#harmful insect

[purichou]

harmful insect (2001) dir. akihiko shiota

[100yencoin]

Harmful Insect (Gaichu), Akihiko Shiota, 2001

[kaos-teorema]

harmful insect (akihiko shiota, 2001)

[nicolekaptan]

Harmful Insect (2001) dir. Akihiko Shiota

[twofiguresbyafountain]

[lowpolyanimals]

Friendly Bees from Old School RuneScape

[creative-chaos-apparently]

I made a little friend last night

[protagonist-art]

i may have problems and issues 🥳

[tau1tvec]

Can't believe it took me all evening, but I blended a bunch of his skin details together, and created an entirely new tattoo for him.

[paradoxproductions]

shes just like me fr fr....

[purichou]

harmful insect (2001) dir. akihiko shiota

[paopeopipi12]

all over my body

[100yencoin]

Harmful Insect (Gaichu), Akihiko Shiota, 2001

[hawnks]

Continuation of this

Pietro clutches at her skirts, but reels back obediently when she smacks his desperate hands.

“Please, my sweet,” he begs, trailing after her, resisting the urge to grab her again. “Please talk to me. Tell me what you’re thinking.”

Kelsi doesn’t deign to look at him, simply storms through the estate — a historic castle that had been rather beautiful before her death — hunting down any scrap of her old life.

Her satchel and carpetbag are still in the downstairs closet, exactly where she left them. Even the contents is untouched, a few crumpled receipts and an expired granola bar buried inside.

She grabs both, and the big, red rain coat. Pietro always used to hide candies in the pockets; she stops herself for checking for one.

When she emerges from the closet, he’s directly behind her, so close she can see the tears budding in his eyes, not yet fallen. She doesn’t soothe him—she won’t.

The kitchen is dilapidated. She can’t find anything edible, only food so spoiled it can hardly be considered food at all, and a staggering amount of coffee grounds. Maybe he’d been surviving on caffeine alone, these past years.

“Please,” he tries again. “Kelsi, please?”

“You know my thoughts, Doctor.” She pushes past him, up the stairs to the second floor. The boards creak miserably under her weight, untreated, in poor condition. “I am very, very, very upset with you.”

Despite the derelict condition of the rest of the castle, her room could almost be considered clean. There’s a fine layer of dust on most of the surfaces, but it’s clear that the bedding has been washed somewhat recently, the curtains beaten to get rid of the worst of the residue buildup.

Her wardrobes contents is different, although not how she would expect. New clothes, garments shes never seen before, are hung amidst the rest. They’re soft to the touch, don’t show the signs of deterioration and rigidity that come with neglect.

Pietro had regularly washed each each of them by hand, ironing them carefully before returning them to their rightful place. He wasn’t sure why. During the first few months, he thought she should be comfortable, when she returns. Soon enough he hardly thought at all. It was more of a ritual, a lower-brain habit, to tend to her things, to hunt for any remnants of her scent among the items, to imagine her, vital and alive in these spaces.

She understands this, somehow, without a word. Another exhibit of the madness that consumed him in her absence. Grimacing, she starts shoving fistfuls of fabric into her bag, indiscriminately.

At the bottom, tucked away in the corner, is a pair of boots. Pretty, but functional, fine, embroidered details and treated leather.

The night before she died, she’d complained about her feet aching. They’d surveyed the entire surrounding woods, an arduous endeavor that left her exhausted, sore. He’d gifted her a warm balm, of his own recipe. Awkward as he placed it into her hands; he’d wanted to rub it into her tender muscles himself, she could see the desire in him. But it was a line neither of them had ever broached, a delicate, tremulous thing.

He’d pulled her out of deadly mires. She’d plucked poison barbs from his skin. They’d both risked their lives and reputations for each other, again and again. They knew one another better than anyone. At times it seemed like they could read each other down to the flickering soul.

And yet, there was another distance impossible to broach. Not due to lack of courage, but careful sensibility. It required investigation, a steady hand. Whatever it was between them, it often felt as fragile as spiders silk.

Now it was snapped, forever.

Kelsi shoves into the boots, swallowing down her distaste. It was this, or go barefoot on her journey. She snaps her bags closed. She’s ready to be gone.

Pietro stands in doorway, preventing this.

His head is bowed, fearful of her gaze, but even hunched his height is imposing. She always thought of his as a sproutish man, lean and lanky, but facing him now she’s not sure she could beat him, physically.

“Can you please—“ he bites his lip. “Can’t you be very, very, very upset with me here? Where you’re safe? Where I can see you?”

Kelsi just breathes for a moment. She’s so incensed her rage has surpassed physical revile; she’s only focused on undoing what’s been done, now. “No,” she tells him.

She takes a step forward. And another. They’re toe to toe, and she can almost feel his heart beating, a rabbit-quick pulse. His cheeks flush.

He presses himself into the doorframe, letting her pass. Yielding.

He falls in stride behind her. “Dearest, please. Things are not as you remember them.”

“I know,” she snaps. “You did that.”

His fingers brush her sleeve, cautious but beseeching. “Where are you going?”

“To get them out. I will extract them. Somehow.”

It takes a moment for her to realize Pietro is no longer right behind her. He’s paused in the center of the lobby, staring at her. His expression is hard to decipher, agony and confusion and something without a name.

“You can’t,” he says. She can barely hear it.

“I’m certain I’ll find a way. If there’s any trace of them left in me, I will pluck it out.”

“You can’t,” he says again, louder. “You’ll die.”

She shakes her head. “I already did.”

The great door was never her first choice for access. It’s twice her size, and so heavy she has to throw her entire weight against the wood to budge it. Pietro is saying something to her, but she can’t make it out, too focused on escaping his madness to try.

Finally, the door rocks open.

On the other side is a giant, bloodwasp.

The creatures, roughly the size of a toddler and infinitely more dangerous, had all but vanished from the estate and its surroundings after Pietro’s carnivorous plants took root. Kelsi hadn’t seen one for years after she moved in.

She’s certainly not prepared to deal with one, now.

In her shock she doesn’t hear the click of the bullet in the chamber, but the sound of it firing her knocks her to the ground.

The wasp falls too, dead, a perfect shot through the eye.

Pietro rushes to the door, shutting it quickly. Beyond him, Kelsi spots the thrumming bodies of at least three more wasps. Who knows what their numbers are, how many lurk outside.

Pietro sinks to his knees at her side, bundling her up with an arm around her shoulders, a look of ardent concern on his face. In his other hand, the revolver is still steaming.

“I meant to tell you that the roads are no longer safe,” he says, “but you wouldn’t listen. Now, let’s talk about this like civilized adults.”

But he makes no move to release her. Simply holds her there, against his chest, reveling in skin that’s warm again.

Weakly, Kelsi asks, “Dr. Pragma, where did a scholar learn to shoot like that?”

[kittenchancorruptionarc]

Here, hold this *hands a hand full of worms*

“GAHHH!!! WHAT THE ACTUAL FUCK?!”

[Derek threw the pile of worms onto the ground, flapping his hands rapidly as he has a STRONG look of disgust on his face.]

“WHAT IS YOUR GODDAMN PROBLEM, JACKASS?!”