the way that one line from the new epilogue in an astarion romance is going to HAUNT me
just. what a profoundly intense thing to confess to someone.
like, just these six months of newfound happiness with you exerts a force on his heart equal and in direct opposition to two centuries of endless torment, the gnawing hunger and exploitation. this flashbulb-bright fraction of his long life holds the same gravity to him as years upon years of darkness and suffering.
in all likelihood, he hasn’t even known his lover for as long as his worst memory lasted, that year sealed away to go mad from starvation and sensory deprivation, yet he still tells them this brief time has been so fundamentally and powerfully important that the weight of even that unimaginable hell is vanishingly small compared to this present he has now and the future ahead of them both.
how am i supposed to act normal about this.
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Stephanie Lauter is initially defined by her archetype as the popular girl in high school, but she must have been so lonely before Pete. Her mother is dead. Her father hates her and makes no attempt to hide it except to protect his reputation, constantly insulting, belittling and exerting authority over her when he isn’t busy with politics. She talks back to him, but doesn’t deny his descriptions of her. Miss Tessburger is the same. Her apparent friendships with the other cool kids, the kind of people who openly state the belief that looks are everything (not so different a paradigm to the one her father lives by), seem to be shallow and distant. Max rules the main popular clique with an iron fist to the point that they all stop bullying immediately and the school’s rigid social hierarchy crumbles once his influence is gone; and yet despite him having enough respect for her to try to protect her from what he believed were the undead during the prank, she was unaware of how big a problem his bullying was until she saw what he did to Pete, so she can’t have ever been that enmeshed in his circle. She dismisses her kindness to the losers as “the bare minimum” rather than lean into the potential for real friendships with them or leverage it to have power in this new group. It’s almost as if she doesn’t want to mislead them into thinking that she’s worth their time.
She’s cool because she acts like she doesn’t care about anything, and why would she? Life has never given her anything to care about. In fact, it’s punished her for caring. No matter what she does, her dad tells her that she’s worthless and stupid, so she stops trying to do well in school and starts sneaking out to parties full of alcohol and following through on flirting with the football players. She might as well make her body feel alive, as she can’t fix the fuck-up in her skull. Her phone is legitimately what she cherishes most in life. It can’t love her back or hug her or make the real world better, but at least it gives her an escape. It’s her space to control. Her pictures that she likes to look at, her music that drives her dad’s words out of her head. Her private conversations with people she chooses. At least it’s hers. (It isn’t. Her dad has been bugging it since she was twelve.)
Then Pete is nice to her, and in two weeks he becomes what she cherishes most.
Then she has to kill him. And shouldn’t she have seen this coming? Shouldn’t she have learned her lesson by now? Caring just means you have something to lose. That’s why she never wanted to love him like she does.
She pulls the trigger.
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Nimona headcanons I wrote instead of sleeping
Sometimes the boys forget that Nimona isn’t human
Like they’re used to the shifting into animals aspect of Nimona because she does it as often as she breathes
But sometimes she’ll do some really creepy shit like make her arms longer to reach something when she’s too lazy to get up
One time they shifted just their neck to be like an owl so they could turn their head 180 degrees instead of just turning around cause that was “too boring”
Or he’ll mimic people’s voices without realizing it
Sometimes he’ll tell a story and suddenly he’s using Bal’s voice
The first time she did this Bal searched the whole house cause he was convinced that Todd has snuck in
Or she’ll grow an extra arm to hold more shit and they take a moment to realize “oh yeah we adopted a little weirdo”
They get used to it after a while and the arguments surrounding it are always funny because both the boys will complain and say “I don’t sound like that” and they have to be told “No love you do you really do”
You know those videos of babies reacting to their parents shaving their facial hair or putting on glasses
That’s Nimona's reaction every single time the boys change their appearance even the smallest bit they cant shave or wear their reading glasses because if they do he freaks out
Talking some “help me Nemesis I heard bosses voice but I can’t find him” while Bal was standing right in front of them
It was the first time he shaved his face in years and he’s never doing it again
Mostly cause Ambrosius kept telling him he looked like a teenager and it was freaking him out
I feel like Bal and Ambrosius are those kinds of people who will tell people about the little injuries but neglect the big ones
Like Bal mentioned that he thinks he sprained his ankle during the fight at the institute but he won’t mention that he’s pretty sure he got a concussion
(BECAUSE THIS MAN HEAD-BUTTED TWO PEOPLE WHEN HE HAS A METAL ARM)
(I’m bout to wrap this man in bubble wrap and give him a helmet because wtf)
Ambrosius will complain the whole day about the fact that he has a paper cut
But will completely neglect to inform his doctors “Oh yeah I can’t move my left arm higher than my waist without pain and I can’t see that well out of my left eye or hear that well out of my left ear do you think that’ll be a problem?”
It isn’t until Nimona makes an off handed comment about how this super weird that the laser did basically nothing to him that he told both of them
They literally dragged him to the ER because “Who thinks those symptoms are normal Nemesis what is wrong in that pretty little head of yours!!”
When Bal tells Nimona she’s being a bit of a hypocrite (cause who refers to an arrow as a splinter?) she turns to him and says “I know you’re not saying something Mr. Human battering ram”
It took literally everything in Ambrosius not to break down laughing
After that she forces them to have frequent checkups with the doctor because these dorks wouldn’t go otherwise
Honestly I'm fully convinced that some people in the kingdom don't know who Nimona is and are constantly confused why they let this little weirdo follow them around
And finally the curiosity will eat away at them and they’ll finally ask
Sometimes the boys will give some “normal” answers like “Oh that’s Nimona” and they won’t elaborate at all
Sometimes they’ll give funnier answers like “Oh that’s a raccoon we found in the garage who turned into a person one day” “I don’t know they just showed up in our living room” and their personal best “You see her too?”
And their favorite that they only started using a couple of years down the line “Oh that’s our kid”
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only human
[ID: Two page comic in color of Vash and Wolfwood from Trigun Maximum. The first page has a black background and the upper half, behind the panels, is splattered with stylized red blood, scattered bullets, and lifeless hands. In the first panel, it focuses on Vash's boots, showing him stepping through the panel and into the bloody scene. The second panel shows his bloody footprints and the third panel shows his face, his down-turned eyes looking downwards. It's a neutral, vague expression with confliction. At the bottom of the page, the back of Wolfwood's head and shoulder is seen, blood dirtying the white color of his shirt and side of his face. Vash's hand reaches out to him from the right side of the page.
The second page shows the entire scene in full, half the page in light and the other in solid black. At the center, Vash leans down onto his knees as he wraps his arms around Wolfwood's shoulders into a hug. Wolfwood's back is turned away from the viewer, his left arm holds onto his bloodied punisher and his right hand sits on his lap. Light casts from the left side of the page, showing the bloodied surrounding, but the held up punisher casts a shadow on the both of them, shielding them from the light. END ID]
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We only see each other at funerals
(On Jason, Thalia, Nico, Bianca, and their parallels/connections)
The Titan's Curse (Rick Riordan), @/anxiousmaya_, Right Now (Gracie Abrams), The Battle of the Labyrinth (Rick Riordan), Joan of Arc (Mary Gordon), The Lost Hero (Rick Riordan), Episodes Toward and Elegy for Halley's Comet (Lindsey Drager), Jason Grace (Riordan Wiki), The Gods Show Up (Michael Kinnucan), The House of Hades (Rick Riordan), What the Living Do (Marie Howe), The House of Hades (Rick Riordan), Planet of Love (Richard Siken), The Blood of Olympus (Rick Riordan), Tangerine (Nolune), The Blood of Olympus (Rick Riordan), The Blood of Olympus (Rick Riordan), I Bet On Losing Dogs (Mitski), The Burning Maze (Rick Riordan), @/abhorarchive (Twitter), The Burning Maze (Rick Riordan), Seventeen (MARINA), The Burning Maze (Rick Riordan), @/rollercoasterwords, The Tyrant's Tomb (Rick Riordan), @/the-overanalyst, Where Things Come Back (John Corey Whaley), Grit (Silas Denver Martin), Softcore (The Neighbourhood), The Tower of Nero (Rick Riordan), Frost (Mitski), @/moonbends, I'm Your Man (Mitski), Sun Bleached Flies (Ethel Cain), The Tower of Nero (Rick Riordan), Three (Sleeping At Last), My Art
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