a better paladin of a better god, right?

grizzop has very strong beliefs and opinions, and he takes whatever route works best to fulfill them-- both in terms of actions, and in terms of logic. take his decision to forgive/endorse hamid near the end of the cairo arc: by his own assertions, people should experience consequences for their actions, and we know he knows what manslaughter is because he brings it up when hamid first starts talking about accidental murder. but where saleh and carter belong in jail because they’re ~bad~, hamid is allowed to continue on because he’s ‘trying to be better’, never mind that that  was hamid’s whole argument about why saleh didn’t deserve to go to jail. plus, saleh’s one goal when he thought he’d killed someone was to resurrect them, which imo makes a lot more sense as a redemptive gesture than going around killing entirely unrelated people. the rules are different because grizzop likes hamid (and probably a bit because ben didn’t want to break the party, but shhh).

this twisting of the logic to fit what you’re trying to prove is what i mean by ‘catholic logic’ (i’m catholic dont @ me); it sounds really good if you don’t think about it too hard, but in fact it’s generally post-facto rationalizations for decisions that have already been made.

grizzop is very enthusiastic about poking holes in other people’s moral reasoning, as we see with apophis, but i think his issue is that he’s got a blind spot when he looks at himself and his own decisions. in grizzop’s world, grizzop is right as long as artemis is still with him and everything else comes after.

now i’m personally of  the opinion that alex doesn’t bother/want to engage with the idea that gods take away powers, post-poseidon nonsense, which if true i sympathize with; doing so is either going to lead to the sort of inscrutability zolf had a meltdown over, or put a player in the weird position of making their character do what alex has decided their god would require or having to entirely reinvent the character without those divine powers.

on another meta level, my understanding is that grizzop  was designed to be very resistant to doubt because of ben’s difficulties playing zolf, so i think he might have been nearly as resistant to growth on that front as bertie was in general, because believing unshakeably that he’s right is a core element of his character. 

but i think if grizzop had lived longer, alex absolutely would have done some hammering at that absolute conviction. that might have come in the form of vesseek and the fact that grizzop is apparently an absentee father; even if he is sending home money, i can’t imagine that not being something that gets mined for angst. 

i also think he would have eventually come into a similar sort of conflict with azu, sasha, or cel (whoever was there) that zolf is in right now, where he absolutely believes that whatever killing he’s committed/intending to commit is not only right but a moral imperative, and they disagree. 

now whatever side you fall on in the barrett debate, i think grizzop ought to be a lot less willing than zolf to say ‘i’m not gonna go through you lot to do it’, not because i’m convinced grizzop would be hugely more willing to physically fight the rest of the team over it, we know that despite his practicality he seems to overlook some ‘’’wobbles’’’ in people he already cares about,  but because zolf is capable of giving up on something in a way that grizzop just isn’t. i dont know how that would play out; chances are, it would get interrupted by a fight, but. who knows.

[atlasira]

tell me about your litg mcs!!!

omg an anon ksjadjkd wait okay lemme get my Thoughts together 

well the route im playing rn, my mc is one of my more developed ones, even though she still barely is!!! 

(yikes did that even make sense damn off to a bad start jdskjfka) what i mean is i still havent really fleshed her out yet, but shes already more uhhh Solid(?) in my head than most of the other mcs ive played. 

so

this^^^ is kemi! short for kemara, but she wants everyone to call her kemi. its the kind of nickname where youll be like “wait your name’s not actually kemi??” like 5 years after knowing her bc literally everyone just calls her kemi

havent worked out a last name yet and im still deciding on a nationality. im really still working out the kinks

shes a model and product ambassador. shes has 2 IGs,

one for business where she posts about products with you know those “use my code for a 10% discount^^” type descriptions. she mostly models makeup 

the other for personal use, friends, family, and etc. 

after love island, she’ll still do this bc she genuinely enjoys her work, but she’ll also consider going into youtube. i havent decided if she’d be more into doing vlogs, like j*nna m*rbles and g*bbie hanna type of content, or if she’ll do videos like b*iley sarian and l*ndsay ellis where its moreso Discussion based. idk 

most of my mcs are on the younger side/closer to my age (my last mc, Luna, was a 21 year old lets player), but kemi is more around like 25 years old? shes more mature than i usually play and is more confident in herself 

shes goes after what she wants and kisses people shes not coupled up with and talked to lurik without waking everybody up and etc. shes owns up to these too bc shes just really assured in her decisions 

shes more grounded than i usually play too. if it was a spectrum between lottie with her supernatural stuff & marisol with her “practical”ness, kemi would be closer to marisol’s side. 

i remember when chelsea comes into the villa, she can say to mc “you seem more of the glass of champagne type” and kemi like totally is. shes all Champagne and Fancy Restaurants and Suits and loves being spoiled

which is why when lucas came into the villa she was like immediately drawn to him, and then the more she heard him speak and talk about boat rowing and romantic dinners and diamonds she almost fell in love on the spot 

theyre both a little bougie lol

(this reminded me that lucas is so “Posh” that when someone joked about him giving a girl diamonds on the first date he literally was like “oh thats so last year, ____ shines much brighter” or smthg idek what rock he said im so broke my mind just tuned it out but that scene was so funny lmao)

this is also why its so shocking when she starts catching feelings for gary. hes like the exact opposite of the type she usually goes for. hes such a Bro (or a “Lad” or whatever UK people say) and he hangs out at bars drinking beers with the guys and talks nonstop about cranes and bulldozers and is like “who needs fancy stuff im all ~naturale~” and things like that. he legit wasnt even on her radar until later in the season. i knew this was gonna happen, but i wanted her to Develop first. i tried to play the character basically 

idk how im gonna play all this out when lucas comes back in the villa tho like thats gonna be Wild. her & gary will have smthg close to solid by then, and like at the worst possible time the guy she first liked who checked all her boxes is gonna come back thirstier than ever. like thats gonna be Smthg alright lol idek what im thinking kemi would do 

my other developed mc from my all time favorite playthrough is named Willow. it was a “loyal since day 1″ bobby route. she was a 22 year old drummer that played in a band her & her old high school friends created that got kinda big in her hometown. i have a lot more on her, but its like 2am here and im getting sleepy. so yeah thats one of my mcs right now!!! 

[twdmusicboxmystery]

Season 8 EW Photo Shoot - TD Clues

Good morning Everyone and happy Saturday! How is everyone's weekend going?

Okay, so over the past 3 days I've gotten about 7 of these Asks about the EW pictures. I already had the first one when I was answering Asks on Thursday, but I decided I wanted to wait to answer it and do a full post. Then I got a bunch more. (These are obviously not all of them, but all the rest had the same gist.)

Actually I'm glad I waited because just yesterday the FB group had some really great insights that I wouldn’t have had before.

I will warn you, though, that this has been discussed all over the fandom. If you've read a lot of other discussions about it, I doubt I have much to say that hasn't already been said. This is what I see in the pictures, what insights the wonderful ladies in my FB group have had, and what we've been discussing.

So, quick summary for those who've been hiding under a rock and don't know what this is about. EW, as per usual, has done a photo shoot spread for TWD S8. These are some of the photos.

So here’s the complete run-down from my end:

The instant they hit the airwaves, a certain dark ship started screaming that because MMB has her arms around Norman, the show is foreshadowing C@ryl becoming canon this season. For the Nonny who needs reassurance, let me promise you that nothing could be further from the truth.

Here’s a random joke I made about it in my FB group:

Here are some simple facts:

1. Carol and Daryl have an iconic friendship, and people love seeing them together, even if it's just as friends. So the show has used them heavily promotionally for the past few years. And yet, they've never gone canon. This year is no different.

2. More than once AMC has hinted or outright said that Carzekiel will be pushed this season. I don't know if they'll actually go canon (most of the other long term couples have taken more than a season to actually hook up--Richonne = 3 seasons, Carnid = 2 seasons, Bethyl=oh geez! The one exception, I think, is Glaggie) but it should become very obvious that it will be the two of them in the long run. And who knows? They might go canon. I, for one, hope they do. And, based on the symbolism we're seeing here, I think there's a good chance they will.

Let me explain. One of the above Nonnies asked about symbolism. And the symbolism should go a long way to setting your mind to rest about the possibility of C@ryl.

At first I just kind of rolled my eyes at this picture, thinking, "well, the C@rylers are gonna have fun with that one, aren't they?" But then an IG follower pointed out that Carol is holding Sophia's doll.

Now, the third Nonny above asked if it was the magazine putting these symbols in, or tptb? While of course we can't know for certain, the instant I saw the doll, I knew it wasn't an EW thing. Not entirely. There are too many symbols we've seen in the show in this shoot for them to have been arbitrarily chosen by the magazine or the photographers. And remember this magazine had it's hands in all the secrets of Jon Snow's return to GoT, so I have a hard time believing these symbols aren't purposeful.

So for Carol, remember I said HERE that her whole arc has been and is about Sophia. This surely proves it. She's holding Sophia's doll, so this Sophia arc is obviously going to come into play in a big way in S8. My logic is that, even though this has been Carol's arc all along, we've never seen her hold the doll before, so it's got to be more front and center this season. Meanwhile, we have this kid, Ben's little brother, who just so happens to be played by Madison Lintz's brother, so he LOOKS just like Sophia, and is going to be part of Carol's story this season. He may be what finally helps her to heal and brings her arc full circle. And that's why I think Carzekiel could go canon this season. I think part of her healing will be a relationship with Ezekiel. No way to tell for sure when it will happen. Knowing Gimple, it could be spread over two or three seasons, but it also might not be.

So after noticing the doll, I started studying this picture and symbols started jumping out at me right and left.

(The funny thing was that by the time I actually went into my FB group, there were already like sixteen comments about the symbolism and I'd been tagged a bunch of times, lol. I was actually late to the table for this discussion. And I'd only logged off for like four hours! Well, that's what happens when new TWD stuff comes out, I guess. ;D)

The most obvious symbol to me was Daryl holding the champagne. Definitely milder than moonshine, but who cares? It's alcohol. Can't help but see it as a callback.

What most people in my FB group pounced on is the fact that Carol is feeding Daryl with a spoon. Not only does it remind us of Beth's D.C. spoon, but you don't get a more mother/child image than spoon feeding. Symbolically, many of us have thought for a while that Carol will have a relatively big role in bring Beth and Daryl together. This almost suggests her bringing Beth to him.

The other thing that caught my eye are the flowers he's holding. The reason is that I recently re-watched 7x05, Go Getters. Remember that when Maggie wakes up in the medical trailer in that episodes, there are tons of parallels to Beth waking up.

Also, when Maggie awakens, the first things she sees are purple flowers. These ones in the EW shoot look exactly like the ones in 7x05. I there's more white in the ones in the EW shoot, but other than that, practically identical.

So if you ask me, we have Daryl holding alcohol (Still), and flowers a Greene sister saw when she awoke in a medical place with a doctor.

Everything around Norman is screaming Beth to me. We also have peaches on the table and in one of Lauren's pics (peach schnapps)

and strawberries (totally a Bethyl thing).

And I’m pretty sure there's pomegranates in there too (Carzekiel).

So we were all doing pretty well with this. Pretty confident in our symbolism, etc. And then something else happened today. One of the EW photographers posted about the symbols used in the photo shoot. As you might imagine, none of the explanations were particularly TD-ish.

But guys, that's okay. Let's face it, they're never going to come out and say, "oh, the champagne is a callback to Still because Beth will be back this season." Just never gonna happen. So they're giving very convenient explanations for what the symbols are. And while they might be mostly true, they also kind of don't make sense.

For example, the stuff Melissa is feeding Norman is chocolate pudding. An obvious callback to Carl, and that's fine. But if they were going to callback to Carl, why not just put him in the photo shoot? He's one of the Atlanta originals and has been on the show longer than Maggie or Michonne. Why use pudding specifically?

This photographer also said the flowers were Carol's "look at the flowers" flowers. Um…if they're actually using that as a "look at the flowers" symbol, that suggests Carol will kill Daryl in this season. I chuckle even typing that because it's so ridiculous. I think we all know that's not happening. So my point is that these explanations aren't hitting the deeper symbolism.

Also notice they say that Shiva represents the Sanctuary. Well, Shiva...chewed on people who live at the Sanctuary, but she represents the Kingdom. Really not hating on this person. Just pointing out it’s not the most reliable synopsis.

Keep in mind, we've seen them do this before: give convenient explanations that are mostly plot-based, without really going into what the deeper symbolism is. As I told my FB group yesterday, the most recent example that comes to mind is an article that was released a few months ago explaining what the A on Daryl's shirt at the Sanctuary meant.

They said it meant "asshole" because the Saviors always try to degrade their prisoners. Now, I'm sure that's true. They aren't lying. (Other shirts we see have letters like F and S on them. Not hard to imagine what those stand for.) But the fact is that we saw A’s at the prison, at Terminus, at FG's church, and at Alexandria. Not all of them can possibly stand for a name call/body part. So this was a convenient explanation that doesn't REALLY talk about the deeper symbolism.

If the photographer knows anything at all about the symbols (isn't just guessing) then I’m thinking tptb gave her these simple explanations in case she was asked questions. And there probably is truth to them, but it's deeper and more complex than a simple, one-sentence answer.

The doll isn't just a callback to that one time Carol lost her daughter. It signifies Carol's entire 4 season arc and that fact that it will be front and center this season. She'll have to face Sophia's loss and find a way to finally move past it.

I think the flowers are about resurrection, at least partly. If they're also tied to Carol, well, the whole "look at the flowers" thing didn't start until Lizzie and Mica showed up. So I also think it could symbolize that she'll finally talk to Daryl about the girls.

Rick is holding the sheriff's badge. That's not TERRIBLY suspicious, but it's been some time since the badge was specifically used to signify him. They've focused more on the red-handled machete and such the past few seasons. So I can't help but think, new sheriff in town?

Aside: I also watched the Fan Favorite video for Carl today. While there's nothing inherently Beth-ish in it, I will say that the damn sheriff's hat is focused on A LOT. Just saying.

Maggie holds Glenn's watch. At first I didn't read much into that. As I told my group, I think it could just signify who she's become since Glenn's death and who she'll continue to be. Her whole purpose now is about her child and about the person she'll become specifically BECAUSE Of Glenn's death.

But the more I thought about it, the weirder that symbol seemed to me. Not only did they go out of their way to close Glenn's arc in a beautiful way, but she even gave the watch away (to Enid) in S7. So to see her holding it here again almost feels like their *ahem* resurrecting it in some way? And I don't even mean that it's necessarily Beth-ish. Just that it's kinda weird. At the very least, it's a time symbol. Maybe showing that the time screw is over and we'll finally go back to Grady and see what's up?

Now let's talk about the pudding one more time. While discussing this, @thegloriouscollectorlady​ said something that really got my wheels turning. She suggested that the pudding definitely was a callback to Carl (it totally is) but that that only goes to show that they're pushing Daryl and Carol as a son/mother relationship. The person who at the pudding before, after all, was the only "kid" on the show. And of course Carol is spoon feeding it to him.

That made me think more about Carl's whole pudding episode. That episode has a LOT of Beth parallels in it. Check out my analysis HERE.

In a nutshell, Carl sees a dead song bird beside a cage (foreshadowing Beth's “death” at Grady). Right after that, we see lots of resurrection themes. A walker comes at him and he shoots it in the left side of the forehead (right where Beth was shot) and thinks he got it, but it jumps right back up again. This is also where he goes into the bedroom with the nautical theme (Oceanside foreshadow) and has to escape the walker there.

He beats it with an actual lamp (Lamp Theory) plus there's a yellow bat in the scene. (Yellow = escape, bat = Negan. And what do you know? Oceanside showed up at roughly the same time as Negan; symbolism fulfilled.) Plus, he loses a shoe, and we see yellow-handled scissors near his foot.

That enough TD symbols for you? Right after that, he sits on the roof and eats the pudding. So this was very much about Carl becoming a man and learning to survive by himself. He did all this himself, without Rick's help. It instilled a confidence in him about his own ability to survive.

So now they're applying the pudding symbol to Daryl. Remember what Carol said in Consumed (you know, while they're looking for Beth?). "You used to be a boy. Now you're a man." So I feel like the pudding here is showing that Daryl has matured emotionally.

Remember that tptb and even Norman himself have said many times that Daryl was still emotionally immature in S4. They say that if he had romantic feelings for Beth (which AMC confirmed that he did) he didn't fully understand them. Think about that. Follow the symbolism through to conclusion.

If they're using the pudding symbol for him now (he's eating it, as Carl did) then it suggests he's reached full emotional maturity now. Guess what that means? Time for Beth to appear. He will now be capable of sustaining a romantic relationship with her, where in S4, he really wasn't.

This one shows Norman pretending to smoke a birthday candle. The candles from the cake he and Andy have all over them. Ostensibly it’s birthday cake to celebrate TWD’s “birthday” with 100 episodes, right? But who was the one character that talked about birthdays before starting a certain fire? Just saying.

Other interesting symbols:

1) Grapes. This really isn’t a symbol we’ve seen extensively around Beth or anyone else, but it could be termed Beth-ish because there were grapes in her arc in s4. In Inmates, which had the wacky non-chronological story-telling (X), Ty, Lizzie and Mica ate grapes. Later Beth and Daryl find the same ones and Beth picks some for anyone else they may find. Which they don’t.

2) Carrots are also on the table. (X) I’m gonna add that although we don’t actually see “carrot flowers” as far as I can tell, we do see both carrots and flowers in this shot. And Gimple had planned to play the song “The King of Carrot Flowers” during the dinner scene in Alone. (X). He only didn’t because of copyright issues. Just saying.

3) Apples, of course. (Apple Theory). They’re really around Richonne here, and we’ve seen them specifically around Richonne in the show, especially in 6b. But we’ve seen a lot of apples entwined Beth-related symbolism (as well as other characters like Maggie) so having them here at all is kind of suspicious.

Finally, there’s a bandage around Andy’s hand. No idea if that’s an Andy thing or a Rick thing, but if it’s a Rick thing, it’s a callback to S4, when Rick wore a bandage on his hand for most of 4a. Beth’s bandage at Grady mirrored that. And maybe it’s not for the show, but it doesn’t seem to be a significant injury (not like a broken bone or anything) which means they could have easily covered it up or photo-shopped it out. I think it’s more likely it was purposely put in.

So all of this rambling boils down to this: No, I'm not worried that C@ryl will go canon this season. Everything points to C@rzekiel. Yes, I think all the symbols we're seeing in the shoot are point to Beth's return. And yes, I think they were purposely put in by tptb, no matter what anyone else says.

We've seen them too often in the show for them to be arbitrary, and everything else we've said in the past still holds true.

But hey, it's just a theory. Just my opinion. I mean, I've only been analyzing the crap out of this show's symbolism for two and a half years. What the hell would I know, right? ;D

Everyone have a fantastic weekend. Four weeks and counting, my Bethyl peeps! Xoxo!