things about toronto’s production of the great comet at crow’s theatre/musical stage co that i need everyone to know about because i am obsessed with this show.
as of writing i have seen this show five times.
very long under the cut:
full cast listed here. at time of writing, donna garner replaces louise pitre as marya, tyler pearse replaces lawrence libor as dolokhov, and ben carlson replaces marcus nance as andrey/bolkonsky. currently i’ve seen the og cast four times and the replacements once.
the stage is set up with seats on three out of four sides, with front rows at tables, back of house left and right sides at barstools, and a small balcony with some seats on house right. there are balconies on either side, with a revolving platform in the middle of the stage (revolving by being pushed by cast members or stagehands). seats around 200 people or so.
the actors are EVERYWHERE. it is so incredibly immersive
the music is very punchy
during prologue, everyone is taking shots as they’re introduced, except dolokhov, who drinks straight from the bottle and sprays it into the air
i’m a dolokhov girlie through and through and once he nodded hello at me during the prologue and i legit swooned
mary is walking around holding a program showing off the family tree, actors will point to them on tables etc
once anatole pointed at his face on it, pointed to himself, all in a very flirty manner
he winked at me during prologue once and i’m still thinking about it
evan buliung is acting his ass off as pierre
he is definitely is more gruff and acting focused (think dave malloy over josh groban)
at “hours at my screen”, pierre takes an audience member’s phone (from one of the tables… or once out of someone’s hands LMAO) and mimes tapping, scrolling through it etc
two stagehands move things on and offstage (such as the sofa, church props etc) and they are also in little costumes. it’s very adorable
dolokhov’s little soldier walk thing??? during moscow????? i’m sure there’s a reason for it bc both of them do it but i have no clue why it’s there???? love it tho
heeyun park as mary is also acting her damn heart out
private and intimate life has a faster tempo and is SUCH a banger as a result
an audience member gets briefly pulled up on the platform to be the cheap french thing, he typically kisses up their arm, hugs them, and sometimes sits on their lap a bit
pierre is playing the tambourine in the background during natasha and bolkonskys and it is honestly kind of funny
hailey gillis plays natasha very emotional and headstrong. her no one else has a sense of urgency, desperation, and deep longing
the platform is spinning and people are walking around and she is singing like an angel…
basically i want to be hailey gillis when i grow up
actors are rotating the platform during no one else and it ends with andrey standing behind her and pierre standing in front of her. no one talk to me i’m losing it
as the run has continued, dolokhov’s adlibs during his intro in the opera have increased drastically
lawrence libor as dolokhov had such an air and presence (rizz?) about himself i cannot DESCRIBE. the comphet he gave me… i miss him v much. he was also very much giving toronto mans. and he made SO MUCH eye contact. he loves to look at you. i miss him. i need him. who said that
tumblr theatre girlies you would go insane over lawrence libor. if this show had ANY b roll footage i know i would be seeing edits all over the place
i am president of the lawrence libor fan club and everyone should join me
tyler pearse as dolokhov has heavy frat boy energy. he is also gayer, and somehow, sluttier. gives short king energy despite only being an inch shorter than lawrence (apparently)??? don’t ask bc i don’t know either he just does. anyway thank u tyler pearse for making dolokhov bisexual for real
either way dolokhov is doing SO MUCH in this production. he is wild he is a whirling dervish he is arrogant he is a bastard he is everything to me
“YEAH BABEY LETS GOOOOOOO” -lawrence libor as dolokhov, upon his entrance
in one performance he would go YEAH BABEY three separate times in act 1. yeahh
flirting with a girl in the balcony, dabbing up a guy in the balcony, generally being hilarious
and tyler pearse leaning over the balcony, rose in his mouth, wolf howling… i can’t.
basically i can’t with this production’s dolokhov. i’m obsessed
anatole’s entrance… he’s a whore. all i can say
rita dottor (ensemble) does the high soprano bravooooooo and she always sounds so fantastic. live laugh love rita dottor
george krissa, who plays anatole, is probably the most attractive man in ontario. like if you googled hot guy he would be the first result.
“where did they find this anatole. was he made in a lab or something. he was perfect” — my friend after seeing it
tumblr theatre girlies you would also be obsessed with george krissa. like jeremy jordan andrew rannells level obsessed. please love these toronto actors with me
i’d let him ruin my life ANY DAY. it is a fact that lesbians love george krissa. i hope he knows
the way he plays it… my friend described it like “lucas steele is like an alien david bowie, and george krissa is a bridgerton man. just a very charismatic, but normal, guy”
while i would say that lucas steele’s anatole believes he is truly in love with natasha, i would not say the same for george krissa’s. some of the manipulation happening here during the opera is. quite clear
when he is entering the box natasha struggles to open her fan, fans herself frantically, under the arms etc. then when he enters immediately shifts to fanning in a cool and collected manner. hailey gillis master of comedy
“we are speaking of most ordinary things” is especially like. this is a male manipulator if i’ve ever seen one
natasha lost was added back in!! fantastic obviously
anatole checking his hair in the mirror before waking pierre up. fucker
“look dolokhov’s coming around… and we’re off to the CLEURB”
brendan wall (ensemble) walking around during the club scene with a glowstick necklace on is peak comedy to me
i’ve said it but tyler’s dolokhov is an absolute slut at this scene. and for what AND FOR WHAT!!!!
also fun tidbit but all the glasses (other than shots) and any clear bottles have real liquid in them. i am very concerned something will spill one day
when dolokhov gets right up in the audience’s face during “known only to his intimates” i LOVE it idk
during the duel, marya and rita steal off to house left directly beside the barstools and chatter about how bad of an idea this is, they’re so drunk, etc
special shout out to divine’s “he will kill you STOOPID HUSBAND” so good
dolokhov’s adlibs during the duel… i need him. sorry
dolokhov gets shot in the side rather than his shoulder, and unceremoniously rolls off the platform as it’s moving. looks painful
hélène screams when dolokhov is shot but not pierre. so much to think about here
a life changing dust and ashes from evan. i can’t describe anything more just that he’s incredible. i’ve learned so much about acting just by watching him a few times
natasha’s face at “am i guilty…” breaks my heart she is so tormented
we are canadians we are going to pronounce our french correctly! no more charmantay
hélène has started adding some very fun runs into charming as the run has gone on. divine brown marry me
anatole is shirtless during charming. btw.
again i know he’s gay and i’m gay but.
the entirety of this rendition of the ball has been stuck in my head since december
his “don’t lower your eyes i love you” that whole section is delicious i want to eat his voice
plus “BEWITCHING AND I LOVE YOUUU” UGHHH such an ear worm but only when it’s their voices
the choreo going on here is very nice btw
i love the way he says natalie at this part idk. it’s not overly enunciated and the vowel is just right <— vocal nerd
the kiss feels like it lasts forever
music gets very very loud at the end and you can feel it in your skin
also fun fact the house music before and after the show is orchestral but during intermission it’s electronic. bc. anatole. gah details
when marcus was still in the cast you could really hear his voice during letters and it sounded sooooo.
dolokhov’s stupid little thumbs up to indicate he will be ok. pleaseee. i laughed i did
generally lawrence would grab at the place he was shot at a lot; while pushing the revolve etc. loved that detail. (tyler does too but less so)
sonya and natasha just sounds so great. like they just always sound fantastic i love that song
sonya alone. yes i am weeping. yes camille eanga-selenge is everything i want to be and more. she’s phenomenal
dolokhov sitting in a big fuckin chair at the beginning of preparations just absolutely clearly regretting every decision he’s made to facilitate this. is great.
i know i keep talking abt lawrence libor but the image of him at this part is just. really great. to me. sorry
very campy and exaggerated scowling and grimacing from anatole
dolokhov is so sick of anatole’s shit
“here feel how it beats” is NOT entertained he pushes him back immediately
lawrence dolokhov’s “dawdling” business was him tuning his guitar i miss musician dolokhov sooooo much gah
balaga truly does not sing any of his lines. he is basically yelling the entire time. i don’t know how he does it. it’s chaotic and hilarious and so fun
sonya and mary hand out the egg shakers on house right and left respectfully
near the end of balaga, four audience members are brought up to dance with the cast! (i got to dance with mary once!)
dolokhov writhing on the floor during anatole’s long held note thank u
during the goodbye section, anatole comes around to said audience members and interacts with them; dancing with them, booping them on the nose etc, and at “kiss me one last time”, invites a lucky audience member to kiss his cheek. (this once, was me. yup. still processing it.)
once he accidentally knocked someone’s egg shaker from their hand, dolokhov picked it up, laughed, gave it a shake, and handed it back, and yes i’m still thinking about it
when they sit down, balaga and dolokhov will sit on the house right stairs, though once there was an empty seat nearby so dolokhov wedged his way in between two people, guitar and all. so fucking good
anatole will squeeze himself between two audience members on house left, put an arm around each, and look around at everyone sitting in that area, out into the audience, etc. if one is going to make eye contact with him, it is now
once he threw his head back to look at the people behind him, and someone, at the speed of light, took their phone out and snapped a picture of his upside down head. i scream laughed
lawrence’s BETRAYED BETRAYEDDDD was sooooo good. so so so good
hailey gillis is an absolute powerhouse during in my house
usually when “natasha’s whole body shook” she falls to the ground silently but last time i went she YELLED and i gasped so loud
at “i have refused him” louise would go NO in shock and i FREAK OUT ABOUT IT.
and i loved her “what then? would that be alright???”
“NATASHA CRIED OUT! GO AWAY! GO AWAY YOU ALL HATE AND DESPISE ME” sounds SO FUCKING GOOD!!! I LOVE YOU HAILEY GILLIS
when the call to pierre music starts i always get goosebumps
the fight choreo when pierre grabs anatole by the collar is very good
if we’re comparing to broadway, it feels less like anatole’s life is in danger here but like i’m not upset about it
at this point anatole does not seem sad or upset to me more just. pissed off that it didn’t go his way. like annoyed
as anatole leaves during pierre and anatole the staging has him stepping around/over natasha as she is choking from the arsenic and it is such a. show of his shallowness
his petersburg note is fantastic obviously. live laugh love george krissa
marcus nance (andrey) has such a deep and beautiful legit singing voice. it’s sooo gorgeous. any word that raises against marcus nance will fall.
I MISS HIMMMM ok sorry.
i am more sympathetic to ben carlson’s andrey, however. marcus was Incredibly stoic ben has a bit more emotion to him i think
i could swear sometimes hailey is actually crying during pierre and natasha
her “pytor kirillovich” sounds so tiny and fragile ugh my heart breaks
and his “…pierre” is so assuring AUGHH
it’s such a beautiful scene obviously. i love the two of them so damn much i hope only good things happen to them forever
“it was clear and cold” also. chills EVERY TIME
“having traced its parabola” and “like an arrow piercing the earth” hit me so hard i cannot explain
genuinely evan buliung gives the most effective inspiring fantastic mind blowing performance i maybe have ever seen on stage. he is such an incredible actor and he inspires me beyond belief
the end when the lights get really really bright and then fade out. god. so simple and so fucking beautiful
now this post is very long. thank u for reading it all if you did! (will update after seeing it more times if there’s things to say!!)
if you’re anywhere near toronto i BEG of you to go see it!! it’s closing march 24th :(( so if you get the chance i deeply implore you. beg borrow or steal a ticket just get there! best comet production ever in my biased opinion :)
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I have a LOT of questions about the newest ep of Fionna and Cake. Mainly the farm world ep and farm world in general.
OK so, assuming this is the farm world from Adventure Time, there are a TON of things that don't add up. Here are my questions.
First off, there are a bunch of characters that exist in farm world that don't seem to exist in the land of Ooo. Mainly the Destiny Gang and family. But also the majority of bg characters, they don't seem to have Ooo counterparts.
Expanding on that, why do only SOME characters exist in farmworld and Ooo? Just off the top of my head I know we see Choose Goose (Bruce now), Jake, and Wildberry Princess in the newest fionna and cake ep. But in the original Adventure Time episode we also see Simon (deceased) and Marcy. Those are the only characters I know of that we see. This could be explained by saying that magic doesn't exist in farm world but it still should. Finn only wished The Lich out of existence, there should still be elemental magic but we don't see any of our elemental characters. And why not have non magic counterparts like in normal Fionna world? Why is it only some characters? It can't be just the non magic ones bc we see normal versions of magic characters.
Why does this farm world seem post-apocalyptic? Finn wished Ice Finn to go back to normal and the crown was removed from farm world. I think there are at least 2 farm worlds, one where Farm Finn became evil from the crown and another where it never existed. When the crown was removed this could've also removed the ice keeping the mushroom bomb from exploding which would explain why this farm world seems post apocalyptic. But even if Farm Finn did keep the crown, we know that the Mushroom Bomb already went off. Either way, the great mushroom bomb SHOULD have gone off but we see the same characters still alive. So the mushroom bomb must have been removed from the equation for them to all still be alive, we see a crater where the bomb was but if it did go off, that area should be radioactive and all of the farmworld ogs should be dead. Why is this world so messy and post-apocalyptic? It doesn't add up
We see a farm world version of Marceline in the farm world shown in Adventure Time, but for some reason, she's old. This makes no sense. Marceline doesn't age in Ooo because she's part demon part vamp, so do these not exist in farmworld? The only difference farm world SHOULD have with Ooo is that The Lich never (even ever) existed, but this shouldn't apply to other magic as well. The comets, elements, GOLB and the other primordials, and relics (like the crown) should all still exist. Hunson Abadeer should still exist as he is either a demon or a primordial monster (seen in The Lichs flashback along with Coconteppi and Orgalorg while scaring King of Ooo and Toronto) But the point is, why is ALL magic gone except for the crown in farmworld when only The Lich should be missing. Could the Lich control all magic? He is the oldest scholar of GOLB, maybe even older and above the primordial monsters and elements? Its also weird that Jake isnt magic in farmworld, we know Ooo Jake gets his powers from being a spawn of Warren Ampersand who is either a primordial monster or the same species as one of these monsters (seen in The Licks flashback) But that makes Prismo stronger than The Lich (since he was able to wish him out of existence) and in turn all the primordial monsters, but weaker than GOLB as he was not able to bring Betty back (or maybe he just can't bring people back from the dead? Since he couldn't bring Margles back either) it's weird.
Why does Finn still name his daughter Bonnibel in farmworld if PB doesn't exist in farmworld? Is she still there but not shown? Are all Finns destined to have children named after Bonnie and Jake? (Pillow Finn did) Did the name just come to him as a weird cosmic communication coincidence?
Why do we see a scarecrow of Ice Finn if the crown doesn't exist in farmworld? Do people just remember when Finn was briefly Ice Finn? And why isn't Finn insane from the crown? It affected him long enough for him to start changing so shouldn't it have made him insane?
Farm world is really weird and I have lots of questions. Lmk what you guys think.
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Thank you for tagging me (cujoforever) 💙 to be honest, just based on the rush goal song post you made a while ago, in which the work ethic impressed me, I just know every playlist in this list is heavily curated with care and I could hear about any of them but PLEASE tell me about your maladaptive daydream playlist (because I am one) and bad playlist (because bad how? I must know. bad like guilty pleasure music or like bad ass music like walk on songs or, like bad covers or like just ‘bad’ by Michael Jackson covers or ). And then just tell me about your current favourite playlist. 😊
hi thank you for the ask!! unfortunately i’m gonna have to be the bearer of bad news and say that my only good playlists are the ones centered around Rush :(
that said, i will still get into my playlists!!
my maladaptive daydream playlist is songs i like to listen to when i’m doing chores and my brain wants me to pretend i’m a medieval wench clearing away dishes and laundry at the inn i’m tending to, or whatever other scenarios my little pea brain can come up with, and includes such songs as:
Soldier, Poet, King - The Oh Hellos
Excursion Around The Bay - Derina Harvey Band
Bottom of the River - Delta Rae
Song of the Bandit - Marty Robbins
Sixteen Tons - Tennessee Ernie Ford
High Barbary - Storm Weather Shanty Choir
True Love - Tobias Jesso Jr.
and uh. bad playlist.
it’s a bad playlist.
it includes EXCLUSIVELY epic rap battles of history.
objectively bad playlist, and it is named accordingly. as to how often i listen to it, well. an unfortunate amount more than i will admit to.
as for my favourite playlist, that would have to be ‘anything can be about the toronto maple leafs if you believe hard enough’ simply due to how much effort i have put into it. it’s my only truly coherent playlist and it currently sits at 89 songs, 24 of which are by Rush, but all of which make me Feel Things about our leafies. here is the link to it on spotify, if anyone is inclined to follow—and also i am always open to suggestions for songs y’all think i should add!! ask box is always open for that very reason :)
for those that would prefer just a little sampling or don’t have spotify, this is for you:
Force Ten - Rush
The Weapon - Rush
Vienna - Billy Joel (thank u cody)
Peace and Quiet - Ron Hawkins and the Do Good Assassins (i love u cody)
All I Need Is One - Watsky
It’s All Been Done - Barenaked Ladies
Joyriding - Frank Iero
In Too Deep - Sum 41
The Phoenix - Fall Out Boy
Dust and Ashes - Josh Groban (Great Comet Soundtrack)
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