Chilchuck analysis speedrun: As a hardworking half-foot who grew up poor and discriminated against and had his gullibility taken advantage of multiple times in his early adventuring days, Chilchuck thinks optimism is a dangerous flaw. He’s stressed and strict all the time because his job is noticing details like traps that could get everyone killed before anyone knows it, he takes the lives of everyone to be on his shoulders, and with the way he speaks about it that probably partly reflects how he felt about taking it upon himself to provide for his family too. His life’s always been pretty centered around work and has become even moreso now that his wife left and everyone is independent, and due to past events he’s very iffy with bonding with coworkers. He thinks feelings and job are a disaster mix. Like with his wife or with parties hiring him as sacrifice, being open or having good faith is vulnerability which can get you hurt, so he processes and shows all his stress as anger instead of worry. Doing strict dieting probably isn’t helping the irritability what with hunger, and on top of being a hunger suppressant alcohol might be the main stress reliever he has.
His grey hairs are so earned
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I think about Leo’s “I’m your least favorite” comment to Splinter in “Down with the Sickness” a lot. It’s likely just a throwaway comment, a way to get Splinter to leave him alone before Leo gets sick too, but I can’t help but wonder if Leo believes it on some level.
Obviously it’s not true, Splinter loves him as much as he loves the others, but…it wouldn’t be shocking if Leo believed otherwise. After all, just in “Many Unhappy Returns” alone, Splinter has, with no hesitation, said comments like “my other sons would have taken this seriously” and “I knew I should’ve brought purple”, said “no” to Leo’s “I love you”, and pretty blatantly didn’t extend any trust in Leo’s plan even after Leo was fairly effortlessly defeating their opponents.
It was only after, when they’d already won, that Splinter finally gives him a “it was all you my son!” And…that’s basically it. Raph is the one who announces his trust in Leo. Not their father, even though Splinter is the one to witness Leo lowering his walls for once (which Splinter doesn’t react well too, because Leo only lowers his walls in the most hectic of times, and because he lowers them only then, either no one is around or no one is in the right state of mind to respond properly, leading to Leo building his walls back up, and the cycle continues.)
Again, it’s not because Splinter doesn’t love Leo, but Leo…can’t be feeling too good about all that. The way he never reacted surprised about any of Splinter’s words too…
He may know that Splinter loves them all, as a group, but individually…I don’t think Leo believes he ranks all that high with that love. Gives another meaning to “I’m nothing without my brothers” huh?
(Of course, I’m willing to bet the invasion changed that understanding, but with that comes the potential misunderstanding that his father’s outright love is tied to Leo sacrificing himself.)
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Okay but Tommy drops out of high school — he told his father he was gay and he told him he could either be homeless or go to military school. He goes to military school and joins the army and he likes flying the helicopters because it means he doesn’t have to do any of the killing himself. And he makes some friends.
There's one guy who's like the squad leader who's a few years old and built like a Greek god and Tommy's young and a little bit in love. And they're friends maybe even family because this whole group of people spend every waking (and sleeping) moment together. And they all talk like a family and they all say they love each other and tease each other and it's nice. And one night it's just the two of them trading a flask of some sort of alcohol that Tommy doesn't know the name of and the man asks Tommy why he joined the army and where he wants to be in five years and Tommy trusts this man. He's half way in love with him so he doesn't even think twice before he tells the story about the time he came out to his family and his father nearly beat him to death before sending him here. And the conversation tapers off after that and he doesn’t register the change in the air but when he wakes up the next morning he’s being dishonourably discharged because he poses “unacceptable risk to the high standards of morale, good order and discipline, and unit cohesion that are the essence of military capability”. He knows what that means.
Tommy joins the fire department because he doesn’t know what else to do. He represses anything regarding his sexuality because he knows now that it’s wrong. He almost feels like he has a family again because his captain seems to like him and some of the guys are cool even if they say things he doesn’t agree with. And then he starts agreeing because maybe they’re right and he’s wrong and he’s just inherently wrong. So he follows their leads and is just straight racist because that’s how he can fit in.
And then a black lesbian woman joins and says she’s a black lesbian woman and Tommy doesn’t understand that either because you can’t be queer you just can’t be because it’s wrong.
But he nearly dies and and an Asian man saves his life and a black lesbian woman comes up with a better idea than any of them had and she tells them she’s no different and she is just as capable. So he improves himself he does and he tries to be better but he still can’t be who he is because the last 2 times he was honest about that he was betrayed.
Tommy leaves the 118 and “don’t ask, don’t tell” is lifted and he meets this guy he likes who likes him back and the 217 don’t seem to have a problem with the gender neutral pronouns and he slowly but surely lets himself open up again and be who he is and when the thing with that guy doesn’t work out because he’s moving to New York and Tommy’s not sure he’s ready to leave, it’s okay because his crew is there and they support him and he can still be himself.
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so who’s gonna write a quiet place au with eddie
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In my personal headcanon the one and only thing Jason does that I do consider to be a “lazerus pit effect situation where he’s not thinking clearly” is the Batmobile bomb. Cause when you read lost days the sequence of events is presented like: Jason is in a hotel room with Talia’s agents so fresh out the pit he’s probably still wet -> Jason sees a newspaper confirming that the Joker is still alive (and that Batman and Robin put him back in Arkham) -> Jason has a panic attack and freaks out knocking out the guys that are with him -> we immediately see him running full tilt towards his vengeance plans. Like I think of you asked Jason to recount this series of events a week later he would not remember a thing
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Idk what I like more for propesci, friends with benefits to lovers or 50k word slow burn one sided enemies to friends to lovers 10 chapters with a companion piece to match
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argh. This comic writing is taking me way longer than usual. I keep editing things and it doesn’t feel right.
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vent in tags sorry
cw: mention of loss
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“Catch of the day”
I had a vision
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phil said it’s been so long that it wouldn’t make sense to bring back juanaflippa and tilin just because of the sweeping edge bug and in my mind i know he’s right but in my heart i want those fucking eggs back
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Underrated moment of joy in this season: The bleating ravens.
I swear my heart grew three sizes in that moment. Cuz I knew, I KNEW, that there was obviously no way Crowley was ever going to hurt a kid. I wasn’t sure how he was going to get out of it but I was positive he’d figure something out.
But the thing is (and I’m almost ashamed to say it) I completely bought the destruction of the goats. I didn’t love it, but I figured it fell into the same ~morally gray~ category Crowley so often does.
But turns out that demon is too kind-hearted to even harm a herd of goats! And that fact makes me MELT! Crowley is so soft and good on the inside, and he has such a strong sense of right and wrong, it kills me.
I want to wrap him in a blanket and give him a little kiss on the forehead. It’s what he deserves!
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The first time Kaeya had donned Diluc's old cavalry captain uniform, he had thrown up. Seeing himself in it had felt so wrong, it repulsed him immensely. It was too big, shoulders too broad. Moving in it felt like wearing lead weights, the fabric was all wrong, too stiff, his face didn't match it the way the Pride of the Favonian Knights and Ragnvindr heir's had.
It stank horribly of old blood and rain-soaked grass.
A part of him wonders to this day if the stench he thought he'd smelled on it was in fact all in his head. If it had been lingering guilt over Diluc's disappearance and being allowed to take his place that had affected his perception of it and his appearance in the role. Though considering the harrowing sight he'd witnessed that fateful day, he wouldn't be surprised if the smell would forever remain imprinted within the fabrics, the way that final moment would lay seared into his mind for as long as he’d live.
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[ cw: dismemberment / ]
I think a lot about how Leo’s rescue could have easily ended in him losing a leg as the portal snaps shut on the Krang still clutching the limb, or, alternatively, only having Leo’s right arm make it out, still held dearly in his brother’s hand as the rest of Leo is left behind. (The latter hits even harder, as it directly parallels his future self in the worst of ways.)
I think a lot about how so many things could have gone wrong during the course of the movie with even a little bit of a change, but it really is harrowing how much of a coin-flip the entirety of the Prison Dimension rescue was.
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“Danse Macabre,” Moon Knight (Vol. 9/2021), #25.
Writer: Jed MacKay; Pencilers and Inkers: Alessandro Cappuccio, Alessandro Vitti, and Partha Pratim; Colorist: Rachelle Rosenberg; Letterer: Cory Petit
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im at the haruka + akiyama duo section of 5 now and i love it <3 both for the uncle/niece sort of dynamic they have and because i fucking love me a murder mystery baby
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The things many parents teach their children do the exact opposite of preparing said child for adulthood.
Like. A non-zero number of us were taught as children never to invite ourselves over or invite ourselves in, like we’re fucking vampires or something. But that’s also the only way to include yourself in activities as an adult.
There have to be better ways to teach a child to be respectful of someone’s plans and not be presumptuous and pushy. There have to be better ways to express, “If you show up unannounced, they may not have the time or will to entertain you” and “Give people time to prepare for company” and “People get busy, so make plans in advance or they may be unable to hang out because they already have obligations.”
But— also— there’s something so… anti-community about the way this is taught with a simple, “Never invite yourself, wait to be invited.” You’ll wait forever.
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