#how to detect ai

[amalasdraws]

https://www.tumblr.com/bigmammallama5/732632789726478336?source=share do you have any tips on how to detect ai and deepfakes?

Good question and I'm gonna be honest, it's not always easy and it will only get harder and harder. I'm just an artist who has spent their personal time to dive into this topic and study images. I'm still learning and there is a lot I don't know. But let me show what I know. This will be long, but I will make a summary at the end! So far, even with ai having become better and better there are still almost always some things wrong with an image, and they all have a very specific look to them. So let me try to show you some and point out some of them.

As we all know, a biggest struggle ai had were hands. And even though here and there we still see messed up hands, I say "had", because the hands is actual a good example on how ai is improving and will only get better. Still, looking at pictures that show more hands is always worth it, because somewhere in the back there will be most likely at least one messed up hand.

Another issue a lot of ai still has is hair though!

It's very obvious still in many ai "drawings" and in those otherwise well rendered portraits. Hair starts to blend with the ears a lot, or with the clothes.

There is also often this very odd look between something too sharp and way too blurry

There is often a very specific texture to the hair. I actually do not know the artistic or specific name for it. I can only describe it as this weird sharp feeling that makes it look oddly pixely, and then you have areas where it's very blurry. And the kind of loops and almost flame like looking hair we see in the last pic out of the three here is also something very common with ai.

As an artist I know we make mistakes too! The way I draw hair is flawed too! But it's not only that it's flawed here, but it's following always the same pattern and falls into the same issues over and over again, no matter who is "creating" the image. Those flame like loops are a common one, next to the odd blends and weird sharp and blurry textures.

But ai is getting better, and we not only have "art" and something that tries to be a drawing/painting, but photos too.

A lot of those "photos" have a very specific texture and look to them! Again, it's not always the mistakes, but the very specific optic too. A lot of the images are oddly smooth, too rendered, with always blurry backgrounds. And when you look closer at the background you will see the mistakes! The crowd behind Jesus is a hot mess once you look closer. Bob Marley's hair has the same issue than I described before. Lincoln is surrounded by people with messed up hands and don't even get me started on the faces behind Caesar.

So a lot of ai images look alright on a first and quick glance, but as more time you spend with them, as more mistakes you will notice. The wehre is Waldo of ai horror.

And those "photos" shared here are still very obvious. Not just the mistakes and messed up details but the very specific aesthetic too.

Those images get better and better and as less details you have, as less mistakes you have!

With photos like this it becomes harder and harder. There are not many details and no hands. Not many mistakes can be made. Also the very obvious plastic looking smoothness isn't so much here anymore. It kinda still is...but differently. And always the blurry background!! Sometimes the hair is still a giveaway. Collars and clothe straps are also often still a giveaway upon close look. As is jewelry. Earrings will be different and necklaces often don't go all the way around, just end, or blend with the hair or clothes.

Often details on jewelry is also blurry and not shown properly. This is a trick with many details. With jewelry, batches, hair, ears, text. So it's often blurred out and not shown properly because ai doesn't know what to really show here.

It's often really just the small details and when we scroll down quickly we will miss them. Like the wedding ring on the middle finger, the pens on top of a closed pocket, the batches that are always blurry, messed up faces that blend with a blurry background.

And sometimes it's so subtle that I could only really tell that right is the ai image in comparison to the real photo on the left. The real photo shows hands clearly and even when things are blurred out it doesn't feel that it's done to hide things. The ai image on the right hides the hands. There is also a very dead look in the eyes :D

And here I could only tell because the text in the back doesn't make sense. Even blurred out we should be able to make out something here

And after seeing a lot of ai images I recognize the kind of blurred out bg in combination with a very smooth and well rendered foreground/characters.

And here the only giveaway is a closer look at the backgrounds as well

To summarize it:

Ai and fake news rely on a fast living world. We are being bombarded with tons of information and messages daily and we scroll past quickly. But the best tool, for now, in detecting ai is taking our time! Those images get better and better but so far there are still always some things off!! Especially in the background!

Hair. Often weirdly smoothed out and oddly sharp at the same time

Hair often blends with the ears or the clothes

Details are blurred out.

Jewelry doesn't match (example earrings). Details on metal often blurred out and never shown. Necklaces blend with hair or the clothes, and don't go around the neck.

Background is always blurred out.

In this blurred mess there are often hidden very messed up faces and/or hands.

A very specific smooth and yet too sharp/too rendered aesthetic combines with an always blurry bg.

Text, especialyl in the background, is not legible and doesn't make sense.

Backgrounds are often (so far) the dead giveaway. Somewhere in the back things become muddled and messed up. This shows also very well in ai decor/architecture. There will be odd lines that don't align or align too well. Curtain poles that end in the furniture, a plant that is behind a lamp suddenly having leaves in front of the lamp. As longer you look as more you will notice.

Conclusion:

Take your time with images! Sit with them! Especially when it's framed as important and political news. Is it ai and propaganda, or did it really happen? Don't fall for the quick buzz and outrage! Some things are obvious right away but with others you have to take your time. And it's time you have! If you are still unsure if a pic is real or not, do some research on top. Image reverse search. Can you find it anywhere else? Are other news outlets sharing it? Does the image/message make sense? For example there is now a deepfake of Bella Hadid voicing support for Israel. Ask yourself, does this make sense? If it feels out of line compared to previous behavior, do some research! Media literacy is not just as being able to recognize a fake or real right away, but being able to do research. To question things! Don't just take every post online for face value. Even when shared by a mutual you trust. They might have been tricked!

There are so many information online and it's great to have access to so information, but it's also difficult to wade through all of it. Media and truth are a weapon and it's being twisted and bend used to manipulate. Always has! But ai and so many people being able to post and share things, it becomes bigger and bigger and more dangerous. So don't just take everything that is handed to you and share it further no questions asked. Media literacy and being able to think for ourselves and do the research is important!! And as research becomes harder and harder, as sources are being messed up with ai and other fake news, it's even more important to sit with the images and study them. See the flaws, the mistakes. Compare it to other news and images.

This got long, and I started to ramble at the end. Sorry But I hope this helped

[onsukun]

just a girl

[halflifebutawesome]

I am a good person. I am a powerful person, I don't believe in evil. I think that evil is an idea created by others to avoid dealing with their own nature. I understand my own nature, good and evil have nothing to do with it.

[kugisakiss]

watched m26 hehe, sorry for the word vomit

if anyone was wondering how i was counting how many movies they appeared in, i made a little timeline when i was trying to figure it out for myself ↓

all dcmk movies are released on golden week which is in april. shout out to the detectiveconanworld wiki i couldn't have done it without you x

the real enemy is conan because he's got a perfect 100% movie spotlight

[akiizayoi4869]

One of my favorite things to think about when it comes to Shiho and Agasa's relationship is how Agasa finds this little girl wearing a giant lab coat passed out in the rain, he takes her into his house so she can warm up and get a change of clothes, and while this is all happening she tells him who she is. A former member of the organization that gave Shinichi the drug that shrank him, and that she's the creator of said drug, and how she also took the drug to kill herself, but it shrunk her instead. Agasa hears all of this and is like "Oh, well that's interesting. Anyway I'm going to adopt you, you're officially my daughter now." Without asking her any questions or judging her for her past, and Shiho's reaction was probably like "wtf???"

[clownakai]

Hi! It's me again! Let's talk about: Shiho's trauma and how Gosho's portrayal of it comes as a pleasant surprise within Detco's rather abysmal landscape of in-depth representation

Very important disclaimer(s): I am not a licensed professional yet, and I am not diagnosed with any kind of trauma-related disorder. I nonetheless hold this topic dearly and wish to gather in one place at least a few of the things that made me truly appreciate the portrayal of Shiho's trauma in a way others haven't. Lastly, this remains of course a personal opinion first and foremost, so keep that in mind if you decide to dive into it!

P.S. - While I always try to start from canon material, we lack a lot of details re: Shiho's backstory. I will generally attempt to hypothesize what could have transpired in the past considering the repercussions we can observe in Shiho's attitude and behaviors, but my own speculations cannot compare to canon actually filling in those blanks (which I highly doubt we'll ever get in the first place).

P.P.S. - this thing got long. Like. Really long. And because of tumblr’s newfound habit of flagging random things as nsfw, I couldn't add any manga screenshots. Get ready for a wall of text, gamers

The Roots of Shiho's Trauma

Trauma is in itself an incredibly complex topic— even the mere fact that a set threshold past which events can begin to be considered traumatic doesn't actually exist on the grounds that individuals tend to react differently to the same stimuli (e.g. I once had to watch my father get the shit beaten out of him by a man twice his size to the point he had to go to the hospital, but neither I nor my dad ended up developing any sort of trauma response afterwards— I'm no warier of strangers than I'd been prior to what happened, and my father is as polite and non-threatening around really tall strangers as ever. This isn't to say that the event itself didn't have an impact on us, of course, but it didn't significantly affect our day-to-day functioning in distressing ways either. I do however know of people who, after experiencing this type of assault, developed an all-consuming agoraphobia— among other trauma-related symptoms—, for example) renders things all the more nuanced from the get-go.

With that said there is of course a point to be made about the kind of trauma Shiho herself has been subjected to. In her case, the very environment she grew up in was traumatic: from a very young age— as soon as her giftedness was identified—, she's been pressured to excel, and while studying in the States, although I imagine she hadn't been strictly beholden to furthering the Organization's goals just yet, there must have been BO members or at least affiliates watching her every move.

Later on, she is constantly required to produce results via researching something we can't even be sure she was truly interested in: being a child prodigy and yet leading the research on the "wonder drug" means she was thrust in yet another environment full of adults that likely didn't much appreciate having to listen to a literal teenager, and on top of that her social life was considerably stunted in favor of the job she'd been assigned. At any and all times she'd been under scrutiny, and her own sister was made into an incentive for her to behave herself and stick to her duties. After Rye was outed as a NOC, the situation could only have degenerated— Akemi being most likely compromised meant there was a chance Sherry was as well, which would have translated into stricter regulations and increasingly more controlling behavior from the Organization.

Considering her backstory and how it's presented to us, we also know Shiho didn't have a childhood complete with stable parental figures, and she was separated from her much less useful sister very early on. That too is a kind of instability that deeply affects the developing individual, and if unaddressed it has a high chance of leading to widespread issues later in life.

So, we already have three pretty relevant points to start with: prolonged exposure to stress, perceived (but also very real) threats and instability that spans a decade at the very least. But fear not, for we can add more.

While I think this is somewhat of a point of contention within the fandom, I myself believe that there has been some sort of abuse perpetrated towards Shiho from within the BO's ranks. Her panic reaction extends to any and all members, yes, but Gin (and for some reason Vermouth) gets the biggest externalizations of it (let us never forget that he canonically stars in Shiho's nightmares).

Now, regardless of whether we're going to find out what kind of abuse Shiho went through (psychological, physical, sexual), and considering that we most likely never will, the implications on Gin's part abound in the early manga (and one can even posit that a few specific remarks made by Shiho are a direct consequence of her own experiences, expressed through dry humor and snark as a way of feeling more "in control" of the situation). I understand that Gin is literally "guy who will hunt you down and kill you with a smile", but so are basically all the other BO members, and Shiho only ever reacts so strongly to Gin. To me this means she either directly experienced some form of abuse at his hand, or that she projected well over a decade of stress and fear of the Organization onto Gin, thus turning him into a sort of boogeyman— a herald of every horrifying thing the BO is capable of.

Lastly, the impact of Akemi's death should also be taken into consideration, above all in relation to the role Shiho is firmly convinced she herself had in it. Considering how attached Shiho was to Akemi, and how her older sister's continued safety had been the biggest incentive for Shiho to have behaved herself especially in the past few years, her execution (delivered by Gin himself, once again cementing him as a big player in Shiho's trauma) definitely "breaks" her for good.

It's worth noting that the way Shiho breaks leads her to rebel against the system that's been suffocating her all along, but doing so is insanely hard and given the lack of a solid support system to fall back on, it doesn't go far: her actions aren't even that explosive— she announces that she will no longer work on the APTX until someone tells her the truth behind her sister's death— but they nonetheless elicit an extreme reaction from the Organization, thus further confirming its status as a massive threat to Shiho in her mind. Before the BO she is entirely powerless: they decide whether she's useful or not, they decide whether she's worth keeping alive, they decide what she should do, they decide that she's expendable the moment she displays independent wishes.

We have therefore unspecified abuse and grief accentuated by strong feelings of perceived responsibility re: the loss that transpired in addition to our first three big stars in the constellation behind most, if not all, of Shiho's trauma responses.

While frustrating to my perfectionist mind (everything must have a specific cause and if I do not make an effort to clarify or at least imply what it is in my work I perish; it definitely shines through via my poorly restrained desire to compensate for the chunks and details of Shiho's backstory we're missing), the fact that a great deal of what caused Shiho's trauma in the first place is quite nondescript at first glance, almost as if Shiho were trying to convince herself and others that "it's not a big deal" by rarely— if ever— bringing it up (and when she does she recounts the events matter-of-factly, as if she were largely unaffected by them), is something I've found myself appreciating more and more as the story progressed. Not because it truly isn't important, but because it can actually be pieced together through Shiho's every action, time and time again. At long last, a character whose trauma doesn't only make itself known when a specific trigger is at play, but rather pervades every single aspect of the survivor's life whether they're conscious of it or not.

Now, one thing I won't be doing is attempting to put a clinical label on what Shiho is experiencing: this is because her position in the manga is quite complex, and seeing as the plot itself isn't centered around her and her trauma, things aren't necessarily clear-cut. For example, Shiho did indeed get out of a stressful and traumatizing environment, but that doesn't mean she's out of danger for good just yet— if we were to attempt to categorize the symptoms she displays with the goal of making a diagnosis, we just wouldn't be able to do so due to the very much still present stressors and traumatic elements.

Applying a label to Shiho's experiences is also not the point of this post in the first place, and so I decided not to. I wanted to focus on the visible effects of her trauma, and how she's shown to be willing to at least try to break away from the mechanisms and mentality she's developed.

Which is how we get to the next section of this bad boy:

Haibara Ai And Living With Trauma

From the very moment we begin to learn about Sherry's backstory, her words and behaviors indicate a deeply rooted pessimistic outlook on her predicament— and quite possibly life itself. The very name she picked for her new identity specifically includes the Japanese character for 'sorrow', as opposed to that of 'love' suggested by Agasa. Even with said choice being played off as Shiho— now Ai— intentionally trying to unsettle Conan in every way she can, I can't help but read way too much into it and see a young woman who genuinely sees herself in that Kanji. Pain is all she is. Pain is all the world offers. It's inescapable the way a name is, and she made it into a reminder she's going to hear daily from now on.

It's also interesting how Ai brings up time and time again how Conan is the only one who can understand (and therefore help) her, with specific references to their shared predicament: Conan knows about the Organization, ended up shrunk because of the APTX, and has to constantly hide from them by playing the part of a grade schooler. While a freshly shrunk Shiho's options were insanely limited from the start, she still opted to head for Kudou Shinichi's house because in her mind he was the only person who could ever understand her situation by virtue of sharing the same experience.

As the plot slowly moves forward and we get to see more of Ai interacting with the world around her, multiple other things become very clear: an especially pronounced trait of hers is that she struggles to hold on to positive emotions and trains of thought, most notably very early on in the manga. She always finds a sour note even in the happiest of situations, because her thinking patterns cannot break out of that constant negative spiral— she is effectively still trapped, at least mentally.

As an additional example of this, even though she's been away from the traumatic environment for months, Ai cannot stop thinking about it (this can technically be countered by the fact that the danger itself isn't entirely gone. Shiho is safe for the time being, but the danger is always lurking somewhere. The problem is that she sees it everywhere instead, and cannot let go of the notion that she's going to get got if she relaxes even for a moment, which is what actually makes this kind of reaction encroach into unhealthy territory).

There's a also very obvious disconnect between her and her peers (both perceived— the Detective Boys— and real— other teenagers). To Ai, all these people are too naive for this world, and they aren't ready to handle its cruelty. She is quite defeatist in her outlook on life and has difficulties understanding how the people around her can be so optimistic, which in turn makes forming new bonds much harder for everyone involved: by keeping others at arm's length, Ai acts on the fear of having to experience a loss as devastating as her sister's ever again— here we have the avoidant aspect of her trauma reactions.

Speaking of: she also projects Akemi on Ran multiple times in canon, and always in contexts where danger and death are at the very least in the background. She's just like Akemi in that she decides to protect Shiho by putting her own life on the line. She's just like Akemi and like her she's going to die. Ai's reluctance to even introduce herself to Ran, and especially her shark-dolphin metaphor, is in my opinion pretty indicative of yet another tendency that can be found in trauma survivors, and that is the belief that there is something about yourself that is inherently dirty and shameful (traumatic event(s)), that sets you apart from normal, even good people, and it is a gap that can never be filled because you're now irreversibly damaged.

Dipping our toes into a more cliché detail re: the portrayal of trauma in media, let's not forget that Ai has nightmares featuring one of the sources of her trauma (and while Gosho kind of actually uses the Gin one as a "prophetic" dream, Conan does canonically comment on the fact that Ai is a night owl/doesn't sleep nearly enough, and we could interpret that as her being unwilling to fall asleep and risk yet more nightmares).

A considerable portion of Reunion With The Black Organization is dedicated to showing us just how much of an effect a single nightmare about Gin has on Ai. She's even more withdrawn than usual, prone to getting lost in her head (possibly even dissociating), receptive to the tiniest details that inevitably rouse her memory of the nightmare to the point she fails to assess the non-existent risk factor of her current situation and has a panicked outburst towards a very confused Ayumi, who did nothing apart from touching Ai's arm. Her emotional dysregulation in these panels shows us a clear see-saw between numbness, then mounting fear up to her breaking point (startle reaction), then an unfiltered externalization of her anguish that is ultimately played off as a joke so as to avoid further scrutiny from the Detective Boys.

We also get to see Ai's reaction to the mere sight of a black Porsche 356A, Gin's favorite car. The interesting part is that said man isn't even around at the time— this could be anyone's car. But it's still enough to trigger Ai's freeze response and put her on high alert. Later on, in The Four Porsches, we find out that said car doesn't even need to be a specific color for Ai to start spiraling, which is a pretty good example of how something innocuous and only vaguely analogous to past events can be more than enough to remind a survivor of their trauma.

Even with what little we are given, it's also laughably easy to tell how utterly terrified of "going back" or otherwise re-experiencing the effects of the environment she grew up in Ai is, which naturally includes an abject fear of the people that used to be around her. Ai's "sixth sense", although specifically primed to hone in on Organization operatives, feels to me like a magnified version of the hypervigilance that trauma survivors experience.

Surprisingly enough, as that isn't something I see often in media, we even see her considering (and attempting not once but twice) the ultimate escape as an option: killing herself (or letting herself be killed) would definitely solve all of Ai's problems. It'd free her from the constant fear and misery that characterize her every waking hour— and undoubtedly her sleep as well. It'd even rid all the wonderful, untainted people she somehow managed to surround herself with of the most dangerous burden they could have ever found themselves dragging around.

This constant devaluation of her person plays such a big part in selling Shiho's trauma, at least to me. It doesn't come off as edgy or disingenuous because it has solid roots in her past, in the things she's done and what she's been through. Sherry's value lied in her brain, her genius: in a way, even Ai's working on an antidote, producing prototype after prototype at a frankly insane rate for a person who's working alone and with fragmented data to start with, can be traced back to the unhealthy notions that have been drilled into her by the Organization. She actively relives her day-to-day life as Sherry after she's gotten out, and it's fine because it's familiar. She knows how this works much better than she knows how to hold a friendly conversation with a peer: she's back under pressure, but at least she's in control. And this way she can prove that she's good, that she's useful, that she's worth keeping around.

Truly, having reached this point, the question comes naturally: can it get better? The answer? Yes. Yes, it can.

The Ups And Downs Of Recovery, Between Healing And Fighting Back

Let's not kid ourselves: recovery is hardly a straight line. There's no magical fix-all cure that entirely erases someone's trauma and associated triggers in the blink of an eye simply because the current situation requires it, or because “it's been long enough” and other people just want them to get over it already. Trauma doesn't just “go away” because you really need it to. It doesn't stop affecting you, but there are ways to ensure it no longer takes over every moment of your life.

For Shiho, the first step towards recovery consists in acknowledging that 1) she is not alone anymore, and 2) she may be deathly afraid, but letting herself drown in that fear, only ever running away from it, isn't going to make things better.

Still, “fighting back” isn't all about acting like Conan. Ai is hardly expected to hunt down the Organization the way Conan does, and she honestly shouldn't be. Her experiences with the BO largely differ from Conan's, and even without taking that into consideration, different people may react very differently to traumatic events.

Ai's abject fear and general unwillingness to confront the Organization face to face (or investigating it in general) aren't a sign of weakness on her part, nor is it necessarily bad writing on Gosho's end. I am actually elated to see how consistent Ai is in her avoidance of those massive triggers. She rightfully wants to know when they're around, wants updates on their movements, but she loathes the idea of actively interacting or facing off against them even after Sherry's supposed death on the Mystery Train. Everything about the BO is bad news and bearer of bad memories, and she wants those reminders as far away from her as possible— which is an absolutely valid position for her to maintain.

However, in the eventuality that Ai decides to start facing her fears in a healthy, constructive way rather than as a way to get herself killed (which is in fact what eventually happens in canon), starting small is key— and it's to my delight that Gosho made a point of having Ai do just that. It takes her so, so long, but she decides to stop running because she's reached the conclusion that even if she does, she's never going to be truly safe and free (which is, coincidentally, what happens if trauma goes unaddressed); by refusing to go into Witness Protection, she acknowledges her fears but also the fact that she's not alone in facing them, and that she can't ever expect to find peace if she doesn't start doing just that.

Later on, during Black Impact, we see Ai being proactive and helping out in a small way by providing Jodie with the number she needs to call. Albeit tiny, the action doesn't go unnoticed by Conan, who comments on how unlike Ai that was, nor by Jodie, who shoots her a thumbs up. And here's the thing: of all people, Jodie is maybe the one who actually comes the closest to understanding at least some of Shiho's feelings, especially in regards to the abject isolation of having your family ripped away from you all at once (only to immediately find yourself in danger in return) and consequently the Witness Protection Program.

I'm definitely more than a little biased when I say I'm sad that Gosho didn't explore their parallels further, especially when Jodie herself canonically acknowledges their similarities as well as what sets them apart: unlike her, Ai refused to go into Witness Protection, because she's already found more than enough reasons to keep her in one place, and those reasons— those people— give her courage. It's pretty simplified, of course, because this isn't what the manga itself is about, but it is nonetheless a heartwarming moment that showcases how building meaningful relationships anew can literally be life-changing in the face of trauma. Regardless, I immensely appreciate the fact that these scenes exist at all.

Now, is this all there is to Ai’s path to recovery? Of course not. The Organization itself isn't the only thing weighing her down, after all: her grief and feelings of responsibility regarding Akemi's death play a big part in her day-to-day problems as well. To put one of my earlier observations about the visible consequences of Shiho's trauma to good use, let's jump back to The Mystery In The Net, where we see Ran initially remark on how Ai refuses to even look at her when they're near each other; at the tail end of the case, seemingly out of nowhere, Ai surprises the other girl by willingly introducing herself and offering a handshake. It's genuinely touching to see, most notably because we as readers are privy to information Ran doesn't have— she doesn't know how Ai sees her, nor how the little girl sees herself. She has no idea that what makes her a lovely person to interact with is exactly what's causing Ai to keep her distance, but we do, and Ai managing to put aside her fear and shame in order to reach out to someone like Ran is definitely a massive step forward as far as her interpersonal relationships go.

Along with all this progress, however, come many relapses— usually due to a close encounter with a member of the Organization. In these cases, but most importantly in their aftermath, we're shown just how debilitating Ai's trauma responses are. After The Mysterious Passenger, wherein Ai “only” spent her time in freeze mode because of how close she was to an Organization operative and then proceeded to try to stay behind on a bus that was about to explode because she'd convinced herself that only by dying could she do the right thing, we're plunged into a relatively low-stakes case where a small dog disappears. More than anything else, it's Ai's attitude, her words, and the things we find out through the Detective Boys and Agasa that paint the true haunting picture of the day. Ai has retreated into herself, unable to escape the vicious cycle of her negative mindset, and it's a wonder Agasa even managed to get her to step foot outside— all of this from a girl who was teasing the old inventor for catching a cold right before having to go skiing just a few days ago, seemingly completely at ease in her skin and with the world around her.

I'm not going to lie: this is the kind of up and down that only brings me closer to Ai. It is frustrating to see it happen, and that's good! That's exactly right! Because imagine if, instead of just witnessing it, you were the person this is happening to: opening up the tiniest bit, daring to stick your head outside because you think that maybe, just maybe, today is going to be a nice day, only to be sent spiraling right back into fight/flight/freeze mode and having to start the process of loosening up all over again. Rinse and repeat. It's infuriating. It's maddening. It's despair-inducing. Will it ever end?

That's what I love about Shiho, Sherry, Ai. This feels so real in a way I don't see often, and it's the reason why, despite all my gripes with Gosho's writing (particularly that of these last few years), I actually think he's done a pretty damn good job with Ai. Yes, even now that she's “so annoying”. Even now that she snaps and snarks and externalizes her emotions in a way that clearly doesn't appeal to everyone. Because that, too, can be what it looks like when someone starts taking their life back piece by piece: their personality, if carefully repressed in the past, begins to unfurl. And it's not always one-hundred percent pleasant, but honestly? I wouldn't expect it to be, especially not from someone like Shiho, and especially considering that yes, she's beginning to heal, but it's not a monitored process. She isn't actively being helped nor taught about ways to manage her trauma, and it's amazing that she's made so much progress on her own. It's amazing that she wants to live now (most days).

And it's going to get better. It's going to get better, and she's going to be there for it.

[haylessa]

she didn't even try lmao

[interdimensionalpancakes]

file 383 | random coai moments i love (1/?)

[phreaticlayer]

they should be at the club

[sfaira]

Six years late, but apparently that is what was needed so I could not fail miserably at trying to draw everyone's favourite Detroit machine I am obsessed, spent his week reading fanfics and watching various clips but still, as I'm a person of one fanart per character I think you shouldn't expect more Connor xD A shame really, cause it seems I'm just starting to learn how to draw him but I don't want to get my own hopes up. Anyways, I'm free now, I contributed to the fandom after all these years.

[glitzglamgunpowder-if]

Do you have a physical description for the ROs?

Hello anon!! I'll probably add additional details later, but I used some pictures to try and convey the overall vision I have for everyone (these aren't their canon FCs or anything I couldn't find a one-to-one ratio for all of them based on their given descriptions). I don't have official visuals with them just yet because I want to avoid making AI portraits, and I haven't found a Picrew with the more gritty/realistic style I want also I can't draw but hopefully someday I can commission artists to help out!

ALSO, I'm aware some of these hairstyles are not historically accurate. I also know that beauty standards have changed over the years so what was attractive then isn't necessarily attractive now. Since this takes place in an alternate universe, my explanation is going to be that the "traditional hairstyles" of the time are for more formal/official settings, but they have their own preferences for how they like to wear their hair in their free time (like a stylized modern interpretation similar to what Bridgerton does).

Alistair/Alice Delacroix - THE RIVAL

French/Irish; Average Height (Alistair is 5'10 and Alice is 5'5); Somewhat Muscular; Ivory Skin Tone; Shoulder-Length Wavy Blonde Hair; Blue Green Eyes; One-Sided Dimple on Right; Sharp Jawline; Scar over Left Eyebrow

Samuel/Samantha "Sam" Kaminski - THE BOSS

Jewish and Black; Tall (Samuel is 6' and Samantha is 5'7); Muscular; Deep Brown Skin Tone; Textured Black Hair; Deep Brown Eyes though there have been rumors they glow red at night; Sharp Eyebrows; Adorn Themselves with a lot of Accessories/Jewelry

Hendrik/Helena Rietveld - THE BODYGUARD

Guyanese; Above Average Height (Hendrik is 5'9 and Helena is 5'6); Muscular and Toned Body; Sunkissed Skin Tone; Curly Dark Brown Hair; Amber Eyes; Traditional Tattoo that Travels from One Arm All the Way to Back

Jesse Lê - THE FRIEND DETECTIVE

Vietnamese; Above Average Height (5'8); Fit Body; Light Tan Skin Tone; Slightly Wavy Long Black Hair Typically Tied Back; Dark Eyes (Practically Black); Wears an Eyepatch over Right Eye

[purenguyening]

There something that really gets to me about this moment in this particular Conan case. Ai, who is normally written off as cold and calculating, uses her knowledge to comfort and reassure Maria about her Osaka dialect. Especially, when prior cases up to this point, the whole family of Kansai dialects, but especially Osaka's variant is played off as "improper" Japanese for a quick joke.

This delights me so much as both an Ai fan and as a linguist who loves and adores all regional variants from the bottom of my heart.

[startswith0]

Conan : *is late

Haibara : a murder happened, innit

Shinichi is not going to be the dad that left to buy milk. He's gonna be the dad that left to solve murders

[lucreciaart]

Sisters 🌅

[cfserkgk]

I can't seem to draw nowadays so here's some low quality screenshot redraws of male Haibara (whom I think about more than I should).

Also anybody agrees with me that early Haibara was so so so cool, like the hospital scene with the roses? We need more Haibara love.

[bastionbibi]

She ALWAYS hides behind him it's pretty fucking cute imo. And Shinichi's already used to it, just expecting her to hide and shields her no question asks.

I know that it's pretty much a given, he's the only one she can trust, but that wasn't always the case, right? I love how it's an established dynamic between them now.

Especially in the later chapters, when she kept getting haunted and he just JUMPS IN, feeling just as protective, seeing that she was almost killed a couple of times already and despite not saying it, wouldn't that give any man some level of anxiety??

Shiho just expects Shinichi to be the literal shield between her against the world. But isn't it ironic that at the same time, if her shield is threatened, she's even willing to give her life to protect him?

Two sides of the same coin.