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bellaxgiornata · 4 months

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Underneath the Mistletoe

Pairing: Matt Murdock x Fem!Reader Word Count: 4.8k

Summary: Tired of enduring the obvious pining between you and Matt, Foggy and Karen plan a way to get you and Matt to admit your feelings - or at least to kiss.

Warnings/tags: Nothing but holiday fluff and first kisses

a/n: Finally I managed to get a holiday fic written with everything going on here for me for at least one of my boys! This one grew longer than anticipated but I hope y'all enjoy! Feedback is always appreciated!

Matt Murdock One Shot Tag List: @pazii @shouldbestudying41 @kmc1989 @ebathory997 @mattkinsella @yeonalie @shiorimakibawrites @xxdrixx @wkndwlff @leikelle @pinkratts @lazyxsquirrel @1988-fiend @marvelcinematiquniverse @carstairswife @stilldreaming666 @kiwwia-wiwwia @willwork4dilfs @will-delete-this-later-probably @mattmurdocks6thscaleapartment @theetherealbloom @yarrystyleeza @dramaholic18

Walking in step beside Foggy with her heels clacking along the sidewalk, Karen twirled the branch of mistletoe in her hand, her eyes transfixed on it as it spun. A soft laugh lightly fell from her lips as she shook her head at the fresh clipping. Glancing over her shoulder, she shot Foggy a questioning look beside her. The movement caught his attention and he shifted towards her, catching her eye in return.

“What?” Foggy asked. “What's with that look?”

Karen raised her hand, holding out the mistletoe towards him. One blonde brow rose up onto her forehead skeptically as she eyed him.

“I don't know, Fog,” she mused. “Do you really think this is going to accomplish anything tonight?”

Foggy let out a huff as he reached out, snatching the branch from her hand. He glared playfully back at Karen as Josie’s bar came into view farther down the block.

“Of course it is!” he exclaimed. “Because it's mistletoe , Karen! When two people stand under it, they are required to kiss.”

Karen rolled her eyes, waving a dismissive hand at him. “I know what it is, Fog,” she replied. “But do you think it'll actually get them to kiss? Or even go so far as to admit that they have feelings for each other?”

“It has to,” Foggy answered firmly. “Because I for one am personally tired of Matt making plans to come to Josie’s on specific nights after work, at specific times, just to run into our pretty new friend who often comes here alone because she's quite clearly smitten by our dear, frustrating Matthew. I mean, aren't you tired of watching all the obvious pining, too?”

Karen expelled an audible breath, a wispy cloud of water vapor forming in the air in front of her before it dispersed into the frigid night. Running a gloved hand through her hair, she nodded.

“Yeah, I am,” she agreed. “I mean it's so clear that she's interested in him with the way her eyes are always glued to him whenever he's around. Always smiling at him. And Matt is always finding ways to flirt with her. Or constantly inviting her to meet us back at Josie’s whenever he can–there's absolutely no way he can deny it, either. There's clearly something there.”

“So tonight we'll just…help them along,” Foggy told her, a glimmer of mischief in his eyes. “Right? Just to get them to stop dancing around their feelings with a little, festive nudge. That's all.”

Slowly, a devious smile spread itself across Karen’s lips as the pair came to a stop in front of the bar. Foggy shot Karen a conspiratorial wink before he opened the door to the bar, a burst of warm air wafting out immediately. He waved her inside before following after her, his eyes scanning the room for Josie. The moment he spotted her behind the bar he held up the branch of mistletoe in the air high above his head.

“Josie!” he called out.

Behind the bar, Josie’s head darted up from the bottle of beer she was opening for a patron. When recognition dawned on her face at who had called for her, she shot the pair of them a flat look.

“What do you want, Nelson?” she called back.

“Two beers and your permission to hang this up in your fine establishment,” Foggy answered her, waving the mistletoe above his head again.

Josie eyed the branch for a moment before dramatically rolling her eyes. “Whatever,” she shot back, focusing back on opening the bottle of beer. “Just as long as you aren't expecting me to kiss you tonight.”

“Aww, Josie,” Foggy cooed, “you wound me so! And on such a magical evening no less.”

“Pay your tab and it'll be a magical evening,” Josie quipped back.

Beside Foggy, Karen threw a hand over her mouth as a giggle bubbled up out of her. Foggy shot Karen yet another playful glare before he led the way over towards the bar, eager to see how the night would unfold.

“Ugh, it was such a good look on his face, too!” Foggy exclaimed, slamming his palm onto the small wooden table for emphasis. “I mean, when Matt dropped that line to the jury, you could just see the color drain from Samson's face! It was beautiful !”

A smile pulled at the corner of your lips as you glanced down at the bottle of beer before you. You'd made your way through the flurry of snowflakes outside once you'd left your office, walking all the way over to Josie’s just so you could meet up with the three lawyers you'd strangely come to befriend here over the past few months.

The three of them often loved to celebrate their wins in court here, something you had quickly found yourself invited to as if you'd always been part of the group–or the law firm of Nelson, Murdock, and Page itself–instead of just having been the woman at the bar Foggy had once accidentally spilled a drink on before insisting that he buy you your next drink to apologize. After that night when you'd met his friends, you usually found yourself joining them at this little dive bar on a weekly basis.

And it was no surprise to you that the three of them would be here again this evening because you'd seen them here only two nights ago when Matt himself had asked if you'd join them again. It was quite a confident gesture of him to invite you out to celebrate their win already that night, too, considering the trial hadn’t even happened yet–though confidence bordering on cockiness seemed the norm when it came to Matthew Murdock. Initially you hadn't been planning to come out tonight, but the moment his red lenses had focused on you from across the table and he had flashed you that charming smile on his handsome face, you knew you'd change your plans just to spend another few hours in his presence. You couldn't exactly resist the attractive lawyer who was always flashing smiles in your direction, and he often wasn't far from your mind whenever you weren’t here.

But of course you'd never admit that.

“It was pretty entertaining, I'll agree,” Karen replied.

Across the table from you, Matt shifted in his chair. The moment his knee brushed yours underneath the table, your hand tightened around your beer bottle. Inhaling a sharp breath, you sat entirely still in your seat, glad Matt couldn't see your reaction. Though you could feel the heat rising up your neck as your knee felt like it was pleasantly tingling from the brief contact with his. Across from you, Matt cleared his throat, one of his large hands rising from the table and tugging at the collar of his tie. You fought hard to not openly stare at his fingers as they pulled at the fabric, a tight smile slipping onto his lips.

“If only I could have witnessed it,” Matt added.

Internally you agreed. You could only imagine what it would be like to see Matt in action, delivering such powerful and impassioned speeches that you'd only ever drunkenly heard him recite in bits and pieces after the fact at Josie’s. You'd love to see him with his tie done up tight and his suit jacket on, his broad shoulders squared in that confident manner he had as he walked around the courtroom as if he owned it. Which you knew he must do in court because you saw him do it every time he entered this bar.

And it never failed to turn you on.

You knew it was stupid and foolish, but you wanted him horribly; you always had ever since the night he held out his hand to you and told you his name. He was a beautiful mystery, always so observant for a man lacking one of his senses. And he was charming and flirtatious, which often threw you off even though you assumed it was just his personality. Admittedly you had a crush on him, one you were too afraid to ever confess because he seemed far too out of your league.

“Hey,” Foggy said, cutting through your thoughts, “what do you all say to a game of pool tonight? Guys against gals?”

Attention shifting to Foggy who was sitting beside Matt, you noticed the way his eyes were darting around the three of you. Eyes narrowing curiously for a moment, you wondered what was with the look he seemed to keep shooting Karen. Out of the corner of your eye, you swore you saw Matt’s dark brow rise curiously above his glasses as if he somehow had also detected something strange in the way Foggy had suggested the game of pool.

“I don't know,” you began slowly, eyeing the three of them. “I think maybe tonight I'll sit the game out. I'm pretty worn out from work today, I don't think I’m up for a game.”

Foggy’s eyes immediately went wide, his mouth falling open as he gaped at you. Your bottom lip slipped between your teeth awkwardly as you sent him a sheepish smile.

“Oh come on!” Foggy pressed. “It’ll be fun! I promise!”

“Sorry,” you muttered, shrugging lightly. “Not tonight for me.”

Foggy opened his mouth as if he was about to immediately protest, but you felt a hand lightly land on your shoulder. Glancing to your left, you spotted Karen shooting you a wide smile as her piercing blue eyes locked onto yours.

“That’s alright, Fog,” Karen said quickly. “You boys can play a game and the two of us can watch and chat. Right?”

“Oh, uh, yeah, sure,” you stammered out, confused about the way she was eyeing you while Foggy was staring intensely at the side of her head. “That–that sounds good.”

“Great!” Karen exclaimed as her hand released your shoulder and she slid her chair back. “Let’s go grab another table then.”

Brows furrowed together, you carefully pushed your chair back and rose to your feet along with everyone else. Reaching a hand out, you grabbed your drink from off the table before making your way around it. Though it didn’t escape your notice that Matt still seemed to be wearing a similar look of skepticism on his face. Clearly you weren’t the only one thinking the two seemed off tonight.

Silently you followed behind Karen as she picked out an empty table just beside the pool table and gracefully slid into the seat, sending you a friendly smile as she caught your eye. You returned the gesture, slowly slipping into the seat across from her as Foggy led Matt towards the pool table. Almost involuntarily your eyes flew over to Matt when you saw him set his drink down and begin rolling up his dress sleeves while you settled into your chair. You always did enjoy seeing his muscular forearms covered in those dark hairs, but unfortunately because it was December, he didn’t often roll them up. Though something above his head caught your eye as he was rolling up his left sleeve and you glanced up.

Eyes widening in surprise, you stared at the branch of mistletoe hanging directly above him. That was the last thing you’d have expected to find at Josie’s. She certainly didn’t seem like the type of woman who’d go hanging holiday decorations of any sort in her bar, let alone mistletoe . You were suddenly even more grateful that you’d decided not to play pool tonight so you wouldn’t have to avoid standing beneath it all night.

“So,” Karen began, the conspiratorial lowering of her voice drawing your eye back to her as she leaned forward towards you, “there’s something I’ve been dying to know for awhile and we never really get a chance to chat as just us girls so I haven't had the opportunity to ask.”

Raising your beer bottle to your lips, you took a deep drink from it under the weight of Karen’s stare. You had a feeling you’d need the liquid courage for whatever question she was about to ask you. Swallowing the drink down, you soon cleared your throat, fighting to keep your gaze on Karen and not Matt as he let out a bark of laughter that had your stomach squirming. He always looked unbelievably handsome with a broad smile spread over his beautiful lips–a look you enjoyed seeing on him. It was difficult not to glance at the sight.

“What’s uh, what’s on your mind?” you asked hesitantly.

Her dark pink lips curled ever higher as she leaned further forward, placing her elbows onto the table. Her head tilted a bit to the side, a few strands of blonde hair falling forward and framing her face. The angelic appearance wasn’t fooling you though and your stomach twisted nervously.

“Do you like Matt?” she asked bluntly.

It felt like your heart stopped as the sound of billiard balls clacking together on the nearby pool table rang through your ears. Your lips parted in surprise before you could mask your reaction. Despite the fact that you had a feeling she was going to ask you something along those lines, hearing the question aloud still startled you. Out of the corner of your eye, you swore you saw Matt’s head turn in the direction of your table. Though there was absolutely no way he could’ve overheard Karen with how quietly she’d asked the question, but that didn’t stop the heat from once again rising up your neck and reaching your face.

“Oh, well, of course,” you replied awkwardly, pushing a few strands of hair from your face as you focused on your beer bottle. “I like all of you. That's–that's why I'm always here hanging out with you three.”

Nervously glancing up from under your lashes, you saw Karen’s face twist into a look that clearly said that wasn't what she'd meant at all. You shot her a nervous smile, hoping she wouldn't push it. Though as you grabbed your bottle of beer and brought it to your lips for another pull, it was obvious she wasn't letting this go.

“I don't mean do you like Matt as a friend,” she clarified. “I meant are you interested in him? Romantically speaking?”

Nearly choking as you swallowed your drink, you covered your mouth as you coughed into your hand. You weren't getting out of answering this apparently. It didn't help that it seemed both Foggy and Matt were glancing at your table as you sputtered on the beer, both of them shooting you curious and questioning looks. Across the table, Karen continued to smile innocently back at you as she waited for you to recover.

A few moments later you did, trying to wipe your now clammy hands on the thighs of your dress pants. Your eyes dropped down to the sticky wooden table as you thought about how to answer. Surely she wouldn't believe you if you said no considering the knowing look she was currently giving you. And if you answered truthfully but quietly there was no way Matt should be able to overhear the conversation at least. Right?

At the thought of him, your eyes nervously darted over to the pool table. Matt was lining up a shot, bent in half over the table and angling the cue in his hands.

“It's sort of hard not to like him like that,” you replied softly, eyes still lingering on him. “I mean he's…sweet. And funny. And incredibly smart and self-assured. Confident. Obviously very handsome. But I mean he's…”

Your voice trailed off, your attention still on Matt as he remained bent over the pool table. Brows lightly furrowing, it seemed like he was taking longer than usual to make his shot. A glance at Foggy beside him had you thinking he'd noticed it, too. Briefly you wondered what he was doing until Karen’s voice broke through your thoughts.

“He's what?” she pressed.

Sighing, your attention returned to your almost empty bottle of beer. Unclasping a hand from your lap, you reached out and grabbed the neck of the bottle. You shrugged lightly, unable to meet her gaze.

“Too far out of my league,” you muttered.

Drawing the bottle up to your lips, you finished the last of the beer. As you lowered the empty bottle back to the table, swallowing down your drink, you spotted Karen shooting Foggy a look. You couldn't possibly have been imagining it now, clearly they were up to something. But before you could figure out what, Karen spun back around in her seat and shot you a bright smile.

“Look at that, you already finished your drink. How about I get the next round of drinks before we continue this conversation?” she offered.

She quickly pushed her chair back before you could reply, her attention focusing on Matt and Foggy. Eyebrows drawing together, a nervous feeling swirled in your stomach, mingling with the alcohol.

“You boys need another round of beers?” Karen called over to them. “On me this time, in honor of our win earlier today?”

Matt's head tilted a bit to the side as he focused on her. “Oh, I don't–”

“Of course!” Foggy exclaimed loudly, cutting Matt off as he clapped him on the shoulder. “And you know what? I'll come with and help you grab them.”

Before you even knew what was happening, Foggy was waving you over enthusiastically with a hand. That nervous feeling only grew in your stomach when Karen turned, glancing over her shoulder at you with that bright smile that was clearly meant to be hiding something as Foggy called out your name.

“Why don’t you come keep Matt company?” Foggy suggested. “And you know, make sure he doesn't cheat to win this game while I'm gone.”

Matt audibly scoffed, shaking his head and countering the accusation immediately. But you weren't paying too much attention to their playful banter as you awkwardly rose to your feet and began making your way over towards Matt. Instead, your eyes were occasionally darting up and eyeing that damn bit of mistletoe that Matt was once again standing directly beneath. Which was why you intentionally came to a stop at the corner of the pool table, trying to keep some distance between you, Matt, and that little bit of mistletoe.

Though what you hadn't accounted for was Karen stumbling in her heels behind you and accidentally bumping into you, pushing you the few steps forward where you tripped directly into Matt. His hands swiftly darted out and grabbed onto your upper arms, steadying you as you tried to catch your balance. And when you finally did, you abruptly realized your own hands had flown to Matt’s very firm, solid chest to stop your fall. Your face flamed from embarrassment and you quickly withdrew them from him, crossing them over your chest awkwardly. But Matt's hands remained on your arms, keeping you close as the warmth of them seeped through the sleeves of your blouse.

“I am so sorry,” Karen suddenly began apologizing behind you. “My heel must've caught on something along the floor. I didn't mean to do that!”

“It's alright,” you replied, your face still burning as you gazed at the handsome face before you. “But uh, sorry for accidentally running into you, Matt.”

His hands slowly began to release their hold on you, that charming smile returning to his face as he remained focused on you. With how close you were standing to him, you could feel your heart slamming harder in your chest. He was just so unfairly attractive.

“Don't worry about it, sweetheart,” he assured you.

For a moment you stood there staring back at Matt's smiling face, almost feeling mesmerized by the expression on it. But a loud gasp from just beside Matt broke you out of your staring and caused you to glance over his shoulder at Foggy. Your pulse jumped when you caught him pointing a finger at the mistletoe hanging directly above Matt and yourself. Before you had a chance to move, finally remembering that you'd been trying to avoid the damn thing, the words were already coming out of his mouth.

“It appears you and Matt have found yourself beneath some mistletoe!” Foggy exclaimed.

Before you, Matt's head cocked to the side as his brows drew beneath his dark lenses. For some reason the smile on his face only grew wider as his covered gaze remained fixed on you.

“We have?” Matt asked curiously.

“Oh, yes!” Karen added from your other side, pointing a finger up at the branch hanging from the ceiling. “Foggy’s right!”

A light laugh slipped out of Matt, the warmth of it raising goosebumps along your arms as you felt rooted to the spot in front of him. You weren't sure if you should move or not; whether you should attempt to run away and come up with some excuse as to why he didn't need to kiss you. But it didn't help that part of you was hoping he'd somehow want to kiss you.

“I find it quite interesting that our dear Josie would put up mistletoe in her bar,” Matt mused aloud. “She doesn't seem the type.”

“Well either way,” Foggy cut in with an awkward laugh, “it's there! And you're both standing beneath it! So you know what that means! I mean it is tradition after all.”

Eyes growing wide, you openly gaped at Foggy and Karen as she came to stand beside him, a glint of something reflecting back at you in her eyes. Your lips parted as a rush of questions raced through your mind. Had they been the ones to put up the mistletoe? Were they doing it to get you and Matt to kiss? And if that was why they'd been acting so strange tonight– why ? Why would they want you two to kiss?

The sound of Matt clearing his throat brought you back to the moment. Your mouth was still hanging open as you focused back on him, noticing the almost nervous smile now spread on his face. Why did he look nervous?

“Fog uh…has a point,” Matt said, rubbing a hand across the back of his neck. “It is tradition for two people to kiss underneath mistletoe.”

You could feel your pulse jumping in your throat at his words as behind him you noticed Foggy and Karen quietly making their way over to the bar, leaving you alone with Matt. As your gaze fell back on him before you, your mouth opened and closed a few times while you struggled to form a coherent sentence until one suddenly blurted out of you.

“You want to kiss me?”

Your eyes instantly grew somehow wider at the question, your hand flying over your mouth to keep any further stupid thoughts from coming out of it. An adorable grin tugged at Matt's lips at your question, a small chuckle slipping out of him. Behind your hand, your teeth clamped down onto your bottom lip in sheer embarrassment.

“Well, if we're being honest,” Matt began, one hand readjusting the glasses on his nose, “then I should admit I've wanted to kiss you for weeks now. The mistletoe is just…oddly convenient.”

Swallowing hard, you tried to control your breathing which had begun to come in shallower at his confession. He'd wanted to kiss you for weeks now? That fact had your heart hammering heavily in your chest as nerves raced through your body. You could feel your stomach flipping anxiously as you stood there entirely unsure how to respond.

“But we uh, we certainly don't have to,” Matt said slowly, breaking the silence that had fallen between the pair of you. “I don't want to make you uncomfortable and ruin things between us.”

Feeling your opportunity to let him know how you felt slipping away, your hand flew from your mouth, hovering in the air between the pair of you as a loud ‘no!’ flew from your lips. The way Matt tilted his head at you, his brows rising up on his forehead as that grin returned to his face, had your cheeks once more burning tonight. But you couldn't let this moment slip past your fingers, not with how long you'd been thinking about it.

“I'd like to,” you admitted awkwardly. “I mean I–I’ve wanted to–to kiss you, too.” You paused when the grin on his face grew wider, your stomach somersaulting at the sight. “Because I…I kind of have a crush on you…”

“Yeah?” he asked, head still canted to the side. “That's fortunate for me since I have a crush on you.”

“Seriously?” you whispered in disbelief.

Matt nodded, that boyish and charming grin growing ever wider on his lips. The lips you suddenly couldn't seem to take your eyes off of.

“Mhmm,” he hummed out.

“I never knew…” you murmured, voice trailing off.

As you stood there trying to wrap your head around what he'd told you, Matt took a step closer towards you, closing the small bit of space. He reached around you, his arm almost grazing yours as he leant his pool cue up against the table.

“So about that mistletoe,” Matt mused, lightly placing his hands on your upper arms again as he leaned towards you, causing your heart to skip. “We should…probably kiss, right?”

Your eyelids fluttered as you stared back at him, your breath catching in your throat with every inch he seemed to be drawing nearer to you. It was taking your brain far too long to comprehend what was happening, let alone to form much of a response besides the quiet ‘yes’ that slipped out of you.

Matt's right hand released your arm and instead came up to cup your cheek. Gingerly he tilted your head, bringing your mouth in towards his as he finally closed the last remaining distance between the pair of you. The moment his lips touched yours, your eyes snapped shut.

At first his lips merely brushed against yours in a warm, gentle graze. The feeling sent a rush of excitement through your entire body as your hands flew up, gripping both of his muscular arms to steady yourself. He pulled back only a fraction from you before your lips were chasing after his, desperate for more than that soft, teasing touch.

He obliged instantly as if he knew–or had maybe heard the faint whimper of protest you'd made–and dove back forward again, connecting his mouth to yours with a bit more tenacity than before. His hand cupping your cheek held you more firmly to him as his plush lips passionately moved against yours in a way that left you gasping for air in the brief moments your mouths parted before inevitably connecting again.

For a while neither of you seemed able to tear yourself away from the other, entirely oblivious to the entire bar around the pair of you. Your fingers had curled around the fabric of his dress shirt, gripping tight as you tried to hold yourself up. It felt like you were losing yourself entirely in Matt the longer the pair of you kissed and if you let go, you were afraid you might actually lose your balance.

Which was why it took you a minute to regain your composure when Matt finally broke the kiss. He only moved back a few inches from your face, his warm breath brushing gently over your lips as they remained parted. It was a moment before your eyelids fluttered open, taking in the sight of his smiling face before you. His lips seemed pinker as they glistened with both your saliva, the thought of which had a heat building low inside of you.

“Can I maybe walk you home tonight?” he whispered.

“Yes,” you replied automatically.

“And can I take you to dinner on Friday night?” he asked next. “Would that be alright?”

You nodded slowly, your eyes focused on his beautiful mouth. “Yes,” you whispered back.

Matt's smile grew a little wider as his thumb brushed along your cheekbone. Your whole body felt like it was trembling now, your legs fighting not to give out beneath you. Your hands tightened further on his dress shirt, wrinkling the material.

“And can I kiss you again?” he questioned.

You nodded again, this time more enthusiastically. “Please,” you breathed out.

An amused chuckle slipped out of him as he leaned forward towards you once more. Out of the corner of your eye, just before you'd closed them again, you swore you saw Karen and Foggy exchanging a high five at the bar. But you forgot about that the moment Matt's lips were back on yours, kissing you more fervently than before as he backed you up against the pool table behind you.

#matt murdock x reader #matt murdock fluff #matt murdock x you #matt murdock #holiday fluff #daredevil

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munsonkitten · 10 months

Text

They say it’s for his own good. Because he’s dangerous. But Steve doesn’t feel any more dangerous than he did before this whole mess. Like, seriously, he could kill literal monsters with nothing more than a bat covered in rusty nails. He doesn’t feel any more dangerous now than he did when he hit Billy Hargrove with a fucking car or when he held back in all the fights he’s ever lost. Because he could kill fucking monsters. He wasn’t gonna find out if he was capable of killing teenage boys too.

He sees Eddie sometimes.

Eddie looks dangerous, but then he always has. Even if he never was. He always had that look to him, with his leather and chains and heavy boots. Dangerous in a good way.

Now he looks bloodthirsty.

Well, ha, Steve thinks. That’s because he is.

Steve is too, but he doesn’t think that’s grounds for imprisonment. He doesn’t think that’s grounds for being held hostage in the newly reopened and renovated Hawkins Lab.

They say it’s because he’s dangerous, but if that’s the case then they should’ve locked him up years ago. They should’ve seen what was wrong with him back when he was that asshole popular kid at Hawkins High.

Every time he sees Eddie these days it’s when they’re being shoved down hallways. They have Eddie in a mask to prevent biting. Some clear plastic thing that shows his snarling face as he’s pushed. His teeth are sharp and pointed, and he has this wild look in his eyes. There’s blood inside the mask more often than not. Whether it’s someone else’s every time, or if it’s Eddie’s, Steve never really knows. A mix of both, most likely.

They make eye contact and Steve tries to tell him they’ll get out of this mess, and Eddie looks back at him like he wants to believe him, but just can’t.

Steve doesn’t blame him. He’s lost track of how long they’ve been here. He stopped counting after six months, after the lines he carved into his wall with a sharp fingernail — talon, really — became too numerous to hide behind the one pin-up girl poster they gave him for good behavior after the second week.

Weird reward, if you ask Steve. The orderly that put it up for him smirked, said something about tissues in the cabinet in the corner of his room, and then left without another word.

Really fucking weird.

The head scientist comes into Steve’s room. Steve can’t remember his name. Matthews or Mathson or… Something. Doesn’t matter. Not like Steve really needs to know. He’s just called The Doctor and that’s that.

“According to our records, today’s a very special day, indeed. Happy birthday, Steven,” he says, looking down at Steve’s chart.

So it’s February fourteenth… But —

“How old am I?” Steve asks.

“Twenty-two,” the doctor answers.

Twenty two… Which means it’s 1988. Steve’s been here over a year and a half, since June ‘86 when they took him in the dead of night. Things had been weird before that. He’d been having cravings, and Eddie came back from the dead, clawed his way out of the Upside Down all by himself. He came back different, but still the same Eddie that Steve had mourned.

Twenty two years old and he doesn’t even remember turning twenty one.

“Since it’s your birthday,” the doctor continues. “We decided you deserve a reward for being so cooperative during your stay. Something you choose yourself, anything you want — within reason, mind you. Don’t ask to get out of here because that won't be happening. But if we can get it for you, it’s yours to keep.”

“Eddie,” Steve blurts out. “I want Eddie. I want him moved into my cell permanently. Get us bunk beds or some shit.”

“Ah, yes, well,” the doctor sighs. “Mr Munson is quite….”

“Dangerous? Insane? I can keep him in check,” Steve says quickly. “Look, we were friends before all of this and now we’re in the same boat. I understand him. If you want to get through to him, do this for me and I can help.”

None of that is true, of course. He’s not gonna make Eddie do shit, and he really doesn’t think he could if he wanted to. He’s wild, a little more monster than Steve is. It probably has something to do with being stuck in the Upside Down after he died. Different, but still Eddie.

Steve doesn’t blame him for the trouble he’s been causing. He’s seen it firsthand only a couple of times, but sometimes his doctors go missing and never come back. Sometimes they’re covered in blood when they come to see him after being with Eddie.

It’s not hard to guess what happens there.

“We’ll try it,” the doctor says. “But I can’t imagine why that’s what you want.”

He writes something down on his clipboard, clicks his pen with a sigh, and stands.

“I will see what we can do.”

And then he‘s gone.

Steve waits two days. Two days where no one comes to see him, to poke him with needles or flash lights in his eyes. He’s delivered his meals through the slot in his door, but that’s all that happens. He drinks the blood they give him. Animal today, he knows. They switch it up on him, and he’s found he can tell the difference easily now. It’s not the same as human, but it does the job.

It keeps him alive. It keeps him from wanting to tear himself limb from limb because of hunger and thirst. There’s still an itch in his throat and a nagging in the back of his mind saying he’s not satisfied, but it’s better than nothing.

On the second day, he’s told to stand against the back wall, and he complies easily. Complying means rewards — it means he doesn’t get hurt. The first few days he was here he was uncooperative and they beat him. It was too much like being in the Russian bunker beneath Starcourt again.

So he stopped fighting back. He stopped spitting and hissing, he stopped trying to sink his teeth into anything he could reach. And in turn he got rewards. He’s given more time outside his room, more time to sit in a room with a rainbow around the walls and a bunch of old children’s toys.

He knows he’s at Hawkins Lab. He can feel it, can feel something in the back of his head that tells him his family is close. His real family — Robin and Nancy and Dustin and everyone else. He knows he’s in Hawkins Lab and he can’t help but wonder if El lived in the same room as him, if she pushed around the same Hot Wheels car he does when he’s bored.

He stands in his room now, and it’s really a cell, but he doesn’t like to call it that, and he watches as two men carry his bed out. Two more come in with bunk beds that look like two of the regular beds welded together — thin metal frames with thin mattresses. Straight out of a prison.

The doctor comes into the room and he’s carrying a box in his arms. Steve can’t see what’s inside it, but he thinks they might be the few personal belongings Eddie has. The box gets set on the bottom bunk. An orderly comes in with a pile of extra blankets and two pillows. Those get set on the beds, too.

They all leave without a word, but Steve knows he won’t be alone for much longer. He knows that they’re going to get Eddie to him, and soon enough, they’re both going to be able to escape. Together.

Steve doesn’t know how long he sits there on the bottom bunk, but it’s a while. He only spares a single glance into the box, and he sees a spare hospital gown, and some clean underwear inside it. There’s a book sitting on top, tattered and splattered with blood. At least Eddie has that, Steve supposes.

The heavy metal door to Steve’s room opens and Eddie is shoved in, snarling and snapping at the guard behind him, holding his hands in shackles behind his back. They have heavy wool mittens on him, his plastic mask covering the bottom half of his face. Steve’s surprised they don’t just put him in a straitjacket and throw him into a padded room.

They make eye contact, Eddie’s formerly chocolate brown eyes now deep red. His hair is pulled back into a ponytail and shows his slightly pointed ears. Steve’s look the same, and his eyes are still mostly brown, but he can see the red swirling around inside them during the few occasions he can look in the mirror.

Eddie sniffs the air through his mask, bares his teeth. Steve can see the blood in his mouth through the clear plastic.

Maybe this wasn’t a good idea. What if Eddie hurts him too? What if he’s… What if he’s not Eddie anymore? If the last bits of his humanity have drained out of him, if he’s been forced to let the monster inside take full control… Steve doesn’t know what he’ll do.

I’d let the monster take me, too, he thinks, and then immediately regrets it. He doesn’t want to be that, and in his head he’s holding a snarling beast back with wrought iron bars, in a cell not too different from the one his physical body stands in. He’s gotten this far. It would be a waste to not even try.

The guard leaves Eddie where he stands, still cuffed, and backs away to the door. He slams it shut and locks it, then slides open the food slot. Eddie growls, jerks at his cuffs, trying to get free.

“Munson!” the guard barks. “Back up against the door.”

Eddie backs up until he’s against the door and Steve hears the key unlocking the cuffs around Eddie’s wrists.

The mittens come off next, and both things get pulled through the slot. The guard quickly slides it shut. Eddie is free from his restraints, and now he and Steve are alone.

Read more on AO3

#this is the first chapter so go on to chapter 2 #steddie #steddie fic #steve harrington #vampire steddie #vampires #my fics #eddie munson #vampire eddie munson #vampire steve harrington

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chaotic-archaeologist · 9 months

Note

so back in 2005-2007 I was an anthropology major, I was told that matriarchies never existed. at the time my professor said that it was kinda sexist that anthropology thought that way. so I wonder if anything has changed since then. I'm not talking about the weird mother goddess cult that hippy 2 wave feminist wanted but like, people who say they are like the muoso (I'm sorry if I spelt that wrong), and other groups. I've heard several native Americans from varrying nation that said their culture was matriarchal, and if modern anthropologist are taught that the experts on society are the people in that society, why do/did anthropologist decided a matriarchal society was impossible. I know this could take a long time to answer so if it's too long for you maybe just some helpful links to an article if you know of one.

So the answer—as always, with anthropology—is complicated.

Saying that XYZ never happened is difficult, given that all it takes is one positive instance to disprove the statement. Yes, there certainly have been (and still are) matriarchal societies. (Please also keep in mind that matriarchal societies aren't inherently better that patriarchal societies based on that one trait alone.)

If I had to guess, what you were told was the product of several theological whiplashes in anthropological theory. And you are indeed correct: some of it has to do with Second Wave Feminism. Archaeology and anthropology have been unfortunately late to the ballgame, and feminism is one of those topics.

Basically, for a long time anthropology was dominated by rich white dudes who believed that men were the center of all anthropological innovations ever (more or less, this is the simplified version). Then in the 80s/90s, Second Wave feminists managed to break into the discipline and the stance went from everything is patriarchal to everything is matriarchal.

"Whoa," said the male anthropologists who were feeling Threatened™ "we don't like that at all." Which results in a second over-correction back to the insistence that there was nothing matriarchal. If I had to guess, this is the general series of events that found its way into your classroom in the mid 00s.

If you fancy a deep dive into a good example of early feminist anthropology, check out The Gender of the Gift: Problems with Women and Problems with Society in Melanesia by Marilyn Strathern (first published in 1988). Or, if you're not inclined to read the whole thing, just read the very last five pages titled Comparison. Or you can read a review of the book from shortly after it first came out.

Other anthropologists are encouraged to chime in, and especially tell me if I've said something wrong.

-Reid

#he speaks #anthropology #anthropological theory #theory

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inthedayswhenlandswerefew · 4 months

Text

Napoleonville [Chapter 1: The Fall-Down House]

Series Summary: The year is 1988. The town is Napoleonville, Louisiana. You are a small business owner in need of some stress relief. Aemond is a stranger with a taste for domination. But as his secrets are revealed, this casual arrangement becomes something more volatile than either of you could have ever imagined.

Chapter Warnings: Language, sexual content (18+ readers only), dom/sub dynamics, alligators, kids, parenthood, smoking, cupcakes!

Word Count: 7.2k (she's very chonky for a first chapter).

Link to chapter list (and all my writing): HERE.

Since this is the first chapter of a new series, I'm going to tag a bunch of usual readers, but I won't tag you again unless you want me to. 💜

@persephonerinyes @tinykryptonitewerewolf @daenysx @babyblue711 @arcielee @bhanclegane @jvpit3rs @padfooteyes @marvelescvpe @travelingmypassion @darkenchantress @yeahright0h @poohxlove @trifoliumviridi @bloodyflowerrr @fan-goddess @devynsficrecs @flowerpotmage @thelittleswanao3 @seabasscevans @hiraethrhapsody @libroparaiso @st-eve-barnes @chattylurker @vagharnaur @moonlightfoxx @heliosscribbles @beautifulsweetschaos @namelesslosers @partnerincrime0 @burningcoffeetimetravel-fics @marbles-posts @maidmerrymint @backyardfolklore @dd122004dd @jetblack4real @joliettes @mariahossain @minttea07 @please-buckme @florent1s @tempt-ress @wintersire @w3ird11 @eltherevir @florent1s @maii777

Let me know if you'd like to be tagged! 🥰🧁

“What do you want to do to me?” you whisper through the phone, stretched out across your bed like a cat as George Michael’s Faith plays from the baby pink Panasonic boombox out in the kitchen. It’s late afternoon, and fading daylight falls in tiger stripes through the window blinds. The May air is hot, muggy, golden; cicadas hum in the southern live oaks, an ancient earthen music like rattling bones.

A few seconds pass before he can reply. It was a bold way to begin. You are admittedly a little impressed with yourself; an idea like this has been pacing around in your skull like a beast behind bars for years, but you’ve only now set it loose. “That’s difficult to explain in words,” he says; and in the low, teasing purr of his voice you can hear that your gamble paid off like striking oil. He has a British accent, which you never would have expected. You only recognize it from clips you’ve seen of Prince Charles and Princess Diana on 60 Minutes. “But I’d enjoy showing you.”

It’s laid open beside you on the bed, his personal ad in the Bayou Journal: Educated white male in his mid-20s. Single and not looking to change that. Seeking an open-minded, adventurous, and spirited lady for short-term D/s arrangement. Be prepared to answer the following riddle: I’m small but loom large, I’m Italian but French, I give away much to gain little. Who am I? Best regards, An Indecent Gentleman. “I’m waiting.”

“You understand what is meant by D/s?”

“Of course,” you say, your best feigned flippantness. You only know because Amir told you; he’s been daring you to call for three days.

“Thank God,” the man on the other end of the line sighs. There is an inhale like a drag on a cigarette. You imagine what he might look like: broad or slight, dark-haired or blonde, striking or average or homely, treacherous or safe, forbidden fruit or just plain forbidden. “I’ve had four different women ring me thinking I’m going to be their boyfriend, dinner and flowers and everything. They’re functionally illiterate down here.”

How unfortunate, you think. He’s highfalutin. But alas, no one is perfect. That’s no prohibitive obstacle. He doesn’t need to be faultless; it’s not as if you’re planning to marry the guy. “I like when someone else is in control.”

“Why?” This is a test, you can feel it. You can sense his rapt attention across the wire, through the electricity and the lush treetops and the rust-amber sky.

“I have a lot of…responsibilities in my real life,” you explain. “A lot of pressure. I make the decisions, I look out for other people. Sometimes I want to be the one who’s told what to do.”

“I can make that happen. And the riddle?”

“It’s Napoleon.”

The grin is sharp and triumphant in his voice. “Good girl.”

“He was short but an emperor. He was born in Corsica to an Italian family, but he ended up ruling over France. He sold off a bunch of French colonies to focus on conquering Europe and still couldn’t quite manage it. But the U.S.A. got this charming little corner of the world as part of the bargain.”

“You’re a historian,” the man says, sounding pleased.

“No sir, we all had to learn about him in school whether we wanted to or not.”

“Sir,” he echoes, tasting it, savoring it. You imagine a pink tongue flicking out to skate across his lips. Then he is abruptly cool, impersonal, businesslike. “Listen, I’ve got a scar down the left side of my face. It’s thin, it’s clean, but it’s noticeable. The eye is glass, although you can’t really tell unless you look closely. Is that a problem?”

A scar? Is he a veteran? A lion tamer? A motorcycle enthusiast? You try to remember what kinds of hobbies British people have. Isn’t there some kind of sport where men swing sticks around while riding horses? That sounds like it could put an eye out. Perhaps to your own surprise, you find that you are more intrigued than uneasy. Oh, you realize, dull like dawn through mist. I like him. I want him. Not just THIS, but HIM. “No, I don’t think so.”

“Brilliant. I don’t want to talk about it again.”

“That’s fine.” You hesitate. “There’s actually something I should tell you too.”

“Hm?”

The hum of his voice is arrogant, hungry. You try not to get distracted. Blood rushes hot and ashamed into your cheeks. “Um, well, uh, sometimes it’s difficult for me to…you know. Finish. Not when I’m alone, just when I’m with a guy. Especially if I’m anxious. And I don’t want to feel worried about faking it or making sure it happens or dealing with you getting offended or upset or whatever. Because it’s fine, really. It doesn’t mean I’m not having a good time. I’m just…stuck in my own head.”

There is a sound you can’t quite match to an expression, an exhale, a scoff. “Obviously I wouldn’t be mad at you. But you’ll come. I know you will. I’ll make you.”

And you’re flooded with a relief that you never dared to hope for. A confession spills out in a trembling whisper: “Please.”

“When?” he says, eager, urgent.

“I think if we don’t do it now, I’ll lose my nerve.”

There is a razor-thin pause, and then he asks for your address.

~~~~~~~~~~

You haven’t had a man in your bed in years; you are abruptly and unkindly reminded of this when you paw through the top drawer of your bedroom dresser and find only practical, deadly unsexy cotton Kmart underwear. You dash to the closet, yank open the squeaking door, and—tucked away in a cardboard box of winter clothes like sweaters and jeans, forgotten, needless—unearth a sprinkling of insubstantial silk and lace, all in luxurious gemstone hues: amethyst, ruby, sapphire, onyx, emerald.

“Oh, hallelujah.” You throw off your sunshine yellow shorts and tug on what were once upon a time your favorite panties. They don’t fit nearly as well as they used to; they fit horribly, in fact. They evaporate the thrill and leave nauseous trepidation in its place. “Oh God. Oh no. Oh no, oh no.” You steal a harried glimpse of the clunky black alarm clock on your nightstand. The flashing red numbers inform you that you have approximately ten more minutes until he arrives.

You jog pantsless to the kitchen, pour yourself a glass of sweet tea—ice cold, bright with a squeeze of lemon juice—and pace back and forth across the wooden floor as you sip it. The pine boards slope at just the slightest angle; if you laid an apple by your feet, it would roll. The house is sinking. It was built at the turn of the twentieth century, but it won’t live to see the next. Ailing sunlight casts your shadow against the wall, mint green, spider-leg cracks inching through the paint. Outside cicadas buzz and doves coo in long, mournful whirrs.

You pick up the phone—pink to match the boombox that is now playing Poison’s Nothin’ But A Good Time—next to the refrigerator and dial with one finger, your other hand still clutching the frosty glass of sweet tea. It rings twice before he answers.

“Wassup?” Amir says distractedly. You can hear a commotion from his living room on the other side of town: his grandmother squawking, ambient applause, Wheel Of Fortune.

“Quick, what should I wear?”

“Huh?”

“The guy! The guy from the ad! I called the guy! What should I be wearing when he shows up?”

Amir cackles. “Ho, you must be truly desperate, why the fuck are you asking me?” There is some shrill protestation in the background. “Grandma, don’t you dare try to act like you’ve never heard that word before, we just rented Aliens.”

“You know what men like,” you plead.

“Not the straight ones!” And then, not to you: “Grandma, calm down. Grandma, Grandma! It’s my homegirl. She has an emergency. She’s got a man coming over and she doesn’t know what to wear. What did you wear for Pop Pop? What? What?! You expect me to believe you got seven kids out of that dude with just some old floral nightgown?! Prairie girl fabulous? Looking like you’re on your way to join the Donner Party? Okay, if you say so! Phyllis knows best!” Amir’s attention returns to you. “Grandma suggests a nightgown.”

You are skeptical. “That seems slutty.”

“You’re inviting some stranger over for an all-expenses-paid ride on the Pussy Express and you’re concerned about looking slutty?!”

He has a point. “Okay. Okay. Yeah. You’re right. Okay.”

“You wear that nightgown with confidence and you take that random kinky man directly to bed, do you understand me?” Amir orders.

“Totally,” you say, gulping sweet tea with a shaking hand.

“Good luck. I gotta go, it’s the Bonus Round. Hope you have a few rounds to tell me about tomorrow.” Then he hangs up.

Back in your bedroom closet, you find a black satin slip that runs to your ankles and flows like a ballgown. You put it on some nights when you’re feeling desirable, after a bath of bubbles and steam, candles and Madonna, freshly shaved legs and shimmering with Pond’s, when you want to lounge around daydreaming, when you want to remember the fantasies you once had about what your life might turn out to be. Now you wear it in the fading daylight, nothing underneath and golden sunbeams turning your skin to something that warms and glows.

You appraise yourself in your dusty dresser mirror, and you think: Not too bad, actually. You’ve had your hair up in a haphazard bun. You reach to take it down, then stop yourself. You like the wayward wisps, the I-don’t-care-too-much casualness. Your breathing is slow and calm again. There is a noise outside: tires crunching on gravel. Your glass of sweet tea, now mostly just ice cubes, is sweating on top of your dresser. You grab the glass, swipe the Bayou Journal off your bed, and take both to the kitchen counter, still speckled with flour, powdered sugar, flecks of cinnamon. Then you pad across the sloping wooden floor in your bare feet to open the front door. Amber dusk streams in; you can hear bullfrogs croaking and the hoots of the long-eared owl that lives in the collapsing, overgrown shed behind the house. Spanish moss hangs like cobwebs, like chandeliers. The tree swing rocks idly in the breeze. The first notes of You Shook Me All Night Long play from the kitchen boombox.

His car is red, sporty, with a logo on the grill that you don’t recognize, a series of circles intertwined like rings. He cuts the engine and steps out into the driveway as you watch from behind the screen, leaning against the doorframe with your arms crossed over your chest. He’s tall, trim, blonde, wearing Adidas sneakers and light-wash jeans and a Marlboro jacket that it’s far too hot for. He peers around, taking in the trees and the house through his black aviator sunglasses. He puffs one last time on a cigarette before putting it out on his own windshield and starting towards the porch. And immediately, primally, you crave him like water or air.

He climbs the groaning steps, splitting wood and rusty nails. You open the screen door to meet him in the threshold. And he takes off his sunglasses so he can look at you, stowing them in a pocket of his jacket, his gaze not wavering from yours, his lips not saying a word. Yes, he has a scar, but it doesn’t diminish him in the slightest. Yes, his left eye may be glass, but you wouldn’t have noticed if he hadn’t already told you. You’re too tangled up in the right. His iris is a brisk greyish blue, not like the ocean, not like the bayou, more like the sky before a hurricane, heavy with the threat of wind and rain. His face is strong, jarring, beautiful in a rare way. His full lips are curling into a grin.

At last, you speak first, an inane observation that feels somehow significant. “You found me.”

“I did.” He nods towards the large lavender sign out by the mouth of the gravel driveway. Hand-painted on it are the words Hummingbird Bakery and a logo that Amir designed, a hummingbird feeding on the frosting swirl of a cupcake as if it’s a flower flush with nectar. “You told me to look for the sign. That helped.”

“What kind of car do you drive? I don’t recognize it.”

“It’s an Audi Quattro.”

“Audi,” you repeat, like a hopelessly distant place, New York City or Los Angeles or Paris or the moon. “Is that British?”

“German, actually.”

“You’re from a very different world.”

“Yeah, I am.” His eye flicks up and down your body, black satin that curves and clings; his grin widens. “But I could learn to like yours, I think.”

You step back so he can follow you inside. The screen door shuts with a bang. Under the shadows, as the sun sets into the west, he unzips his Marlboro jacket and tosses it onto your living room couch. Underneath he wears a white t-shirt. We’re opposites, you think dazedly, wondering what he will taste like when he kisses you. He grazes his fingertips down the front of your throat, continues to your chest, stills when he hits the satin of your slip.

“You can tell me to stop whenever you want to,” he murmurs, and you breathe in his smoke and cologne and dauntless, dizzying self-assurance. “But until you say stop, I’m gonna keep going.”

Your heartbeat is drumming beneath his hand, part exhilaration and the rest nerves. You are afraid of disappointing him; you aren’t sure what to expect. “I don’t even know your name.”

“Aemond.”

Aemond. Foreign, like Audi, like Paris. You give him your own in return. He leans in, presses his hips to yours, denim and satin that you can feel his heat through. And you think he’s going to kiss your neck, or bite it, bruise it, mark it, claim it, claim you; but he only ghosts his parted lips from the edge of your jaw to your bare shoulder, inhaling slow and deep, drawing your atoms into his lungs until they tumble down the narrowest corridors and into his capillary beds, into his bloodstream. You moan softly, helplessly, and turn your face to kiss him.

“No,” Aemond growls, teasing you, catching your chin with one hand to hold you still. His other hand glides down the front of your slip and stops between your legs. Through satin the color of a starless midnight, his fingers stroke you roughly, commandingly. Animalistic yearning bolts low to weaken your knees, high to rip a gasp from your throat. “Nothing underneath,” he notes in approval.

Oh, I like him, you think, in equal parts ecstatic and petrified. I REALLY like him.

But are you going to be able to impress him too? Are you going to ruin this?

You whimper, unintentionally and almost inaudibly. Aemond is studying your face; furrows appear in his scarred brow, so faint and fleeting you might have imagined them. Then his hand retreats as he says: “Show me your toys.”

You gape up at him; this is not what you anticipated. “What?”

“I want to see how you make yourself come. You have toys, don’t you?”

“I do,” you admit, though you’ve never used them with anyone else before.

Aemond smirks mischieviously, then commands: “Show me. Right now.”

You lead him to your bedroom and slide open the middle drawer of your dresser. You glance at his reflection in the silvery glass of the mirror; he’s staring, not at your body but at your face, his gaze locked with yours, his mouth open, entranced, hungry. You move to stand against the wall, smiling sheepishly as Aemond shoves aside folded sheets and pillowcases to reveal your collection. It’s nothing too adventurous: five vibrators in different colors, styles, sizes.

“Quite the assortment,” he praises.

“They were gifts from a friend.”

Now Aemond is dubious. “A friend?”

“Don’t be jealous. He doesn’t like women.”

Aemond laughs, warm and boyish like he’s breaking character; and you are alarmed by the wave of fondness for him that crashes through you. It’s something that could pull you under. It’s something you could drown in. He picks up the largest vibrator: long, thick, pink like soft feminine vulnerability, like love. Then he is darkly, deliciously stern again. “On the bed.”

“No.” Not because you’re genuinely protesting. Because you want him to make you.

Aemond grabs you around your waist and drags you towards the bed as you squeal, giggle, fight him halfheartedly. He throws you down onto the wildflower-patterned duvet and climbs between your thighs, parting them as he pushes the hem of your black satin slip up to your waist. Abruptly, you are bare for him, exposed, fiery dusk air cool against your wetness. Aemond is still fully clothed, white shirt and pale blue jeans. He is holding your legs open with his own. You can see the bulge of his cock beneath the denim: at least as large as the vibrator and hard with insistent longing.

I want him, you think as you hear the vibrator click on. I want him, I want him…

Aemond brings the pink silicone tip to your flesh, and instantly you’re ravenous. It shocks you how much more erotic this is when someone else is holding it, when someone else has you entirely at their mercy. You cry out, loud and shameless, euphoric. Your back arches; your fingers twist into the duvet. As he presses the vibrator down more forcefully, Aemond braces his hips against yours, grinding into you through his jeans, taunting you, conquering you.

You fumble for the button and zipper of his jeans. “Please—”

“No,” Aemond snarls, beaming, snatching your hand and pinning it up by your head. His other hand is still circling your clit with the tip of the vibrator. “You haven’t earned it yet.”

“Aemond, please, I need you—”

“No,” he says, defiant. He makes the rules. He has the power; he’s in control. Suddenly, he pulls the vibrator away. You yelp in dismay. “You know,” Aemond quips cavalierly. “It’s a shame you have such a difficult time finishing when you’re with a man. I bet you’re not even close.”

“I am,” you whine, in agony, in ecstasy.

Aemond pretends to be surprised. “Hm.” He returns the vibrator to your skin, slick, hot, aching in the most wondrous way. You sigh as the pleasure surges through you, as you soar up to the previous plateau and then begin to ascend beyond it. You must have repositioned yourself without noticing; Aemond releases your hand to smack his palm against the inside of your thigh. “Keep your legs apart. I want you wide open for me.”

“I will, I promise.” I’ll do anything you tell me to.

Aemond’s hand ventures lower. Two of his fingers glide inside you and thrust in time with his hips. “Fuck,” he hisses, breaking character again; and something rocks through his shoulders, his spine, a divine temptation that he is battling.

“Aemond, more,” you plead, looking at the massive outline of his cock under his jeans.

“Not yet,” he pants, fucking you with his fingers as the vibrator hums against your clit. “You have to come for me first, baby. You have to earn it.”

And you’re close, you really are, you’re closer than you ever would have imagined you’d be with him tonight, this stranger, this elusive British man, this man from a personal ad in the Bayou Journal that you almost never replied to. Your hair has come undone and is wild around your face; your heart is pounding frantically; your skin is bathed in a sheen of victorious perspiration. When was the last time someone made you feel like this? You can’t recall; the answer might be never. There is a spellbinding, intensifying sensation of warmth, of opening, you’re only seconds from the brink, you’re ready to step off the precipice and into open blue air the same color as his eyes—

Aemond yanks the vibrator away again, grinning toothily down at you.

“No!” You scrabble for him with shaking hands, pulling yourself up as you reach for the vibrator. Aemond pushes you back onto the bed. Despite your protests, you love the feeling of his weight on top of yours; you love the organic symphony he’s built of, muscle and bone and skill and power. His fingers are still pumping in and out of you, keeping you soaked and throbbing, pinning you to the edge of an orgasm without permitting you to succumb to it.

“It’s going to be so good for you like this, baby,” Aemond insists, low and raspy. He’s reading your face, attentive to every detail, drinking up your desperate body and quivering voice. “I swear I’m not torturing you for no reason. Let me show you. Let me take care of you. When it happens, it’s going to blow your fucking mind. Are you ready?”

“Yes, now, please, do it now,” you whimper as you lie beneath him, open, bare, senseless, vanquished.

Aemond drags his tongue over the tip of the vibrator, moaning with lust as he tastes you. Then he at last presses the pink silicone to your clit once more. In your electrified nerves, in your scalding blood, there are sparks and momentum and currents rushing towards the cataclysmic breaking of a rogue wave. “Nice and slow,” Aemond murmurs. “Let it build.”

Instead of the peak, you reach another plateau, so high and so rapturous you can’t stand it, you can’t fathom climbing any farther. It’s becoming so sharp and intense it’s almost painful. Fresh anxiety flashes in your mind like lightning. The momentum begins to dissipate like dewdrops under the late-morning sun. Oh no, I’m going to lose it, I’m going to disappoint him—

Aemond lifts the vibrator off you again; before you have time to collect yourself enough to speak, to apologize, he’s slipped his fingers out of you and carefully guided the vibrator inside, stretching you, filling you, thrusting rhythmically but not too viciously or too deep. He places his thumbprint on the place where the vibrator was just seconds ago and circles quickly, once, twice, again, and then…

You try not to scream, but you can’t help it, can’t stop it; the climax wrenches out of you indescribable pleasure, vanished fears, awe and relief, twisted muscles and gasping breaths, every electrical impulse of every atom, and each time you believe it’s over it rolls a little farther like an endless summer afternoon. When it’s done—truly done—you aren’t sure exactly how it happens but suddenly you’re sitting upright on the bed and the vibrator is lying forgotten on top of the duvet and Aemond is laughing, kissing you—sweat and nicotine, smoke and salt—and caressing your face with his hands, saying: “You were such a good girl. You did amazing. I’m so proud of you.”

“Okay,” you exhale unsteadily, smiling. You nod to the very noticeable bulge in his jeans. “Your turn.”

“No,” Aemond says primly.

“What?”

“No,” he repeats. “Not today.”

“But…but…why?”

The curl of his lips is crooked and playful. “To prove I’m not just here to get myself off.” He kisses you again, far more tenderly than any random dom from a personal ad should. “You don’t trust me. But maybe next time you will.”

“How could I trust you? I don’t even know you.”

“We’ll have to spend more time together.”

“You seriously aren’t going to fuck me right now? Me? A mostly-naked stranger you met up with exclusively for the purposes of fucking?”

“Are you dissatisfied?”

In truth, no; your pulse is slowing, your thoughts are calm, your lust is satiated, you’re reasonably certain that you’ve sprained no less than four muscles. You feel like the sky after rain: emptied, unburdened, untroubled, at peace. “Not at all.”

“Then you shouldn’t be complaining.”

You reach out to touch Aemond’s unscarred cheek and he smiles. You try to ghost your fingertips over the left side of his face and he flinches away, leaves the bed, takes the vibrator to the bathroom to scrub it with soap and water. “Can I at least pour you a glass of sweet tea or something?” you call after him. “I feel guilty. I feel like I didn’t uphold my end of the bargain.”

“You exceeded all of my expectations,” Aemond says with a strange sort of somberness. “But sweet tea sounds great.”

You take five minutes to clean up and change into real clothes—ratty denim shorts and a red, white, and blue Pepsi t-shirt, chaotic hair, no bra—and then meet Aemond in the kitchen. He’s surveying the large circular table, which is littered with covered cake plates in a hodgepodge of sizes and colors; you found most of them at yard sales and thrift shops. The sun has set and the stars have risen; the kitchen is illuminated by yellow-hued florescent light. Night air flows in through the screens of the open windows. The boombox is currently playing Tiffany’s I Think We’re Alone Now.

“What’s the deal with that?” Aemond asks about the cluttered kitchen table.

“They’re the baked goods. For my bakery.”

“Right,” he says, remembering, tapping his chin thoughtfully. “The sign out front.”

“Would you like anything? Today we had butterscotch chiffon cake, coconut custard cake, blackberry dark chocolate cupcakes, pecan pie, red velvet brownies, lemon blueberry cookies, lavender black tea cookies, chocolate meringue pie, butter pecan muffins…”

“How about those?” He points.

“Oh! Those are banana bread cupcakes. One of my favorites.”

“Banana bread…cupcakes?”

“Here.” You plop one on a plate for Aemond, then go to the refrigerator to pour two tall glasses of sweet tea. “A lot of people put chocolate chips in their banana bread, but I feel like any chocolate really eclipses the banana flavor. It’s so subtle, you know? So what I do instead is cinnamon, honey, cream cheese frosting, and a tiny bit of sea salt mixed into the batter. If you get the ratio just right, there’s this really great blend of saltiness and sweetness, and the banana is still the star of the show. Of course I’ve fucked up plenty of times too and almost given myself dangerously high blood pressure. If I ruin a batch, I’m the one who has to eat it. We can’t let anything go to waste. Our profit margin is thinner than a crescent moon on the best months.”

“Oh my God,” Aemond says. He’s taken a bite and is now gawking at the banana bread cupcake. “You made this?” He gestures to the table. “You made all of this?”

“My best friend Amir runs the business with me, but most of the recipes are mine. My mom used to bake all the time when I was little. Now she has rheumatoid arthritis and has given it up, more or less, but that’s where I learned a lot of what I know. And I try to come up with new ideas each week to add to the rotation.”

“This is exceptional,” Aemond says. His mouth is full of the rest of the cupcake. He washes it down with a few gulps of sweet tea; ice cubes jangle in the misty glass. “This is, like, insanely good. Can I have another one…?” He’s already lifting the cover off the cake plate.

You chuckle. “Yeah, seriously, have as many as you like.”

“How much do you sell them for?”

“The cupcakes are $1, but you don’t have to pay me. You get the unrequited orgasm discount.”

“Just $1 each.” Aemond is incredulous. You aren’t sure what that’s about. He sets the second cupcake down on the table, tugs a black leather wallet out of his jeans pocket, and gives you a $10 bill.

“Aemond, really, you don’t have to—”

“I know I don’t have to. I want to. Take the money. Stop talking about it.”

You smirk up at him. “Is that an order, sir?”

He grabs your jaw with one forceful hand, kisses you roughly, bites your lower lip almost hard enough to draw blood. He tastes like cinnamon, honey, sugar, sex. “Yes,” he says, grinning wickedly. Then his hands drop to unbutton your shorts. The idea of stopping Aemond doesn’t even cross your mind; your desire for him—him specifically—is back, flaring red and primeval and irresistible. “I want you on top of that counter—”

Outside there are footsteps bounding up the front porch, loud on the creaking boards. You tear away from Aemond and hurry to re-button your shorts. What? Already??

You know exactly who it must be.

Well, now I’m definitely never going to see Aemond again.

He’s terrified, he’s wondering whether he should try to jump out of a window. But really, he’s already been spotted; his Audi Quattro is still waiting for him in the gravel driveway. “Please don’t tell me that’s your homicidal armed boyfriend or something.”

“No,” you say. “It’s my daughter.”

“Wait, your…?!”

The door swings open; you hardly ever lock it. Cadi trots in just as you are flipping over the copy of the Bayou Journal on the kitchen counter so Aemond’s personal ad is no longer visible. Instead, what now faces up—dotted with flour, powdered sugar, cinnamon, grease stains of butter—is a column about the rigs opened in Lake Verret. Just what this town needs, you think distractedly. An environmental disaster.

“Mom, whose radical car is that—?” Then Cadi spies Aemond and blinks at him a few times. She is ten years old but thinks she’s your age, short hair, short temper, denim overalls and a t-shirt underneath patterned with multicolored horses.

“This is Aemond,” you explain. He waves awkwardly and then resumes nibbling on his second banana bread cupcake, avoiding her scrutiny. “He’s a friend.”

“But you don’t have any friends,” Cadi replies.

“Watch it, Child Of The Corn. I have friends.”

“You have like one friend.”

“What happened to your sleepover with Mawmaw? I thought you were excited to trick her into watching Hellraiser.”

“Blockbuster didn’t have it. Then Great Aunt Ethel called and said she broke her hip. Mawmaw dropped me off here on her way to the hospital.”

��And she didn’t even think to check with me first, huh?”

“As if you’d have anything better to do.” Cadi races to the refrigerator—careening around a shellshocked Aemond—and heaves open the door. “What’s for dinner?”

“I think we have some Swanson’s meals left. Oh, and spaghetti.”

She narrows her eyes at you. “Who made it?”

“You’re in luck! Not me. Amir.”

“Yay!” Cadi trills, then drags out the pan and begins spooning mounds of spaghetti onto a plate. Aemond looks to you, intrigued.

You say: “I bake, I don’t cook.”

“She really doesn’t,” Cadi concurs.

“Completely different skillset.”

Cadi places a few paper towels over the heaping plate so sauce doesn’t splatter all over the microwave and then sets it to three minutes. As she waits to eat, she wanders over to where the Bayou Journal is lying on the counter and scans the page: Viserys Targaryen, three state-of-the-art oil rigs, Lake Verret, an additional 50 employees hired, Jade Dragon Energy. “Those bastards are going to get their way, I guess.”

You sigh. “Yup.”

Aemond is alarmed. He polishes off the last of his cupcake, frowning as he licks frosting from his lips. “You don’t approve?”

“They’ll blow up the whole town,” Cadi says matter-of-factly.

You smile wanly at Aemond as you sip your sweet tea. “You work for Jade Dragon, right?”

He stares back at you—stunned, perhaps even fearful, a deer flooded with headlights—but doesn’t speak.

“It’s alright. I figured you must. Some smart British guy way out here in Cajun Country? It’s gotta be for a job. Don’t worry. We won’t shoot and skin you or anything. It’s not your fault. You’re just collecting a paycheck, it’s not like you’re running the company.”

“Right.” Aemond grabs a third cupcake and gnaws at it. After a moment he adds: “I have a degree in petroleum engineering. I just moved to Napoleonville last week.”

“I knew it,” you say.

“Boo!” Cadi heckles jokingly. The microwave beeps, then she disappears into her bedroom with her plate of spaghetti. You hear Cadi turn on her little television and flip through the channels until she finds Teenage Mutant Ninja Turtles. Aemond watches her closed door for a few seconds—still processing, you assume—and then turns back to you.

“Her name’s Katie?”

“Cadi. C-a-d-i. It’s short for Arcadia.”

He is impressed. “Greece?”

You titter nervously. You don’t know what he means. “It’s a town up by Shreveport, it’s where Bonnie and Clyde were arrested or killed or something. I’m not sure. Her father picked it.”

“You didn’t have an opinion?”

“Um, I wasn’t really…uh…conscious for a few days after she was born. By the time I was up and around again, he’d already filled out the birth certificate.”

What is that you see flicker across his face like the transient surge of a lightning bug? Curiosity? Apprehension? “I see. And her father is…” Aemond raises a blonde eyebrow, the one his scar cuts through. “On an aircraft carrier somewhere?”

You laugh. “He’s not deployed. We’re divorced, Willis lives about fifteen minutes down the road. It’s amicable.”

“So I don’t need to worry about him showing up on your front porch to murder me with a 2x4 full of nails.”

“No. Although he is the town sheriff.”

Aemond smirks. Is this a challenge or an inconvenience? “Why’d you two split up?”

You shrug, glancing at Cadi’s bedroom door. She is quite aggressive with her television volume; you’re confident she won’t be able to listen in if you keep your voice low. “It’s not that interesting a story.”

“I’m extremely interested.” And he sincerely appears to be, head tilted to the side, eyes fixed on you (though you know the left one sees nothing), thoughts whirling like storm winds.

“Well…we only ever got married because of…” You gesture towards Cadi’s room. Aemond nods, following along. “And I was too young and I didn’t know anything. I didn’t know what I wanted out of a man, I didn’t even know I had the right to set standards to measure a husband by. Willis wasn’t terrible. He didn’t hit me. He just wasn’t really who I wanted.” You chew at your lower lip, peering down at the kitchen counter, drawing circles in the sparse flour dust. “He never even proposed to me. Not properly, I mean. I told him I was pregnant and he said: Well, guess we oughta get married, huh sugar? and then drove me to the Kmart up in Gonzales to pick out a ring.”

“Classy,” Aemond mutters.

“I had to buy it myself, actually. Willis didn’t have enough cash on him. He paid me back later, but still. It wasn’t about the ring. I don’t need gold and diamonds. But I need someone who really sees me and understands me and chooses me, you know? I’ve never felt chosen. And I decided I didn’t want to settle for that. If I ever get married again, I want the whole goddamn thing. The real thing. I want the candles and the flowers and a boombox blasting Heaven Is A Place On Earth. And if that’s not in the cards, I guess I’m not the marrying type.”

“And you’ll make do with occasional visits from your friendly neighborhood dom.”

You grin up at Aemond. “Yeah, exactly.”

“You really hate Jade Dragon?”

“Companies like that…they just use us. Our land, our labor. And then when they decimate the place they pack up and disappear overnight, no pensions, no retirement, no unemployment, no meaningful cleanup, just Thanks for the millions! Bye! and we’re left to live in their filth.”

“That’s a rather cynical perspective,” Aemond says.

“It’s a realistic perspective,” you counter. “In 1965, there was a pipeline explosion in Natchitoches, in ‘79 there was an oil spill in the Gulf of Mexico, in ‘80 a Texaco rig accidentally drilled into a salt mine under Lake Peigneur and destroyed the whole ecosystem. Two weeks ago there was a refinery explosion an hour east of here in Norco. 4,500 people had to be evacuated from their homes. So no, the jobs sound nice, but in my humble estimation they’re not worth dying for.”

Aemond considers you, a look that is not patronizing or combative but not convinced either. And there’s something else too: a caginess, a nervousness.

“And these Jade Dragon people, the Targaryens? They have a history,” you continue. “I read about it in the Bayou Journal. Last year they had an oil spill at an offshore rig near Ketchikan, Alaska. They poured hundreds of thousands of barrels of poison into the ocean and killed a bunch of dolphins and whales and everything. Fishermen went bankrupt, people committed suicide.”

“Mistakes happen.” Aemond places his empty sweet tea glass in the sink.

“But they didn’t make it right. Their lawyers blamed a defective piece of equipment and kicked liability back to the manufacturer. They’ll be battling it out in court for the next decade. And meanwhile, the people of Ketchikan get nothing but misery. I don’t want Napoleonville to end up like that.”

Aemond gazes out the kitchen window and into the cicada-rattling night, faraway, pensive.

“But seriously,” you say, more casually now. “I get that it’s not your fault, Aemond. I don’t hate you or anything. You’re working for a living like anyone else. You can only do so much.”

He looks back to you and smiles vaguely. “I just go where they tell me to.”

“And that’s why you like to be in control when you’re with me.”

“Yes,” Aemond says; and on his face—strong, scarred, perfect—you can see that he is reminiscing, that he is planning what he wants to do to you next. But he can’t do any of it. Not here, not now.

“I’m sorry about…you know. The kid thing. I really didn’t think she’d be home tonight. I would never subject her to something like that, walking in to find a strange guy in the house. And I wouldn’t want to make you uncomfortable either.”

“It’s okay. I believe you.”

“I don’t usually do this. I’m sure you think I’m lying, but I’m not. I’ve had two boyfriends since I got divorced seven years ago, and both times it didn’t last long and Cadi never met them. And it wasn’t…like it is with you. The dynamic, I mean. The…control thing. They were just normal dudes.”

“And they couldn’t satisfy you,” Aemond says, taunting, proud, setting your blood on fire.

“No. They couldn’t. Not even close.”

You both stand silently in the kitchen amidst a cascade of inconsequential noise: Eurythmics from the little pink boombox, Teenage Mutant Ninja Turtles from Cadi’s room, cicadas and bullfrogs and the long-eared owl from the world outside that is primordial and feral and green. For the first time in as long as you can remember, you feel not like the piecemeal potential of a desirable woman but whole. Aemond’s right eye traces every curve and edge of you in a way that makes you think: Maybe I will see him again after all.

“Come on,” you say, turning towards the front door. “I’ll walk you out.”

But when he steps onto the creaking porch—pulling on his Marlboro jacket, watching lightning bugs bloom like daisies in the yard—Aemond seems to be stalling. “This is lopsided,” he says, tapping the wooden boards with his Adidas sneakers.

“I know. The whole foundation is, it’s sinking. We’ll have to move eventually. But we’ve been in this place since Cadi was five, it has a lot of memories. She calls it the Fall-Down House.”

“Cute,” Aemond says, but he’s pondering something. “Do you own it?”

“Oh no, God no. We rent.”

“Are you saving for a down payment to put on a new house?”

This is a rude question. “A little,” you reply curtly. Not enough. You need to make money to save money.

“Okay.” Aemond senses your discomfort. He’s good at that; it’s an advantageous skill for a dom to possess, knowing when he’s approaching a limit long before you have to shut him down. He descends the porch steps. “I’ll be back for more of those cupcakes—” There is a shrill, alien hissing from out by the tree line. Aemond shouts and scrambles back onto the porch, throwing an arm in front of you to shield you from his enigmatic nocturnal adversary. “What the fuck was that?!”

“Just a gator,” you reassure him, amused.

“A what?”

“An alligator.” You show him the shadow that lurks beneath a young oak tree draped with Spanish moss. “She’s over there. Just stay on the gravel once you get off the porch.”

Aemond is puzzled. How does anyone live in this hellscape? his face says. “How do you know it’s a female?”

“She’s not too big, and she doesn’t bellow. But she sure loves to hiss.”

“I think alligators should have gone extinct with the rest of the dinosaurs.”

“Well, there’s a secret to dealing with them.”

“Yeah?”

You smile, skating your fingers into the sleeve of Aemond’s Marlboro jacket and up his forearm until you feel goosebumps rise on his skin. “If she gets mean, you just have to bite back.”

Aemond chuckles, turns your face towards his, kisses the apple your cheek…and then, for only a moment, his teeth close around the sensitive flesh there leaving a whirlpool of pulsing, forbidden heat. He whispers through your hair: “See you soon.”

“Will you?”

“Yes,” he says, severely now. It’s a commandment, it’s a need. “I absolutely will.”

Aemond leaves you, strides across the gravel driveway without glancing back, ducks into his car, lights a cigarette; you can see the rust-colored glow through the windshield as he takes a drag. You wait in a flurry of moths under the dim florescent bulb of the front porch until his Audi Quattro veers onto Route 401 and disappears.

I hope he meant it, you think as a lightning bug lands on your knuckles and illuminates there like the gemstone of a ring. I hope I’ll see him again.

Then you shake away the insect and go inside to see if Cadi wants to help you clean up the kitchen and get a brown sugar pie baked for tomorrow. As compensation, you’ll offer her the $10 bill Aemond gave you for the cupcakes.

#aemond targaryen #aemond x y/n #aemond targaryen x reader #aemond x reader #aemond targaryen x you #aemond x you #aemond fanfiction #hotd fanfic #hotd fic

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flagbridge · 4 months

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I Saw the Phantom Proshot at the NYPL

Happy 36th birthday to Phantom's first preview on Broadway! I was going to save this post for the actual 36th, but I figure all of us need some more Phantom Broadway "original" content since the official Insta accounts are reminding us today that Phantom is no longer (though it should be) on Broadway. I'm going to post about what I saw, and I'll follow up on January 26 with all my answers!

Some time ago, @or-what-you-will and I went to the NYPL's Theater on Film and Tape Archive, and viewed the archival pro shot of the Original Broadway Cast of Phantom of the Opera, filmed live on May 25, 1988. There is only one copy, and its purpose is artistic preservation (not commercial distribution--the library owns it). It was kept under lock and key during the show's run. All information about how to access the archive is on the website. I can't really tell you anything more besides what's out there because it will become identifying. You get set up in a room with monitors and can pause and rewind, although you can't touch the media.

This was not my first TOFT proshot, but it was the best-filmed. Some, there's a single camera just parked, or there's some generation loss because of when the tape was transferred to digital. This had absolutely vivid colors, a multi-camera shot, and brilliant and clear soundboard audio. I heard lyrics I have never heard (especially during Notes when everyone is singing over one another), the sound balancing was so good. It was as transformative as seeing it live.

These are all the notes we took while there (apologize if they can seem disjointed) More below the cut.

ACT 1 NOTES:

-Multicam shot

-amazing audio (soundboard), vivid colors

-Raoul/Barton is crying in his voice during the auction

-there’s a “voice” that sounds like a woman singing with the overture (maybe a theramin?) We jumped in shock at this. We've never heard this before, not even on soundboard.

-Sarah Brightman comes on stage during the Hannibal rehearsal, moving across the stage with Meg during “Rome not Roma”--so she dances in the front row during the Hannibal ballet

-Hannibal ballet then has 10 dancers and since Christine is in the whole thing, there is slightly different choreo

-there’s a synth under Meg’s “he’s there, the phantom of the opera”

-Firmin lights a cigarette and Andre (Future Phantom Cris Groenendaal) stops him right before “Think of Me’ which makes the “Defense de Fumer” on the back of the curtain make even more sense

-Think of Me Gala skirt is not as full (but of note, Carlotta’s Elissa costume is much more ornate than we have now or even at the end of Broadway)

-Raoul sings slightly different notes in Think of Me. Steve Barton goes down a few notes on “young and innocent” (it’s not belted) and is clearly wistful.

-The think of me cadenza is absolutely effortless

-The “Bravi, Bravi” is haunting and perfectly sound balanced!

-Meg can actually sing and the Angel of Music harmonies work

-Raoul (Steve Barton) is nervous before going into the dressing room. He taps his fingers on the banister and takes a deep breath before going in

-He’s also nervous inside the dressing room–you can see him going from seeing an old friend to suddenly having feelings, being attracted to her. When he’s standing behind her he has a slight moment when he nearly touches a lock of her hair.

-Raoul is wearing a ring on his right hand (signet?)

-Steve Barton says MY Little Lotte

-Christine (Brightman) is excited about meeting the Angel of music and has a wanting and longing in “Enter at LAST master” (in a way that Lily Kerhoas does now and we haven’t had many Christines who do this)

-The picture is VERY CLEAR and NO WASHOUT when we see Michael Crawford appear in the mirror for Phantom’s entrance. You see everything

-When the door opens for Raoul to the dressing room after they go through the mirror, it opens slowly (vs banging open). It’s the same tempo that Phantom moves to take Christine through the mirror

-1925 Phantom silhouette vibes at the first “sing for me”

-Not a particularly aggressive cape twirl, but def a twirl.

-They get VERY close on “turn your face away”, almost kiss (like, Russians, Panaro/Joseph close)

- he has a nice portcullis sprawl but she does not press against him, there is visible space between them the entire time

-”Caress” and “hear it, feel it” are explicitly seductive, the former in how it’s sung, the latter because he self-caresses on “feel it”

-the “Touch me” in touch me/trust me is half sung/half spoken order, she strokes her hand over the mask and he does not pull away

-He does have a little panic when she faints and he covers her with the cloak. He’s holding her hair when he sings to her there

-At the unmasking, MC holds for a brief moment before covering his face with his hand so the audience gets a peek of the deformity (before “damn you”)

-Vixen not viper

-Crawls on knees, not stomach. We get…lots of crying and whimpering

-Christine sees his face a lot during this sequence. MC lowers his hand as soon as he’s on her side of the stage from “secretly dreams of beauty” to “Oh Christine”, when he turns away–but she is looking at him the entire time. MC is angled right by a mirror shard so we can see a bit of the deformity reflected back

-Right before “come we must return”, MC is about to cup her face with both his hands before changing his mind–she starts to reach for him as well.

-His Mandarin robe is much longer than we have now (ankle length vs calf length)

-This Giry has witch vibes

-Steve Barton is playing eager puppy Raoul and it shows even though he looks older (Barton was 35 at the time)

-The sound balancing is so good that you can hear lines you don’t normally hear during Notes 1 and Prima Donna–including the Managers thinking that Christine has just been off with Raoul all night.

-Sarah Brightman does a different pose on the bed as the pageboy during Il Muto. She crosses her legs vs putting her hands on her hips.

-Firmin yells “the role of Christine Daae” to the proscenium, clearly directed at Phantom

-Barton Raoul’s “There is no Phantom of the Opera” comes off more as “Christine this is just some dude” vs “he doesn’t exist at all.”

-Raoul loves Christine so much. He strokes her hair gently to comfort her right before “No more talk of darkness”--his eyes are soft and he’s genuinely caring and concerned (vs trying to be a hero)

-”All I ask is for one love one lifetime”--different lyrics, she does it twice (This is on soundboards from the time)

-Raoul puts his face to Christine’s hands at the proposal.

-Christine is clearly kissing his cheek right next to his mouth during the kiss (the final lair kiss is a real kiss)

-Christine’s “I must go” is not as playful as we often see it later. She really is trying to go.

-Raoul is nervous at “Christine, I love you”--he lowers his head for a moment worried that he said something wrong. He’s excited when she replies “order your fine horses”

-AIAOY Reprise: Michael Crawford is partially slumped over the angel, he’s holding hands with it to the audience’s right, and arm is slumped over on the left. We get a lot of anguished weeping, and little distressed moans as Christine and Raoul sing, there is rocking and head shaking and then covering his ears. It’s a HUGE difference then when he stands up fully for “You will curse” (he does this again during final lair between “unfeeling scrap of clothing” and “pity comes too late)

-He also roars before standing

-The Phantom laugh/cackle continues well into the chandelier drop into intermission at the light cut out for about 15 seconds.

Act II

-Carlotta masquerade costume has no mesh in the skirt–it’s much more of a see-through skeleton crinoline, so the feature is the purple tights

-Not surprising since Sarah Brightman is a dancer, but Christine does the proper choreography during Masquerade--she's the center of attention. Barton also does quite a bit of dancing.

-There’s an organ (almost like a circus organ) underlying the finale during masquerade

-Red Death double doesn’t run down the stairs, he stays at the top

-Giry/Raoul exchange after masquerade–both holding the lantern and super closeup

-Reyer is clearly gay–coded. Some voice and hand gestures during Sitzprobe

-Wishing–only one “help me say goodbye” (when did the second one get added?)

-”Far-reaching” gaze, Wandering Child is a duet

-Piangi says “conquest” is assured (at some point, this became “congress”)

-Michael Crawford imitates Piangi until “past the point…”

-Sarah as Christine is listening intently to Phantom’s voice and immediately noticed something is off–she doesn’t figure it out right away but she notices something. She is suspicious the entire time. It's not clear when she knows for certain.

-Christine never flees from him, during the first caresses, he hovers over her body, she turns to kiss him, he turns away, her hand lingers on her back, before she gets up to sing her solo part away from the table

-Michael Crawford’s hands are in in his crotch when Christine’s singing on the other side of the stage (“you have come here”)--he’s moving his palms in his lap the whole time, his hands are shaking, we only get glimpses of him, most of this part it’s focused on her

-There is none of the arm waving circling while their hands are held, she takes his hands, he switches his grip to hold one of hers, and they keep them on him

-She figures it out when she reaches down–she’s holding his hands above him and she pushes her left (our right) hand down and he pulls and she notices something–we can only see to his upper waist but her hand disappears and her expression changes, it’s implied he has an erection

-she doesn’t ever feel the mask, either accidentally or on purpose

-She doesn’t actually ever try to escape. It’s not the current West End or the past blocking–but more accurate in that she is aware of the situation and plays along. She keeps going with the blocking

-they both get up and keep singing, neither drags the other to the centre, they move together and keep singing

-The last “return”--he sings it at the unhooding, she doesn’t

-”Say you’ll share with me”--he is really pleading and almost crying on “say you want me”

-The managers don’t come out to try to usher her offstage, she doesn’t signal to them to stay

-When Phantom gives her the ring, she takes it, but doesn’t put it on–she just holds it

-He doesn’t scream at the unmasking, he just looks shocked and sad

-Ratcatcher order is different–it’s after Raoul and Giry’s first lines, that’s the indication that Giry needs to turn around, Giry screams

-Phantom is crying at “flesh” and through “unfeeling scrap of clothing”, he’s also hunched over through this sequence, and then stands to his full height at “Pity comes too late.”

-Phantom makes a big show of raising the portcullis, hands fully raised

-Raoul swats at Erik with one hand (the other is still on the noose) when Phantom grabs Christine on “start a new life”

-Phantom is probably the “minimum” amount of rough as we see Phantoms be with Christine in this sequence, as in, he’s definitely scary and menacing but he’s not harming her. He does grab her and spin her around on “start a new life with me.” There are a few wrist grabs (which is book accurate). He’s realizing more that his plan is absolutely crumbling. We get some shots of him on the organ looking panicked.

-Phantom makes a low growling noise before “you try my patience”, which is delivered quickly and almost casually. It is not menacing as some later Phantoms do.

-”Pitiful creature”..MC’s hand is subtly shaking by his side

-The kiss: the 1st one MC stands with “claw hands” at his side, on the second one, the “claw hands” start shaking

-MC hunches over after he burns the noose

-He stands over the monkey, conducting it with one hand, he is mimicking the symbol clashes, he doesn’t touch it or cover its face

-When Christine returns the ring, his hand shakes as he takes it, he’s hunched over again.

-She does seem conflicted about leaving, but she doesn’t press her hand back around his, she holds out the ring and his hand shakes as she takes it. She doesn’t linger very long.

-He says a second “I love you” after she’s gone.

-He’s about to say it a third time, he says “I love…” and then see the veil, and grabs it and screams into it, and then turns and sees the boat leaving

-He sobs and keens a lot

-Raoul bends in the boat to caress Christine’s face on “say the word”)--this is halfway across the stage as opposed to during the stage right exit.

-Deliberately cracks voice on the "can" in “you alone can make”

-MC Cradling the veil like a baby at the very end

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