#handchops

[ilynpilled]

regarding this “reveling in villains suffering” convo it is funny bc we truly did already have the jaime “punishment” arc like he was literally locked up and served a sentence of like a year in tully prison and then he got tortured/starved/paraded/permanently maimed so i do find it pretty funny when some ppl still seem obsessed with “lannister karma!!! rahhh time for the pendulum to swing back” shit with him too when ig that whole thing was pretty overtly done already and also the point is that this isnt really the point 😭 but at the same time if we want to send him back to tully bdsm sex dungeon i am all for it

[nightfal1n]

Reno's ride-or-die policy toward Kafka is outstanding but there's something about Kafka letting the boy 14 years younger than him scolds, drop kicks, handchops etc. on him without getting angry even once. Even when Reno's "don't transform senpai" reached its stupidity peak during the raid on Tachikawa base you'd think Kafka will yell back at him at least once but instead, he just keep his reason in his mind and go ahead. Especially when compared side-by-side with how Iharu reacts to Reno being Reno most of the times.

The same goes to his attitude toward Kikoru when she's in need of help. He don't even smirk or telling her to act better around him. He just help her, encourage her, and telling her she shouldn't be too reckless. Yes he allow himself to goof around, stealthy transforming to get the car back up just to look cool. But when it's really matter, he'll stand to protect her and demand nothing.

It's easy to feel offended, to want to getting back at someone for talking down on you. But Kafka with his life experience understand very well that Reno (being a kid) is just worried, and Kikoru (also being a kid) just want some kind of approval. Kafka might not meet all categories of what social expect from a grown adult (not many does), sometimes he just flat out a manchild but he's definitely not a teenager in adult body by any means.

[alybur635]

hi, i had a question about nejinaru, just wanted to see your hc on it 👉​👈​ was just wondering what neji thought of naruto's sexy jutsu form LMAO does he judge him? does he judge him but secretly looks at it?? did this make him gay (or did he have his bi/pan/omni/insert sexuality awakening instead)??? also does he "handchop" naruto's head when/if he does this 😔

SO MANY QUESTIONS RUNNING THROUGH MY MIND

have a nice day <3

My hc for Neji's reaction to Naruto's sexy jutsu when he does it the first time?...he frowned, blinked, then went about his day LMAO

Neji being him didn't initially catch on the real purpose of the jutsu and just figured it was something Naruto turned into to cause mischief (he's thinking it's just a transformation jutsu and not a jutsu Naruto made up). Naruto ended up explaining what it was afterwards and got a poke to his forehead, with Neji scolding him to be better and not use "such a ridiculous jutsu" around him again.

So Neji really wasn't shaken up in a way Naruto thought was funny, much to his disappointment. And I don't envision that to be his awakening really. I think his awakening came sometime after the chūnin exams when he looked back on seeing Naruto's fierce blue eyes as he laid on the ground. Reminded him of the sky.

[melljam]

auugh this samuel panel wouldve been such a good comparison to gitae for my fourth point of unconventional fighting but alas, i failed to remember it while making my original post

but i still want to share it because the poses and general feeling of both panels go so well together and helps me expand on my point :3

they both feature samuel and gitae avoiding an attack meant to defeat them in one shot in a veeeerrry strange way

look at the absolutely baffled faces on jichang and jake after the attack they were banking everything on fails because of something so unpredictable

and unpredictability is what i really wanted to point out with this addition to my post and i am greatly lamenting how i somehow didnt mention it as a point for their similarity before

it goes hand in hand with being unconventional but samuel and gitae both come up with very unexpected attacks that are more difficult to defend from (and so entertaining to observe)

gitaes dodge and samuels subversion of the chokehold shown above the cut both illustrate that through how off-guard it put their opponents

in addition to that, theres also the way they both take any opportunity to land a blow, especially after they create an opening with their unpredictability when their opponent cant seem to keep up with their attacks

many of the examples i showcased in my original post are also very indicative of their shared aspect of unpredictability:

-> gitaes brutal imitation of jichangs handchops

-> samuel using a car door as a weapon

-> gitae pulling out an axe

-> samuels frenzied state

anyway, i am still SO excited for them to meet and for gitaes fighting style and character to be explored more (so i can compare him to samuel)

samuel and gitae parallels - fighting style (examples + analysis)

-> imitating their opponents moves, but in a more vicious and brutal way

its different from the 「copy」 ability since its not an exact copy and they both seem to just do it for fun more than anything else

-> use of weapons, often unnecessary

neither of them need weapons to fight but they use them anyway (for the sake of fun probably) and it also adds to the overall ruthless nature of how they fight

-> no martial art, just unadulterated violence and brute strength

so many fights in lookism are about different fighting styles and techniques, meanwhile these guys dont seem to train and just rely on overpowering physical strength and viciousness

-> unconventional

its a little similar to the previous point about no martial arts and brute strength, but both of the ways they fight are distinctly weird (to their advantage though) and kind of random (namely they just come up with things on the fly)

-> enjoyment and excitement

while a lot of lookism characters (or more generally, characters in action/fighting manhwa) enjoy the action of fighting, especially with a ‘worthy opponent’ , samuel and gitae both express the joy of fighting in their own little insane ways (and i love it)

final thoughts

so many parallels can be drawn between gitae and samuel already (this + angst over gapryong kim) and i am SO excited to see them meet ^_^

theyll likely beat the crap out of each other (w jake :p) but seeing samuel and gitae somehow team up to fight together would be SO cool given how similar their fighting styles are >_<

[accuratebodylanguage]

Get to the Point. Watch the hands for emphasis.   When finger pointing and air chops are congruent with the words said, then the finger and hand gestures are illustrative exclamation points to emphasis important points.

[dark-frosted-heart]

This CG is 😩👌

[repressionrepresentation]

it's time again

[ohcidney]

[kannra21]

People you don't understand

Monoma is taunting class a so he could spend more time with Kendou! He knows that Kendou, as a class representative, has the duty to keep everything under control. The more trouble he makes the more will Kendou stay by his side, even if it makes her frown 😂

[nightfal1n]

Short hair Mina

Smiling Mina

Angry Mina

Caring Mina

Handchop Mina

Conflicted Mina

[melrosing]

Hi bestie. In your opinion does Jaime has to pay for what he did to Bran (death sentence or suffering) or has he already paid for it (hand chop)

I feel like there's just no currency between bad acts and suffering. I mean I guess there's some 'poetic justice' in the handchop: like Bran, Jaime's stripped of something he once defined himself by, and experiences significant dysphoria afterwards. but Jaime's physical pain doesn't atone for Bran's, or improve Bran's quality of life in any way. honestly I don't think anything can atone for what Jaime did to Bran, what's done is done; the only thing Jaime can improve on is himself, and that's the story, not Jaime sobbing on a horse lol.

if a character doesn't have an arc, like say Tywin, fine, deal them what they deserve and have done. but where there's an arc involved, as with Jaime, the decisions the character makes for themselves are a more compelling story than one which is just like, bad act + suffering = story.

also I feel like ASOIAF repeatedly tells us that pain is not meant to be gratifying. watching Cersei suffer the walk of shame is not supposed to be a triumphant read. watching Theon suffer at Winterfell isn't supposed to feel like his just deserts. characters either reckon with what they did and do better in the future (Theon) or they refuse to reckon with it and they go on to do worse (Cersei), but that's the bit we're reading for, not the suffering they do to reach that reckoning.

like in short I guess it's what they actively do, not what's passively done to them, that makes the story

[bokunoheroanalysisforthefuture]

Okay, so the brain’s a bit caught up in one of my other writing projects, but I refuse to abandon this entirely. So I’m gonna just power through this and then get back to Vibing™. 

Actually, it’s kinda cute that the hero Thirteen is introduced in chapter thirteen. I wonder if Hori did that on purpose or just managed it as a fun coincidence. 

[No. 13 - Rescue Training]

So we start off on Wednesday morning (which would be April 12th/11th) at 7:35 AM. There’s a hostage situation by a villain who looks like a goddamned pokemon (my brain has made the ‘buff ditto’ comparison and now I am Shook) who is, according to Mt. Lady, a serial robber and murderer by the name of Habit Headgear. Kamui Woods, whose wood bindings have apparently been broken trying and failing to contain the guy, is tossed back on the ground as he notes the villain is strong and a quick strategist.

Seems like she and Kamui Woods have teamed up together! Or at least responded to the same villain attack again. Also, who’s this dude?

Random Mii Blaster escaped from Smash Ultimate and is now in BNHA, when will the madness end. 

Naturally, the hostages are not handling this situation super well, though the crowds watching don’t seem as worried? IDK hard to tell from far away. The buff ditto villain uses double team, no wait I mean agility, actually his high speed to show how outclasses the heroes on the scene are. 

As he announces his plans to escape, we see All Might rushing in loud enough for the stomps to be heard. He announces his arrival mere moments before he fucking snaps the villain’s neck with a handchop - or, well, not really, but damn that had to be a hard hit. All Might also managed to grab the family out of harm’s way in the process, announcing that he’s on his morning commute. 

The crowds cheer for All Might, while Mt. Lady and Kamui Woods are somewhat put out - they appreciate the help, but also worry All Might will put them out of business.

(I guess this is where all those fics that do bring up how All Might cuts down the hero job market on his own pull from? Or just coincidence, who knows.)

The police thank All Might with salutes for the help, and All Might give his own quick responding salute before he declares he needs to head off so he won’t be late. Of course, that’s when he hears about a hit-and-run (that super hearing lol) and takes off, just so coincidentally in the direction of said trouble. Despite that fact that he needs to get to work. This man.

While he’s in the air, he considers how his speed has dropped, and that he’s been weakening since he passed on his power. Not to mention that after his rescue of Izuku and Katsuki from the sludge villain, his maximum time went down. Which is not at all referencing him about to overdo it again and lose more time, no siree.

We descend into a flashback to right where we left off after the battle trial, with All Might confronting Izuku about telling Katsuki about (some of) One For All. All Might is surprised and a bit nervous? Worried? Or that bead of sweat in the flashback might be from the strain of holding the form when he’s about to run out of time. 

In any case, Izuku in the past apologizes and says he hasn’t even told his mom, but that he had to tell Katsuki something… All Might determines this might be a consequence of not being explicit enough about keeping the secret, since Izuku isn’t the type to brag or boast. Also calls Izuku too sincere, hah, isn’t that the truth. All Might says it’s lucky Katsuki thought he was joking, so All Might can forgive the slip this time, but that Izuku cannot tell another soul. 

(Stares at this.) (Looks at recent manga events.) Whelp.

Anyways, All Might catches the car of the hit and run guy (and man, that face the dude is making) while thinking about how, suitable successor or not, Izuku’s still just fifteen, so All Might had to make things clear. Of course, then All Might overhears about a hostage crisis the next town over, and, well.

We transition to right after lunch (12:50) with Aizawa announcing that that day’s hero training plans - something supervised by himself, All Might, and one other teacher. Izuku realizes it has to be a special class, while Sero raises his hand to ask what they’re doing. Aziawa’s reply?

I swear this is exactly the same shit All Might did before the battle trial, gimme a second-

Bahahahaha incredible. Though then again, I wonder if those are security cards keys to certain locations. It would make sense, though then I wonder how Katsuki and Izuku were able to get into Training Ground Beta without one… hrm…

Anyways! Kaminari, Ashido, and Kirishima end up talking about it; Kaminari says it’ll be a rough day, with Ashido pumped as she agrees, and Kirishima also pumped as he says that it’s what being a hero is all about. Asui notes that she’ll be right as home in a flood. Aizawa silences them with a glare, saying he’s not done. He presses the button to unveil the costume lockers, telling the class that it’s their choice whether or not to wear their costumes, since some of them are ill-suited for this kind of activity.

Oh boy, will this put you on the path to the hero you’ll be come… but not for the reasons you think, buddy. The joke here is trauma.

It seems like most of the class does still choose to go in costume, barring Izuku - whose costume is still being repaired after the damage done to it in battle training. However, he still has his belt, gloves, knee pads, and mouth guard (with the mouth guard being new) on him. 

Golly, I wonder why your costume needed to be replaced, Izuku.

(thonk.)

Also Tenya jkfdkjdgfkj Oh My God You Dramatic Egg. He’s got a whistle and he’s directing the class to line up by ID number so they can fill the seats in an orderly fashion. 

I’m love this boy so much. And it’s even funnier because the bus has an open layout, meaning it was pointless. Poor Tenya is in Despair, with Ashido teasing him for his efforts being wasted. 

Savage. But yeah, looks like it’s Sato, Izuku, Asui, Kirishima, Tenya, Ashido, Aoyama, and Kaminari in the front seats. And Asui - sorry, Tsuyu - just outright says she says what’s on her mind, which startles Izuku since he didn’t expect her to talk to him I guess? She tells Izuku to call her Tsuyu, then turns to him and just says his quirk resembles All Might’s. 

Izuku, being the sincere boy he is, stutters and stumbles out something that almost looks like a denial, before Kirishima, bless his himbo soul, points out that All Might doesn’t get hurt by his own quirk, so they’re already different in that way. He then goes on to state that that kind of simple, strength enhancing quirk is awesome and that a lot of cool stuff can be done with it. 

Kirishima then goes on to show off his hardening, saying that it’s good for a fight, but otherwise boring. Midoriya ‘holy fuck I love quirks’ Izuku thinks otherwise, actually sparkling as he proclaims the quirk to be neat and more than enough for going pro. Kaminari notes that heroes also have to worry about popular appeal. Aoyama says his navel laser quirk is both strong and cool, and thus perfect for heroics. Ashido then kneecaps him by adding in that that’s as long as he doesn’t blow up his own stomach.

Ashido’s Savagery: The Sequel.

In the next panel, we see Katsuki’s been paying attention to this convo, which has me wondering if this is when he was first starting to piece together OFA from Izuku’s mention of ‘getting the quirk from someone else’ and ‘like All Might’s’. However, when he is brought up in the conversation (alongside Shouto) as examples of ‘strong and cool quirks’, he feigns disinterest and looks away, trying to play cool.

(Also, he doesn’t seem to have his gauntlets on him here, though I know he’s brought one with him as seen a bit later. I wonder whether he chose to leave one of them behind or if he might have been restricted from bringing more than one by Aizawa… interesting either way.)

Tsuyu then brings up how Katsuki being so unhinged means he’ll never be popular. Katsuki, naturally, takes offence and slams his hands on the rail in front of him, demanding to know what she just said. Tsuyu sticks out her tongue as she points at him making her point. Poor Jirou, having to be seated next to someone so loud.

And the moment literally the whole discord was waiting for, Kaminari’s brutal vocabulary takedown of Katsuki, something cut entirely from the anime. Friendly reminder that Kaminari is, in fact, a major lit nerd! He’s Not Dumb! Stop Making Him Dumb In Fics! He not only has the most verbose vocabulary in the class that isn’t from the rich kids (and in some ways is even more so), he also has Katsuki absolutely pegged despite only knowing him for a few days. He Earned His UA Spot.

While Katsuki snaps back at Kaminari, Izuku is hunched over in disbelief that Katsuki’s the one getting bullied for once, but he supposes that that’s UA for you…

To the side, Yaomomo declares the conversation vulgar, while Ochako is laughing and saying it’s fun. Offscreen, I’m assuming that it’s Kaminari mock-marvelling at how he didn’t think Katsuki’s mouth could get any fouler. 

The last panel on the page is Aizawa interrupting them to announce that they’ve arrived at the training grounds, and to look sharp. The whole class (I guess?) snaps to attention.

And that’s the halfway point, so I will leave the USJ proper for next time! This has been a Savage Mina and Smart Denki appreciation post, so appreciate them, or else.

[100sunny]

BNHA X OMORI AU: when iida first sees Omori he does the lil worried handchop. asks why he’s so pale. is also confused as to why there is a weird child (with a knife!?) in UA. omori and Iida have the “what do you have? A KNIFE! NO!” dynamic - 🥫

Yes

[ginmo]

How do you think the Bran and Jaime’s meeting will go in the books? I’ve read theories guessing he might end up as King Bran’s Hand, meta where the writers want him to become a mentor or father figure to the Starks in a full circle of his redemption arc, while others don’t want or think he should be involved with the Starks long-term either because of his and his family’s sins against the Starks or because they view his arc as reclamation rather than redemption or atonement. 1/2

This is what GRRM said about Bran and exploring time. 

“It's an obscenity to go into somebody's mind. So Bran may be responsible for Hodor's simplicity, due to going into his mind so powerfully that it rippled back through time. The explanation of Bran's powers, the whole questions of time and causality - can we affect the past? Is time a river you can only sail one way or an ocean that can be affected wherever you drop into it? These are issues I want to explore in the book, but it's harder to explain in a show.” - Fire Cannot Kill a Dragon

Hodor’s name reveal is neat and all, but Bran’s power to manipulate the past doesn't exist just so we can randomly learn Hodor’s pointless name origin. That would be ridiculous unless the scene was used to introduce that ability. Hodor’s name reveal is important to the narrative, and I believe its purpose is to set up a much bigger event/reveal involved around Bran interfering with the past, not just observing it. I’m pretty sure GRRM was hint-hinting to D&D about this, which is why he told them about the random ass Hodor scene that was already written, thinking it would be obvious what that means for the overall plot and letting them run with it but………………..

Because of this, I think it’s possible Bran brought himself to where he is. 

IF Bran isn’t involved in The Push, then he could have been involved with Jaime killing the Mad King. I kinda like the idea of Bran playing into Aerys’ madness, causing him to stock up on wildfire around the city, because then the wildfire would be an essential future plot element for a bigger purpose towards the end of the series and it would be a question of time, “a river you can only sail one way, or an ocean that can be affected wherever you drop it,” but for the entire series. (And, as someone with a passion in astrophysics, I’m a sucker for discussions around time. BUTTHAT’SJUSTME) 

Do I totally subscribe to this theory? Eh. I’m still not convinced Bran is King of All of Westeros for reasons, but I’m open-minded. I DO think Jaime is surviving the series, for reasonsssss, so I’m putting that disclaimer out there right now. I will never claim with absolute confidence that he is surviving though because, I mean, nobody fucking knows, and there’s an argument for death. I’m just going off of narrative clues that I perceive to be clues, and taking other character arcs into consideration. After literally drawing up a table because I’m weird, the column for Survive has more evidence and justification than the column for Dies, so that’s why I lean the way I lean. SO with that being said, I think it’s possible he has more of a political future.

IF this is what GRRM is writing, Jaime would still be responsible for pushing him, of course, but future Bran would want to be pushed. He'd be setting everything in motion to create the butterfly effect that makes it happen. 

Even if that isn’t what GRRM had intended with exploring time, it’s highly likely Bran’s character development is taking him down a path of apathy over it, meaning he wouldn’t be needing Jaime to do something for the purpose of redemption for him. 

Speaking of Redemption…

-deep breath-

I’m going to go off on this a bit because it IS relevant, I swear. 

“Limits of redemption” is probably the biggest wtf interpretation fandom has when it comes to what GRRM actually said. I’ll try not to go off on it too much here but -

Interviewer: Both Jaime and Cersei are clearly despicable in those moments. Later, though, we see a more humane side of Jaime when he rescues a woman, who had been an enemy, from rape. All of a sudden we don’t know what to feel about Jaime.

GRRM: One of the things I wanted to explore with Jaime, and with so many of the characters, is the whole issue of redemption. When can we be redeemed? Is redemption even possible? I don’t have an answer. But when do we forgive people? [...]  I want there to be a possibility of redemption for us, because we all do terrible things. We should be able to be forgiven. Because if there is no possibility of redemption, what’s the answer then?  [x]

I bolded “we” from the interviewer, because it gives context to GRRM’s answer with “we” being the readers, not the characters or Jaime himself. (I think there’s another interview where he says “limits of redemption” but it’s in the same context. I could be wrong but I SWEAR I heard it. Anyway…) 

“I kind of tried to ask, ‘do you think he’s changed?’ to get him to talk about Jaime’s redemption arc, so he said something like he wanted to explore the concept of forgiveness and whether it’s possible to be forgiven for doing such horrible things, and that his goal was to ask the question, not give an answer.” [x]

Fandom thinks this is the characters giving Jaime forgiveness, and maybe there will be a small element of that in the books, but the question is for the readers. No, Jaime is not actively seeking redemption from people. His redemption is for himself, through living his best life, by rediscovering the person he used to be. Yes He Will Be Redeemed and No He Will Fail assume redemption is some arbitrary checklist determined by One Big Act, and they’re answers to a question GRRM doesn’t want to give an answer to. 

The purpose of Jaime’s POVs is to ask the readers, and the most obvious moment of this was the bath scene. GRRM smacks us over the head with the Aerys confession, and then as we’re introduced to more and more of his POV chapters, he slowly chips away at the Jaime illusion that was intentionally established the moment he pushed one of the perceived child protagonists out of a window. It’s brilliant, and I’m sorry GRRM that a large chunk of your fandom is too dense to get it. How frustrating lol. I’ll be insulted for him. (I’m legit wondering if his recent angsty tweets about grey and redemption about real life stem from a concern that his fandom won’t understand the point of the series.) 

To give you an idea of where these people are coming from, at least one BNF idiot on Twitter believes redemption hasn’t been explored with Jaime yet. 

But uh… 

GRRM mentioned his intent is to “explore redemption” after delivering Jaime POVs, because... it’s... not a spoiler… he’s already exploring redemption, because the question is being asked TO US. We were supposed to have an “oh shit” moment, realizing this is more complex than the surface level, biased perspective we were delivered at the beginning of the story. “Maybe Westeros and my protagonist have it wrong.” -cough- the people in the village in BatB -cough- 

No matter how much fandom likes to pretend they love GRRM for pushing the boundaries of fantasy, they secretly fucking hate it. They love to be comfortable, dude. That’s why they read this series as if it’s a clear cut Good vs. Evil, because a) ego and b) that’s easy. If GRRM was writing Jaime as doing everything with ill intent then…. his… question isn’t being asked. They think everything he does right now is selfish and Bad, so they’re waiting. They want it spoon fed to them. They want classic fantasy. They want Starks = Good, Lannisters = Bad. 

But… if the author sees Jaime’s actions as grey and complex, enough to ask the question to the readers if he’s redeemed in their eyes or not, then he’s not going to write an endgame that punishes the character for narrative payoff, because he doesn’t see his actions as “sins” or “crimes” in the same way that these people are. Once upon a time, a person on tumblr reblogged one of my posts and said that Jaime will rape Cersei before he kills himself and that will be his endgame. But GRRM doesn’t view Jaime as a rapist, so he’s not going to write Jaime as a rapist. I’m bringing that up, because it’s the same phenomenon. People can ignore authorial intent all they want, but NOT when it comes to predicting narrative trajectory. The general fandom is terrible at that lol. 

The exploration of redemption for Jaime comes in the form of confronting his disillusioned self and everything attached to it. Before someone thinks, “lolllll he isn’t disillusioned” 

 “he actually was a very idealistic young man who was disillusioned by life” [x]

Jaime’s redemption is the path of returning to that idealistic man for himself. It’s by feeling ashamed of the things he’s done to hide his love for Cersei. It’s by gaining independence and detaching from the toxic relationship that caused a mess outside of them. It’s by wanting to be like the knights he admired in his youth, and like the woman warrior that inspired him. 

So when I think about narrative payoff for Jaime, I don’t see it framed as him being “punished” for actions viewed as “crimes,” when GRRM clearly established those “crimes” as complicated and grey with a character already going through some positive development, and especially when the characters judging are written to be flawed as well.

On the other side, having him be “punished” by succumbing to hatred and anger is for sure giving an answer (this just… -sits on hands- don’t even get me started on THIS fucking hot take). That answer would be a clear, solid, “No, no matter how hard he tries to turn his life around, he can’t be redeemed, because he’s a hateful, angry, fucked up person.” I’ve legit seen people think “limits of redemption” is a boundary of redemption drawn in the sand that Jaime is walking towards but he won’t be able to cross it. I-......................... 

And what’s even the point of his handchop if scenario number 2 happens?  

“And Jaime, losing a hand, losing the very thing he defined himself on is crucial to where I think I want to go with the character. And he questions what do you make of yourself if you’ve lost that.” - GRRM [x]

(I’m going to put this quote in every post sorry not sorry) 

So he’s going to take Jaime on this big identity journey just for him to be like “lol nah he isn’t that” …?? That makes the loss of his hand meaningless, not “crucial.” Is it really crucial for him to lose his hand if he’s bringing him back to the beginning? Is it really crucial for him to lose his hand to make himself realize he’s hateful and a failure and murder Cersei and then himself? No. He could have still met Brienne and been inspired by her knightly ways, attempted to live a better life, found out about Cersei’s affairs, etc. He doesn’t need to lose his hand to reach a point of fucking murder/suicide lmao fuck (not saying he’ll do that but I KNOW people are thinking it). 

The loss of his hand is “crucial,” because GRRM has bigger endgame plans for him in the form of politics, and the journey to believably get there requires the forced loss of his warrior identity and everything that the hand symbolized. 

AS FOR THE ACTUAL HAND THEORY...

Even though I’m undecided on it, I CAN see it IF Bran is King. I get it. Jaime’s missing his right Hand, he becomes the Hand to the kid he pushed out the window. Hardy har har. I understand how that would be pleasing.

And we all know GRRM said something about how the best ones for power are the ones who don’t want it…  

And… this suspicious scene at the very beginning of the series… 

“You should be the Hand.” 

“Gods forbid,” a man’s voice replied lazily. “It’s not an honor I’d want. There’s far too much work involved.” 

Bran hung, listening, suddenly afraid to go on. -AGOT

BUT IF that happens, it wouldn’t be there as some sort of #atonement #forredemption. It would be there because of Jaime’s growth as a character after developing into a political player, after asking himself, “what do you make of yourself if you’ve lost [the swordhand]?” He’s no longer the warrior he once was. He dislikes any sort of political position, because he feels most alive with a sword in his hand. But that was Warrior Jaime, and the point of “what do you make of yourself after you’ve lost that” is Jaime going down a different path after discovering that Warrior Jaime has died. I mean, he’d never be actively seeking power and thinking it’s the best career ever, like he’d probably be all -sighhhhhhh- about it, but he’d be doing the responsible thing and what’s necessary. He’d make himself useful in a new way. 

“The Warrior had been Jaime’s god since he was old enough to hold a sword. Other men might be fathers, sons, husbands, but never Jaime Lannister, whose sword was as golden as his hair. He was a warrior, and that was all he would ever be.” - AFFC (Do I really need to make a post about how GRRM foreshadows? Mr. Bran: “I never fall”...?)

Jaime losing his hand was the narrative consequence for The Push, making all of his development post handchop -ALL OF HIS POVS- the redemption theme. It was the hand that pushed Bran, fucked his twin, killed his king, swung the sword against fandom’s Precious Protagonists… 

“You ought to be pleased. I’ve lost the hand I killed the king with. The hand that flung the Stark boy from that tower. The hand I’d slide between my sister’s thighs to make her wet.” - AFFC

So if Jaime becomes his Hand, it would be the two characters meeting in the middle, not Jaime groveling at his feet, begging for forgiveness, framed as a punishment for sins - “sins” that fandom views as “sins” that need narrative payoff, because they don’t understand intent. 

[sadcum-archive]

people who handchop their garlic... the fuck... you can buy it pre minced...

[doodleswithangie]

more losers in windbreakers (feat. georgie)

[image description: the first image shows an annoyed young eddie doing his signature handchop move to someone off-screen while richie looks on fondly. above their heads respectively are a speech bubble with exclamation points and a thought bubble with hearts. both wear bold, brightly colored windbreakers with fun prints. the second image is of the rest of the losers, also wearing colorful and fun windbreakers. top row: stan and mike shyly pose; middle row: bev casually uses an amused ben’s shoulder as an armrest; bottom row: georgie and bill give big smiles.]

(windbreaker references under the cut)

[from left to right - row 1: eddie, bill, mike; row 2: bev, ben, georgie; row 3: stan, richie]

also a look at how i narrowed down choosing everyone’s windbreakers!

[image description: a collection of vintage windbreakers. next to each kid’s name is a few jackets selected for them. the final choice is highlighted with a red box.]

from this tumblr post!