may i present you silly objects in these trying times
i definitely don't have a favorite here whatttt
also im sad because i can't draw anymore until i get my laptop fans replaced because my laptop sounds like a car revving it's engines and/or a lawnmower
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so the good place is widely lauded on this site for its takes on morality and capitalism, which i totally agree with
but i think it should get more recognition for the line "all humans are aware of death. so we're all a little bit sad all the time. that's just the deal. we don't get offered any better ones. and if you try and ignore your sadness, it just ends up leaking out of you anyway. i've been there, and everybody's been there. so don't fight it. in the words of a very wise bed bath and beyond employee i once knew - go ahead and cry all you want. but you're gonna have to pay for that toilet plunger."
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Ryne and Gaia are like. Such good parallels and foils to each other it makes me just a little insane.
Like Ryne is sweet and caring and she always wants to help others and make them feel better even to the detriment of herself because she has seen and known suffering and doesn't want others to have to live like that too. If she can make someones life better, even if just a little bit, then she will. But she also puts everyone elses well-being and feelings so far above her own that she often ends up trying to help in a way that doesn't actually solve anything because it still ends up with someone hurt (such as trying to properly fuse with Minfilia knowing it might end up with herself disappearing). She's not a doormat, but she does have some people-pleasing tendencies.
Gaia, however, is the exact opposite. She's prickly and sarcastic and thinks of herself and her needs first and foremost, everyone else is secondary. It's not that she's cold or uncaring, she doesn't ignore people's problems, she just doesn't see them as her business most of the time (A product of being raised in Eulemore most likely). She doesn't consider the long-term outcome of what she does or says, she lives solely in the present and the future is a problem for when it happens.
These opposite traits also play into each other. Ryne inspires Gaia to care more about others and Gaia inspires Ryne to prioritize herself more. Gaia makes Ryne live more on the moment without thinking solely of what the future will bring, and Ryne makes Gaia think more on what her life will be going forward and to actually consider what she does and says and how that affects things. They feed into each others good traits (Ryne's caring nature and Gaia's sense of self) while also helping them deal with the bad traits (Ryne's people-pleasing and Gaia's aloofness).
Their pasts are good paralells too. Ryne was isolated and lonely until Thancred took her away but even then, he was distant and emotionally neglectful, so she ended up lonely in an entirely different way. Gaia had a family and caretakers that she wasn't particularly close to, but after the 'Fairy' started talking to her they got even further away until she couldn't even remember them, and the 'Fairy' was the closest thing she had to a friend even though it was what isolated her to begin with. Ryne had constant companionship but no support, and Gaia had 'support' but no companionship.
Even just. Regarding the whole identities thing they are just. Perfect. Ryne has lived with Minfilia's shadow on her shoulder her entire life and never got to learn who she actually is. She thought that she had to become Minfilia for her life to be worth anything, that it's the only way her existance is justified. The person closest to both her and Minfilia(Thancred) indicated(in her mind at least) that he wanted Minfilia to be here in Ryne's stead(which wasn't really the case but she didn't know that). The only way to get her out of that shadow was to remove her from the identity of Minfilia, hence why her new name is so important(as well as the hair and eyes being her natural colors instead of Minfilia's all too recognizable ones).
But Gaia didn't even know about Mitron or Loghrif until Eden. She had the 'Fairy', but to her it was just some voice in her head which was nice enough to her. To her, Loghrif is just some lady Mitron loved, she has no real connection to her. She has a connection to Mitron, both as the 'Fairy' and as remnant feelings from Loghrif, but none to Loghrif herself(aside from the obvious reincarnation stuff). Gaia has always been her name. It may have been Loghrif's originally, but she is so far removed from that identity that even for all of Mitron's effort to 'return' her to Loghrif, it'd never work. Loghrif is Gaia, but Gaia is not Loghrif. Simple as that.
Eden's story works so well because Ryne and Gaia are opposites in that specific way that compliments each other, rather than pits them against each other.
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Another of his victims was Lepidus, that lover and favourite of his, the husband of Drusilla, the man who had together with Gaius maintained improper relations with the emperor's other sisters, Agrippina and Julia, the man whom he had allowed to stand for office five years earlier than was permitted by law and whom he kept declaring he would leave as his successor to the throne.
-Cassius Dio 59.22
everyone talks about the incest allegations, but surprising no one: the brother in law allegations are more fun to me
some commentary on the death of Lepidus
The Roman Emperor Gaius 'Caligula' and his Hellenistic Aspirations, Dr. Geoff W. Adams
usually my Caligula design is a remix of my Octavian design with darker hair, but for this I decided he should be his own person
society6 | ko-fi | twitter (pillowfort, cohost) | deviantart
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Ingo and Emmet are perfectly in sync. They have to be, living as conjoined twins. The Subway Masters of Nimbasa City, the two are happy with their friends and family and trains.
Of course, the universe contains chaos and random chance that can affect even the closest of people. The two find themselves in situations that neither would have ever expected, and it will test them both.
Through it all, one thing is certain. Family, both blood related and chosen, will never let you be alone. And, no matter the trials, a two-car train will always continue onwards.
Oh boy! Well, we're finally getting back to Unova, and to what's going on with Emmet.
Warnings for this chapter include blood, injury, mild gore, grief, mentions of vomiting, and lots of medical stuff. It's much less intense than chapter 4 but it deals with the whole aftermath from Emmet's side (ha) of things. Please be mindful of this!
As always, disclaimer is linked in first reblog!
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Unhinged Anon, back again! And so incapable of not bugging you with lmk thoughts that I apparently have my own tag now? Thank you but also I’m so sorry??? The monkie show has made me insufferable, and I’m afraid you’ve become the primary target of my insanity.
Anyways, your tdp soundtrack post got me thinking. Since they haven’t released an official lmk soundtrack (for some reason. LEGO/Flying Bark/whoever makes that decision, we will give you our money just PLEASE GIVE US THE MONKIE MUSIC), I was wondering what your… lets call it 10 (or however many you want to do) favorite tracks from the show are, and more importantly: What would you name each of them?
For example, I love the track that plays in Benched where Tang gives his speech to Macaque and then Pigsy starts singing, and I’d probably name it “There Will Always Be Hope” because goooood I love that speech. Plus, that quote feels pretty relevant to the moment where the leitmotif (I think that’s the right term? I know very little about music and composing) pops up again in Destiny Fulfilled. Anyways, hope you’re having a lovely day! *waves from the precipice of madness*
You always leave me such quality thoughts I thought I'd just give myself a good way to find them faster! BUT YES THIS IS A REALLY FUN ASK. I'll do 6 I think, in no particular order:
1.) The song that plays while scroll Subodhi is talking to MK in front of the stone in 4x06, it drives me insane. I shall dub it "It Was Used to Form Another" or even "Time Will Tell".
2.) The track that plays at the beginning of 4x01 while our mysterious hooded figure picks up the scroll piece. I love all the music associated with the scroll/curse in general. Let's call it the "The Brink of Chaos"
3.) The music during Mei's "We trusted you" speech in 3x10 is AMAZING. I'll call it "Mei's Lament" since her theme plays in minor during those scenes.
4.) The main theme that plays during MK's big "patience and focus" scene during the climax of 1x09. I feel like honestly that's just the main theme of the show, so "Main Theme" or "The Monkie Kid".
5.) The music that plays behind Azure and the Jade Emperor's fight in 4x10, or honestly even their whole convo in general. Let's call it "Was there a Point Where You Questioned It".
6.) The music that plays at the end of 2x10 while Lady Bone Demon crystalizes MK and then the rest of the city, the haunting choir there is SO GOOD. "Destiny Found You".
*waves back from the precipice of madness*
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