#hopefully i can draw more 'pieces' like this

[astralibrary]

hi @marykedoesart, this is my gift to you for @natsume-ss' spring exchange!

you said you like tanuma/natsume and heartfelt, emotional themes so i went very symbolic with this, haha. i really love the idea of using imagery from the fish pond in tanuma's backyard to represent these two and their dynamic, so that became the concept i ran with. i'll explain my whole thought process below, but in the meantime i hope you like it! 💖

pls bear with me here bc this is going to be very long and wordy lol

so there's a definite theme of separate worlds here; while the environments are both pretty abstract, the idea was that tanuma is sitting in his house looking out towards his backyard where the pond is, representing the "real world," whereas natsume is in a more fantastical underwater setting, representing the world of youkai. also there's the implication that he's sitting at the bottom of the pond, aka completely immersed in that other world, while tanuma can only perceive hints of it in the reflected light & shadow on the wall.

tanuma's side is lit by the glow of the setting sun, and natsume's by an otherworldly blue light. also, there's their clothes: tanuma is in his regular school uniform while natsume is in a yukata, something that pretty much all humanoid youkai wear.

next, their poses; they're both sitting exactly the same way as a reflection of each other but natsume has his head bowed while tanuma is looking up; this is meant to represent their different approaches to their relationship. natsume is definitely more closed off, both as a defense mechanism and because he wants to protect tanuma & keep him away from the dangers of youkai. tanuma, though, is open and contemplative, maybe even hopeful; he wants to be let in and he wants to help, even if it is dangerous.

the lighting reinforces these conflicting attitudes, with tanuma's side being brighter and warmer while natsume's is darker and colder, representing this sort of "optimism vs pessimism" dynamic.

so now, the fish. the bridge between their different worlds, basically. on natsume's side it's a real fish while on tanuma's it's a shadow cast on the wall, which is obviously the original conceit of the scene in the source material: natsume can literally see the fish, while tanuma can only see its shadow. still, even if it manifests differently, it still exists to both of them, so it's a connection between them concerning youkai.

so they're both in their separate worlds, but because of this connection they affect each other, maybe in small ways at first; as the fish crosses over the barrier it leaves little effects, little disturbances behind. on natsume's side, bubbles drift up towards the surface, little pockets of air like little lifelines showing the way, and on tanuma's side little droplets fall and create ripples in the reflected water, these small things that grow and grow outward until they're not so small anymore. little feelings that bubble up and ripple out, hoping to reach the other in their own way.

the fish brings these feelings across the barrier, endlessly looping around them as they endlessly call out to each other, trying to navigate this relationship they have; it's possible to bridge the gap between them as long as they look and listen and learn to embrace the things that make them different just as much as those that bring them together.

and that's about it! my goal was to make a symbolic piece about their struggle to understand each other but with a hopeful note, so hopefully that comes across! i hope my explanation at least sort of made sense and wasn't too confusing! (to be completely transparent i only had about half of that in mind while i was drawing it, the rest sort of came together as i was writing this. neat!)

and finally, here's a still frame in the original higher resolution so you can see it a bit nicer! 💖

[fallloverfic]

Han Yoojin's Black Choker

This post isn't going to be everything, but it's going to hopefully be easier to find/navigate than the handful of posts I'm seeing floating around and that I've responded to: a summary of official art with Han Yoojin wearing the black choker in S-Classes that I Raised, its maybe appearances in the text of the novel, and its maybe relationship with fanart. For the short answer, yes it appears in multiple pieces of official novel art, and maybe at least once in the novel text. But it might also be a fan design that's sort of accepted as official at least in some cases? Explanation beneath the read more.

Yoojin's black choker is most likely Grace, the protection item Myeongwoo made from Shalos. Other folks have said it's the translation item he gets from Yoohyun, and I disagree, but I'll get to that.

The novel text

Text-wise the "choker" is possibly from novel chapter 109, where Grace turns into a sparkling choker at one point (which Yoojin notes would actually be less over the top than a bracelet during his struggle to get her to turn into something less ostentatious). Some folks looked at different text in the novel here for how it and particularly Grace look, but just as a warning, there is no official English translation for the novel outside what we get in the manhwa, which is somewhat modified because it's a manhwa adaptation. There are fan translations for parts of the novel, but a lot of folks use machine translation, which can be very dubious.

In other places in the novel she's just described as turning into a necklace, not specifically a choker, though in novel chapter 176, it's described as sitting close around Yoojin's neck (which sounds like a choker). Whatever jewelry she turns into is specifically described as having a blue/silver jewel from which her bird form emerges (as she has in novel chapter 156, which is the chapter one fanwiki lists it appearing in, and in which she is described as turning into a necklace, not specifically a choker).

Revised ebook novel volumes

SCTIR the novel was (and still is) originally released chapter by chapter on Naver, Munpia, and Ridibooks (currently Side Story is only available on Naver, but the chapters of the main story are on all three). The main story was eventually collected into 35 volumes and partially revised or at least given additional scenes in places. Each volume contained at least two pieces of art. For volumes 1-14 this was seemingly a character portrait with their bio (e.g., age, height, likes, dislikes), and 1 piece of interior art, with the latter at least being by 비완 (the manhwa artist). Volumes 15+ switched up interior artists, for a total of I think at least 3-4 artists, and those volumes had at least 2 pieces of interior art, with volume 35 having 3. The individual chapters didn't have this, it was added for the ebook release.

The volumes themselves are available on Ridibooks and Naver (they might be somewhere on Munpia but I couldn't find them).

The first volume of the ebook released in May 2020 (the Ridibooks release lists an earlier date for some reason than the one on Naver, which is November 2020). By this point, fans had already been drawing Yoojin wearing a black choker with a gem (usually blue or silver) on it since at least 2019: 1, 2, 3, 4, 5, 6. <This fanart is by onlyraii, the artist who went on to make the new cover for the novel published in April 2022 (included down below). So at least some of the official artists were involved in the community and knew of popular fan designs (though notably, Yoojin is not wearing the choker on the official book cover).

비완 potentially drew Yoojin wearing the choker in volume 13, for the Chuseok art (September 2020). It's very hard to tell whether that's his shirt collar or a choker. But it sort of looks like it.

(I'm going by the Ridibooks release dates)

The next time it was potentially drawn was by a different artist in volume 18 (July 2021). It's hard to tell because he's holding a bouquet that mostly covers his neck, but on the right side of his neck seems to be part of a black choker.

The clearest earliest example of him wearing it in official art is in volume 19 (April 2022), where he's clearly visible wearing a black choker with a blue gem on it. I don't see it mentioned as something he's wearing in that chapter, at least from a brief browse.

He's also definitely wearing it in two pieces of art for volumes 20-21 (April 2022).

In volumes 22 (April 2022) and 25 (August 2022), Yoojin seems to be wearing Grace as a cat collar with a similar design in two other pieces of art. Not exactly a choker, but the design is similar.

After that, they switch artists at least once if not twice and none of them drew Yoojin with the choker - or any necklace at all - that I can see. He didn't lose Grace for good in the novel, though he doesn't wear her all the time, but no other artist for the interiors drew him wearing the choker for the last 10 volumes of the revised ebook novel release. Whether that's a narrative choice or the inclusion of the choker at all is random/whatever the current artist wants/what was geunseo/the publisher's mood, who knows?

The manhwa adaptation

This is how manhwa episode 103 depicts Yoojin trying to get Grace to turn into something wearable after first receiving her (art by 비완):

I'm not seeing a black choker anywhere. The black line near his neck is the collar of his shirt.

As of posting on June 3rd, 2024, at least on the free to read Webtoons page and Tappytoon English chapters of the manhwa, there is no art of Yoojin wearing the choker, either as Grace or the translation item he got from Yoohyun. The manhwa depicts the translation item differently, and Grace has only appeared as fancy necklaces or a bracelet.

In the manhwa, Grace is shown turning into a simple bracelet after negotiation in episode 103:

You'll note he often wears shirts with black collars on them.

This is the translation item that Yoohyun gives Yoojin as it appears in manhwa episode 55:

Which is roughly how it's described in novel chapter 68, absent any specific color description for the metal ornament. Someone else said this is actually what people are drawing when they draw the choker because the design is vague enough to match a choker, which is strange to me, because from what I recall, Yoojin has this in his pocket/inventory most of the time. He's not wearing it constantly (he also already had it when he got Grace). It's kind of implied if not stated he doesn't like wearing it much and only puts it on out of necessity and takes it off at the first opportunity. He does, however, typically wear Grace (though he does, for various reasons, take her off a decent amount).

The April Fool's 2022 art by ? and the 2022 official novel cover by onlyraii

Someone else pointed out the "sketch" for the official novel art by onlyraii (final art below):

And here it is when it was released seemingly originally on 31 March 2022/1 April 2022 (KST).

In the other post I'm seeing about the "sketch" for this, the unfinished "sketch" listed was actually the April Fool's Day joke for 2022 that seems to parody onlyraii's cover, but with all the guys being bald:

(A lot of manhwa and I think Korean webnovels do April Fool's Day joke posts with fake "new" art done by official artists; 2022's SCTIR manhwa April's Fool's Day joke was magical girl themed, and this was 2024's, which had most of the cast become dinosaurs).

You can also see that while there are similarities, this is very much not what they ended up with, and again, it's dubious this was an actual sketch for the cover: it's not on onlyraii's twitter, though that doesn't mean it wasn't posted elsewhere, and seems more in the style of 비완's art, so it's likely this is the manhwa team doing a jokey post (the manhwa started in November 2021, and 비완 was still doing art for the novel ebook revision at least around 2020, so they'd have been around, and serikachan, the lead storyboard artist, does post about recent novel chapters on twitter, so at least some of them pay attention to the novel). I think it's intentional that all the men are bald as well, to note it's a joke; a lot of the Korean commenters are commenting on their baldness.

A core issue is the similarity and that they were released 11 hours apart (the gag went up around 11 hours before the official cover was released; onlyraii commented on their work for the cover around 40 minutes after the official cover was released). The "sketch" seems to show maybe a planned choker, but if it was an actual sketch in whole or part, it was clearly nixed for the final design.

"Sketch" or not, again, onlyraii has drawn Yoojin with a choker many times in their fanart dating back to 2019: 1, 2, 3, 4, 5, 6. Before the 2022 piece. If onlyraii and/or 비완 wanted to incorporate a fan design into the official art in some way, they wouldn't be the first fanartist/community member to do so on official artwork.

In conclusion:

At this point I don't fully know if the design comes from the novel or fanon that was later incorporated by fans into canon when they worked on the official art, or if geunseo suggested it or at least okay'd its inclusion on official art, but these things at least are true:

Grace is apparently mentioned as being a choker at least once in the novel text, but it's described as being rather fancy

the fan design/idea of the black choker with a small gem in the middle predates at least the release of the ebook art (if they were released earlier than that on an artist twitter somewhere, in some form, encouraging fans to use it in fanart prior to the book releases, I have no idea)

Yoojin wears a black choker with a gem in the middle of it in at least 3 if not 7 pieces of official ebook interior art

after the choker shows up on those 3-7 pieces of interior art, it stopped appearing at all (his neck is visibly bare of any necklace of any kind in multiple art pieces)

So does he wear a choker? Maybe, at least sometimes. Does it look like it does in fan designs? Maybe. The publisher and/or possibly geunseo okay'd at least some art with it on (though I don't know how much control geunseo has in that decision).

I'll try to keep this updated if new information/art comes out, so if you're seeing this as a reblog, check the source post to see if there's an update.

[medicalunprofessional]

never change, man !

[tianhai03]

had some fun making the sparda boys think abt random funny gifs

(greenscreen versions i made below so you guys too can make them think about random funny things)

sorry that v’s thought bubble space is a bit more limited im too lazy to redraw it </3

[b4kuch1n]

see, dearest, loving me did not save you. you scraped by just fine without. but it doesn’t hurt, does it?

[brainless-tin-box]

more knight au doodles

(i know jamie is canonically proficient in horseriding i forgor :sob:)

[toastybugguy]

Fake comic book cover thing that has taken WAY too long but WE GOT THERE!

[ferronickel]

@stainedglassthreads asked about my inspirations when it comes to comics creation, which I am always excited to talk about! (You have unwittingly activated my trap card, so be prepared for a long ramble!)

My comics are primarily a product of the 2014 Image boom and the 2000s webcomic scene....

...and the main sources of my comics craft knowledge are the works of writer Kieron Gillen, artist Jamie McKelvie, and colorist Matt Wilson. They're an incredible team and everything they've done together is worth checking out, but I'm going to talk about two of their comics here. Young Avengers (2012) is a good place to start. Tons of formalism and interesting panel layouts. It's the first place I looked for inspiration when I was planning the design for Looking Glasses. Definitely worth checking out if you like cape comics, but also worth it if you don't, it's pretty stand alone. (Plus it introduces a lot of ideas and characters that Marvel is currently pillaging for the MCU, so it's always nice to see those ideas in their original context before my employers ruin it)

I can't talk about comics without bringing up The Wicked + The Divine (2014, written by Kieron Gillen, art by Jamie McKelvie, colors by Matt Wilson, lettering by Clayton Cowles). It's an incredible comic and a formalist masterpiece. 12 young people are reincarnated as gods, they have two years to live, and also they're pop stars. Issues frequently challenge the way you read comics, or break into completely other mediums (One issue was written almost entirely by real world magazine writers interviewing the in-universe characters). You can see my influences here pretty clearly: the interstitials, the style shifting, my recent (incredibly blatant) reference to Lucifer's transformation. Also the fashion, Jamie McKelvie is a fantastic designer! This comic is a must read for anyone interested in the medium of comics, especially Kieron's writers notes (all available here on tumblr at @ kierongillen), where he breaks each issue down panel by panel. The writer's notes are essentially a free masterclass in comics craft. (and when you've read that, check out the zine I organized with @gen-is-gone and 37 other artists here on tumblr at @iconic-zine) I cannot overstate that this comic is the reason I make comics.

I feel like I can't not mention DIE (2018, written by Kieron Gillen, art by Stephanie Hans, lettering by Clayton Cowles). Six kids disappeared into their d&d world and returned two years later, now they're adults and their past is coming back to haunt them. It's a fascinating exploration of portal fantasies, and has definitely influenced how I approach the dark world/darkners. (also, if you read DIE and want a good breakdown of the historical stuff, be sure to check out the podcast DIE-Compressed)

Honorable mentions: The visual stylings of Caspar Wijngaard in Home Sick Pilots (2021, Watters, Wijngaard, Bidikar, Muller) The colors of colorist Jordie Bellaire, in this case Injection (2015, Ellis, Shalvey, Bellaire) The work of Emily Carroll Everything from Pretty Deadly (2015, Deconnick, Rios, Bellaire, Cowles) A lot of stuff from Sex Criminals (2014, Fraction, Zdarsky), it's an incredible comic that goes way beyond it's (fairly nsfw) concept. There's a ton of formalist stuff here, and it tackles all sorts of concepts with a level of depth you wouldn't expect from such a silly setup.

In terms of webcomics influence, I am, unfortunately, a bit of a Homestuck. There's a lot to be said about this comic and I'm trying to keep my word count down here, so let's just say that it's arguably one of the most influential webcomics, and while many of it's ideas aren't necessarily unique or are derivative of other works it is singular in it's scope and presence. I find it mainly affects my own work in the way I think about the website design. (Plus, you know, Toby Fox)

Other notable webcomics that have influenced my work:

The works of Evan Dahm Barbarous Stand Still Stay Silent Lackadaisy (and a bunch more, but this has gone on long enough)

[remynisce]

Been working on characters recently

[skitskatdacat63]

Lone Ranger Gunslinger! Fernando (context)

[fredgar]

redraw of an older fredgar piece 😊

[arolesbianism]

Sier? I haven’t even met her! Laugh.

[shidoukanae]

"A dragon is born to be relentless. They do not know the meaning of giving up. If they give their heart to you it's a sign of undying loyalty: and of a trust that will kill them if you break it."

[myketheartista]

HEY HOMIES !!!

Here’s the big baddie 😮‍💨 my final for Digital Illustration I ! I was so excited to do this assignment when I first heard about it in Week 1, I had kinda planned from the start for it to be an Aiah and Polor piece since I can’t get their dynamic outta my head. Came back to an old rendering style I haven’t touched in ages and really tried to push the color palette this time around (I learned about gradient maps ! They’re super cool !!) In the end, I think there’s a lot about it I wouldn’t change at all. This is honestly one of my best pieces if I’d have to judge, haha.

I’m super pleased with the finished version even though it drained every ounce of my life force <3 I now vanish to pursue more back-breaking projects

[pompadorbz]

Michel illbleed but I hit her design with the sydneyfication beam

[keeps-ache]

[uses the word 'image' five hundred thousand times]