#i also simply realized i cant focus on one big plot and just work on that all the time

[lavenoon]

Seven Minutes and Ever After, Reverse AU Drabble, ~3.7 Words

Working with Dawn has its up and downsides. Today you're being reminded of the latter - especially when he ditches you in the middle of your escape to go hang out in a janitor's closet. Best to figure out what that's all about, then.

Reverse AU drabble based on a funny little thought I had that of course entirely got away from me. Not canon to the reverse timeline

[bridgyrose]

I don’t really need all those plot threads to be resolved fully before the series ends, I just want them to be acknowledge as more complex then something where people just need to “get along” I also would like to at least be shown that those issues are being left in capable hands, with Robyn I at least know mantle is but in the case of the Faunus with ghira in charge I’m not as hopeful

Here's the thing... that's probably not going to happen until the end. Simply saying "the people get along, Salem is defeated, the world is fixed," isnt exactly the end that's going to happen. But the thing is, these threads, these subplots, arent going to be the end goal of the story either. And the thing is, those issues being worked on probably isnt going to happen for a lot of them.

For instance, the SDC thread. That one isnt going to be something that's worked on until probably the end at this point. Atlas, the main kingdom the SDC is part of, is gone. Communications for the kingdoms are gone. As far as we know, the SDC as we know it is gone at this point and if its not, Whitley would be the one in charge at this point. So working on that... isnt exactly feasible.

And to continue, the divide between Atlas and Mantle will be worked on coming to Vacuo because they're going to be there. But even at that, its more going to be a focus on trying to get them to get along and things arent going to go well with Vacuo in the mix.

The systemic issues with racism, slavery, ect: that stuff we'll probably not see worked on completely until the end. Here's the thing, we'll see that things have started to be worked on with Ghira's group, but at this point, we're not going to see much until later.

Those are the main subplots I keep seeing people bring up and the thing is... this isnt an easy fix. But we'll have to wait to see a lot of what's been going on since a lot of these plot threads are going to be on the back burner. Atlas is destroyed, Vacuo is falling apart, Mistral is a cesspool with issues regarding its crime, and Vale has issues in backrooms with mafia crime and corrupt officials. If, and this is a big if, we see anything worked on before the end of the series, its more than likely going to be within the last volume. We're at a point in the story where seeing a lot of these subplots being worked on isnt going to happen.

If you're more focused on the subplots and seeing progress because you think the ending is just going to be "everything is magically better", you're focusing on the wrong part of the story. And that's the thing, these threads are being acknowledged. But right now, their at a point of recognizing that their world is more broken than they realized, that their goal to unite people is going to be much harder than they expected. Things will get brought up, but more than likely not yet. Especially for the bigger issues that cant be worked on with the world collapsing.

[papers4me]

Fruits Basket Manga Review , ch 109

-The Tragedy of a an episodic format attempting to connect narrative in a series: (Tohru’s Background or Kyo’s Focus?)

One of my issues with se03, ep6 (other than it being 3 chapters combined horribly with new material added for shock value) is that it was weakly undecided who would be the focus? who would the narrative follow?: Is it tohru’s own pov abt herself? is it the gramps giving boring exposition abt tohru over weak still images of flashbacks or is kyo thinking abt tohru’s pain?

The truth is, it was all the above in the manga, but the manga gave each a chapter focus so that the chapter is well-directed with focused narrative. The anime weakly jumbled the 3 chapters together as they always do. You mix chapters & tada~ you got an ep, you only need a broad weak theme that connects the dots! here: it is tohru! & that’s it. As long as the 3 chapters discuss tohru in any form & manner, nothing will seem off if we put them next to each other in a 20 minute ep! right? riiiiiight ????

.. this was never a correct way. Just like a chapter needed a narrative direction, the ep is the same!!

ch 107: The beginning of tohru’s pov on her realization abt loving kyo.

ch108: tohru’s full pov of shock upon reaching the conclusion that she loves him & the beginning of her mom’s issues & abandonment.

ch109: Kyo’s pov abt tohru’s pain & his involvement, guil & the sheet hug.

ch110: (completely cut from the anime!!!!!!!!!!!!!) Kyoru’s part: the aftermath of kyo & tohru crossing the line of being in the most vulnerable & intimate, building towards a more crushing impact of the climax. The stronger & more painful their love is, the more it will hurt. Also a yuchi buildup?!!!!

-so, you see each chapter has a direction i& a narrative it follows independently that is weaved together to make a connected tissue of the overall plot. The anime puts the 3 chapters next to each other & we are lost on who to follow? kyo or tohru or the gramps. That’s why it feels tohru is weak & her two chapters worth of pov is stolen from her cuz it cut or shortened to include the grandpa, kyo, isuzu, shigure & let’s not forget (kazuma, yuki & haru) at the beginning, the dramatic shock value addition & OP & ED. All these take valuable screen time. The ep shocks us by moving from tohru to kyo. One minute she’s crying with him on the streets, next he’s at the grave & she’s visiting isuzu.

Kyo said he isn't going to the grave in the ep, upon seeing him actually going, I just assumed he wanted to avoid, hana, cuz I’m so invested in his story that I remember sth happened in se1, ep 14.. ages ago, The anime didn’t even allow kyo to inner talk abt avoiding hana... In their weird mind, kyo only inner talks in dramatic situations..See the difference!

Not only the writer (a) reminds us why kyo avoided the grave visit, she also (b) seized the opportunity to shine lifht onto an issue that will be the center of kyo’s struggles: Running away!

The anime introduce this in kyo’s pov only when kyo confronts tohru. Only when it was needed & couldnt be avoided. This is sth that will be the core of all the climax & the aftermath as well! Kyo running away.. How bad are you if you avoid inserting one line only that can be said in few seconds & establish great deal & foreshadow plenty!!!!!!!!!! I can’t for the life of my understand why short lines are cut from kyo when in the anime they have him be standing silent in the graveyard. Like slap the line above the silent scene!!!!! But doing so means the anime team understands tohru & kyo’s issues. They don’t. Not the slightest.

-Ep 6 signals the beginning of the anime moving from episodic format of se1, 2 & 5 eps of se3 & entering a connect plot. The anime doesn’t know how to do that & screwed tohru in the process. The protagonist’s main issues are one ep worth only. The antagonist main issues are one ep only (ep7).  Ep 6, was treated as a stand alone ep (minus the inserted shock scene to create a lingering issue that needs a following ep to explain. TOLD YOU they don’t know how to make a series!). Thus the following ep 7 is akito’s focus. Everything that was established in ep 6 was pit on hold until akito reaches the craziest mindset for the climax. See why ep 6 was so bad? it is Should NOT be a stand alone ep.

-The plot connects kyoru emotional & physically: (Kyo’s chapter with a tohru’s focus:

Unlike the anime, the chapter knows what it’s presenting 7 where it’s going. Kyo’s issues. This ch focuses on him uncovering parts of his past as it connects with tohru’s. Unlike the anime, we know why kyo's connection to kyoko’s past. The anime is hiding this for the climax, no problem, it can still work both ways. However, hiding kyoko /kyo connection doesn't necessarily mean hiding kyoko/tohru connection. But the anime is cutting this to milk it in an ova or series next year~ no problem,  it can still work if you handle this ep’s  flashback better. for all the artistic creativity they inserted in the added scene, they failed miserably in tohru’s flashback portion. how?

By choosing a frontal pov shot in tohru’s grandpa flashback as if the audience are the ones who abandoned tohru or opening the door to find her alone. it does NOT work at all. why? the audience are encouraged to be like tohru since ep 1 as tohru is the mother, angel, fixer & endearing hopeful girl. The audience will NEVER abandon tohru, that’s why tohru’s story felt disconnected & weak in the anime. Not knowing what kyoko did, who would abandon such child?! differently not us. so why use the frontal pov shot? -_-’

-tohru confesses her pain to kyo without being ushered by isuzu, without any outside factor. She simply visited the grave & came home. hiding her pain. once again. like she always do. One question by kyo, prompts her to “ complain a little” call back to se1, ep5 as he advised. we see tohru get out of her shell little by little. NOT SCREAM OR SLAP. She opened up. why? cuz the story is abt “ opening the lid” not abt “ snatching the lid”. No need for shocks. Yuki opened his lide slowly, tohru even slower, kyo is resisting opening his altho it is cracking in this chapter. When your story focuses on character buildup it pays!

-I’ll give the anime credit when it due. The hug scene is so good both in manga & anime. but so awesome in animation, colors, music & voice acting. It’s breathtaking & painful. The most beautiful kyoru scene in the whole anime.

-It represents their mutual vulnerability, understanding, pain & determination to love the other but not also let go. kyo has made his mind to be locked in order not to hurt tohru & tohru has made her mind that she can’t let go of her mom.

You see, the scene’s meaning hits different between manga & anime; In the anime: tohru has already challenged the sohmas & screamed to be with kyo, while kyo is still decided to leave her. In the manga: they’re both at the same spot (undecided). I like both interpretations but I’ll choose the manga’s version. Simply cuz it means tohru is still uncovering her issues which means more focus on her, & more explanation of why cant tohru love her mom & kyo at the same time.

-This expression on tohru’s face is a the complete opposite of the shock value expression in ep 6! T_T. I do’nt even hate the shocked scene addition itself that much, I just think (a) this is NOT its time! Tohru deserved better spotlight! (b) kyo didn’t friggen forget! ah! THIS I HATE! (c) the whole shocked scene was so wasted in ep 7. tohru return to her stupid dumb lalala~ land, cooking & forgetting kyo. what growth? what determination & screams to isuzu? what enduring kagura’s slaps? nope! just happy & cooking, lalala~ no one was freaking over her mom’s picture~ lalala~ & kyo just slept it over~ shhhh... its okay. he’ll forget again... see? totally wasted!

The anime knows nothing abt connected narrative! augh!

Side Notes:

We see kyo asking the gramps why he’s offering him info abt tohru which is so logical! XD. I love it.

I’ve read ch 110 & wanted to insert the kyoru scene in ch 110 here, & put yuchi alone in a different post, then I realized I’ll need to talk abt it again once I analyze yuki’s own expressions! XD. so, I’ll put all ch 110 together in one post. It kinda half written by now, so I’ll publish it very soon in two days time. I didn’t read ch 111 yet tho.

I hope ch 110 is the last I feel this much disappointments in furuba’s anime & by ch 11, it hopefully be be minor changes altho I doubt that cuz the manga needed to dwell into tohru’s mindset & the anime kinda stopped after ep 6. so, yup! more big changes coming!

The sheet hug is so brilliant in theory & application! so romantic & so endearing! love it so much! The anime did it so well, too!

I love kyo’s narration & pov cuz it’s so refreshing change from the anime where he rarely does!

I really wish they kept the kyoko abandoning tohru part in the anime... sigh~ it has nothing much to affect her story with katsuya. so it won’t ruin the spin off/ ova or whatever it’s called. 

I love the light focus on tohru in this chapter & how organic & natural it is opposed to how forced the plot seems in the anime....

[xenosagaepisodeone]

ok 3.0+1.0 longpost -_-

it’s difficult for me to describe how I feel about 3.0+1.0 as a film because it’s artistic vision is just a 25 year cultivated response to the otaku fixation on nge. this film hardly feels like it can stand on it’s own feet as a coherent story -- it’s constantly introducing and reinterpreting symbols, contexts and concepts in order to lay down some kind of grounded world while also wanting to be evocative of the freeform flow of feelings occurring in EoE/Ep25/26. if this movie was it’s own thing and just living in the shadow of it’s predecessor, I could probably live with it and maybe even say that I liked it, but it’s flip flopping on if it wants the metanarrative to drive the story or if it wants to erect a new mythology of Eva altogether completely squanders maximizing the potential of doing either. what were left with is a very cowardly iteration of the message at the end of nge -- “human connections are important, even if they can be painful” becomes “ if we show you what you wanted to see for the past nearly 30 years, will you grow up now?”

"Defeated" feels like how I would describe the ethos of this film.

reiQ’s farmer adventures were cute, but in a way that felt bittersweet- because this character is not actually rei. not simply because she is not ayanami, but because she carries no actual development from her previous iterations like the other characters of rebuild. reiQ answers the question of “what if rei was actually as moe as she looks in official art” but forgets to pull the rug out from beneath you to unveil the depths of her turmoil. while Ayanami would say “I am not your doll to control”, reiQ has almost every aspect of her character dictated to her by other people - and this is depicted as fulfilling and human (because Anno wants you to get a job and have kids). not even her name is her choice. her sudden death only exists to serve as a motivator for shinji. I wanted to believe that this was some commentary on how a relationship without pain and loss cant exist, but it seems unlikely as rei (1, 2, 3, Q, Ayanami, lilith, etc) does not have an arc in this film. also the TV production quality of the village segment made it feel like I was watching a 12 episode sol as opposed to an actual film.

funnily enough, my feeling towards reiQ made me feel retroactive distaste towards 1.0 and 2.22. I’ve never thought rebuild was good, that much has never been a secret. 1.0 and 2.22 however carried enough over from the original series that it felt like the original characters were picking themselves up and getting better. I was happy seeing asuka, who had previously spent 26 episodes and a movie being miserable, open herself up to happiness. I was happy seeing rei connect more with shinji. even if the characters had to become simplified versions of themselves to find their own peace, it didnt feel thatbad. I didn’t realize until 3.0 came out how little this tetralogy had to it beyond puppeteering iconography and hoping that fans find meaning in it. 3.0 and 3.0+1.0 carried the same conviction of 1.0 and 2.22 of showing you characters you like doing things you wished they did, but with the support of the original series environment withering away to unveil half baked ideas, convoluted plots and meaningless regurgitation of every meaningful image this series has produced. seeing rei stripped even farther than her bare bones as reiQ put into focus what I thought I appreciated about 1.0 and 2.22.

there were a few times throughout this movie where I was trying to figure out what it was that anno was trying to say. as stated in my op paragraph, the film does carry it’s own simplified message about how important it is to grow up and face the real world, but this message largely betrays the framing. its cowardly. the pain that shinji experience does not come from the Other anymore, it is all self inflicted. learning to endure hardship simply became a matter of overcoming your own feelings, because now everyone else in your life effortlessly accepts you. there are 3 girls with who dont have any problems anymore and a solarpunk empire that would be all over you if you simply stood on your own two feet. there is no asuka experiencing hedgehog dilemma with shinji, there’s only asuka who exists so shinji can learn how to confess to a girl. there is no misato constantly subjecting shinji to a interplay of projecting her issues onto him and attempting to mother him (with varying degrees of success), there’s just shinjis step mom who accepts that she is responsible for him (which feels GREAT to see but feels bad when you think about what it sacrificed to get there). for a guy whose complicated relationship with otaku culture has bled into his work, you would think that idealistic fantasy of the real world wouldnt be the crutch of the delivering his message. when I say that “defeated” is the ethos of this film, I mean that it is so lacking in purpose compared to its predecessors that it wears itself thin trying to superficially have something for every conceivable audience while throwing out the meat of why people liked those things in the first point.

I was surprised to see that it was gendo who survived as the most introspective part of the film. i’m conflicted towards how I feel about a gendo redemption arc, but I feel as if his instrumentality sequence itself was decently shot (I hate having to compare it to ep 25/26 but it lacks the artistic flare for such a big budget film) and very well articulated. there’s a beautiful story in here about realizing your parents are people and parents realizing the responsibility they owe to their children, but I wish it could have been explored in a different film where characters are less held back by their established canon. honestly watching this whole sequence made me wonder if anno is still friendly with goro miyazaki LMAO

I was largely uninterested in the fight scenes, I think the only one that genuinely made me feel something was the one towards the end where asuka turns into an angel. the poor fight choreography coupled with weird shot composition and the overbearing usage of cg makes fight sequences overbearing and kind of difficult to decipher. cg fights are largely 1 eva vs a swarm of enemies that take up the screen, all of them having the same line weight which just ends up making all parties involved look like a mesh of colors. there arent real stakes for the most part either, asuka and mari tear through waves of enemies with effortless precision accuracy in a way that isnt visually or technically impressive.

believe it or not, I don’t actually dislike Mari. Mari enacts what Anno sought to do with the Rebuilds -- to destroy Evangelion. Mari (literally!) falls out of the sky into the story and is not gripped by the pain of the hedgehog’s dilemma as she exhibits her adoration for most things. her romance with shinji is intentionally analogous to how anno perceives his relationship with his wife -- that she saved him by encouraging him to live in the real world. the actual, textual ridiculousness in her character is softened when you realize that she’s just another component of his 4 movie long exhibition of telling everyone his life is better now that he’s successful and has a hot and talented wife.

is it worth complaining about all the crotch or ass shots. i think we all feel the same way about it. anyway i have more thoughts but these are my loose ones.

[seijch]

ANNOUNCEMENT: NOT A HELLO, BUT NOT A GOODBYE EITHER

omg hi ... im like . ashamed to come back after saying brief hiatus in october and then disappearing off the face of the earth til FEBRUARY but under the cut i will be explaining myself and the following, if youre interested (and a tl;dr at the very bottom if you don’t wanna scroll thru this obnoxiously long post):

the reason(s) i was gone for so long

what i was doing during that time (its just a personal account yall can scroll past this idrc)

the status of those um . halloween requests

the future of this account

i. so . Hiatus .

i know. i know . i probably mentioned it when i made the announcement post, but my mental health likes to go on one of those rides. yknow the ones where you go like up rlly fast then down maybe and then up then DOWN .... its like that. i needed a break and every time i wanted to come back or thought about it, something would happen and i would get stuck in my own head.

a big reason for getting stuck in my head was (and i hate to admit this ... i hate to admit that i have Insecurities On The Internet) my feelings of inadequacy regarding my writing. i love to plot fics, i love concepts and characters and making little headcanons but i dont ... know if i love writing rn. and i thought for the longest time that like . whatever ill just push thru it its fine ill be fine but it kinda wasnt lmao you can kinda see it in my halloween reqs and what become of them when i get to that but i began to feel like nothing i had put out or would put out would hold up prose wise (and normally i dont feel like this im much more “idc its my life im living it” but thats not a rant for tumblr LMAO). i still feel like that -- like im better as a reader than a writer. but . You Know :-)

tl;dr: mental state go brrrrr

ii. anywhere here’s wonderwall

when i left, i was in a steadily decreasing mental and emotional state, made worse by a situation at work that really was a case of petty jealousy on my end and rlly isnt very consequential now despite how much pain and resentment it gave me when it Was a problem so i wont get into it. the tl;dr of november and december was me using work as an crutch and distraction -- i know my job, i do it well, it helped me not think about my responsibilities and obligations and inadequacies. of course, as the holiday season grew busier n busier i was scheduled so often that i moved 88 or so miles (according to my apple watch, which i ONLY wear at work since im never anywhere else outside my house) and fell into a cycle of showering n sleeping at my house before going back the next day. (theres definitely something to be said abt capitalism and “grind culture” here but once again its not the time or place snsjkdfds)

at the turn of the new year, i happened to remember a birthday card i hadnt filed away for safekeeping from a friend of mine that id been horribly out of touch with til that point. i started crying because i realized how out of touch id been in general up until that point. the month of january was great for me: i was focused, happy, and in a much better place than i had been before. the end of it brought me down focus wise and im hoping that enough time away from my distractions will refocus me bc i ... need it LMAO and though ive burned out from that level of productivity and gotten distracted again im ... trying to stay positive which i think is the most i can do 😁👍🏼

media wise, i got real into stardew valley (but burned out bc i played it extensively as a way to wind down after work), the pokemon platinum romhack renegade platinum (still havent finished it bc of school n i played it w the intent to see if i could nuzlocke it ... bitch its so hard but its so fun bc of it), briefly assassins creed: odyssey (im one of those ppl who completes an entire region before i move to the next so you can tell i burned out of that one + wouldnt have the time to properly devote to it even if i didnt), got back into genshin impact after pulling for xiao (after not touching it for like . months), and danganronpa. yes . danganronpa 😐 i Know. i stopped playing it after the second trial of the first game bc i was so hurt by the outcome and picked it up in late january only to get sucked in (thank god i had the foresight to buy the second and third games during the steam winter sale). rn im at the start of chapter 4 if anyone wants to come in my asks and um . talk to me abt danganronpa

tl;dr: I’m Into Danganronpa Now

iii. you realize halloween was three months ago right

i mentioned this in the first section, but i love to plot things. every request is plotted or at least has a solid foundation. i had fun detailing what concept i wanted to go with considering what i was given, and there were some bangers i might touch up in the future. but heres whats going to happen to the requests themselves:

there are two finished requests. one will be posted tomorrow and the other will be touched up (just bc i finished it doesnt mean its good 🧍‍♂️) and scheduled for next saturday. as for the ones i never got around to ...

i will not be finishing those requests. i hate to be That Person, but i feel like we all expected this 🧍‍♂️ what i will do is post all of my notes for each request in batches -- requests that have an @ to go with them will be mentioned in the post proper, but anon asks will be pictured. (there are some asks that came from blogs who are now deactivated but i wrote down all the prompts and remember most of those askers so ill cross that bridge when i get there) there will most likely be an excerpt or two simply bc i think i mightve written a few plot points or interactions in the form of bullet points. i rlly am sorry about doing this but i remember looking at my notion doc with all the prompts and feeling ... like i wasnt measuring up n it wasnt just to myself or to some intangible concept of “other” id constructed but it was instead to those who requested n actually WANTED to see and hear and read my writing and i ...... im gonna admit thats another big reason i avoided this site.

regardless, youll definitely get what i have (and likely more than just my bullet points and illegible handwriting).

tl;dr: im sorry. what i have in terms of plot, concept, and interaction for every request will be posted, but i cant say ill ever complete them and mean it.

iv. so what now?

well i mean . im not entirely sure how sold i am on haikyuu in the content creation department (as a creator n to a lesser extent, as a consumer). as mentioned previously, its no longer my primary focus. it doesnt mean im not into haikyuu anymore; i have a lot of love for those boys but i cant rlly say im even caught up w recent fandom activity and also havent even finished s4 pt2 LMAO thats on my to do list

and despite all that, i still want to share my plots n concepts and snippets and maybe even fics. it wont happen anytime soon. it might not even happen. but i mean . its better than me saying i wont write ever again shjdkfs but either way ill probably use this blog as a personal blog w the occasional ask game for dialogue prompts (those are always so fun i love making up aus to fit like . the most mundane prompts)

as for my works (past and any potential future), ive opened an ao3 acc here n ill be editing n possibly expanding on my old works to post there. tumblr, to me, is The x reader hub, but i figure more x reader fics on ao3 is never a bad thing.

ill be deleting/posting drafted posts to the queue since they were all meant to be queued anyway as well as (sorry again 🧍‍♂️) deleting or answering asks in the inbox. (moots if you get a notif from me saying i rbed your post from months ago ... mind your business) im very hard to get ahold of and its ... a problem. expect an overhaul of the nav n shit to reflect my new direction n also because i feel like i cant tell if my passion for carrd is shared by the majority HSDKLFS maybe its better to read my info in a normal post ykwim .......

and of course . if youve read all this n decided im no longer worth the follow, i sure as hell cant stop you. thank you for wanting to, at some point, hear what i have to say -- it means more than you think.

tl;dr: writing will be edited and reposted to ao3, this blog will be a personal blog with a hint of writing (sometimes)

the tl;dr to end all tl;drs:

im back! i wont be as active as i used to due to a lessened interest in haikyuu in general, but i have an ao3 acc now where all my past work will be edited, possibly expanded, and reposted. any future work will also find itself there. my halloween requests will be posted in batches as incomplete concepts, plots, and snippets of scenes; i wont be promising to finish any of them.

there are still fic concepts im attached to and want to finish, but i cant promise any more writing on my end. this blog will be a personal blog with maybe writing, not a writing blog with my personal thoughts all over it.

regardless if you stick around or not, its been crazy sexy cool (equal emphasis) being on haikyuu tumblr even tho i wasnt around for long ... even tho its not my main focus anymore, im still excited to see what the future might hold 🤝

love, ari 💌

[starrspice]

Rose Quartz isn't a villain

Unpopular opinion. But here we go

This is My personal two cents. This isn't ordered well its kind of all over the place.

WARNING. ITS REALLY LONG

A lot of people (especially since the movie) have been acting and bashing Rose Quartz/Pink Diamond and acting as though she's the cruelest villain in the universe.

And here's why I don't think she is the ANTAGONIST (a person who actively opposes someone or something)

And furthermore why she falls in line as a VILLAIN ( a character whose evil actions or motives are important to the plot.)

As well as a HERO (a person who is admired or idealized for courage, outstanding achievements, or noble qualities)

Let's start with her thought process and behavior.

A big thing I see is people saying "HER ABUSE DOESNT JUSTIFY WHAT SHE DID SHES STILL A MONSTER" and it's true. Abuse doesn't justify terrible behavior but it does to some degree explain it. Pink diamond was abused by the other diamonds.

She was constantly punished for acting out, which she did not only for attention from the other diamonds (as she seemed to be left alone quite often ) but also to make them happy (which indicates that they usually are not) and bring the family together. Not only did she act out, but when punished, she was forced to say she's sorry and that she was wrong, for simply trying to make her family happy and feel less miserable herself.

Pink was basically trained to follow homeworlds rules and not to question anything. And was forced to live a life she hated.

Yes. A lot of what Pink did and HOW she acted is due to how she was raised by the diamonds.

Diamonds are taught that THEY are the leaders. All gems and other life forms are lower than they are. And while Pink did, in fact, realize that killing the planets was wrong that may very well be all she realized. Gems weren't made to fuse with other gems, or to rebel, or to find their own path in life. All of those were things introduced by the rebels. The only reason the diamonds are getting closer to behaving and thinking better than they used to is that they had GUIDANCE. Steven helped show them a better right and wrong. He's helped them work to become better people for 2 years. And one may argue that pink/rose had thousands of years AWAY from. her abusers to become better. But the big thing she didn't have was guidance. She didn't have anyone tell her that those things weren't ok. The gems couldn't tell her that because everything they were doing is new to them. They grew and developed as people but couldn't possibly understand a stronger sense of right and wrong since it had never been questioned before and they'd never been told anything except for "Diamonds know best so we never question them" if you listen to Rose's song love like you she REALIZES SHE WAS TERRIBLE but only because she finally had someone to show her how her way thinking was resulting in terrible behavior and causing problems. "I always thought I might be bad now I'm sure that it's true, 'cus I think you're so good and I'm nothing like you. " GREG WAS HER GUIDANCE but she realized that even if she tried to be a better person. Shell always has a bit of her old self. And she may very well think That's holding her back. But she knew that steven, someone surrounded by people better than she ever could be. And by a strong loving father to guide him and make him kind and considerate and the amazing steven we know and love.

I know a lot of friends who have dealt with abuse. And they go on to behave all kinds if different ways. But this show depicts 2 very different ways people can behave after a childhood of abuse. Pink ran off and made her own life, but didn't necessarily become better. She continued living as she had, not knowing her behavior was wrong because she had never seen anything else or been told that it was wrong. She acted how she was taught to act by homeworld, and as for the rebels, no one recognized how bad it was because they lived the exact same way. They were stuck and had trouble growing as people because they didn't know how to grow. Steven taught them. That's why pearl lives for herself now instead of rose. How Amethyst takes pride and lives with the support of her friends and family boosting her up. He taught garnet that it's ok to not know everything, and sometimes you just have to focus on what you can change rather than what you cant. He taught them that fighting doesn't always fix the problem. Pink didn't have a steven until she realized how much she truly loved Greg. How he was different from other humans because he taught her and was willing to overlook the mistakes of her past so he could help her future. Only at the end of her life did she learn that she was wrong, and selfish, and not a good person. The diamonds acted JUST like this. They all dealt with Whites abuse. And realized. They behaved wrongly. Steven showed them that. They had guidance. Yes. Some people can realize the fault in their behavior on their own. But some cant. The diamonds needed guidance to take steps towards being better. And they're still struggling to learn. But they have someone to help them. So they're trying to fix their mistakes. So yes. Pink diamond was a bad person. And she did a lot of what she did not only because of the abuse. But because of how she was taught to think. This is not to void her of fault or to excuse the things she did. But I feel like it's unfair to call her evil and cruel and heartless. EVERY SINGLE VILLAIN in steven universe has had some layer of depth of deeper reasoning for what they did. And even if you consider pink to be the real villain. The same goes for her. Evil is not inherent, just like all terrible thoughts and behavior patterns. Like racism isn't inherent, or bias or prejudice. These are behavioral traits that are TAUGHT. If a killer raises a child. That child may not think killing is wrong. Pink was raised where she was an important person who had a right to everything she wanted and her desires took priority. Once something didn't serve a purpose she was expected to get rid of it. And gems were treated like objects. They were used for walls, decorative statues. Even aquamarine said topaz was of no use to her. And was prepared to get rid of her. we know this is wrong but they don't. Not all of them anyway. Even the off colors thought they were in the wrong for being themselves. It's not as if she did all of this because she wanted to hurt those around her. She did everything how she did because she was taught to think that way or behave that way. We become the people we are through nature AND nurture. But one can have more sway on someone depending on their upbringing. Abd abusive upbringing like pink endured is bound to drill homeworlds ideals into her head that much more. Especially since she tried to go against the grain and was punished constantly for trying to save things and be better.

And a lot of complaints I see is that "if she tried to explain her feelings to the diamonds none of this would happen" but everyone seems to forget. SHE DID TRY. In the episode where ruby and sapphire split and pearl explains everything she shows that pink diamond DID try. But was scolded for it. And was ignored. Just like how white ignored blue and yellow. She used all her authority but it meant nothing. She felt trapped and took an out. She tried to make a change. It started a spark that leads to a rebellion. Gems thinking for themselves. Being themselves. She did do good things. She tried to leave as much good as she had. But she didn't really know good and bad. She is still responsible for her failures and actions. But it's so so SO wrong to just slap a label on her calling her pure evil like she WANTED to do all that damage. Its the same as calling someone a hero despite any terrible things in their past that may have lead up to that. It's fine to classify her as an antagonist because yes. She caused problems for the main character and everyone around them. But it's not ok to ignore the meanings and cause behind it. We all knew pink/rose wasn’t A good person. But it's not ok to belittle her and act like her suffering and upbringing played no part.

It just upsets me when people ignore the history of someone. And I repeat THAT DOESN’T EXCUSE HER ACTIONS but that doesn't mean its ok to label someone based on their mistakes. No. Rose isn't a good person. She didn't know how to be. But that doesn't mean shes a cruel villainess. It means she was hurt early on and never fully recovered.

People who come from abuse can rise higher than their oast and tey to be better. And sometimes they can get stuck in their past and never learn from it. But that doesn't mean it's from a lack of wanting to be better. They may just not know-how.

This explains pinks behavior. And why she isn't an ANTAGONIST. She wasn't ACTIVELY trying to harm anyone or ruin anything. She even REFUSED TO SHATTER GEMS. She had a semblance of right and wrong and what was too far, but that's as far as it went. Additionally, by the time the show takes place, Pink is gone and can no longer actively do anything against steven or the crystal gems.

So. My thoughts on Pink/Rose

Not a good person and not justified in her actions, but came off the bedside of an abusive childhood and was never taught better. Just because she's done a lot of bad things doesn't mean bashing her is ok. Try and think of it like real life. Not everyone becomes better after abuse. And not everyone has the influences and tools needed to become better after abuse. We learn right and wrong from the people around us, so what if no one around us knows proper right and wrong?

Not looking to argue and you can reply with your thoughts if you want. But that doesn't really mean ill respond (im sure ill be flooded with people telling me why I'm wrong lol)

I would go on but I feel like this is too long already

[neo-shitty]

toffee!

ah yeah i suppose ur right. yeah i think quarentine has had that sort of effect on a lot of people :( sorry to hear abt ur strict parents, hopefully ur friend will be able to come back soon. small outings (even with family) are still good tho, make sure ur taking care of urself toff.

youre totally right! ah yes thats good advice (/gen) ill try and use that when im in a slump ty. any music suggestions?

lol sames. even some of the stuff abt seungmin, innie etc is a little uncomfortable, like theyre grown ass men for sure, but at the same time, theyre still young, still just over being a teenager in the grand scheme of things. (on that note, i do struggle with worrying that im infantalising them, obviously theyre adults but at the same time, theyre still young. i do treat all fictional characters as my children, but i guess its different when its real people. idk. what do you think?) yeah some stans rlly need to take a chill pill, some are rlly walking the wire between 'ah theyre attractive/that look rlly suits them' and making fucking smut fics abt minors, like... they do not see a problem with that?? yeah tbh i feel like unless theyre 18 they shouldnt be put into the spotlight, weve seen what it does to peoples mental health, but modern day kpop industry is a lot like old hollywood with a lot of popular child actors -_- hopefully the big companies will learn but i agree, its unlikely

suuuuure toff haha. ill go searching for them, but idk if ill be able to find the fluff needle in the angst haystack (jkjk) yeah, fair i groan and complain but you do write angst etc rlly well, so if its what ur comfortable with, then pls continue, it is one of your strong suits, well as you write fluff aside

ah okay good! ill continue to send you essays then

THE ALBUM YES. so ive been looking forward to it for literally months, this is actually my first skz album release as a stay (since the last on was 9 months ago) i was sitting there hitting refresh on my spotify the second 6pm kst came around. (speaking of which, how did you do the release? i couldnt decide whether to watch or listen first but i ended up on listening cos there would be more material) okay: so cheese was super cool, very skz ya know? tho i almost wish theyd made domino the title track, tho obv it was a more experimental track and would have been a bit controversial (much like whistle for bp) i looooved domino and thunderous was absolutely impeccable. all the songs were amazing but standouts were- secrets, secrets which lowkey made me tear up idk why, red lights which almost killed me (it did not have to go that hard, but it did) and OT8 WOLFGANG omgggg i wasnt sure if hyunjin was going to be included in it but i was hoping and, ya know people had said hed be in there, but the further i got in, the less i was sure and then BAM hyunjin started what had been jisung's part and i just sat there grinning for about 5 minutes. surfin was absolutely adorable and gone away almost made me cry AGAIN. star lost was so touching, almost a nod to hyunjins little star? silent cry was relatable beyond anything. SSICK was funny? for some reason I was laughing while it was playing, idk the combination of added cheering and minhos aggressiveness and the totall seriousness they sung it. but i rlly enjoyed it. sorry i love you showcased their vocals like nothing else. the view is THE BOP of 2021, absolutely going to be stuck in my head for the next decade, that hook is genius. what did you think?

also did you watch their grow up performance? with all the stays and ALL THE TEARS? ;n; i feel like this is the end of an era of skz and tbh im kinda happy but also sad. super excited for their promotions but super bummed they wont get to tour. ah well

<3 w.a. 🐺

answer under the cut bc i gave an equally long answer to this already long ask HAJSH

oh yeah, abt quarantine having an effect. my friend and i talked about this earlier actually. i didn't realize the world was moving so fast until the pandemic happened. being in quarantine gave me time to think and i got to know myself more. it's just the sole good thing i got out of the isolation lmao. and abt my strict parents, ironically i got to go out today so i got to hang out with a few of my bestfriends. i had fun but my legs are a bit sore from walking. but they're a different set of friends. i'll get to hang out with the others when my getaway driver comes home in december.

hmm music recommendations for writing? depends on the plot you're writing. care to share what story you're working on and i'll try to rake my brain for a song that might match the vibe. i listen to classical / lo-fi if i don't have song inspo for a fic because lyrics sometimes distract me.

i don't think that's infantilizing tho. for me, it has something to do with my environment and the way i was raised. maybe it's the same the other way around? like this certain age (for the ones above 18 but below 20) is thirst-able for them. idk really. it's just not for me ?n? what i do NOT condone is writing smut for minors??? like get checked : D // i agree with everything with the idols being 18+ before they debut simply because it's for the best for their well-being like. how can young idols decide that this shit is the thing they want to do for life? or at least until their contracts last. idk :// it's unfortunate that it's unlikely to happen.

WELL. i have a list so you won't have to go search for them! in class (minho), in the rain (seungmin), gladius maximus (chan) and you've read five star already. and i just realized that most, if not all, of my upcoming fics are fluffs and i'm fond of all of them :D i used to focus a lot on angst because fluff disgusted the living shit out of me. i think things changed when i wrote champagne problems and hurt myself so bad i wanted to drop angst entirely. i didn't, of course, but i allowed myself to be self-indulgent now.

for the release of the album, i was on twt and watched the vid at 12 views (if i remember correctly, i watched back door at 14 so HASJH) i’m gonna talk by track so it wont be too confusing? bc i wrote this in paragraph format and it just ???? beware im very picky with tracks even if they’re my ults. so no offense if we have opposing opinions and i’m not fond of reading lyrics so these are all music wise.

cheese - oh god i hated cheese at first listen but it grew on me easily. i was singing the yeahyeahyeahyeah bit all day today :D

thunderous - i cant say that it’s my favorite title track. it felt really dry sometimes, both mv and music wise. but at the same time, it’s not that bad. the choreography carried the song tho o.O it’s so fucking cool. but like go live, another track has my heart and it’s

domino - AND YES I AGREE THAT THEY SHOULDVE MADE DOMINO TITLE TRACK UGHHHHH WHAT A WASTED FUCKING OPPORTUNITY. WORDS CANNOT EXPRESS HOW FOND I AM OF THIS SONG. it stands close to the level i love easy.

ssick - was a skip on first listen too because i found the chorus underwhelming but it grew on me? not that much but i can bear listening to it.

the view - it’s something the gen public like, hence its something i dislike. im not fond of songs that are structured like this? it’s not a bad song, just not the type of song i like. but i agree that the hook is very not catchy but it would get stuck in ur head.

sorry, i love you - it’s not as sad as i expected but i actually like it??? i can’t wait to write a fic out of it (1) HAJSHAJ it’s like a 3/5 for me. it’s angsty but chill?

silent cry - i’m pissed at this song bc it hits but sometimes it doesn’t?@?#!? but it’s starting to grow on me but definitely not my fave track.

secret secret - glad i found a secret secret enthusiast because my irls thought it was a skip?$?#@$? it gives me ikon vibes and i’m a huge fan of ikon’s discog so this was a win for me T_T +

STAR LOST - gives me bigbang song vibes and now im very sad :(( in case u didnt know, i’m a hUGE yg fan and 2ne1/bigbang introduced me to kpop so when i heard this track that gave me yg feels i just <3___<3 and it’s one of my favorite tracks anw moving on,

red lights - I WANT TO SKIP THE FIRST TEN SECONDS OF RED LIGHTS EVERY TIME IT PLAYS LIKE IT MAKES ME FEEL AWKWARD KDSJFSK but fine. i’m adding this to props and mayhem’s playlist LMAO it’s more aggressive than sexc tho. more enemies to lovers o. O

surfin’ - this coming right after red lights just wasn’t the best decision arrangement wise because how did we go from ooh sexc to aigh pARTAY. felix saying sheesh T___T it’s such a fun song i want to go to the beach ;n; do you like beaches?

gone away - i have yet to read the lyrics because i’m using this as inspo for a jeongin fic jskjash it’s not the type of ballad i like but it’s so fucking sad to listen to :’ ) the pitch change caught me off guard? still does. it’ll grow on me prolly.

wolfgang - I YELLED WHEN I HEARD HYUNJIN IN WOLFGANG. i didn’t like this song until recently. it gives me the confidence boost i need to pick myself off self-esteem crashes.

and no i haven't watched that performance and i prolly wont because i’ll cry. i’m excited for the promotions too. do you think they’ll still have a repackage?? i cant fucking believe that i just finished waiting for 12am kst for skz teasers and now i have to look forward to 12am for nct 127??@?#? NOT A SINGLE DAY OF REST FOR THIS STAYZEN

[kingofthewilderwest]

hey haddock whats your take on why camicazi was cut from the movie? all this time i'd assumed it was bc that name is potentially controversial (kamikaze) and that astrid was intended to replace her role for the most part. the two characters are completely different however, i feel like the movie interpretations of the vikings have been molded a whole lot from books but otherwise do resemble their old selves to a degree (1/2)

however Astrid and Camicazi i cant really compare. i love them both a lot and they’re clearly intended to be counterparts but they’re so starkly different, the presence of camicazi isnt essentially there at all. have you given thought to why she was essentially totally written out of any movie interpretations? (2/2)

I do believe that the inspiration behind Astrid’s character was Camicazi. The writers started with Cami and then built Astrid. These two girls have a lot of common aspects... being fierce warrior blondes who become Hiccup’s closest companion and support and own dragons named Stormfly and things like that. So Astrid would have begun as Camicazi’s shadow when she was first conceptualized, and then grew into a three-dimensional, unique, rather different personality that has a lot to bring to the world of HTTYD.

I feel there are several understandable, logical reasons why Astrid diverged from Camicazi. I talk a little about Astrid’s personality morphing from Camicazi here, and also in a more general sense talk about how the HTTYD movies got derived from the first HTTYD book. In essence, I think these factors shape why Astrid was developed and Camicazi simultaneously disappeared:

Camicazi’s name. I agree with you that Camicazi’s name might have been intentionally unused because it could be uncomfortable to some audience members. It’s probably the same reason why Snotlout’s father got renamed “Spitelout” instead of the eyebrow-raising “Baggybum.”

The first movie takes place on Berk and Berk alone. Camicazi is a Bog-Burglar and a character that does not arrive until the third installment in the novels. Since the first movie takes place just on Berk, Camicazi would never appear. Therefore, the writers might have felt comfortable creating a character that evokes Camicazi’s spirit, but leave out the name, because technically she wouldn’t be there on Berk. Especially since they might not have known how far or in what directions the franchise would go, it makes sense to leave the unaltered Bog-Burglar character out of the picture where she technically doesn’t appear.

A strong female character was still needed for the movie. I think #3 is more of a definite factor than #2. The thing with having no Camicazi in the first movie means that there would be a void of strong female characters. HTTYD would have been a story of just boys. The writers would not have wanted that. They intentionally added girls to Hiccup’s dragon training class by giving Tuffnut, Jr. a twin and bringing in Camicazi/Astrid. The initial drafts of the movie might have had a character almost exactly like Camicazi or named Camicazi... essentially... someone meant to be, in one way or another, Camicazi. They probably initially transplanted Camicazi from the Bog-Burglars to the Hooligans. The writers regardless probably decided to insert a Camicazi-inspired character into the movie to give us gender representation. Maybe also they liked the idea of inserting in “Camicazi” early into the events of the first movie (back when they were only in the stages of planning/making one movie) because she’s so memorable in the stories and “should” be a part of their HTTYD movie adaptation.

When they upped the stakes to make HTTYD better suited for film, the role of the main female lead changed... and with it came the need to change her personality. The original drafts of the HTTYD movie were much closer to the first book by Cressida Cowell. However, as they developed the film, they probably realized the movie would be a lot better with changes. The thing with different storytelling media is that they have different strengths and weaknesses, and different types of stories tend to go better with each medium. The HTTYD books are cute, but the first book as it is is not strong movie material. The writers upped the stakes and action of the DreamWorks production to make it better suited for film. In the process, this meant making the Vikings at complete war with dragons, Toothless being rideable, and Hiccup’s dragon training being about fighting rather than training dragons. This also means that the roles of different characters got altered to adapt to this logical new direction.In order to demonstrate Hiccup’s conflict between wanting to be a proper Viking (like his dad and peers) and wanting to befriend Toothless, the writers adapted the main female personality. As mentioned in the filmmaker’s commentary, Astrid is intentionally created to represent the model Hairy Hooligan Viking. The fact Hiccup can change her mind to protect dragons instead of fighting them is a large deal because of what she represents and first believes. This means that, instead of a ridiculously adventurous, upbeat personality... they chose to alter the main female character into someone more serious and determined to fight dragons. Camicazi’s original role of a disguise artist adventurer would not fit in this new narrative structure, but a butt-kicking fighter like Astrid would deepen the narrative and create a more meaningful, powerful plot.

The focus on Hiccup and Stoick’s relationship meant cutting out book!Hiccup’s friendship circle. There’s another reason why Camicazi’s role in the books would not fit into the movies. In the books, Camicazi and Fishlegs are Hiccup’s circle of friends and support network. However, what the movie focuses on is the disjunct relationship between Hiccup and Stoick. Hiccup feels out of place in the books and wants to have a good relationship with his father; to emphasize this even more in a movie (which has very little time to gets its point across), the writers cut out Hiccup’s friendship circle. This helps us make Hiccup look more out of place and helps us understand why he’s so determined to take down a dragon. It helps us focus on the relationship between Hiccup and Stoick and feel the emotions behind it. If Hiccup had Camicazi and Fishlegs right there beside him, the impacting story of father and son, and of Hiccup’s struggling loyalties, would be less effective in the film form. So the main female lead could not start as Hiccup’s friend. She had to start as someone who didn’t believe in him and didn’t associate with him. Since Hiccup is bullied in the books by his peers, or at least looked upon askance... it makes sense that the newly-formed Astrid would be skeptical - even a little hostile - to Hiccup before they come together.

They decided to add the tropish romance. I’m not saying “tropish” in a negative form. I’m simply acknowledging that they chose to use the trope of “hero gets the girl” - they even say that outright at the end of the filmmaker’s commentary. Since Hiccup is now estranged from the main female character but still respects her abilities, it makes sense for him to idolize her romantically. Now their relationship develops in a romantic route as Hiccup learns who he is and that he is okay for his uniqueness. And the the ideal Hairy Hooligan character falls in love with that uniqueness. This again alters the main female character’s personality... you now are working with a story of “I-don’t-like-you” to “I-love-you.”

For the purpose of writing a movie instead of a book... for the purpose of the narrative focuses they needed to emphasize... it makes sense that the main female character Camicazi/Astrid became so changed. It seems likely it was a series of steps that increasingly diverged Camicazi into Astrid. Astrid, with her brave dragon-fighting spirit and later romantic interest, is a lot more conducive to the narrative themes that the writers focused on for the first HTTYD movie. To really get the idea across of Hiccup being an outcast, and of Hiccup wanting to please his father, and of Hiccup being divided between his desire to be accepted and his desire to help Toothless... the original concept of Camicazi was altered.

At some point in time, the writers would have realized that the female character they wrote was no longer “Camicazi.” Then they would have had the freedom to pursue her any which way they liked to make her fit the DreamWorks world best. The writers chose not to equate Camicazi with Astrid, despite the fact Astrid certainly had to have been inspired from the book character. And because of that, their personalities - as you say - are starkly different.

“Now why didn’t they introduce Camicazi into the television series later or something?” someone might ask. “Why develop, for instance, Heather, instead of Cami?” I think that the writers initially did not plan on Heather being such a big role. They meant her to appear in Heather Report Part 1 and Heather Report Part 2 and nothing else. Then, with Race to the Edge being greenlighted, it only made sense to proceed forward with the characters already introduced... Dagur and Savage and Heather and the like. And thus we never have Camicazi (in addition to Astrid) hop into the frame.

So that’s why I believe that Camicazi’s “essence” was almost completely written out of Astrid’s personality. The two characters have diverged to become interesting, different characters, each with their own unique contributions to HTTYD canon.