#i didn't even like that scene because i think the time would have been better spent on explaining his motivations

[akirathedramaqueen]

Some thoughts on the Western Energy trainwreck

Soo, I've come across that post, and... it made me thinking.

Stolas spent there the whole time, not knowing Blitzø *did*, in fact, send help. He assumed he was all alone, although still had some resemblance of hope, a fragile straw he hang on to piss off Striker, allowing to tear up only when one didn't look at him.

And... hell, I used to see many comments about how Blitzø let him down there... But did he?

Oh course, some think he did, and he surely thinks he did, too. But, although the whole sequence with him and Loona trying to get that S.H.O.T. was a fucking circus and looked like a joke compared to suffers Stolas had to endure and barely survive...

To be honest, these scenes being put together on surface do, in fact, make it think that the whole Stolas being on the verge of death ordeal is a joke to Blitzø and he would rather spend time running around with big needles and stuff.

If to get back to the phone convo between them at the beginning of the episode, Blitzø mentions that it took him 5 years to book that appointment, and it means a lot for him to not miss it. Missing out on that shot meant to put Loona in potential danger, his daughter, and, although we don't know what kind of shots they were talking about, we know for sure what does missing out on a vaccine schedule could mean in the real world - we tend to forget how dangerous polio, for instance, is, as most of us have access to the vaccine and don't get to experience it not even themselves, but in close vicinity as well. For us, vaccines might seem to be some kind of stupid routine, something we got comfortable with in a privileged world, something which surely could be skipped for a day, right? But in Blitzø's one they are luxury.

Despite all of that, I also want to put your attention to the fact that he wasn't going to ignore it. He is speeding up, and I think (although it's not expressed explicitly, but not everything should be, right?), that he already made up his mind that Stolas is a priority.

You are not thinking it's about shots, right? He wasn't that reckless in driving before *that* call.

And! He wasn't even the initiator of Millie and Moxxie going instead of him. *M&M's* were.

And Blitzø trusts them, because why not? They are his employees, they are skilled and capable, and they are his friends as well, they know that shit is important to him (although he isn't willing to admit it himself).

We see also, how Stolas was admitted to the hospital immediately, which already gives a hint on how different their stance in the world is. I wonder sometimes how it would've turned out if Stolas proposed to Blitzø to use the royal influence to get another appointment shortly after Blitzø saves him, but we know he didn't get much time to even think about that. He wasn't even able to finish the sentence before Striker took his phone off him.

To be honest, I don't think the outcome itself would have been much different. I don't think Blitzø would've done a better job at saving Stolas, but, maybe, only maybe, he would've felt better because he was, at least, there for him.

Because you know that shit is going to haunt him till the day he dies. Because it only reassured him that he isn't capable of sticking around for his people.

Because, you know... happened once already.

No wonder he left Stolas's message on "read". Knowing all things before and after, it's not a surprise that he, tending to take all of responsibility for all the wrongs on himself more than he should to, couldn't face the consequence of what he thinks he failed in. He, speaking figuratively, left Fizz on "read" for 15 years, and he kinda sorted it out only because he couldn't run anymore and had to face the trauma as circumstances didn't give him a chance to chicken out.

I wonder what he was trying to tell Stolas. But I don't think we will ever get to learn that.

Aw, crap, I am done here, I am going to go and cry for a little bit. Thanks for coming to my ted talk, see ya in like 5 minutes to experience some Full Moon trauma again, because I can't get over these two. XD

[noraigo]

some days ago, i started watching we are the series, since a friend of mine tried to convince me for a long time to tune in. we are isn’t exactly the type of series i would watch. not disregarding its charm, i must admit it’s even endearing, i’m just more keen on the angsty, adult queer love. however, there’s a certain couple that’s been running nonstop in my mind ever since i started the series and, of course, it’s no other than tan and fang.

tan is certainly unique as a whole, because if anything — i think it’s the first time i see such a loud but not annoying character, and that’s hard to portray. his excitement seems genuine all the time and i feel his happiness is shared through the screen. that doesn’t brush off his emotional intelligence and i think people underestimate this trait of his: just because he seems silly and party-loving doesn’t mean that he is insensible. he can be serious if it’s needed and he cares for the people around him. it’s safe to say that cheerful characters are often overlooked because of it and, as viewers, we shouldn’t take it for granted.

fang, on the other side, is the total opposite of him, yet it doesn’t make him less interesting. his background is implied to be unstable, which made both phum and fang be more closed off emotionally speaking. even so, fang is trying his best to be on the same page as tan, though tan adores him when he’s serene and quiet. most of the time, characters like fang are misunderstood and it’s a little saddening. he is kind and tough, but it’s not hard to love him. something tan understood from the very beginning.

their dynamics keep me pushing watching the series. now that fang has been softening more and more, their scenes became even lovelier to watch, if that was ever possible; their kisses, clear eyes of infatuation, playful banters and words of love show it. i’m not a fan of sex scenes, they underwhelm me a little (might be the acespec in me), but tanfang’s was just perfect. not too much, not too little. just enough to show that these two desire each other. possibly, it could be not their first time as a couple, which is refreshing and new in thai queer shows as far as i've seen. (aouboom definitely enjoyed kissing and touching each other a little too much but, didn't the same happen with hidden agenda? just saying.)

people like them could be too much for others, but for each other, they are an absolute match. fang knows tan loves him unconditionally and so does tan. tan tries to push him for the better without overstepping his boundaries whilst fang apologizes if his behavior might be irrational when he’s angry and accidentally lashes out on tan. that’s actual respect and patience in a relationship. none of them are trying to change the other to fit their own personality, they have already changed once they realized they were into each other back then when they were problematic teens. ain’t that sweet?

just look at these sweet two blorbos, just in their own world, happy and in love.

on another note, though, i’ve gotten to know aouboom since viceversa era and i could already smell the cute chemistry between both, yet it’s very sad to know they suffer from secondary couple syndrome. how many series have they starred in as a second or even third couple? very unfair, gmmtv, you better give them a nice series, regardless of its length. as long as they don’t keep acting in college settings, i would give my entire scholarship for a coffee shop or any other ordinary plot. they are just THAT good and i will never get tired of their chemistry. they have a kind of spark i see very rarely and if gmm doesn’t give them a shot, they’re losing a potential gem.

please, give us more tanfang content and especially, an aouboom series. thank you very much.

[icycoldninja]

I'm not sure if requests are open so if not feel free to skip!

Can you do the dmc boys barely saving their s/o before death? Good ol angst/comfort for both parties

They're open for the time being. Enjoy.

Saving Reader from death headcannons (Sparda boys + V x Reader)

Warning: injury, blood, near death experiences

¤ Dante ¤

-He'd made a mistake, taking you out on a mission with him. He knew he shouldn't have, but you were so eager to go and gung ho about ripping up demons, he just couldn't bring himself to crush your spirits.

-Almost as soon as you two arrived on scene, the demons fell upon you like hungry wolves to a piece of meat, mauling you, clawing at you, chewing on you, and more.

-It was lucky Dante had the reflexes he did, otherwise you would have been nothing but a bloody corpse. He'd managed to shoot the demons, knock them back, and otherwise incapacitate them enough for him to reach you.

-You were hurt, badly, but still alive. Forgetting all about the mission, Dante scooped you into his arms and carried you off to the nearest hospital, where, thankfully, the doctors were able to treat you.

-Dante spent the remainder of your recovery sitting by your bed, holding your hand with all his strength, constantly apologizing for being so stupid.

-"I'm sorry, sweetheart, I'm so sorry. I was an idiot to put you in danger like that, I-I should've known better. From now on, you're staying home, where it's safe, OK? I...don't ever wanna have to see you like this again."

■ Vergil ■

-Vergil knew demons would stoop to low, low methods to get what they wanted, but he didn't think they'd go so far as to track down where you lived and attack you in your own home.

-He'd received a phone call from you while on his way back from a mission. Expecting a loving greeting, Vergil was met with panicked screaming from the other end; you, begging for him to come home quickly because the demons had found you.

-Vergil wasted no time in portaling over, and not a moment too soon, for he'd found you cornered in the kitchen, a demon's scythe just centimeters from your throat.

-Thankfully, Vergil worked quickly and cut the demon down where it stood, preventing you from meeting what would have surely been a horrific demise.

-He was so worried and afraid about your safety, he didn't even flinch when you collapsed into his arms, weeping and wailing about how terrified you were.

-"It's alright, my dove. You are safe. I'm home. There are no more demons, not anymore. Shhh."

□ Nero □

-Nero had invited you to come with him on a quick, innocent trip to the store for groceries, thinking it'd be a great opportunity to just hang out together.

-He had absolutely no clue that demons would choose to attack the supermarket of all places on that specific day.

-The demons came in from all sides, quickly flooding the store with their ranks. In under 5 minutes, the little menaces had toppled shelving, collapsed light fixtures, rammed people with shopping carts, flung frozen food at everyone, and barricaded the doors with fallen vending machines. While Nero worked to clear an exit, the demons snuck up from above and caused a large, industrial lamp to fall from the ceiling. You were half crushed by the metal monstrosity before you even knew it.

-Nero couldn't control himself and Triggered right then and there, devoting all his attention to pulling you out of under the large light fixture. Once he'd done so, he blew open the wall using something or other and raced you to the hospital, returning to deal with the demons shortly afterward.

-He then came back to the hospital to find you alive, but in pretty bad condition, most of the bones in your legs, but thankfully not your back, having been cracked, at the very least. Nero spent the next few months of your recovery stationed in a chair by the door, head in his hands, blaming himself for not being able to save you from injury.

-"God, I'm such an asshole. I'm sorry, baby, I screwed up big time. I'm such a freaking loser. I should have been faster, shoulda followed my instincts and yanked you outta there earlier. Why the fuck didn't I do that? I suck."

● V ●

-You and V were simply enjoying a pure and romantic moonlit walk together in the city.

-Then the demons showed up out of literally nowhere, taking the both of you by surprise as they surrounded you, claws brandished and fangs gnashing.

-V summoned his familiars to dispatch them, but it wasn't enough. Some slipped through his already thin defenses and struck you with their bloodstained weaponry, inflicting countless wounds upon your body.

-V managed to kill them all off before they could kill you, but still, you were badly hurt, and if he didn't get you medical help now, you could die from your wounds.

-He did his best to get you to the nearest hospital despite his crumbling body, nearly passing out on the doorstep in the process. The doctors said they could save you, and for that, V was glad, but at the same time, he felt angry at himself for not being able to do more for you.

-"Alas, Wanderer, if only this body wasn't as fragile as paper mache. I sorely wish I were stronger, for if I wasn't so weak, I might've been able to save you. Please, forgive me."

[rikeijo]

Yuri!!! on stage pamphlet, Kubo Mitsurou - Character comments

Katsuki Yuuri

The character of Katsuki Yuuri, previously still vague, solidified in the scene in episode 4 when he touches Victor's hair whorl. That scene is also one, where I managed to express an idea I've had in my head for a very long time - I wanted to show something like a moment not connected to the main story, when their relationship changes, but not in a logical way. The same thing can be said about the scene in the last episode when, even though Victor is crying, Yuuri pushes aside his fringe and says "So you cry too!" - Yuuri has this very primal (原始的) characteristic of putting his own curiosity first before feelings of the other person, that's a desire he can't suppress. I think it was our intention to use this characteristic to make the viewers expect that he is surely going to act in a way they cannot predict. Throughout the series, Yuuri's character was shaped by misleading the audience to think they know Yuuri's personality and then showing them in each episode that they were not right about him. That's why the character turned out to be much more complex that we thought he would be in the first episode and I think the viewers can sense that the creators had a lot of fun writing him. We sometimes say that the characters are acting on their own, but in this case I think we were writing the character while being bossed around by him.

Victor Nikiforov

Just as it was with Yuuri, I couldn't fully grasp Victor's personality in episode 1, and so his character also solidified over time as I was writing the show. Beginning with the scene in episode 4 when he told Yuuri "I'm not going to hold back" during their conversation on the beach, and then when he was "really hurt" after Yuuri touched his hair whorl, little by little the underlying kindness Victor possesses started to show up more, as even though he had no idea what Yuuri was really thinking, he wanted to get to know Yuuri better and Yuuri to get to know him better too. Actually, I also thought the fact that even staff members couldn't fully comprehend Victor's actions made him all the more charming. Because his actions were impossible to comprehend, the audience too has been watching the show without being able to form any strong assumptions about him and the sense of insecurity you've been getting while watching him was probably also a sign that you started to like the character... I've created Victor by trying my best to draw a cool and beautiful human being. I don't think however, that he could ever be mine. Yuuri also feels this way, but in Yuuri's case he was able to form a very strong connection with Victor thanks to skating. I was writing the show while thinking that I'd like the audience to enjoy the feeling that in every episode, together with Yuuri, they too get to meet Victor they've never seen before, as the relationship between Yuuri and Victor is forming - relationship that was only possible because Yuuri had skating as an excuse [免罪符, it means something like "get-out-of-jail-free card" - funny word choice, but Mitsurou really pushes here the idea that Victor was way out of Yuuri's league. ]

Yuri Plisetsky

In case of Yurio, his character as well as character design were very clear from the very beginning. He was very easy to write. He is my favorite type of character and based on my experience I was sure he's going to be popular. He is the type of a side character, who can outshine even the main character in terms of popularity, so I was careful not to make him "angsty" by e.g. giving him a tragic past or making him have a difficult family situation. With Yurio I didn't want his character to be someone who gets popular because people feel sorry for him, so I gave him family and coaches, as well as new friends, and wanted to show his strength by making him achieve even greater success while being in a relatively good place emotionally. I think I've managed to use the basic manga trope of writing about a strength of found family instead of real family without focusing on the tragic aspects of this trope.

Christophe Giacometti

Chris was born as an ultra sexy character, a character who is very aware of his "eros" and at the same time has the strength to not care when other people stare at him. I decided on the visual side of the character first - I gave him those curled and long, stunningly beautiful eyelashes because I wanted the audience to think: "How grateful we are that such a beautiful skater exists in this world at the same time as Victor!". I also wanted to show the gap between his super cute look with curly hair when he was a child and his present look and suggest that a lot of growing up happened there. While I was writing him, or I should say it was more thanks to the choreography and music we created, the charm that was radiating from him was neither masculine nor feminine, but simply Chris' charm. I personally wanted to make him a "skater who looks good naked" and was having great fun writing him.

Phichit Chulanont

With Phichit, I was aiming to create a pure and energetic person. I've actually heard Thai artists active abroad saying that they want to show everyone the new face of Thailand and also that there are certain aspects of Thailand they were only able to see after they went abroad. So, I felt that young Thai people right now are really making a lot of effort to reconstruct themselves, so I wanted to make Phichit a person who has the spirit to create new things. With the fashion he wears, I was aiming for something Harajuku-like.

Ji Guang-Hong

I've come up with this idea of a Chinese competitor, young but with good skills, as a counterbalance to the great number of overwhelmingly strong competitors who appear in the show. I wanted to make him a character who shows all the signs of becoming terribly good in the future if he continues to gain more self-confidence and experience. When it comes to his personality I was imagining him following the latest trends, like all the modern kids do, or maybe traveling to the USA off-season to train at the same rink with Leo, for example. I intentionally didn't make him really stand-out, because I think he is still at a stage before he can bring out his individual personality.

Jean-Jacques Leroy

Before we even started to think about the story, I effortlessly came up with lines like "JJ won't give up! He can't give up!", so JJ is the character who has already been well-defined even before he was created. We placed a very rough order for his song: a song which feels like it was written by somebody who could win a Grammy. The request we've made for the lyrics too wasn't all that specific but the finished lyrics were well... absolutely amazing! I wanted to make JJ into a character who would make the spectators sing that song while he skates his short program. He is too egoistic, so other competitors who can't get along well with him, simply can't get along well with him, period. He isn't the type who can become friends with everyone. However, he doesn't really care. I wouldn't say that he for sure isn't hurt at all by this though, if you look deep inside, but one of the incredible things about him is that he doesn't let it show on the outside.

Georgi Popovich

We aimed to express different kinds of love and here is the type of competitor who puts all the emotions he's experiencing after he broke up with his lover into his performance. I was thinking that maybe in a country like Russia nobody would have a problem with him doing something like that and so I gave him this kind of artistry, different than the artistry Victor has. And again, also compared to Leo, he's a different type of artist. Georgi is very serious about practice and listens to what his coach says too diligently. But I think he loves himself the most, more than anyone else. He is a narcissist, so he loves his lovers very much too, because they love him. I think that's why he reacts with this "I am the one who can protect you!" thing after he gets dumped. The ability to transform all these feelings into a performance is his strong point.

Nishigori Takeshi

Nishigori was created because I wanted to introduce a point of view of somebody who has gave up on skating. He is also a childhood friend of Yuuri and somebody, who has been watching him from a very close distance - so he's a character with a quite complex setting. He is the only married man [in the show] so I wanted him to be masculine and not somebody who fret over things a lot. I also was thinking that the reason why Yuuri didn't want to go back to his home town for such a very long time, is because of Nishigori and Yuuko. When it comes to Nishigori and Yuuko's relationship, I think Yuuko is the one who started it. She didn't confess her feelings directly but I think it was probably very clear that she likes Nishigori. Because men from Kyushu don't go after a girl who they know they don't have a chance with. They never try to reach a "flower that grows high on a mountain top [an idiom representing a unattainable goal] (laugh).

Leo de la Iglesia

Leo, who was looking up to Victor, is the only competitor who choreographs his programs by himself. He wants to leave no doubt that he is self-producing his programs - he wants to skate his own choreography to the songs he likes to truly bring out his own charm. When it comes to figure skating in the USA, there is a lot of strong competitors in different parts of the country and so there are also skaters of different races. I think there is that conviction that to be able to show your own strengths in these conditions, the most important thing is to express the "I'll be saved by the things I love" core part of you. Leo can't for example jump quadruple jumps yet, but instead he wants to find his other strong points and show them - I wanted him to be a strong person in this way.

Minami Kenjiro

A skater who just made his senior debut, Minami-kun, was created because, just like Yuuri looks up to Victor, I wanted other Japanese skater to look up to Yuuri and Yuuri to be aware that there is somebody who looks up to him. Yuuri had a very bad start at Nationals, so Minami has already won with him once, but I thought I wanted another active competitor to tell Yuuri that he wants Yuuri to continue skating. And so I gave him this pure personality, the kind that Yuuri doesn't possess, so he can yell "I will definitely win with you!". Because of that, he became a character like a classic shonen manga protagonist. And because he has the vibe of anime protagonist I also gave him a matching haircut. I created him feeling that "If Yuri!!! was a shonen manga Minami would definitely be the protagonist".

Otabek Altin

He is a stoic, rugged and serious skater. A type of man who doesn't go to gatherings with other skaters. He left his family and was moving from country to country throughout the course of his training, so he had to wait a long time for a breakthrough. While training, separately from skating, he was also making friends among local musicians, so he has a lot of companions, who are important to him not only in Kazakhstan. He is the type of person who you can trust. He doesn't talk much and doesn't use social media much. But somehow you feel that he can for sure make a lot of progress. He also has this idea to do things that other people don't do. That's why I think that [since he started till the moment we meet him in the show] he's been treating skating very seriously. Otabek is more of a warrior or a soldier than an artist. I see him as this kind of person, who respects competitors who aren't on a level playing field with him and he treats them like comrades-in-arms. That's why, after he met with Yurio at a summer camp and saw his strength, he decided to find his own style of fighting, other than ballet, and he never forgot Yurio, who also had a soldier-like dream.

Michele Crispino

I think Michele loves his sister too much and that's why he doesn't really want to change. He has the skills and skates very good. That's why he managed to get to the GPF and is a very strong competitor, but there's also something missing there and he can't really break through. I wanted to show that his love is of a different kind than the rest of the cast's. I think the kind of love he has for Sara is a little bit different than familial love, but well I think that in his mind Sara is the only person he can trust. But Sara herself thinks she needs to change. I wanted to highlight this change by making Michele a tough/traditionally masculine guy. I was thinking that I want him to use the emotions he has because of his sister to have the break through even if these emotions are not necessarily positive. It was fun writing him.

Lee Seung Gil

SeungGil says pretty harsh things and has the most athlete-like mind of all the skaters. The pressure he is under is huge so, as the real athlete he is, to protect himself from being influenced by this pressure, he doesn't do any fan-service. I think that he is simply a stoic competitor, but because during interviews he says things like: "Is it really necessary for me to answer questions like that?", people misunderstand him and tease him for being cold. The story that I was thinking about for him is that he competes with this stoic attitude, but he knows that if he doesn't become more expressive, he can't win, so he chose a song and costume with an element of surprise. I think this gap is where his charm is. I think he, in his everyday life, isn't interested in things other than skating and usually wears clothes his mum bought for him, or jersey.

Emil Nekola

There are a lot of characters who stand out, so I wanted to design one, who doesn't, and instead simply has a sunny disposition and is like a younger brother or the kid in a group. Skaters from Czech Republic are popular so I thought that it will be a good match to his personality if I make him Czech. The image I have for him is that he is friends with Michele and is the kindest person among European skaters. I was thinking to make him "a big guy who you can depend on". He is very good at physical activities, so I think if, in addition to skating, if he decided to do snowboarding or extreme sports he would be pretty good at them too. He himself isn't really fixated on skating and has a lot of other things he likes to do. But right know he is focusing on skating. That's why, unlike Michele who is like: "Skating is the only thing I have in my life", Emil has a very good way of dealing with the pressure - he is a clever guy.

Closing comments

The things to enjoy while binge watching all episodes

At the end of ep 10, it was revealed that Yuuri at the banquet actually asked Victor to be his coach. If you re-watch the show from ep 1, while having this in mind, the relationship between Yuuri and Victor will surely appear very different. In the beginning of ep 1, when Victor ask Yuuri "Do you want a commemorative photo?", to him Yuuri wasn't someone who really stood out from the crowd. But then, he watched the video of Yuuri skating a perfect copy of his "Stammi Vicino" program, while having some prior knowledge of Yuuri from the "be my coach accident" at the banquet. And as the story goes, because of that Victor's got certain ideas and decided to travel to Japan. If we look at the events from Victor's perspective, it must have been very weird for him, because Yuuri himself asked him to come, but after he came Yuuri met him with this "Why are you here…?" reaction. I think you should be able to enjoy the story even more, if you change the perceptive you watch the show from when you re-watch all 12 episodes at once.

To fans…

I think without both the fans who were supporting us and the staff members who participated in production, we wouldn't be here today. I can't thank you all in person, but we are thinking of doing something, so you can enjoy the world of Yuri!!! even more, as a thank-you gift. I'm looking forward to your continuous support of Yuri!!! on ice.

[queenvhagar]

Initial thoughts on HOTD season 2 episode 1 "A Son for a Son:"

Alicole

Maybe an unpopular opinion but Alicole seemed to appear out of thin air so quickly with not one but two sex scenes in one episode... Like when did this start? Who started it? How did these characters suddenly get to this place of complete sexual liberation in this way based on literally everything we know about these characters and this world up until this point? Alicent is a deeply religious widow of the king who has lived decades in servitude to the realm without much thought to her own desires and Criston is a knight of the Kingsguard sworn to celibacy who broke his vow once with royalty and almost killed himself out of guilt. Somehow they're at the point where he's giving her head in the middle of the day and she's riding him at night in her bed and the build up is just... non existent save one look and line in season 1 episode 9. Like... what's going on here?

For the first scene I was like "ohh cunnilingus is technically not breaking his vow in a way so maybe this is how they get around the whole Kingsguard vow/honor thing" but then she's just full on riding him later and the way the show shows us this is through the perspective of Helaena as she walks in on them with Jahaera as she's coming directly from B+C sawing Jahaerys' head off in his bed. If Alicole was about reclaiming pleasure or connecting in dark times, there's something there. But compare this almost voyeuristic view of Alicole sex to the focus on female sexual pleasure given to Rhaenyra's sex scenes in the first season... it kind of weird of the show to now just have Alicole have sex as some weird "woah what the heck" bit at the end of the B+C sequence, as if the whole end of the episode really needed some extra shock value. It doesn't even really need to be there to explain why Alicent and Criston weren't there to see B+C... It happens far enough away that the two could've been doing anything else and not have known it was happening.

Alicole sex and particularly this second scene really adds nothing narratively. I would have preferred that Alicent witness B+C like in the original or be doing literally anything else, because the point of Alicole sex in the show of course isn't on their pleasure or their relationship or anything it's just some moments we're intruding on.

I'm not sure why they felt the need to add this element. We already know Criston defends Alicent no matter what and we didn't need to add sex for that to hit. We also know they have a weird bond with weird feelings so like the sex doesn't add much. Like good for them but character wise I don't really see how this realistically developed. I also am not sure about the power dynamics given she is his personal guard, but since they didn't devote any thought to this is season 1 when Rhaenyra forced sex on him, I doubt they will stop to consider how he ended up getting into another sexual relationship with a royal and/or his thoughts about the whole thing. Basically the "after the episode" clip explained that they think Cole is the most messed up character in the show who just flaunts his responsibilities and vows left and right... and that's about as far as they're gonna go about it. Basically: look, he's a hypocrite! But we knew this already.

Blood and Cheese

I'm glad that the show at least let Daemon basically instruct B+C to take a son for a son no matter what if they couldn't find Aemond like he and Rhaenyra initially intended... However they did cut before Daemon literally said it so count on TB stans to give him the benefit of the doubt despite it all 🙄

I still think the book B+C is supremely superior without the weird walking in on Alicole voyeuristic thing and with Helena choosing between her two sons instead of the twins, but for some reason they erased Maelor to make TB look better in the long run and not have to deal with the whole "Rhaenyra puts a bounty on a toddler that gets him torn apart by a mob" thing... so I guess they're going with what they've got...

I do appreciate the build to the moment, the anxiety and atmosphere leading to what will happen. Very well done cinematically. Imagine this plus being committed to sticking to the source material... The amazing scene that could have happened. However the realistic sawing off a six year old's head sound as his mother picks up her six year old daughter and walks out of the room was something that really makes you remember the horror element of early seasons Game of Thrones and something I really appreciate that they let us have. Could it have been better? Yes. Is the book version better? Yes. But I am overall ok with what we got (minus the ending because... wtf) and I'm really looking forward to the fallout we'll get next week.

[nalyra-dreaming]

It's probably going to be answered soon by the show itself (at least partly), but the whole behind the scenes that happened with the coven won't let me sleep at night. What do you think was happening? What were the choices they presented Armand with? There should be such a huge line of events with Lestat, because I feel it's all very complicated. And what is worse they'll probably leave it for TVL.

Did the coven find Lestat? Did Armand held him hostage or they did? My mind is spinning as I write and...what if they didn't know Armand had Lestat until they went to the attorney and then Armand had exchanged him for something? Make it make sense, please, I believe you might have solid theories :)

Okay.

So in the last moments we see the coven giving the "10 minutes" call to Lestat. Who is staring into the mirror, literally emulating "smoke and mirrors".

Which means, if we can trust what we saw, that the coven knew of Lestat. And that Lestat is part of the scripted performance. Then.

Now, he is not bound or anything, but he wouldn't need to be. What they have against him is not a threat to his own life after all, but the threat of hurting Claudia and Louis.

Of course they will make it seem as if Lestat is after revenge. But... given that Armand obviously knew about the plotting (here is a nice post on that)... and that we know that episode 5 supposedly is very important for what is to come... it is highly debatable. (Totally apart from later book canon.)

I do not think the coven found Lestat. I think they went to Roget's to confirm their suspicions. But there is a time gap, right there. Because Louis sent Claudia and Madeleine out of town after the turning... and by the time they return (and the coven naps them) - they have prepared the trial with Lestat.

So. Louis inviting Armand to the turning, Armand ... not coming. Well. Not in time. Which, given his powers, was very much intentional.

And, looking back... that must have been the final straw, Louis turning Madeleine. A direct blow against rule #1. Against Armand himself. That is when Armand must have revealed Lestat to the coven, that is when they must have set up the trial. Because he comes by Louis' apartment after, with the cuttings of the Magnolia tree prepared. Saying that the coven gave him a choice. And that he... chose. (Of course we are led to believe he chose Louis... when it later becomes clear he did... not.)

Armand is a stickler for the rules. Not even really by choice, but that's what a few hundreds of years of indoctrination do, I cannot even really blame him. A direct and announced breaking of rule #1 is something that would raise his hackles, to put it mildly.

I think he pretended that final few weeks? months? then that he had broken with the coven. Given that it is book canon that he influenced Louis to turn Claudia... I could see it that he influenced Louis to make Claudia and Madeleine return by longing for her. I am not sure if that is the case, but it would fit with book canon, imho.

The choices he was presented with was likely full mutiny... or becoming the coven master again - IF the coven actually made him choose. Because I can easily see this being Armand's own choice as well. Him making up his mind... for better or for worse.

And so he revealed Lestat then to the coven, imho.

As we have already seen in that one teaser that Lestat seems to be in some kind of cell at some point I do think he is in some kind of dungeon. IF it is Magnus' tower? Then there is no way in hell that he would stay there without force, or without subjugation. The same goes for other dungeons, like, we are talking about Lestat here. I know that the show only audience does not know him so well yet, but... for Lestat to stay locked up for months and then show up at a trial to take part in it??? He was locked up. Meaning he did go to Armand... and Armand locked him up. Because Lestat would have gone and confronted Louis and Claudia otherwise, if he had known where they are. But he can only feel them. And other than the weak Claudia and Louis... Armand would have known Lestat was there immediately. And Lestat knew that, too. And so he went to Armand.

And the tragedy unfolds.

I think the trial will go as in IWTV. Mock trial, Lestat will accuse. Louis will sense things are off. There will be things off the script, the line "you cannot script a hurricane" will come into play for the "scripted last play".

I hope my thoughts make sense? :)

[numericalbridge]

i think it is especially hilarious that the fandom made such a big deal out of Darius' "only the small ones will get eaten" moment, considering:

how many times characters try to eat someone; not to mention many gags where the core characters are comicaly callous in inappropriate moments. And that Darius' line was framed similary as a comedic moment in canon!

[dazais-guardian-angel]

also I honestly hate Dazai's sudden bullshit theory about Hawthorne's blood bullets to explain how Fyodor killed the soldier at the end of the cannibalism arc, and the fact that this somehow never even occurred to him until now. Normally I do love seeing Dazai be wrong and be shocked/taken off guard for once, it's way too rare and needs to happen a lot more for how goddamn OP he is the rest of the time, but in this case instead of making him feel human from making a natural mistake (forgetting about Q, pinning the wrong person as Fyodor during the helicopter search in cannibalism), it just makes him look incredibly dumb to somehow not have foreseen this before now. Up till this point he's been 5D chess masterminding the shit out of everything, but somehow it didn't even occur to him that Fyodor might not actually be dead for real....... and all it took to make him think that was Sigma viewing his memories? Back when the cannibalism incident happened, the panels seem to indicate that he might know more about Fyodor's ability than he's letting on, but now it's confirmed that he never really knew anything at all, so that part was meaningless I guess...

The Hawthorne theory is so ludicrously out there, but it's in-line with all the other insanely out there things Dazai has been right about before, so it's probably correct lmao; it's just, WHY did he not come up with it until now??? The answer is of course that he didn't realize it until the Plot needed him to, and it's so frustratingly evident. 🫠 As convoluted as this twist is, I honestly wouldn't mind it if it had come from Fyodor himself after he inevitably comes back to taunt Dazai and co — I actually think it doesn't contradict everything else we've seen, because imo there's a difference between the soldier grabbing Fyodor's arm (clear contact), and when Fyodor lightly held his finger over Karma's forehead and most likely used his real ability there, just like he said he did. I think it's neat to think that we were all misdirected by the "Fyodor's ability works through direct contact" thing just because Dazai is the one who first said it, since we're so used to Dazai being right. But I wish Dazai hadn't figured out the truth all on his own so suddenly, doing a complete 180 from like two chapters ago, cause it just makes him look stupid. It doesn't feel like a natural mistake, it just feels like the plot forcing him to be dumb until it needs him to be smart again, which is really noticeable for a character otherwise so insanely smart as Dazai.

[emile-hides]

Upon rewatch of the Mario Movie, I really gotta wonder how long the Mario Bros were in the Mushroom Kingdom for. 

They get sucked through the pipe past sundown Brooklyn time, which depending on the season is like 8-9 o’clock, Mario arrives in the Mushroom Kingdom in the day time, maybe late afternoon, and spends the rest of the day through the night into the morning on Peach’s Mario Maker level, travels all the next day, sleeps in a Fire Flower field for the night, arrives at the Kong Kingdom mid the next day, leaves the Kong Kingdom on Karts around sunset, which turns to night as they are ambushed, leading to Mario and DK spending the entire night inside an eel only breaking out early the next morning, just to make it barely in time to Peach and Bowser’s wedding sometime around noon, and go back through the pipe to have it be early morning in Brooklyn with the rest of the Mario family carrying on with breakfast as usual.

So they spend 3 Days in the Mushroom Kingdom, but only like 12 hours of Brooklyn time seems to have passed.

[the-busy-ghost]

Me: Ah nice I'll just have a little nap and then get on with my reading

My brain, an hour and a half later: 'Now let's go back and talk further about George Kirrin...'

[joycrispy]

I wanna talk about The Angel Who Would Be Crowley.

Because I had a certain set of expectations, which got thoroughly trashed in the first five minutes of S2, and my genuine response is, "Oh, fuck, yup. You're right. That's WAY better."

Looking around at GO fandom, I'm not alone in this. So let's talk about it.

Basically, a lot of people (myself included) believed that he was a high-ranking angel, and therefore as chilly and remote as every other powerful angel we'd seen at that point. We pictured Crowley-To-Be as long-haired, regal and imposing --and the fanart at the time reflected this. I'd link some if Tumblr didn't hate links.

Something like this:

We were collectively drawing on a few things --mostly, Crawly's appearance and general bearing in the Biblical scenes of S1--

--But also scattered hints of his importance, backed up by conspicuous absences in Heaven and a few profound displays of power. That's all better covered elsewhere, so I won't reiterate the arguments here. All I'm saying is: I think our headcanons were justified.

But it turns out he was this:

!!!

With his curly little--!!

And his neat white--!!

IT TURNS OUT, he was an angel who squeaked and squealed when he was happy; who flailed his arms around and made explosion noises with his mouth to explain nebulas; who preened when told his stars were pretty. Furfur, who knew him before the Fall, says:

"You used to jump on me back, little monkey in a waistcoat..."

(The use of a diminutive there, 'little'...oh, that fascinates me.)

In a pretty huge subversion of expectations, we're given these glimpses of an angel who was sweet, and joyful, and heart-meltingly silly.

In sum...an innocent.

(Perhaps innocent to a troubling degree.

We see how he troubles Aziraphale, during their first conversation. He starts looking around and behind them, checking to make sure that no one can HEAR the blithe and reckless things coming out of this angel's mouth. This angel who talks like he's never been reprimanded in his life; like it's never occurred to him that anyone would want to hurt him.

Before the Beginning, Aziraphale understood Heaven better than he did. The danger is plainly occurring to Aziraphale.)

So now, we the viewers are in on a cruel joke that Aziraphale has known all along, which is that this --THIS-- is the angel who--

*checks notes*

--did a million lightyear freestyle dive into a boiling pool of sulphur. For asking questions.

...Imagine you are Aziraphale, and everything inside you wants to believe Heaven are the Good Guys, and God is Good and Everything She does is capital-R Right...and now try to reconcile that. Keep trying. I don't think he ever totally managed it in 6000 years.

All this gets further complicated when we learn that, despite all of the above, we were still right. That sweet excitable babby up there?

He WAS a powerful and high-ranking angel.

That much is explicitly confirmed, with significant evidence that he could have been among the mightiest of archangels...

...Who apparently accosted his fellow angels for piggyback rides. And was remembered millennia later by those (now fallen) angels as something 'little.'

What does that tell us about who he was? Is?

Hell, Aziraphale has known to be wary of the archangels (and the judgements of Heaven in general) since before the Fall even happened. He chooses to believe they are Good; he can't fool himself into thinking they are Safe.

Yet he's absolutely certain that Crowley won't hurt Job's children. Enough to stand in a burning building and say to them, "I can't save you, but don't be afraid. I won't need to."

And what reason does he give?

("I know you."

"You do not know me."

"I know the angel you were.")

What does that tell us about who he was? Is?

("The angel you knew is not me."

But how is Aziraphale supposed to believe that, when he can see him all the time?)

tl;dr --yes, this is better. I love the tragedy of it.

'Innocence died screaming' and all that.

[anantaru]

DAY 30 — hate sex

kinktober 2023. — masterlist | ao3

𖧡 — including — wriothesley, ayato, scaramouche, alhaitham

𖧡 — warnings — fem! reader, hate fucking, mild choking, they're assholes, exhibitionism, fingering, lots of teasing & they're meanies

𖧡 — WRIOTHESLEY

"i don't, fuck— even know if i told you this," you whine out through a clenched jaw, your trembling frame luxuriating in the feeling of wriothesley's thick cock rubbing against your spongy spots as the spreading warmth of his body fuses inside of your own.

nevertheless, you continue your taunting— truthfully, there was nothing better other than uttering out words that you knew, would drive him absolutely crazy, "but i really fucking hate you."

amusement swiftly settles on the duke's face when he notices something happening in front of his eyes, in spite of himself, he can see it plain as day.

that your sweet, angel face, combined with those lewd sounds and your pain in the ass, as well as bratty attitude, would ultimately make him lose his mind beyond salivation— right now, his face reminded of someone who was on the brink of leaning into this, the thought of stepping your relationship up and breaking free of this, occasional hook up scene between two people clearly harboring distaste for each other.

yet, instead of melting into those hidden emotions, wriothesley then, leaves one hand to fall against the headboard before jerking his hips back into you, this time much harder and in attempt to conceal the fact that you've evidently turned him on with your attitude, fuck, he'd never get tired of hearing you.

"oh, don't worry sweetheart," wriothesley grins, your body trembling when you hear him, and as always, he senses how you shiver under his large weight, your chest rising and falling when he wraps one hand around your throat, lightly, while the other remained on the headboard to steady himself and to not suddenly suffocate you with his figure.

"the feeling is very mutual," he winks, the only thing that seemed appropriate to you personally in this situation, was to punch him, especially due to that stupid, handsome, dumb smirk on his face. (you didn't punch him)

"oh fuck you," you spat angrily before feeling how he softly draws his fingers into your throat, mesmerized when you swallow the assembled saliva down and make him sense your pulse underneath his palm, ugh, it's so hot— and you're impossibly sensitive, constantly fluttering your hole around his girth, always so cutely reactive and moaning when his cock twitches through your walls.

your mess of a body was shaking, quivering and jerking up when he teases you once more, proudly showcasing his strength on your throat while never stopping the aching drags of his erection that was making your face twist in pleasure.

𖧡 — AYATO

ayato thinks you owe him, in fact, he believes you owe him a lot more than you're currently giving him— aside from that, the most unfortunate fact was that he secretly liked having you close to him, pretending that it's a way of paying him back for whatever reason, more so share your sweet company and yes, of course, it's a bit of a predicament taking into consideration that he literally cannot stand your guts and neither can you force yourself to like his.

it's a bit embarrassing and you're barely being able to grasp on how much you you were capable to hate another person, yet the second you hear his voice, it's a horrible sound, one that you eagerly wanted to choke right out of him.

well, if only ayato wouldn't be so adapt with your body— remembering every part of you, didn't matter to him if it's been a week or a month, he remembers and targets the spots he knew had to be taken care of.

because the yashiro commissioner knows how to fuck you, please you and make you sob out uncontrollably— you have clearly had the opportunity to experience it yourself and even now, while pressed down against his work desk, with both legs tightly shut around his waist, you almost forget about all the deep-rooted hatred that was growing inside of your heart.

every dip and curve, his hand would find when he drags his cock through your walls with each whimper of his name littering across his ear shells, his sensitive tip repeatedly pushing in and out of your soaked walls that the constant pressure of penetration was making your head spin, your shaking frame twitching under him as he curves ever so wonderfully into your warm cunt.

it's too good, too delicious to pass up on when you forget all circumstances and focus on the hate induced thrusts of his pelvis rutting against yours— both minds being drunk of lust and that sensual taste of sex and euphoria lingering across the room, your pussy convulsing as his lips melt against your own, shushing all your worries.

𖧡 — SCARAMOUCHE

"look at that," scaramouche grinned down on you, excited from head to toe, his ego downright overflowing when his tip pushes and presses into your warm, pulsing spots as he stares down on where your bodies connected.

his cock was slipping in an embarrassingly easy pace that it's quite shameful now that you think back on it, well, almost— at least scaramouche knew what places to target in order to make your spine curve and quiver when he leans his weight over your body to split your cunt a little better as he bucks backward, driving the intruding force of his length deeper with one hand steady on your shoulder.

you wrap your hands around his neck and pull him into a warm, passionate kiss before he sloppily groans into your mouth, his tongue lapping across your own when repeated thrusts power through the tight ring of your hole, his pelvis continuously kicking against you and forcing your spine to bend into his chest, "hah, i can barely move," he smirks, "you're too tight— embarrassing," he drawls, your walls fluttering as he leans his sweaty forehead over your own.

"seems like you missed me," scaramouche urges, hovering on top of you with a toothy smile, despite that leaning in for more, his fastened breathing close to your flustered cheeks as he grinds his cock deeper, finer and better— a small, little shade of pink manifesting across his face, everything about it was so sensual, so exposed.

without a doubt, whenever you would cross paths it would always end in the same story playing on repeat, almost like a broken record— and despite the fact that you weren't fond of him, or, scrap that, despite the fact that you hated him, a lot, you did like it, like him, kind of— most definitely when he fucks you like he hates you, because he does, but kisses you like you're in possession of the most delicious and softest lips.

or, digging a little deeper, when he, sometimes, wraps his arm around your waist when he accidentally falls asleep right beside you, hiding his fatigued face against your neck, leaning into your touch as he intertwines one hand with yours to stroke his thumb over your knuckles.

𖧡 — ALHAITHAM

it's a hard punch in your gut when alhaitham first stated that he didn't like you, nope, wasn't a fan of yours at all— and the way he phrased it infuriated you the most, it was so arrogant, detached and almost like he wanted you to know and feel bad.

it's not like you were forcing him to like you or anything, but the fact that he thought it was appropriate to tell you out of the blue while disregarding any negative emotions such confession could cause— to say it made you loathe him, detest his being with every vein in your body, was an understatement, truly.

but now, suddenly it's anomalous, like the first bite out of a warm home-made pastry you have never tried before.

then, a sudden wave of pleasure hits you, strong enough that you whimper when he first places both hands on your figure, when you find yourself pressed against a cold wall, a new sensation that was laced in thrill and excitement lusting up from deep inside, aflame and alive through your flesh like liquid fire in your veins.

your bodies were moving while concealed beneath the darkness with the scribe's hand long since stored under your panties and rubbing slow, precise circles on your clit— and the thought of doing something so sinful in the midst of the night, not to mention outside, was almost enough to turn you on entirely, drench his palm with your slick when the boiling heat inside of you changes its shape, manifesting into something exceptional.

"that— that doesn't change anything!" you argue, scowling as you lean your head against his chest, "you're still a snob."

"huh, what?" alhaitham huffs in between a relatively normal breathing, as if he didn't just fuck two fingers into your hole and was the single reason for your legs turning to jelly, wantonly destroying your stability, "i think you don't know what that word means," he mutters before rolling his eyes at you.

archons, you're so annoying, alhaitham could honestly tell you those exact words over and over again until he'd get a headache— and it fucks him up, you do, you never fail to irritate him but also make him intrigued. ugh, it fucks him up so dearly and you destroy his rational thoughts, he wanted to do nothing more other than distance himself from you if only you wouldn't be so damn addicting, and soft, or reactive when he prods one finger against your hole.

awakening at the touch, your desire for him flares anew as you buck your hips forward, driving his finger deeper, his digit spilling right into you when you greet him with a broken cry, your hips rolling and needful for more— alhaitham's eyes never averting their gaze from you, your hips searching and clinging on his body, a slight tremble reaching your spine when you hold your gaze on him, all now feeling in different way.

©2023 anantaru's kinktober do not repost, copy, translate, modify

[j-psilas]

Will we ever get anything quite like Code Geass again?

I don't think it's possible.

Code Geass is Japanese nationalist propaganda disguised as a global political drama, disguised as a military mecha show, disguised as yaoibait, disguised as a teen melodrama, disguised as a high school romcom, disguised as a Pizza Hut commercial...

...except those layers aren't layers at all, but are instead comingled in a giant snake ball of insanity.

The lead writer, Ichirō Ōkouchi, only ever worked as an episode writer for other shows prior to Code Geass, and never took the helm of an anime series ever again. And it shows. [EDIT: Several people have pointed out his other lead writing credits to me. So I misread Wikipedia—sue me. I maintain that this guy is a better episode writer than he is a lead writer.]

The minute-to-minute pacing is impeccable from a mechanical standpoint, with tension and stakes rising to ever-higher peaks, balanced out by the slow simmers of the b-plot and c-plot. It keeps the viewer on the edge of their seat at all times. Meanwhile, the large-scale plot is the most off-the-wall middle school nonsense I've ever seen, continually surprising the viewer by pulling twists too dumb to have ever have been on their radar—and therefore more effective in terms of raw shock value.

"Greenlight it!" was the mantra of this anime's production. It must have been. It has, in no particular order, all of the following:

Character designs from CLAMP, the foremost yaoi/BL group in Japan at the time—for characters who are only queer insofar as they can bait the audience, and only straight insofar as they can be more misogynist to the female cast.

Speaking of the female cast, hoo boy the fanservice. We've all seen anime girls breast boobily, with many cases more egregious than Code Geass, but there's something special about it happening immediately after—or sometimes in the middle of!—scenes of military conflict and ethnic cleansing.

Pizza Hut product placement everywhere, in every conceivable situation. High-speed chases, light slice-of-life scenes, intimate character moments, all of it. Gotta have Pizza Hut.

The anime-only Pizza Hut mascot, Cheese-kun. He wears a fedora.

The most hilarious approximations of European names—which I would love to see more often, frankly. Names like, I dunno, "Count Schnitzelgrübe zi Blanquezzio."

A depiction of China that is wholly removed from any modern reality, with red-and-gold pagodas, ornamental robes, scheming eunuchs, and a brainwashed child empress. There's a character named General Tsao, like the chicken.

Inappropriate free-form jazz in the soundtrack, intruding at the most unexpected times.

A secret cabal not unlike the Illuminati, run by an immortal shota with magic powers, holding influence all across the world, at the highest levels of government. They matter for approximately three episodes.

An unexpected insert scene of a schoolgirl using the corner of a table to masturbate. She's doing it to thoughts of her crush, the princess Euphemia—because she believes Euphemia to be as racist as she herself is, and that gets her off. This interrupts an unrelated scene of our protagonist faction planning their next move, which then resumes as if uninterrupted.

Said schoolgirl, in a fit of hysteria, threatens to detonate a worse-than-nuclear bomb in the middle of her school. She then goes on to develop an even more destructive version of that bomb, and become a war criminal, in a chain of cause-and-effect stemming from the moment she finds out that Euphemia wasn't actually that racist.

A character called "the Earl of Pudding."

A premise that asks us to believe that the name Lelouch is normal enough that he didn't need to change it when he went into hiding as an ordinary civilian. "No, that's not Prince Strimbleford von Vanquish! That's our classmate, Strimbleford Smith."

The collective unconscious, a la Carl Jung, within which the protagonist fights his villainous father for control over the fate of humankind. After this is over, the anime just keeps going for about ten more episodes.

An episode in which a mech tosses a giant pizza.

A gay yandere sleeper agent who can manipulate the perception of time.

Chess being played very badly, even to the untrained eye. Lelouch frequently checkmates his opponent by moving his king. This goes hand-in-hand with the anime's crock of bad chess symbolism.

A fictional drug that can most succinctly be described as "nostalgia heroin."

Roller-skating mecha in knightly armor, and some of the most sickass mecha fight choreography that I've seen.

I could go on and on, but I think you get the picture. This anime is what the average Westerner in 2006 thought anime was, and it was made in a confluence of factors that cannot be replicated. I've never had so much fun watching something that I found so... insulting. Repugnant. Ridiculous. Baffling. I love it sincerely.

Catch me cosplaying Lloyd Asplund at a con sometime, or maybe even the big gay loser himself, Lelouch vi Britannia.

[sunny44]

Lost in the Paddock

Pairing: Carlos Sainz x Girlfriend!reader

Warnings: none, just a lil blurb

Summary: A few drivers got an eye on Carlos girlfriend.

The paddock was bustling as always, and I walked through it trying to find the Ferrari garage. It was easy to get lost in the confusion of teams, mechanics, and journalists, and that's exactly what happened to me.

Carlos and I have been together for 4 years, but I had never been to a race before and was trying to find my way around. I was already familiar with his world, so that's why we decided to keep our relationship hidden.

As I walked, I could feel the curious looks of some reporters, fans, and even some drivers since I was wearing the Ferrari badge.

Among them were drivers like Lando Norris, Max Verstappen, and Charles Leclerc, and from what Carlos told me about them, I knew they were cool.

Lando was the first to approach, with his bright and confident smile.

"Hey, you seem lost. Need any help?" I smiled politely, trying not to reveal my nervousness.

"Yeah, I'm actually very lost," I smiled nervously, and he chuckled.

"I'm Lando, by the way."

"Oh, I know your name, I'm Y/n.”

"It's a beautiful name. Just like the owner." He smiled, and I saw Max and Charles approaching.

"Thank you. Actually, I'm looking for the Ferrari garage."

"Or you could come with me to Red Bull. Our garage is much cooler, and I'm Max, by the way." I felt flattered by their attention, and I had to hold back from laughing because they really had no idea who I was.

"He's lying, the Ferrari garage is much better, and I would love to take you there."

He smiled, and if I didn't love Carlos, surely that smile and those dimples would have won me over.

I was startled when I felt arms around my waist and recognized the hands immediately.

"Hiii baby.” I turned and held his face, kissing him.

"Hey hermosa, I thought you'd arrive later," he smiled and looked at the three behind me. “Why the shocked faces? And what are you doing around my girlfriend?"

"She's your girlfriend?" Lando asked shocked.

"Wait, you have a girlfriend?" Charles said.

"Since when?" This time it was Max.

"Like 4 years ago," he said.

"4 YEARS?" Lando shouted and got a slap from Max.

"Why do you look so shocked? As if it were impossible for me to have a girlfriend."

“It's just that she's WOW, and you're you," Lando said, and I laughed.

“Oh, thanks for calling me ugly."

“It's not that, it's just that she's way out of your league.”

“And way more out of yours so back off and stop drooling, all three of you.” he said, taking my hand.

"Bye, boys, it was nice meeting you, and thanks for the help.” I said, waving to them.

“You don't think I'm ugly, do you?" He asked, and I started laughing.

“Of course not, in fact, I think you're very very hot." I gave him a peck on the cheek, and he smiled as we headed to the Ferrari garage.

Bonus scene!

Carlossainz Instagram stories

“Yes, I have a hot girlfriend!!!!!”

[ltleflrt]

Figuring out I'm on the ace spectrum was so difficult because I have always been a horny bitch. I knew what sex was at a fairly young age, because I'd asked my mom and she's one of those good parents who'll answer questions like those, and as I grew older and would ask more complex questions, her answers would evolve along with my curiosity and understanding of the world. And I remember having fantasies as young as 9 or 10 years old, even if they were hella vague and nothing close to what sex actually is lol

So as I became a teenager, and all my friends' focus turned from playing with dolls to flirting with boys, I automatically thought I was attracted to boys. And I paid more attention to Cute Boys than I did to Cute Girls, because girls were just nice to look at while boys were People To Have Crushes On. Because of heteronormativity. Looking back on it now, I know there were girls I liked to stare at just as intently as boys, although less often because I wasn't trying to pay attention. And I certainly didn't fantasize about girls because I started reading romance novels in 5th grade, so I was fantasizing about male romantic partners because that was the fiction I was consuming. I didn't even realize fantasizing about girls was possible until I was 17, and I had a few "am I a lesbian" internal crises for years because of it.

So when I did start having sex, I had A LOT OF IT with SO MANY different guys, and eventually a couple of women once I started accepting that bisexuality was real. But it was never really fulfilling. Not like my fantasies were. Not like my books were. I was slutty because sex was fun, I was horny, there were plenty of options so I kept searching for that satisfaction I was craving.

Getting married was a relief (even though it turns out I'm aro-spec too lol) because I was tired of hunting, and even if sex with my husband was meh, at least I had someone around to scratch that itch if I had it, and he didn't mind if I occasionally took care of things on my own because I'd read an especially hot scene in a romance.

I learned about asexuality in my early 20s, but I brushed it off. Couldn't be me, I'm far too horny for that. But I think that comes from the fact that everything you hear about Aces is attached to sex-repulsion or sex-indifference. I wasn't either of those things. I was horny all the dang time. I was fantasizing about sex all the dang time. I figured actual sex was meh because my imagination was so vivid that real life could never match up. Which could be true to an extent, but I think not as much as popular opinion would have us believe. If fantasy was really that much better for everyone, then I think we'd have less incels and unplanned pregnancies than we do.

In my 30s I finally saw people talking about The Spectrum, and I started examining my past, and I figured out I wasn't really attracted to anyone I had sex with. I do occasionally find someone attractive; there are men and women and enbies who make my skin feel tight and give me a little wave of lightheadedness lol... but it's always always the fantasy that gets me really going. If given the opportunity I wouldn't have sex with any of those people. Thank you, but no thank you, I'd rather just imagine it than physically participate in the act with them.

(Ok I might go down on them, but that's less about wanting sex, and more about being able to add them to my Tally. Hell yeah I want to brag about making *insert hot person* have an orgasm. There's PRIDE in that kind of accomplishment lol)

I have a lot of respect for aces that are not horny. I understand it even if I don't share the sentiment. And I feel like most of them understand me even if they don't share the sentiment. There's a solidarity between us.

Until I go into a fandom tag for a character that the aces have glommed onto because they're canonically ace or headcanoned as ace. Good lord, the non-horny aces can turn into downright vicious bastards if a horny ace sexualizes their blorbo.

This post is for them.

Horny aces exist. Please look up "autochorissexual, lithosexual, and aegosexual."

Refer to those definitions in regards to romantic attraction as well as sexual attraction.

Some aces may not fall into one of those definitions, because asexuality is a spectrum, but they may still be horny.

Horny aces are not disrespecting you by enjoying being horny on main. We promise we'll wash the stickiness off our hands before we hold your hands in queer solidarity.

And most importantly: Your blorbo is fictional and does not need to be defended from icky sexuality. They exist in an infinite multiverse, so your blorbo and my blorbo are not the same, even if they appear to be on the surface.

AND:

This post is also for the people who are confused about themselves because they're horny but don't actually feel attraction. You're not crazy, you're not wishy washy, you're not "waiting for the right person to come along" (unless you are, in which case I hope you find them). You're just a thin strip of color on a massive rainbow that holds more unique shades than anyone can perceive at a glance.

You're valid. You're one of us too.

And don't be mean to the non-horny aces. Tag your smut so they can avoid it. (But actually so I can find it lol)

[sanemisstalker]

N/SFW. Minors DNI

CW: GN reader / Men's Mental Health IG ???

KNY characters that I think are more prone to cumming in their pants / NSFW

Giyu

-He's inexperienced.

-I admire the almost fandom consensus of him being either resident, sexy, black haired, quiet anime boy, and/or 'nobody likes this friendless loser, he definitely has a tumblr'

-Any attention, platonic or not, from someone he's attracted to is enough to make Giyu get an apparent boner. He's prone to them when the people he admires say genuinely nice things to him.

-He doesn't get to hear nice things a lot, nor does he take compliments easily, so when he believes them, his body can't help but believe them too.

-He'd rather it not be that way, but due to his floundering mental health, and general isolation, Giyu isn't jerking off very often, nor is he able to get it up when he wants to, so he just goes... months without thinking about it sometimes.

-Could definitely cum from kissing too hard. Not just kissing, but particularly the rough treatment.

-Giyu must be incredibly touch starved, I imagine. I can't fiction the last time he's hugged someone. That scene where he's holding Shinobu, perhaps?

-So when he's getting so much attention, especially so much positive, romantic attention, even if it's a little rough, I'm sure his dick would be at full mast.

-he doesn't think he's predisposed to masochism or anything. He'd hope he wasn't, but it feels better when he's kissing, and maybe his hair is being pulled on, just a little.

-he'd be very embarassed. He wouldn't cry or anything, but I think he'd get up and leave the room. He knows you knew what happened, he didn't moan, but he flinched because the build up was so immediate, and he just couldn't stop.

-How pathetic. He can't show his face infront of you ever again. All he does is ruin good things. You're definitely disgusted by him.

-Even if he didn't realize how pretty his face looked during his orgasm.

Gyutaro

-Everyday I fight the gyutaro incel allegations, and everyday I fail.

-Gyutaro is socially inept, to put it blatantly. He spends an incredible amount of time locked away in his sister, and rarely chooses to come out unless eating for the two, or-

-if he needs to jerk off. A rarity, nowadays. Looking the way he looks can do a real number on one's ability to self-pleasure. He also isn't able to seek out assistance from any brothels- He still looks the way he looks. He's no Muzan- blessed with the ability to change his appearance at will.

-So when you're on top of Gyutaro, and he feels the curve of your ass in his palm, and your sex is positioned right on top of his, just barely grazing his clothed cock, as you try and teach him how to kiss (he's doing his best, but he knows he's not good-)

-He cums, and he cums hard. He grips down on your hips, and goes wide eyed, unable to stop the moan that rips its way from his throat... and then quickly moves you off of him.

-He isn't even finished when he moves you, he's shakey armed, and he nearly drops you.

-he's mortified. After all this time, he finally gets someone willing to touch him, and he blows it. He's borderline inconsolable- switching between begging you not to look at him and begging you not to hate him-

-but the noise he made was just so... pathetic.

Haganezuka

-Men dedicated to their craft don't have time to cum? Silly of you to assume he's ever even seen another person naked. That would imply he looked away from a sword for long enough to register it.

-On a completely serious note (as serious as I can be writing this), It'd be quite awkward interacting with Haganezuka sexually. His mind has been so consumed by perfection that, even if he wasn't dedicated to the blade, he's almost prevented himself from ever being able to cum in a social setting.

-He's developed a phobia of new situations he can't control. Especially sexual ones. Swords are easy and gratifying. Why would he ever need to cum when he can just make a sword and have it be respected and revered. Wouldn't that be nice-

-So when you started rubbing him over his pants, he was, admittedly, panicking. It's not like he went nearly 4 decades without using his dick... He'd just... gone 2 and a half decades without using his dick. Nowhere near the same.

-You'd barely even touched it, barely even pressed your lips to his neck, and Haganezuka was panting.

-The fear coursing through his veins, and the attention his forgotten cock was receiving- He grew more unsightly by the second...

-and then you pressed a particularly soft kiss to the corner of his lips and he was done for. That was his first kiss-

-Though shocked, you'd pump Haganezuka through his orgasm. It'd be enough to go through his pants, and spill over your hand.

-He'd grip your robes, and will you closer to him. His heels would slam into the floorboard, and he'd try to bury his face in your neck, attempting to muffle the groan he'd loose, only to fail tremendously.

-He'd be huffy after. Mad at himself and disguising it as being mad at you.

-'Well, maybe you shouldn't touch me anymore, if you found it so gross! Did you consider that? Just not touching me- ever?'

-but you saw how sad he looked when you said you'd do whatever he wanted. What a simple man.