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[sevenverses]

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[youremyheaven]

Jupiter Influence Among Korean Actors

Over the years, I have noticed a distinct pattern in the Korean entertainment industry, where most stars considered to be icons have strong Jupiter influence in their charts. Korean general public prefers celebs with a graceful and elegant image, who also have "duality" (they're cute but fierce) and Jupiter natives are endowed with these charms.

I had already mentioned female Kpop idols & Jupiter influence on a previous post, so, this post will focus mainly on Korean actors.

Song Hye Kyo is arguably the most successful Korean actress of all time. She has been in the top billing for over 20years at this point.

She has Hasta Moon (I had mentioned in another post about how Hasta women are revered for their femininity and grace), Uttarashada Ketu (UA gives one a glamorous image) and Vishaka Mercury Atmakaraka.

Atmakaraka is what signifies our soul's purpose, hers lies in the Jupiterean nak of Vishaka.

In fact, its very common for Korean actors to have their atmakaraka or amatyakaraka in a Jupiter nakshatra.

2. Park Minyoung has Venus in Purvabhadrapada as her atmakaraka

She rose to fame playing a young girl who disguises herself as a guy in order to attend school in ancient Korea. It is her family's dire circumstances that push her to attend school in order to find work. This whole drama is very Jupiter coded and the majority of the cast have strong Jupiter placements as well.

Her most popular drama is What's Wrong With Secretary Kim where she plays the secretary to a CEO who is almost inept without her micromanaging his life. I've noticed that many Jupiter women tend to be in this position where, in whatever relationship dynamic, others don't know what to do in her absence because she often single-handedly runs the whole place and makes it look easy and only in her absence do they realise that its far from easy.

3.Kim Ji-won is Punarvasu moon

One of her best known roles is that of Choi Ae-ra in Fight My Way, which I would say is a very typical Punarvasu character. Punarvasu's enthusiasm, almost childlike behaviour and charm can fit the description of a quintessential Asian romcom protagonist and Choi Ae-ra is a very good example of the same. Her rise from the bottom rung of the ladder to working hard to get where she is, is also a very Jupiterean tale (since Jupiter moon natives go through their Saturn mahadasha as young adults).

4.Kim Go-eun has Punarvasu mercury & ketu

Kim Go-eun's first ever starring role was as Eungyo in the movie of the same name.

It is the story of a teenage girl who becomes the object of desire for a 70yr old poet. The movie is very Punarvasu coded imo. In fact, regarding her casting, the novelist, whose book was adapted to the film, had this to say:

 "She was perfect for the forever virgin and forever young image that Eun-gyo symbolizes."

This is literally the embodiment of Punarvasu energy which makes the native simultaneously sensual and innocent.

5. Gong Hyo Jin has Vishaka moon atmakaraka and mercury in Purvabhadrapada amatyakaraka

Her character in When the Camellia Blooms is very Jupiter coded. Jupiter energy can often be manifest as a kind of innocence and naivete and a tendency to be a goody two-shoes.

6.Shin Min-ah has Saturn in Vishaka as amatyakaraka

Her most well known role would be that of a doctor in Hometown Cha Cha Cha, in which she plays a person who refuses to compromise on her principles/ethics to get ahead in her career and has to end up leaving Seoul for a small town. This is again, very Jupiter coded because Jupiter influence makes natives very righteous and possess a strong sense of integrity.

7.Han So hee is Vishaka sun

She was recently in an MV for Jungkook's song 'Seven' which features a quarrelling couple. I've often noticed that with many famous Vishaka women, fighting with their partner, often publicly seems to become attached to their public image. This could also apply to their relationships becoming controversial in general. Miley Cyrus, Beyonce, Katy Perry, Lana Del Rey, Jennie etc all have their luminaries in Vishaka with the exception of Lana who has a Vishaka stellium and they've all had relationship drama that caught public attention in a major way.

The role that catapulted Han So Hee to fame was that of a married man's mistress in the drama The World of the Married👀

8. Jung So-min has Purvabhadrapada Sun & Venus (atmakaraka), Punarvasu Moon (amatyakaraka)

in Because This Is My First Life, she plays a broke writer who despite being a good daughter is not appreciated by her family at all, and despite being good at what she does, faces trouble in her workplace and is overall just going through a not so good time . As I've said before, Jupiter natives go through their Saturn Mahadasha as young adults and this phase is a difficult one where they have to work very very hard to get things done and make any kind of progress. Most K-dramas that focus on the adversities of life, as experienced by a 20 something probably has a Jupiter dominant native as its protagonist.

in general, the reason why Jupiter dominant men & women dominate Korean entertainment, be it music or dramas, is because of the kind of content that Korean entertainment focuses on and the kind of people that the Korean public chooses to support. K-Dramas are known for their complex plots, often focusing on people at conflict with their values and ideas, struggling with their conscience, facing life's challenges and overcoming adversity; class struggles, portrayal of wealth/lack of it, rising to the top, underdogs emerging as winners etc. These are inherently Jupiterean.

Even with Korean music, it has a unique system in place where idols have to "train" for several years before they make their debut. Being hardworking and being an "ace" who excels in several areas is prided on in Korea; in such a culture, it makes sense why Jupiter dominants emerge as the ones on the very top of the food chain.

Now, we'll talk about some male actors😋😌

Lee Minho has Mars in Punarvasu & Mercury in Punarvasu (his atmakaraka & amatyakaraka)

Honestly, his entire filmography is very Jupiter coded 🤣 The role that made him a household name was that of rich, spoilt heir to an immensely wealthy family who is the most popular guy in school and leader of his rat pack.

His most successful role is that of a King in the drama The King: Eternal Monarch which is about an ancient Korean emperor who time travels through a portal into modern-day Korea. Both the fact that he's playing nobility as well as the fact that the drama features time travel/alternate reality esque things makes it VERY Punarvasu coded.

(Punarvasu's element is ether and its deity Goddess Aditi is the Mother Goddess and creator the universe itself, many time travel/movies about the nature of reality feature Jupiter natives)

The drama co-stars Kim Go-Eun, who I have already mentioned above as a Punarvasu girlie🥰

2. Gong Yoo is Punarvasu sun (amatyakaraka)

He starred in the movie "Silenced" which was based on a horrifying true story where he plays a teacher at a school who tries to stand up for and protect differently abled children who are routinely subject to extremely cruel and abusive treatment at a boarding school.

Punarvasu natives are known for standing up for others, especially those who do not have a voice/who are unable to stand up for themselves. These natives have a strong sense of justice and empathy and do not think twice about questioning authority.

His character in Coffee Prince is one which made him a household name and in this drama, he plays a chaebol heir who falls for a young guy who is actually a woman disguising herself as a guy 💀I feel like Jupiter men have at least one movie/show in their filmography that is very queer coded (ex: Keanu Reeves, Punarvasu Moon with My Own Private Idaho)

His most well known character is that of Goblin in the drama of the same name, where he plays an immortal who seeks salvation. Very Punarvasu coded.

This is just a personal observation but I've noticed how many Punarvasu men have an androgynous vibe 🥵

3.Kim Woo Bin is Punarvasu sun (atmakaraka) and mercury

His breakout role was that of a wealthy chaebol heir in the drama, The Heirs.

Playing the CEO's son or the CEO, who is initially arrogant and then faces different trials and tribulations and ultimately redeems himself is a common Kdrama trope and I've noticed that the actors picked for these parts the most tend to be Jupiter-dominant.

4.Song Joong Ki has Vishaka moon & saturn (his atmakaraka)

Vishaka is a rakshasa gana nakshatra and I'd previously observed how many mafia movies feature rakshasa gana natives as the main leads. Joong-ki's Vincenzo sees him play a mafia lawyer.

His character is Arthdal Chronicles (featuring fellow Jupiter girlie, Kim Ji Won) is also very Jupiter coded. Its about the birth of civilization and life in the ancient world. Joong Ki plays the leader of his clan.

5.Park Seo Joon has Purvabhadrapada moon (his amatyakaraka)

He is one of those actors who plays himself in every show/movie he does. This means all his characters are charming, slightly awkward or a little dumb, but good natured and caring individuals who go above and beyond for others. This is like a quintessential Jupiter man trope.

Especially his character in Fight My Way, is VERY Jupiter coded and features fellow Jupiter native, Kim Ji-Won.

A slightly stupid but endearingly adorkable guy who works a low end job and trains to be a boxer whilst looking out for his friends and loved ones? Especially his whole side arc with his ex gf on the show is such a Jupiter guy thing; to forgive a woman and be there for her even though she never cared for him and only kept him around because he was sooo nice to her and did everything for her. I've seen this happen with many Jupiter guys because as Claire said in her video these are the nice guys who women keep in the friend zone because even though they're perfect and extremely courteous, women don't feel like they could be a serious partner.

His character in Itaewon Class explores Jupiter in a different way. He is a struggling businessman who is engaged in a long drawn out battle with a chaebol and finally emerges victorious in the end. Despite the chaebol's petty and below the belt tactics, Seo-joon's character always took the high road and held on to his principles and conducted himself with integrity. Jupiter natives are almost always destined to be the bigger person.

6.Park Bogum has Mercury in Punarvasu as his atmakaraka

He rose to fame for playing a motherless prodigy on Reply 1988. His character was a typical Jupiter one; he's very talented, successful and recognised for the same but he takes no pleasure in it and does not really indulge in the privileges it offers him.

His most famous role would be that of a Prince who falls in love with his eunuch (who is actually just a woman pretending to be a eunuch) in the drama Love in the Moonlight. Like I said before, Jupiter guys have at least one queer coded project in their filmography lol.

7.Park Hyung shik has Sun & Mars in Vishaka (his atmakaraka & amatyakaraka)

His most famous role is that of a CEO in the drama Strong Girl Bong Soon.

8.Yoo Ah In has Venus in Vishaka as his atmakaraka and Jupiter in Purvabhadrapada as his amatyakaraka

His character in the movie Burning represents the dark side of Jupiter men.

His drama Chicago Typewriter features him reincarnating in present day Korea after initially living in the 1930s.

Jupiter influence is visible in movies/shows that have tropes of alternate reality, reincarnation, time travel etc.

[ye-xiu]

AL'S DRAMA RECS VOL.1: these recs will solely focus on the writing of the shows, which to me comes down to two things: how well does the plot accomplish what it set out to do in the beginning? and how compelling are the characters written, no matter if their character arc means they become better or worse through the story or even remain who they are? my favourite dramas usually succeed in giving us a satisfying answer to both questions and these are the ones you will see on this list!

★★★★★ dramas (aka the greatest hits):

SECRET FOREST / STRANGER (2017-2021): the pinnacle of all dramas. follows the duo of no-nonsense prosecutor hwang si-mok (the acting star turn of he century by cho seung-woo) and police detective han yeo-jin (the ever-exceptional bae doo-na) investigating a murder case that blows open several scandals in the prosecution. season 2 follows several cases leading to an internal investigation on police bribery. it just does not get better than this and i fear it won't ever will. this drama has the understated styling of nordic noir, the classic shenanigans of an unlikely leading kdrama duo, and one of the tightest scripts ever seen in any tv show ever. | genre: thriller, melodrama, crime procedural

MY LIBERATION NOTES (2022): following the yeom family's three siblings living in the small town of sanpo on the outskirts of seoul, and the stranger moving into the house next door to theirs, this story navigates questions of sibling-hood and family, the purpose of life, as well as the sacrifices we make for the relationships in our life as well as our own happiness. this show earned its hype from the central love story between mr. gu and yeom mi-jeong (son seok-ku and kim ji-won acting the house down) but every one of the three main storylines is well-paced, gives the main actors moments to shine and grow, and ties neatly into the overarching plot to render you either moved or comforted, or even both. | genre: slice of life, melodrama

VINCENZO (2020): at this point are there still followers on this blog who haven't at least seen me talk about vincenzo? the writing of this show is maybe the peak of genre-blending done in kdrama, a culmination of years refining this skill to sharp perfection in a biting black comedy. vincenzo cassano (song joong-ki), consiglieri of a mafia clan he got adopted into, goes back to south korea to recover a frankly unholy amount of gold and fights a gigantic conglomerate (babel) to get there. if you watch past episode four, you will finish this drama, because everything ensuing from then on is just one iconic story beat after another. | genre: black comedy / satire, crime, romance

HOSPITAL PLAYLIST (2020-2022): a medical drama beyond reproach. this show is on this list for the way it wrote its characters and achieved the most satisfying character arcs in any kdrama, maybe, ever. a group of five friends in their fourties all working at the same hospital and navigating their professional and private lives, this drama doesn't shy away from eclectic backstories (and the leads all playing music together in a band) as well as truly heart-tearing moments of friendship and romance. never have i seen character growth done as well as i have seen it in the characters of yang seok-hyeong and kim-jun-wan. | genre: medical, slice of life, rom-com

D.P. / DESERTER PURSUIT (2021-2023): d.p. to me is a no-notes kind of show. it depicts the work of the military police pursuing army deserters through freshly enlisted ahn jun-ho (jung hae-in playing years below his age and leagues above many his actual age) who ends up empathizing and working to help and save the deserters he and his team partner han ho-yeol (an exceptional koo kyo-hwan) are meant to bring back to the army instead of incriminating them further. d.p. is much better for its tone, its writing and the risks it takes in its no-nonsense approach than some of the drivel revered solely for being more flashy and showy in this genre. | genre: military drama, action

★★★★☆ dramas (aka near-perfection):

PRISON PLAYBOOK (2017): the perfect prototype of the bromance as romance formula and one of the best found family dramas that really focuses on that. star baseball player kim je-hyuk (park hae-soo in his career-defining role) loses his career and lands in prison after he assaults the ex-boyfriend of his younger sister to protect her. the show centers on je-hyuk's time in prison, where he reunites with his childhood best-friend-now-prison-guard lee jun-ho (a supreme jung kyung-ho) and assimilates himself with the people he meets in his cell. this show hits all the beats so well from a stellar supporting cast to a great comeback kid narrative for je-hyuk from his time in prison to being released. glaring flaw: the age-gap / childhood friends romance, the conclusion of hanyang's story arc, who gets the short end of the stick while being the one out gay character in the show. | genre: black comedy, found family, slice of life

GOBLIN: THE LONELY AND GREAT GOD (2017): the defining kdrama for many. it may be the one drama that really delivers in answering its plot's defining question twice over and then some. goblin kim shin (gong yoo), cursed to immortality, gets his life upended once a grim reaper (lee dong-wook as wang yeo, a performance never to be seen or repeated again since) and the young woman (kim go-eun as ji eun-tak) who turns out to be his fated bride enter his life. an immortal man resigned on life finds purpose while knowing he will fatally die once the woman he falls in love with cures him of his curse. glaring flaw: the age gap romance between eun-tak and kim shin. could she have not been in college at least? | genre: melodrama, romance, fantasy

CRASH LANDING ON YOU (2019): the romance drama that could, and did. based on a real life incident, ceo yoon se-ri (son ye-jin, an acting veteran near beyond reproach imo) accidentally crash lands in north korea after a paragliding flight gone wrong. there she meets active duty soldier captain ri jeong-hyeok (hyun bin, thank you for your service) and has to stay with him and his military company. the fated love story starts there, but neither of them know they have met before, and already changed the courses of each other's lives before doing so again. minor flaw: is this drama romanticising the military? or is depicting of that on screen just that and nothing more? that is up to you to decide. | genre: melodrama, romance

HOMETOWN CHA CHA CHA (2021): the series remake of a korean rom-com film of the early aughts, this remains my favourite romance drama over all. dentist yoon hye-jin (shin min-a blessing our screens) moves to rural gongjin, a seaside village where nothing happens at all, after her professional life in seoul goes up in flames. it's not all sunshine in gongjin either as ye-jin meets hong du-sik (kim seon-ho),a handyman who is called chief hong by everyone and fixes all the big and small fires in the village. the two start as enemies that eventually fall in love. the romance is well-handled and paced and the second lead (lee sang-yi) is the best i have ever seen in a show, especially because of the arc written for him. minor flaw: the plot is not as tight as the respective character arcs, so sometimes sacrifices are made for the sake of a more emotional scenes. | genre: rom-com, slice of life

THE GLORY (2022): when you put the revenge in revenge drama, this is what you can get. song hye-ko returns to small screen brilliance in an incomparable performance as moon dong-eun, a woman who decides to infiltrate the lives of her school bullies and take them down one by one. this show delivers on plot even more than on characters, following through on every step of moon dong-eun's revenge without shying away from how gruesome or painful that path of vengeance can be. dong-eun gets help from plastic surgeon joo yeo-jeong (a delightful lee do-hyun), and the main cast is rounded out by lim ji-yeon and jung sung-il as dong-eun's grown up tormentor and her reluctant husband respectively. minor flaw: the show does spend a big chunk of its time on the group of school bullies and their interpersonal relations, which sometimes takes time away from the main plot. | genre: psychological thriller, revenge drama

♡ more specific genre watches (beware: usually crime):

LIFE (2018): written by the writers of secret forest, life is another thriller with understated direction and a more sombre tone. i would have put it in the greatest hits category, but watching it with other people made me realise how niche it actually is in genre. a corporate hospital thriller, the show revolves around the newly-minted ceo of sangkook university hospital, gu seung-hyo (a once again flawless cho seung-woo) and a dedicated ER doctor (lee dong-wook, stellar as ever) who depict the two sides of the patient care vs. profit conflict in the hospital. i can't even say more about the show because every other plot point is basically a spoiler. sharply directed and written, this is one of the best genre pieces i have ever watched, and is mildly reminiscent of hbo prestige television of the decade before. | genre: medical drama, corporate thriller

THE WORST OF EVIL (2023): are you even surprised? this was the drama of 2023 for me, one of the most stellar scripts i have seen. the worst of evil is very firmly a noir show and you have to treat what you are watching as such. it is heavily entrenched into its genre tropes and arcs, even more than most crime shows i have seen, and that can be off-putting for people unfamiliar with the genre, but if you are up for it, you will not be disappointed. opportune violent crime detective park jun-mo (ji chang wook, korea's finest new gen action actor) infiltrates a drug ring lead by jung gi-cheol ( fantastic and emotional tour de force by wi ha joon) and the lines begin to blur when neither of them knows if what they bargained for is actually what they want. the show lets its main plot dictate the pace, focusing on park jun-mo's descent into crime, and it is all the more better for it. | genre: noir, crime thriller, action

BEYOND EVIL (2020): the story about dejected and grieving small-town detective lee dong-sik (baeksang-awarded veteran actor shin ha-kyun) being partnered with elite detective and spinster seoulite han joo-won (child actor prodigy turned actor to watch du jour) has made its waves online for its very apparent gay subtext, but to reduce beyond evil to this would be a crime in itself. following lee dong-sik and han joo-won as they are tasked to solve a reoccurring serial killer case, the framing plot then fans open the age-old wound of dong-sik losing his twin sister and being blamed for her disappearance with joo-won having taken an obsessive fascination with the case. the two crime cases are exceptionally interwoven and the stories of the people in the small town of manyang, and how they all somehow tie back to dong-sik, is the perfect example of turning the small centrepiece of a plot into the binding force of every thread. | genre: procedural, psychological thriller

OUR BELOVED SUMMER (2021): i put this into the genre-piece category because obl is majorly focused on its main trope. romantic dramas can easily be trite to me, as this obvious list of crime shows doesn't tell you, but our beloved summer is one of the few that did everything right. it plays out the best trope ever done - exes to lovers - and does not back down from embracing the whole shebang to the nth degree. high school / college sweethearts choi woong (known beloved actor on ye-xiu tumblr dot com, choi woo-shik) and kook yeun-soo (the ever great kim da-mi) have to unite to replicate, or rather continue, the viral high school documentary they filmed years ago. the show shimmies its way from one moment of reconnection to another, culminating in the best kdrama kiss to ever be put to screen, and concludes in one of the most satisfying and, yes, romantic endings ever. the things a show can do when it just sticks to its main narrative, huh. | genre: rom-com, coming of age

[kdramacrybaby]

My favorite actresses

In no particular order

Kim Se-jeong

What I've watched: Busted, A Business Proposal, The Uncanny Counter

What I want to watch: School 2017, Today's Webtoon

Okay, so though I said it was in no particular order, Se-jeong is definitely my top pick. I just love her, both on- and off-screen. She can nail both a bubbly rom-com protagonist and a hard-core, ass-kicking action star. And off-screen, she's just so happy and excited about everything in variety shows. I'm definitely hoping for a lot more dramas to come from her in the future.

Han Hyo-joo

What I've watched: The Pirates; The Last Royal Treasure, W, Happiness

What I want to watch: Treadstone, Masquerade, Moving

This woman is just so goddamn cool in every role I've seen her in, as well as from what I can tell of her other roles. I'm not really sure what else to say tbh. She's amazing, end of sentence. I cannot wait to see her other projects as well, I'm sure they're fantastic.

Jang Na-ra

What I've watched: The Last Empress, Sell Your Haunted House

What I want to watch: V.I.P., Family; The Unbreakable Bond

The Last Empress was one of the first dramas I watched where I was like; "oh so that's what a kdrama can be" - and her role as Oh Sunny is still one of my favorite characters ever, even years later. Just for that alone, she gets a spot on this list. SYHH was fantastic as well, only adding to my point here.

Kim Ji-won

What I've watched: Arthdal Chronicles, Descendants of the Sun, The Heirs, Fight For My Way

What I want to watch: Queen of Tears

This is a case where she somehow just ended up in dramas I had planned to watch, without knowing she was in them. And in every one, she just stole the show. I don't know what it is about her, but she just stands out in the best ways. I was so sad when I found out she wouldn't continue as Tanya in Arthdal, as I just think she was perfect in that role.

Park Bo-young

What I've watched: Strong Girl Bong-soon, Doom At Your Service

What I want to watch: Abyss, Concrete Utopia

She was so heart-shatteringly amazing in Doom At Your Service that I just had to put her on this list. Though the others actors were fantastic as well, she just carried this entire drama on her back. And Bong-soon is just an iconic character all around. It took me a while to realize they were played by the same actress, she's that good.

[dapperwerewolf]

So you’ve already started watching Vincenzo? I’m glad! I just want to tell you something before you continue…

Song Joong Ki (Vincenzo) won a Daesang (Grand Prize - one of the most prestigious award in Korea) for his performance there 🥺

If you watch it carefully, you’ll realize that the directors probably have a crush on Song Joong Ki 😂 I heard it somewhere… You’ll see every character will develop a crush on him, wanting to hug him, wanting to be like him 😂 And there will be camera focuses all the time to just get mesmerized by how handsome he looks 😂

A friend of Song Joong Ki will have a cameo in episode 8 and will have the biggest crush on him 😂

The childish intern who’s always beside Cha Young in the earlier episodes is Jang Jun Woo. You already know who he is so it won’t be a surprise anymore… The actor for Jang Jun Woo, Ok Taec Yeon, is an actual K-Pop Idol. There will be references here and there about that. His iconic rap “Can you feel my heartbeat?” will be there. And I think someone said one time, “does he think he’s an idol?” And I think it would be funnier if you know that he’s actually an idol in real life hehe

Two of Ok Taec Yeon’s group member will have a short cameo in the series. I think it’s episode 12 when he’s watching the television.

Jang Han Seo’s actor, Kwak Dong Yeon, is only 23-24 years old at the time Vincenzo was shot/aired. Yeah, I was surprised too. He looks so mature for his age. The main 3 cast are all a decade older than him 😂

I don’t have much to say about Hong Cha Young’s actress, Jeon Yeo Bin… But I think it’s also nice to know that she’s a newbie in acting just like Ki Yu Ri’s actress (Kim Yong Ji).

Yeah! Good timing too as I just finished the second episode. Can I say this is far more comedic than I expected? I mean, it's still a drama and mostly serious in tone, but it's nice to break it up with some funny moments and characters.

I can't say I'm surprised to learn that Vincenzo won an award for his acting here! I know I haven't seen much but he's very convincing in the role. I didn't expect him to be speaking so much fluent italian (at least it sounds fluent, I'm not a speaker so I'm not the best judge but damn). He's very sexy 😍

I am feeling that... but I'm also feeling the same 😳 Not surprise if everyone has a crush on him... count me in...

I'm gonna keep an eye out when I get up to that episode, hehe.

I was so surprised to find that was Jun-woo. He does come across as an idol so that makes sense. Honestly I was amazed this is how he's like so far... He's kinda fluffy and dorky. More so than I was expected. Hm... I kinda look forward to seeing his 'other' side though. Also I love how he breaks out into random english here and there, catches me off guard but he sounds so cute 🤭

Another easter egg I'll keep an eye out for!

Honestly, I would have never guessed that. He does look really mature especially compared to Han Seok and the others! Like, at first, I think I had the actors mixed around the other way! Han Seok is so childish and fluff (for now), and Han Seo (from what little he's been seen so far) is all stern and mature. So naturally I though Han Seo was the intern, and vice versa. Curious to see more of them, and how they'll eventually interact.

I quite like Cha-young so far, she's very expressive and chaotic 😂 I'm amazed she's new to acting (also didn't realise Yu-ri's actress was as well, as I have enjoyed both performances so far). Looking forward to seeing her interact with Vincenzo more as the series progresses too.

Now I'm gonna see if I can get some more writing done and hopefully fit episode 3 in later today... I'm sure you'll hear my ongoing thoughts ❤️

[luvwhile]

내가 한 가지 확신한다면 그것은 당신과 나에 관한 것입니다 ♡

[xx-icons-xx]

Drama: Lovestruck in the City

[artdrama]

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[celibatairedramas]

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Age of Youth matching icons!

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[hangukdorama]

👭 — Age of Youth

[drivingsideways]

Hey talk to me about your top three favourite kdrama women. What makes them special? What's a fic you would like to write about any one of them?

Mystery anon! :D What a lovely ask. 

I’m going to cheat a bit and divide my answer into characters I loved a lot, but do not want to write fic about, because I think the canon gives me what I need; and characters that I loved a lot but NEED TO BE RESCUED ZOMG.  (My fic writing impulses are 50% spite and 50% fix-it )

Caveat being that I’ve still watched only maybe a dozen kdramas, so I’m pretty limited in my knowledge!

Characters that I love a lot, but have very zero fic impulses toward:

Han Yeo-jin from Stranger/Secret Forest: What a delight! What an iconique character! Is there anyone like her? NO. LSY-nim gives us a delightfully complex character, and Bae Doona knocks it out of the park in every single scene, so I’m just happy to be along for the ride. I think what makes Yeo-jin special for me is the intrinsic place of empathy that she operates from.  I think “righteous” is a word that often comes with negative connotations (self-righteous, for eg), but I do think she’s one of the most righteous-in-the-good-way characters I’ve watched in kdrama or any drama. I’m tired of stories that portray goodness as “boring” , as unworthy of narrative breadth or depth, and I love that Han Yeo-jin comes to us like a breath of fresh air in our particular dystopian narratives hellscape. She’s good, but never naive. She’s righteous but never cruel in her moral certainties.  I think that LSY nim, in the second season especially, gave Yeo-jin the kind of arc that character deserved when she’s forced to really dig deep into herself to figure out how she’s going to live in the world in the face of a deeply cutting, deeply personal disillusionment, and I’m really hoping for an S3 to see how that plays out further. 

Goo Hae-ryung from Rookie Historian: Ok, I will admit this may be rose tinted glasses view due to this show being my gateway drug into kdrama, but c’mon! She’s a reader! and a Thinker! And loves her wine! She’s plucky! She’s cute! She’s got a wry sense of humour! She’s got principles! She’s got a solid common sense to her that somehow doesn’t get in the way of her dreaming BIG! Oh dear, doesn’t she sound like the Mary-est of Mary Sues? Good for her.gif,  I say! Anyways, Shin Se-kyung is unutterably charming in this (AS IN EVERY SHOW OMG GIRL) and I just have a huge fondness for free-spirited heroines who get to tramp through the narrative changing the world as they do! 

Lee Ji-an from My Ahjussi: I’ve never had my heart broken more OR restored by any single character. IU is *phenomenal * in this, I think she really stepped up to what the script demanded from her. Ji-an’s weariness, her fear and vulnerability, her prickliness, her anger and her bitterness, and how, despite everything, she fights : GOD. Just. Again, what I love about the writing in this show is that it’s deeply empathetic without being cloyingly sentimental. I think a less, hmm, imaginative writer/PD might have focused on the Lee Ji-an the victim, and while the show definitely tells you in no uncertain terms that she is one,  of both circumstances and a cruel society, I think it refuses to take away her agency over her own life.(Lee Ji-an when we meet her is too busy hanging onto life by tooth and claw to indulge in self-pity, but we also see the toll it takes on her not to be able to say “this is too heavy a burden for me to carry myself and it isn’t my fault”; the show I think approaches Dong-hoon from the opposite side- his emotional isolation is partly a result of his own choices, but he doesn’t see it yet, and so his journey is also about letting people in and sharing the burden, but also recovering his own agency over his life. It’s an interestingly gender-bent arc, which is one of the things I love about this show. )

Ok, can I please add one more?

Hwang Han-joo from Melo is my Nature: She just felt SO real to me. She’s someone who doesn’t have the spectacular brilliance of either Jin-joo or Eun-jung, and struggles with accepting her limitations but not allowing herself to be defeated by them? I love her struggles as a mother, as a working woman in a sexist industry, a woman who’s perhaps having to rethink and reimagine what she wants from romance. I love that she’s a little silly, a lot kind, and an optimist, and just. I just think she’s the bravest of the three, tbh, and I LOVE HER AND I WOULD WATCH A SPIN OFF ABOUT JUST HER (i shouldn’t have faves among the three i know, BUT I DO, IT’S HER, IT’S HER.)

Ok! On to the next section! And I’m going to cheat again because I can’t stop at three. SORRY. NOT SORRY. 

Characters I love and SHOULD write fic for if I weren’t such a tired and lazy bunny:  

Song Sa-hui from Rookie Historian: Oh, girl, girl, GIRL. I love how she fights to snatch her freedom from the jaws of the patriarchy. I love that she unapologetically centers herself while doing that, because she knows that nobody else will.  I love that she’s prickly and calculating. I love that she’s smart and knowledgeable. I am SO HAPPY that she got to carve out a little bit of freedom for herself, even if it also is exile to some degree. She *should * be Emperor Jin’s Prime Minister and steering the ship of state, while also carrying on a tumultous affair with Queen Min Woo-hee, while ALSO commiserating with Emperor Jin about his boyfriend Historian Min Woo-won’s regrettable tendency towards Principles (TM) and masochism-but-not-in-the-fun-way. (This takes up much of his time which is why Song Sa-hui is running the country, of course. It works out well for all concerned, well, except her dad, of course.)

Song Ga-gyeong from Search:WWW: What’s NOT to love about our brilliant, beautiful, emotionally tortured gay icon? Nothing, absolutely nothing. I loved how the show allowed her to be flawed and make bad decisions, and then allowed her to make better decisions and regain control of her life. What I do need to do, of course, is see the CANON LOVE STORY between her and Cha Hyeon through to the end. It must, of course, include at least one baseball game, a lot of tequila and messy beach kisses. 

Oh Ji-hwa from Beyond Evil: Oh boy, this year’s runaway hit cleared the extremely low bar for standard crime/ thriller shows by leaving more than one of its female characters breathing and with all limbs intact, and got called feminist for it BUT it didn’t do justice to any of them in any meaningful way and that never hurt more than in the way they sidelined Kim Shin-rok’s talent by not giving Oh Ji-hwa anything much to do. She’s a tough as nails cop, a loving sister, a devoted but unsentimental friend-and by rights SHOULD HAVE BEEN THE HEROINE OF THIS SHOW. My secret fic fantasy is to rewrite the show entirely by making her , and the two other female characters in non-antagonist roles- Yoo Jae-yi and Im Sun-nyeo- as the central characters, as they investigate a serial killer who targets women.  It’s the only acceptable version of this done-to-death (ha!) genre, I have no idea what the Baeksang jury and tumblr fandom is smoking when they hype the show so much, I want none of it. 

Jung Sun-ah from The Devil Judge: I love her rage, her spite, her passionate defense of women, her style, her sexiness, her rage, her rage, her brilliance, her tenaciousness, her smartness, her clothes, her refusal to hate herself for everything she is and chooses to be, her ambition, her comfort wielding power, her EVERYTHING. Dead, her? NOT IF I HAVE ANYTHING TO SAY ABOUT IT. Here’s what *really * happened at the end of canon- she gets out of the building by planting that lady-like but still deadly gun against Kang Yo-han’s temple and making him lead her through his own “secret escape route” or whatever the fuck it was the show wanted us to believe. From there on out, it’s all sunshine and beaches, and scheming and waiting for the right moment to strike again-though of course, this time around, she also has to reckon with vigilant, tenacious cop Soo-hyun -another character who REALLY didn’t die for manpain reasons and had the good sense to leave her gay best friend to follow his psychopath boyfriend to Switzerland or wherever it is that star crossed lovers in kdrama land meet up on the regs these days- anyways, Soo-hyun and her are in this catch-me-if-you-can epic transnational honest and cute cop-and-beautiful sexy villain chase and yes, they WILL kiss (and more) AND IT WILL BE GLORIOUS. 

*whew *

Thanks for coming to my TEDTalk.