Will forever be mad at how canon absolutely WASTED the potential their sibling dynamics could've had. The Tanizakis? Sure sometimes we get Junichirou going apeshit over Naomi being threatened but. That's it? Beyond that there's only creepy jokes, no normal interactions. The Akutagwas? We see them together ONCE. And Gin's presence in that episode was more of a tool to introduce Katai. Where's the drama? The worry? They're both front liners for a strong and dangerous organisation. Hell Akutagawa almost died fighting Atsushi. Granted we didn't know at that point and Gin does swoop in to save him. Never do we see them talk after that episode.
Like look at BEAST. They did such a good job with it. Gin's an actual person too.
Imagine the parallels we could've had. How one pair interacts because they were brought up in the mafia compared to the other getting to live in a normal(ish) environment.
Maybe that wouldn't work so well given Noami's a non combatant but ugghhh.
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More characters reacting to them breaking mentally, please
Which ones dear? Just say (characters) breaking down so I remember
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I keep making the same Tumblr posts over and over
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Do people also have that horrible random moment when your brain bullies you for not knowing enough about a topic you consider yourself passionate about ?
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Awww, look at this:'>
Another reminder that he cannot forget:(
And this moment is, chef kiss✨
Moment of vulnerability and security I simp
The fluff moments giving reassurances and singlehandedly healed my heart—
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@forgivenpunishment // one taser might not do it, but what about...?
Holding off a wave of people was no small effort.
Keeping an army off the back of another person while throwing yourself in harm's way, regardless of your strength, was something noble. Something that deserved praise, recognition; the undertaker's efforts would not go unnoticed.
... unfortunately for him, though, it wasn't Vash that they wanted. It wasn't Vash that would be swarmed by fully-amped stun batons and tasers and more bodies trickling in, crowding the hall to prevent escape, or even basic movement that might've allowed him to get the upper hand as some old, croaking voice shrieked don't kill him! We need him alive, he's useless to us dead...!
That had been nearly an hour ago, now, though. Trivial. Shouts and crackles of electricity had been replaced by the din of machines; the hum of glaringly bright surgical lights; the slow, steady blip of a heart monitor keeping track of vitals as six men bustled around the surgical table that they'd strapped him to. They'd cut him out of his clothes to save time, as well; naked save for the various nodes and monitors they'd fastened to him, and a clean, white sheet over his hips that went down to mid-thigh.
Was that sparing his dignity, or theirs? It didn't really matter, did it. No, no, what mattered now was how the subject was feeling whenever he came to again--
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The childlike penmanship and utter abundance of hiragana and katakana that has its own implications aside, I was going to talk about how sweet and sad it was that the only kanji Shouma knows is "mother" (母). But then someone told me he also knows the kanji for "help [me]" (助)...that certainly adds to the context of Shouma's memories of his mother mainly being shrouded in fear
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Reading journal 3 again is a reminder that... Well Ford is kinda an asshole towards Fiddleford. It's not just Stan. Like he's so focused on himself and his project and his ambition that anyone/thing else blurs out (him disregarding Fiddleford's nervousness around the gremloblin because he wants to sketch it, and when it goes sideways, him talking about the safety of the project parts BEFORE how Fiddleford was doing in his journal, multiple times. Priorities much?) and he's demeaning towards Fiddleford's own project (which ends up being wayyyy more important then Ford's discoveries)... Like damn Fiddleford, u left ur wife and young son for this guy?
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