#i could have sworn i saw a picture of pooh as strahd somewhere but now i can't find it

[wonderfulworldofdarklords]

Welcome to Wonderful World of Darklords! In this episode, we tackle Disney's most terrifying setting to date, as explored in a horror movie that was absolutely not a soulless cash grab: the Hundred Acre Wood. Topics discussed include:

The surprising connections between Winnie the Pooh, a darklord ruled by his basest appetites, and another darklord from a recent episode;

The rich narrative possibility of an uneasy alliance with Heffalumps and Woozles, and the pitfalls of teaming up with such untrustworthy creatures even when they're the only things the darklord fears;

The horror potential of the source material, from Rabbit's heartless kidnapping scheme to a survival-horror frozen expotition to the North Pole;

Ideas to integrate Tigger with a certain other rakshasa, and how Kalakeri's themes intersect with those from the Hundred Acre Wood;

and more!

The full writeup for the Hundred Acre Wood s is available for free on Patreon: https://www.patreon.com/posts/darklord-of-very-101391105?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link

All music recordings are in the public domain (mark 1.0) and are licensed through https://musopen.org:

Chopin Nocturne in B-Flat Minor, Op. 9 No.1 (main theme), performed by Eduardo Vinuela

Chopin Etude Op. 25, No. 12 in C Minor: “Ocean” (darklord theme), performed by Edward Neeman

Chopin Nocturne in F Minor, Op. 55 No. 1 (land theme), performed by Luke Faulkner

Chopin Nocturne in E Minor, Op. 72 No. 1 (parting thoughts), performed by Luke Faulkner

Dialog for Yensid was written by Azalin Rex himself @darklordazalin

The Wonderful World of Darklords logo was designed by Halite Jones, whom you can find @halite-jones or on  Instagram at http://www.instagram.com/insta_halite

Contact us on:

Gmail: wonderfulworldofdarklords@gmail.com

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Patreon: www.patreon.com/WonderfulWorldofDarklords