#i hope it makes sense tho..

[lemongogo]

what's your process for coloring like? the look of that elendira is so textured and interesting, i can't figure out how you do it

AA THANK YOUU ^__^ !! textures & brushwork are my favorite things abt my art, so im happy you find it interesting hehe . its SOO cool to look at & so much fun to draw imo

i prefer to color by building in layers , if that makes sense 🤔!! hundreds of them !! such that i'm always drawing on Top of previous layers, working from big & messy blocks of color to, eventually, small and refined blocks of color until it feels processed enough. as a result, i rarely ever erase (!!) and i rarely ever draw lineart aside from the initial sketch

a rough, patchy textured brush is key here, as it'll give you dimension and variability w/ your colors. i recommend "Brush and various sets of fountain pen style (万年筆風ブラシと色々セット)" on Clip Studio (ID: 1679706) !! :3

im terrible with explanations though, so i'm going to show a step by step of that elendira drawing if you dont mind :3

sketch layer !! because i mostly render through color alone, i try to make this as close to the finished thing as possible . ^__^ i hateee drawing the same thing over and over and like the expressivity and movement of my sketches anyways , so the more i can preserve at this step, the better. if u were to look at a side by side of my sketches and finished pieces, youd notice a lot of those og lines are present in the final drawing :3

2. flats !! pretty self explanatory, but the solid background gives me an idea of where the figure begins & ends while the colors themselves help distinguish whats what . i stick to ambient lighting @ this point because im usually not sure what i want to do with the overall palette or lighting yet . having two tones (ex, dark and light in her hair or dark and light on her skin) can also help in identifying key features early on that u wanna preserve. as you build layer by layer, sometimes these areas will remain untouched and i think it makes for a rly lovely feel at the end

3. start blocking !!! to be totally honest with you, i dont really know what i do here HAHAHA. like i just scribble the shit out of it, usually focusing on what i might want to do with lighting (ex: grey areas to accentuate folds in her costume). i think i like to start "erasing" the sketch where possible by coloring on top of it .. like if you look at her hat or her arm , you can tell i'm starting to get a sense of the shapes i like vs the ones i dont. it's at this point that the final image starts to emerge in my mind , like im gradually pulling her from a tarpit of scribbles until shes recognizable lol. chipping away at the marble until i can free her. tbh.

4. keep blockingg...when u think u are done , block some more . as you can probably see, the brushwork becomes more intentional as i add more shape, with specific focus on line weight. this is also where the patchiness of that textured brush comes in - notice how none of the colors seem totally uniform (ex: the red cross or the original sketchlines for her waist). you can see bits and pieces of the layers underneath pushing through and i really like that !! ^__^ its very fun and sketchy to me, so i try to keep them around. those areas are also great to colorpick from, because it'll give you "new" colors to work w/ that are already part of your palette.

5. GRADIENTS & GRADIENT MAPS !! TONE CURVE !! COLOR PICKER !! this is the best stage tbh. flatten your image so its all on one layer and just go crazy with all the color settings in ur program. add gradient layers and set them to darken, or overlay, or subtract, orrr. lighten or dodge glow or divide or soft/hard light.! OR!! edit the hue, saturation, luminosity and contrast.and then color pick from these edits, block even more on top of ur image, flatten, color edit again, etc. etc. until u feel satisfied.

ANYWAYSS . i hope that makes sense @__@ sry i wrote this out and deleted it like 23 times trying to make it make More sense but thats what ive got HAHA i hope its useful though :3 !

[spibder]

made some lil sticker designs of fnaf movie human/animatronic duos :3c they r on my redbubble if u wanna stick em anywhere lols

[inkskinned]

for a while i lived in an old house; the kind u.s americans don't often get to live in - living in a really old house here is super expensive. i found out right before i moved out that the house was actually so old that it features in a poem by emily dickinson.

i liked that there were footprints in front of the sink, worn into the hardwood. there were handprints on some of the handrails. we'd find secret marks from other tenants, little hints someone else had lived and died there. and yeah, there was a lot wrong with the house. there are a lot of DIY skills you learn when you are a grad student that cannot afford to pay someone else to do-it-for-ya. i shared the house with 8 others. the house always had this noise to it. sometimes that noise was really fucking awful.

in the mornings though, the sun would slant in thick amber skiens through the windows, and i'd be the first one up. i'd shuffle around, get showered in this tub that was trying to exit through the floor, get my clothes on. i would usually creep around in the kitchen until it was time to start waking everyone else up - some of them required multiple rounds of polite hey man we gotta go knocks. and it felt... outside of time. a loud kind of quiet.

the ghosts of the house always felt like they were humming in a melody just out of reach. i know people say that the witching hour happens in the dark, but i always felt like it occurred somewhere around 6:45 in the morning. like - for literal centuries, somebody stood here and did the dishes. for literal centuries, somebody else has been looking out the window to this tree in our garden. for literal centuries, people have been stubbing their toes and cracking their backs and complaining about the weather. something about that was so... strangely lovely.

i have to be honest. i'm not a history aficionado. i know, i know; it's tragic of me. i usually respond to "this thing is super old" by being like, wow! cool! and moving on. but this house was the first time i felt like the past was standing there. like it was breathing. like someone else was drying their hands with me. playing chess on the sofa. adding honey to their tea.

i grew up in an old town. like, literally, a few miles off of walden pond (as in of the walden). (also, relatedly, don't swim in walden, it's so unbelievably dirty). but my family didn't have "old house" kind of money. we had a barely-standing house from the 70's. history existed kind of... parallel to me. you had to go somewhere to be in history. your school would pack you up on a bus and take you to some "ye olden times" place and you'd see how they used to make glass or whatever, and then you'd go home to your LEDs. most museums were small and closed before 5. you knew history was, like, somewhere, but the only thing that was open was the mcdonalds and the mall.

i remember one of my seventh grade history teachers telling us - some day you'll see how long we've been human for and that thing has been puzzling me. i know the scientific number, technically.

the house had these little scars of use. my floors didn't actually touch the walls; i had to fill them with a stopgap to stop the wind. other people had shoved rags and pieces of newspaper. i know i've lost rings and earring backs down some of the floorboards. i think the raccoons that lived in our basement probably have collected a small fortune over the years. i complain out loud to myself about how awful the stairs are (uneven, steep, evil, turning, hard to get down while holding anything) and know - someone else has said this exact same thing.

when i was packing up to leave and doing a final deep cleaning, i found a note carved in the furthest corner in the narrow cave of my closet. a child's scrawled name, a faded paint handprint, the scrangly numbers: 1857.

we've been human for a long time. way back before we can remember.

[unfinishedslurs]

gay bar (steddie)

“Well, well, well,” says a voice from behind. “Steeeeeeve Harrington. I must be dreaming.”

Steve turns around to see a guy, dressed in black and chains. Rings decorating his fingers, studs in his ears, curly hair pulled back in a ponytail. He’s hot, yeah, but something about him has Steve squinting, trying to figure out why he looks so familiar. 

“I know you from somewhere,” he says, pointing out the obvious. The guy knows his name.

The not-a-stranger snorts. “Of course you don’t remember me. Why would the likes of King Steve stoop to—“

As soon as the nickname leaves his mouth, Steve’s brain lights up. “Munson!” He exclaims, snapping his fingers. “You used to climb on the lunch tables to give speeches.”

It was so obnoxious, too. The kind of thing that had him and Robin reminiscing late at night, celebrating some of the weirder shit about Hawkins that didn’t come from monsters, or Russians, or government conspiracy. Remember that one asshole? Yeah, he stepped on my lunch one time!

Condolences to Robin’s pb&j. She never sat at that table again.

Munson’s whole face turns pink. “Seriously? That’s what you remember?”

“It was pretty fucking memorable, dude. Like, gross, doesn’t this guy know not to put his feet where people eat? Dustin thought you were so cool for it too. I had to nip that in the bud before he started imitating you or some shit.”

“Oh,” he says, voice gone flat. “Because God forbid some poor kid try to immolate the freak.”

Steve gives him his bitchiest, most deadpan stare. “Feet,” he says slowly. “Nasty, fifteen year old boy feet. On my kitchen table. He almost slipped and cracked his skull, and I would have sent you the hospital bill.”

He had to get creative to make him stop, too. Stood there, hands on his hips, and made Dustin tell him exactly how many germs he thought were on his shoes. Then when he tried to do it barefoot, decided the only course of action was to stuff Dustin’s abandoned sock in his mouth and ask if he wanted that shit with every meal. Erica still has the photos. 

Munson has the decency to look embarrassed, face flooding an even brighter red that wouldn’t be out of place in a tomato patch. “What are you even doing here, Harrington?”

What does he think Steve’s doing here? It’s a fucking gay bar, it’s pretty self explanatory. “My friend is here somewhere,” he says, waving out at the crowd of people. “She’s going through a dry spell, so…”

“Right,” Munson says. Steve squints at him. Does he look disappointed?

Eh. Doesn’t matter. 

“You gave my kids the best freshman year of their nerdy little lives,” he tells him, because he knows Dustin would want him to. Plus, the guy was Mike’s gay awakening. He should probably get some credit. “So thanks for that.”

He lights up. “Yeah! How was Hellfire in my absence?”

“I had to hear them bitch and moan for months about how it ‘wasn’t the same,’ but it’s doing pretty all right. Erica Sinclair is running it now.”

“Erica Sinclair…” Munson mutters, snapping his fingers. “Lucas Sinclair’s little sister? Lady Applejack?” He beams when Steve nods. “She kicked ass. Best finish to a campaign my entire high school career. How’s Lucas, anyway? And the rest of the runts.”

“He’s doing great,” Steve says. “College basketball at Yale. Pretty sure he’s dying under the workload, but that’s what you get for majoring in physics. Dustin’s at MIT, and Mike’s taking a gap year.”

He whistles lowly. “Yeesh, I don’t blame him. How about Byers?”

“Which one?”

“Zombie boy.” Steve’s hackles raise, but Munson just grins. “God, that nickname was badass.”

“How do you even know about that?”

Munson taps the side of his nose. “A magician never reveals his secrets. Besides, all it took for you to remember me was calling you by your high school nickname.”

“That wasn’t my nickname.” Steve rolls his eyes. “Literally three people ever actually called me that, and you were one of them.”

He has a feeling it was Tommy who started it, bitter and vicious. Told himself Steve was self possessed, high and mighty, above it all. That’s why he left his old friends behind. Not because he was in love, or because he wanted to be better. No, King Steve just sits alone in his castle, looking down on the peasants with contempt. 

Billy must have taken his angry ramblings and run with them. After all, what better way to get a start in a new town than declaring yourself royalty? Never mind that Steve hadn’t cared about anything like that for almost a year by then. 

Munson had just been a drama-loving asshole. 

“That can’t be right.”

“I stopped being popular in junior year. Why the hell would anyone call a sophomore King?” Steve points out. 

“You were Prom King.”

“Again, in junior year. Pickings were slim. Who else would it have been? Tommy?” He has to laugh. 

Luckily, Munson takes the hint and swerves the conversation into new territory. “You know, I always figured you’d be homophobic.”

Steve snorts. “What, and get kicked out for nothing?”

Munson stares at him, and Steve furrows his brow, looking into his glass like it will have the answer to why the hell he said that to this guy he barely knows. He just decided he wasn’t going to spill all his daddy issues to a near-stranger in a dingy bar, dammit. Is he already on his fifth drink?

Actually, this might be his sixth. That tracks. 

“What?”

“My dad caught me kissing a boy,” he says. If he’s going to give Munson his life story, he might as well commit. “Can you believe that boy ruined my life in three different ways? Two of them didn’t even have anything to do with the gay thing.” 

Maybe four ways, if you accounted for the way he broke his goddamn heart, but everyone and their mother saw that coming a mile away. Even Steve. Especially Steve. 

No offense to Jonathan. None of those things were really his fault. Or actually life ruining, but it sure fucking felt like it at the time. 

He should give him a call soon, actually, see how he and Argyle are doing. He misses the guy. Maybe he and Robin should save up for a visit to Cali. Get Nancy on it. They could see San Francisco while they were there, that’d be cool. Apparently it was the queer capital of the country. 

He’s thinking about asking the bartender for a napkin and a pen to write down the plans he’s forming when Munson speaks up again. Steve honestly forgot he was here. 

“I thought you said you were here for a friend.”

What?” Steve blinks, confused, and then catches on. “Yeah, to get her laid. I’m not in the mood right now.”

Munson cocks an eyebrow. “Wearing that? Could’ve fooled me.”

Steve looks down at his Springsteen T-Shirt that Robin cropped, and picks at the frayed hem of his shorts. Okay, yeah, they’re on the skimpy side, but in his defense it’s summer and even if he’s not cruising Steve likes being looked at. “Yeah, yeah. What about you? Here for anything in particular?”

“Just to talk to some pretty boys,” Munson says, leaning on the bar to flag down the bartender. Steve smirks, reaching out a hand to tug at the hanky in his back pocket. Pinned, damn. 

Munson whirls around, a flush starting to crawl onto his ears. 

“Wearing that?” Steve echos snarkily. “Could’ve fooled me.”

He swears that for a minute Munson’s eyes darken. 

He’s almost tempted to follow through, high school reputation be damned, when someone crashes into his side and nearly sends him careening. 

“Steeeeeve,” Robin yells happily into his ear. “This is Bernie, she’s gonna take me home, see you la—oh, hi!” She says, noticing Munson. “I know you from somewhere.”

“Eddie Munson,” Munson greets. “Steve and I went to high school together.”

“Munson! That’s it, you climbed on tables and had shit music. I’m Robin. Okay, I’ll call the apartment and leave a message when we get there. Bernie’s waiting on me, it’s-nice-to-meet-you-bye!” Just like that, she’s gone. 

Munson’s mouth has dropped open. “You told her I had shit music?” He demands. “Wait, you talked about me?”

“She went to school with us, dumbass,” he says, as if he can talk. He still barely remembers her as more than a vague, glowering figure in his peripheral. “It’s not my fault you blasted your screamy music for everyone in the parking lot. Such a fucking headache, God.”

Munson turns his nose up. “Sorry for having offended your jock sensibilities.”

“Oh, I don’t play anymore,” he says, and knocks on his head. “Concussions, yanno. Apparently brain damage will fuck you up. Who knew?”

“What, like the fight you had with Byers? He did you that bad?”

“He did me just fine,” Steve blurts out, before he can stop himself. Munson chokes. “Shit, sorry, I’m kind of a horny drunk.” Weird thing to say, Steve. “Also, I cannot stress enough how much I needed to be punched in the face. It was a monumental moment for me, you know. Started me on the path for changing my entire worldview. Plus, he was my first guy crush.” He swirls his empty glass, lost in thought, before brightening up. “I should call him!”

Munson is staring at him, mouth opening and closing like a fish. 

“What?”

“You’re drunk.”

“Well, yeah. Duh.”

“I should probably stop you from booty-calling the guy who punched you in the face.”

Steve wrinkles his nose. “It wouldn’t be a booty-call,” he says. “He and Argyle are happy together, man. I’m not gonna ruin that.”

“Oh, so you’d call him because…”

“I call him all the time,” Steve says, confused as to why this is such a big deal. “We’re friends.”

“Jonathan!” He yells happily into the pay phone. Munson is standing to the side, looking on in annoyance. Whatever, it’s not like Steve asked him to do this. “Jonathan, man, how are you?”

“…Steve?”

“Yeah!”

“It’s like…” he hears something clatter in the background, like Jonathan is looking for something, “two in the morning there. You okay?”

“I’m doing great!” He exclaims. “How about you? It’s been ages, man, I miss you.”

“This is so fucking weird,” Munson whispers behind him. Steve ignores him. 

“Are you drunk?”

“No,” he says. “Well, maybe a little. Do you not miss me too?” He pouts, and Jonathan sighs loud enough he hears it over the phone. 

“I just talked to you yesterday.”

Steve frowns. “Yesterday? That can’t be right, it’s been, like, forever. Oh, hey, have you heard from Nance lately? How’s your mom? I love your mom, she’s so fucking cool. Does she know I think she’s cool? How’s Will? It’s been so long, is he taller than me yet? How’s Argyle doing with his degree? I miss you guys.”

“We miss you too, Steve.”

“Awww, Byers, getting soppy on me? Gross, man.”

“You literally just—yeah, okay. Are you alone?”

“Nah, I’ve got this guy with me, he’s walking me home. Oh! Dude, do you remember Munson?”

“Munson?”

“Yeah, Eddie Munson! From high school! The one who used to climb on tables and shit, remember him?”

“Jesus Christ,” Munson groans. “Please let that die.”

“No one is dying,” Steve informs him seriously, and turns back to the phone. Munson sighs. 

“Wasn’t he a drug dealer?”

“Yes! Yeah, drug dealer Munson! Did you ever buy from him?” He turns to where Munson is looking around furtively. “Did Jonathan ever buy from you?”

“How about we not talk about this here,” Munson says through gritted teeth. Steve sighs and turns back to the phone. 

“Never mind, he says he doesn’t want to talk about that. Not like we can judge him, but whatever. Maybe the guy’s turned into a prude—“

“Okay, give me that.” Munson wrestles the phone out of his hand, and Steve whines at him. “Hey, Byers,” Munson says. “Yeah, it’s Eddie. Or Munson. Whatever. Listen, I’m getting kind of sick of standing here watching Harrington slobber all over the receiver, can he call you tomorrow? What? No, I don’t sell anymore—yeah, total bummer, whatever. Listen, I’ll get him home safe—no, I’m not going to serial murder him. He’s gonna be fine, he’ll call you tomorrow—Nancy Wheeler? Like that girl he dated? Didn’t you—shoot me? Jesus, okay! I’m not gonna kill the guy, Christ. He’s gonna be fine, oh my God. He’ll call you tomorrow. Uh-huh. Uh-huh. Yeah, okay. Bye.” He slams the phone into its holder with more than a little contempt. 

“Hey!” Steve protests. “You didn’t let me say bye.”

“You can call him tomorrow and apologize,” Munson says. “Now c’mon, Harrington. I’ve been tasked with getting you home safe, and if I fail, apparently Nancy fucking Wheeler is going to shoot me in the balls.”

“Oh, yeah, she’s really hot when she does that,” Steve says fondly, and Munson splutters. 

“What, does Wheeler just go around shooting people? Does she even have a gun?”

“Of course Nancy has a gun.” Steve frowns. It was one of the sure things in the universe at this point. The sky is blue, Hawkins is fucked up, and Nancy Wheeler has a gun. “And she doesn’t shoot people, stupid. Well, she shot at Billy, but he deserved it.”

“Billy?” Munson mutters, starting to usher Steve in the direction of home. “Who the fuck is Billy?”

“He was trying to kill her first!” Steve defends. “I hit him with a car before he could, so she was okay.”

“Okay, yeah, sure. Why wouldn’t you hit some guy with a car? 

“It wasn’t some guy,” Steve says. “It was Billy. He was, like, possessed or some shit. Oh, and he beat me up. Total psycho.  And that was before the melted flesh monster.”

Munson stops and stares at him. “You know what, sure. Demonic possession. Yeah, okay. Some guy named Billy kicked your ass—wait, are you talking about Billy Hargrove?”

Steve lights up. “Yeah! You remember that? That’s one of the concussions I was talking about. I gotta wear glasses 'cuza that shit. Man, fuck that guy.”

“Didn’t he die?”

“Oh, yeah,” Steve frowns down at the ground. “Shit, I’m, like, speaking ill of the dead, aren’t I? Max wouldn't like that. Unfuck him, or whatever.”

“You wanna come up?” He asks. “For old times sake?”

Munson stares at him like it’s the craziest thing he’s said all evening. “‘Old times’ was your asshole friends calling me a satan worshiper and pushing me around in hallways, Harrington.”

“I know.” He grins. If he was sober he’d definitely feel worse about that, but as it is he’s pretty single minded. “Don't you kind of want to make me cry about it?”

Deer in headlights isn’t usually a good look, but Munson’s got the eyes to make it work. Or Steve is drunk. Either way, it’s kinda cute. 

“You’re drunk,” he finally says, stumbling over the words a little. If Steve pays close attention and ignores most of reality, it almost sounds like he’s trying to convince both of them. “You’re so incredibly drunk.”

“I’m not that drunk.” He totally is. 

“I just had to supervise you calling Jonathan Byers so you didn’t say something you’d regret in the morning.”

“What’s that supposed to mean?” Steve asks, offended. “I love Jonathan! I tell him all the time. Just because I said he ruined my life—“

“That was him?”

“Did I not say that? Huh. Whatever. Point is, I’m not that drunk.”

“You’re definitely drunk,” Munson says. “I’m not—yeah, no. I’m not coming up.”

“Damn.” Steve shrugs, not too put out about it. It’s a bummer, sure, but he handles rejection like a champ. Just ask Robin. “Worth a shot. See you ‘round, Munson.”

“Don’t kill me,” Steve says. 

“Oh, god, did you punch him?”

“No, I, uh.” Steve rubs the bridge of his nose. “I think I tried to fuck him.”

He has to hold the phone away from his face so Dustin’s screeching doesn’t break his eardrums. 

“Your exes are weirdly protective of you,” Munson says blandly. “Also, didn’t they date?”

“Yeah,” Steve shrugs, not exactly eager to start spilling his life story again now that he’s sober. Munson doesn’t need to know more about his dating history than he already does. “We’re all a little weird about each other, sorry.”

“Weird about your exes,” he hums. “No wonder you’re single.”

“Oh, fuck you. It’s not like that.”

He raises an eyebrow. “No?”

“Are you always this nosy?” Steve asks, a little waspish. 

“Absolutely,” Munson replies without hesitation. “I’d say sorry, but I’m not. When did you even date him?”

“Dude.”

Munson just cocks an expectant eyebrow, hip resting against the bar. He can’t imagine why someone would be so interested in the romantic lives of their old high school classmates. It’s not like Steve is about to ask what was going on between him and Chrissy Cunningham. 

“Well, Harrington?”

“First grade,” Steve answers, deadpan. He grins when Munson chokes. “Nah, it was actually after he and Nancy broke up. Fall of ‘86.”

Arms squeeze him from behind, and Robin slides into view, leaving one hand wrapped pointedly around Steve’s waist. She gets clingy when she thinks someone is bothering him, or when she’s just on the side of drunk that she gets possessive. She told him, embarrassed and hungover, that it’s because she registers someone he’s getting along with as infringing on “her Steve time.” Steve thinks it’s hilarious and kind of sweet, an obvious lesbian trying to pretend he’s her date. Especially because he gets the same way when he’s tipsy and feels like he doesn’t have enough of her attention, so she can't yell at him for being a cockblock. Cuntblock. Whatever the lesbians call it.

He wonders what category she thinks Eddie is. Of guy, that is. Not block-anything.

He'd actually be pretty damn happy if the guy miraculously changed his mind and decided to sit on his cock instead.

“What’s going on here?” She asks, almost cattily. He loves when Robin gets bitchy. It brings him back to their Scoops days, except he gets to see it turned on someone else. 

“I’m telling Eddie my life story,” Steve says blithely.

“Ugh. Who would want that?”

Eddie grins. “I’m curious about the adventures of a former king.” He dips his head in a bow, waving his hand in a flourish. “I don’t know if you remember me from last time, I’m Eddie—“

“Munson, I know. You stepped on my lunch in junior year.”

Eddie turns beet red in record time. 

“Aww, Robbie,” Steve almost coos. “Leave him alone. I wanted to be the one who made him blush like that.”

“It’s not my fault your boy’s easy.”

“Not my boy, clearly,” he mutters under his breath. “And if he were easy, I’d have gotten fucked by now.”

Eddie’s mouth drops open with a choked little sound. Whoops. Steve forgot volume control again. 

Robin takes one look at Eddie’s face and bursts into cackles. 

“He was asking about,” he waved a hand in the air, “the whole Nancy-Jonathan thing.”

Her eyebrows jut up. “You told him about the threesome?”

“The what?”

Steve sighs. “No, Robin. I did not tell him about the threesome.”

“…oops.”

“When?” Eddie demands. 

Robin gives him the evil eye. “Why are you being weird about this? It’s not gonna make him fuck you.”

Steve wisely keeps his mouth shut. 

Eddie does not. “Your boy here already asked,” he smirks, leaning closer. “I said no.”

Then, as an added punch to his ego, he twirls a strand of Steve’s hair around his finger and tugs slightly. Steve’s too stunned to protest. 

Robin watches the exchange. “Oh, no thank you,” she says. “Nope. I’m out. I don’t want to see whatever this is. Ugh, stop making me hear about your sex life.”

Hypocrite. “We have thin walls, Buckley,” Steve reminds her. He turns to Eddie and stage whispers, “She likes her girls loud.”

“Steve!”

“You do!”

“Oh, because you’re so quiet,” she snaps, smacking him. “How many times have I had to bang on the wall because you couldn’t keep it down? You wanna talk about loud? I know more about you than I ever wanted to.”

His mouth drops open in mortification. “You know it’s rude to be mean to the man who told you how to eat out,” he hisses. 

“I’m not dying without fucking Eddie Munson,” he declares. “I mean, his high school nickname was literally ‘The Freak.’ He’s got to be good in bed, right?”

“I think that was mostly because everyone thought he was communing with the Devil or something.”

“Maybe the Devil gave him sex magic.”

“Of course he thinks I’m cute.”

“I do?”

“Do you not?” Steve turns to him, widening his eyes in the same pout that always has Robin throwing something at his face, or the kids reluctantly agreeing to do what he wants. He’s found it’s useful for guys too, especially if he ducks his head to seem smaller and looks through his eyelashes. Makes them imagine him looking like that on his knees. 

Munson is no exception. He melts faster than Steve can say gotcha. “You’re very cute, Harrington,” he purrs, and Robin snorts into her drink. 

“You’re a weak, weak man, Eddie Munson,” she tells a blushing Eddie. Then she kicks Steve. “Stop bringing out the ‘fuck me’ eyes when I’m around, I’ll gag.”

“You could leave.”

She gasps, affronted, and kicks him harder.

“So you would fuck me if I wasn’t drunk?”

“Uh…” he looks everywhere but Steve’s face, which is just rude. He has a very nice face. He’s been called dreamy before. 

Which made Robin laugh so hard she fell off the couch when he told her, but he’ll take the lesbian’s opinion with a grain of salt. 

He makes his way onto the dance floor. He’s not a particularly good dancer, but he shakes his ass like he means it. Gets up close with a guy, stares at Eddie the whole time. Keeping eye contact as the guy puts his hands on his hips. 

Look, he means to say. This could be you. You could lose your chance if you’re not careful. 

From the burning in Eddie’s eyes, he gets the message. 

The message is a bunch of bullshit. It’s been over four months, he’s in too deep to go fuck off with someone else now. Still, he enjoys the way Eddie’s hands flex on his thighs, like he had to stop himself from reaching out. 

The thing is, Steve’s not an asshole. He can take a hint. No means no, and all that jazz. If Eddie really didn’t want him, he’d fuck right off and find someone who did. He even started to.

Except Eddie pouted up a storm when he flirted with someone else. Got even clingier when Steve tried to back off. At this point, he’s accepted that Eddie does want to fuck him, and maybe even be more (no one flirts with someone as long as they’ve been doing without wanting something like a relationship out of it. At least, he hopes there’s something more on the horizon), but has some weird hang up about Steve being even a little bit buzzed when it happens. Even though they only ever see each other at this fucking bar.

The problem is Steve has no idea when Eddie will be at the bar. He’ll stay sober one night, hoping to see him, and then go home alone only for next time to be when he sees telltale curls and a wide smile. It’s driving him up the wall. 

Robin has been similarly affected.

“It’s been six months,” she growls as Steve looks eagerly around. “Six fucking months of you two dancing around in the worlds most annoying mating ritual. I’m going to kill both of you.”

“We’re not that bad,” he says absently. 

“You don’t even have his phone number. It’s pathetic. I swear to God, if you see him again and don’t get laid I’m reviving the scoops board. I will go out and buy a whiteboard to keep track of all the times you strike out with a man who used to walk on tables. He stepped on my lunch, Steve. Do I need to keep bringing up the fact he stepped on my delicious, nutritious PB&J? I can’t believe that’s the guy you decide to be obsessed with, that’s so fucking embarrassing for you.”

“Embarrassing? You mean like your crush on my ex girlfriend?”

She screeches wordlessly, pulling her keychain off her belt loop and attacking him with it. 

Naturally, that’s how Eddie finds them. 

“I swear you guys get weirder every time I see you.”

Steve grins guilelessly at him, holding a flailing Robin in a headlock. 

“Eddie! Hey! It’s been a minute.” He hasn’t been able to come in a month, and it’s been longer since he’s seen him. It’s honestly one of the deciding factors on whether it’s a passing fancy or a full blown crush. He still went to sleep every night thinking about Eddie. It didn’t even have to be about sex. 

Although maybe not sleeping with anyone else for half a year should have tipped him off sooner. 

“Sure has, big boy. I was starting to think you were getting sick of me.” It’s a joke, but Steve catches an undercurrent of insecurity. 

“That’d make my life easier,” Robin snorts. She finally wiggles her way out of his hold. “I saw Arty somewhere around here, I’m gonna see if I can crash at her place tonight.” She levels Eddie with a look. “He hasn’t had anything to drink. If you don’t put him out of his misery, I will. And it won’t be the good kind. It will be the bad kind. With bad screams. Lots of screaming, and someone will call the pigs, and I’ll be arrested and jailed for life. Do you want me to go to jail, Munson?”

Eddie shakes his head dumbly. 

“Good! Then do something about it.” She slaps Steve’s back, a mocking echo of his jock days. “Go get ‘em, slugger!” 

With that, she’s gone, disappearing into the crowd. 

“She is,” Steve remarks with amusement, “the worst wingman on planet Earth. Mars too, probably.”

“I dunno, I think it might be working.”

“I’m not doing anything without a condom,” he says, eyes narrowed like he’s waiting for an argument. 

“Me neither,” Steve agrees. “Robin has, like, this big fear of diseases. Totally got me with it. She pulled out the library books, those pictures were fucking disgusting. Shit showed up in my dreams, man. Neither of us do anything without protection.”

“I’m going to be totally honest with you, because I haven’t been and it’s starting to eat at me,” Eddie says, hovering above Steve. 

Steve wrinkles his nose. “What is it? Are you a spy or something? Are you Russian? Do you have superpowers? Is your name not actually Eddie?” He pauses. “Oh, God, you’re not even Eddie Munson, are you? I’m just some asshole who’s been calling you by my old classmates name and you were too embarrassed to correct me. Shit, we made so much fun of you for walking on tables too—“

“What?” Eddie covers his mouth, expression hovering between amused and baffled. “What the fuck, why would I go along with that? No, Jesus, I’m Eddie Munson. Moved to Hawkins when I was eleven, took senior year three times, walked on the fucking tables, could you let that go?” He moves the hand covering Steve’s mouth to play with his hair, looking annoyed for a minute before it smoothes to trepidation. “No, I, uh, I just felt like I needed to tell you that I used to have a hate-boner for you in high school. Like, I used to jack it to the thought of kicking your ass and making a mess outta you. In more ways than one.”

Steve stares. 

“Also, that’s kind of why I approached you in the bar in the first place,” Eddie blabbers on. “And then you said you were just there for a friend, and I was disappointed but it’s whatever, yanno? And then then you told me about your dad, and threw my expectations to the fucking wolves, and then you asked me to come up to your apartment except you were drunk and you probably didn’t mean it. But then the next time I saw you, you kept flirting with me, which you were not supposed to do, and I kept pretending that wasn’t the reason I even talked to you in the first place, and, uh, yeah.” He smiles nervously. “Surprise?”

“I mean, not really.”

“You’re such an asshole, fuck off. At least pretend to be shocked.”

“It’s not my fault you stare at my legs all the time,” Steve says, affronted. “I know I didn’t do too good in school, but I’m not dumb enough to miss that. Like, hello, my eyes are up here.”

Eddie lets his arms give out, flopping on top of Steve heavily. Steve wheezes. “Am I really that obvious?” He whines into his shoulder. 

“You got sad and pouty when I even looked at another guy.”

“You could’ve fucked him,” he mumbles. “The guy you were dancing with. It wasn’t any of my business. I’m a big boy, I can deal.”

“Yeah, but I didn’t want to fuck him,” Steve says. “I wanted to fuck you. Can we go back to that please?”

“Thought I was fucking you.”

“Someone’s getting fucked or Robin will kill both of us. I’d like to live tomorrow morning. And not have to deal with any more of her teasing for having no game.”

“You have unfortunate amounts of game,” Eddie sighs, tracing the side of Steve’s neck. It tickles. “It’s kind of embarrassing for me.”

“Yeah, yeah, are we using those condoms or not, Moodkiller?”

“Oh, I’m the mood killer?”

“Yes,” Steve says matter of factly, and pulls him in for a kiss before he can protest.

[delta-piscium]

Steddie | 1.7k words it is (swedish) midsummer so I wrote this based on my favorite old tradition because I can and will make anything steddie, so like glad midsommar (happy midsummer)

“What are you doing?” Steve asks as he follows Eddie to the hallway where he’s frantically putting on his shoes. 

“I almost forgot,” he mutters under his breath not acknowledging Steve at all.

“Forgot what?” 

“I can’t believe I almost forgot.” 

“Eddie,” Steve says a little louder, more adamant.

He does look up at Steve then and almost looks surprised to see him. As if he’d forgotten he was there, as if they haven’t been hanging out for hours. 

“Oh,” he says. “Uhm,” he squints at Steve who waits for him to continue, to explain. He doesn’t.

“Yes?” Steve implores because he would really like an explanation. Eddie had just abruptly stood up halfway through telling Steve about some folklore he’s using in his new campaign, just cut himself off mid-sentence and walked off. Steve doesn’t think it’s especially weird or demanding of him to have questions. 

“Did you have other plans that you just now remembered?” Steve frowns, starting to feel unsure when Eddie still isn’t saying anything. It’s just past eleven at night and Steve doesn’t know what plans those would be but he had showed up unannounced earlier in the evening so it’s not impossible that Eddie had plans that Steve interrupted. 

“No, no, no,” Eddie assures him finally breaking his silence, “it’s- okay it’s a little silly but I read this thing researching and I want to try it.” 

And well, okay then.

Steve raises his eyebrows and waves his hand gesturing for Eddie to go on. 

Eddie’s cheeks turn a light pink and he resolutely looks somewhere above Steve’s shoulder instead of at him. 

“Midsummer, which is today, is supposed to be this magical night and there are all these traditions and old myths about it.” 

Eddie glances at Steve and he smiles. Tries to show he’s listening and wants to know whatever thing Eddie read about. 

“And well, okay so there’s this one tradition where you pick seven different kinds of flowers before you go to bed and then put them under your pillow and you’re supposed to dream about who you’re gonna spend your life with.” 

Steve blinks, wasn’t expecting that and doesn’t know what to say about it, so, he blinks again. 

“Maybe it’s dumb, but with all we’ve seen magic and folklore don’t seem so far-fetched and,” he shrugs, “I wanna try. And like, it’s close to midnight and I don’t know if that’s a rule but I don’t wanna risk messing it up.”

“It- huh,” Steve frowns slightly and looks at his shoes then back at Eddie. “Yeah alright, let’s do it. Can’t hurt right?” 

His voice is light, like it’s not a big deal and just a fun thing Eddie read about because that’s what it is, isn’t it? But something about it settles deep in Steve’s gut. Makes it feel important in a way he’s not sure he could explain if he tried. Maybe it’s just the fact that Eddie is getting so worked up about the possibility of dreaming about the person he’s gonna spend his life with when Steve maybe a little bit wishes it would be him, but like, only a little. 

Eddie looks at him with wide eyes like he didn’t expect Steve to want to join, like maybe he expected Steve to make fun of him for wanting to do it. But then something seems to switch in him and a slow smile spreads over his face and he gives Steve an exaggerated once over. 

“Looking to find your true love huh, Harrington?” 

“I thought you said it was the person you spend your life with, not the same as true love necessarily.” Steve quips back because technicalities are easier to argue over than answering that question, especially when Eddie is the one asking.

Eddie shrugs. “Different sources say different things, sometimes it’s true love sometimes it’s who you marry.” 

“Well, then I guess we’re both looking to find our true loves?” Steve hedges, drags Eddie down with him if they’re gonna go there. 

A soft look passes Eddie’s face before a responds, voice quieter. “Guess we are, yeah.” 

They pick their flowers in silence, something about the magic being broken if you speak. Walking around the edge of the woods behind Eddie’s trailer a couple of feet apart, every once in a while coming together or crossing paths. 

After, Steve stands in between Eddie’s trailer and his own car. Holding on to his bouquet of seven flowers unsure what to do. He could go home, he should go home, but he doesn’t want to. He did have some beers hours ago and if he was allowed to speak he’d use that as an excuse to not drive and ask Eddie to crash on his couch. Right now he can’t though so he sighs inwardly and turns to his car. 

He makes it about two steps before a hand reaches out and grips him around his free wrist stopping him. When he turns around Eddie is giving him a look that very clearly says ‘stop being stupid’ and jerks his head towards the trailer silently telling Steve to go with him. He doesn’t let go though and uses his grip on Steve to drag him along like he can’t be sure Steve will actually listen and follow. As if Steve would ever not follow Eddie. 

They quickly get ready for bed. And again when Steve walks toward the couch Eddie grabs him and shakes his head. He waves his arms around a bit like that’s supposed to explain anything but Steve isn’t too bothered about an explanation anyways and easily follows Eddie to his bedroom. 

They’ve shared a bed before but always when they’ve been drunk or high so this feels different. Steve is a little glad they can’t speak or he’s sure he’d blurt out something way too revealing about it all. 

He avoids looking at Eddie as he tucks his flowers in under his pillow, knows Eddie is doing the same next to him. Is aware of it only being an old myth from a region halfway across the world but there’s a weight to it. Something real and tangible. 

He expects it to take a while for him to fall asleep like it always does. For him to twist and turn and lay awake until the early morning. For once though, that doesn’t happen. With the weight of Eddie next to him and to the sounds of his soft breathing and small movements, Steve falls asleep.

And he dreams. He dreams of big brown eyes and bright laughter. Of wild hair and warm arms embracing him. He dreams of growing old next to someone and how every wrinkle on their face tells a story of their shared love. 

He wants to stay in the dream forever, desperately tries to hold onto it even as he floats into consciousness. He turns and groans, gets a mess of someone’s hair in his mouth and nose and that’s enough to startle him into full wakefulness. 

Eddie grumbles next to him, clearly also just waking up. Steve looks at him, with his wild hair and his big brown eyes that are slowly blinking open and of course. Of course, it was Eddie he dreamed about.

Their eyes meet and Eddie freezes. Eyes widening as he looks back at Steve. 

“Oh,” he says. 

And yeah, oh.

“Eddie?” Steve asks, unsure of how to bring it up, to ask about it. If he even should? 

He puts on a teasing smile, even though he feels like goo inside, but making it lighthearted is all he can think of because what if he’s taking this whole thing way too seriously? Jumping to conclusions? 

“Dream of anyone?” 

Eddie nods and looks away, “I did.” He says it simply, voice careful. 

And maybe it isn’t just Steve.

“Who?” He asks, dropping the teasing tone. 

Eddie swallows and looks back at Steve. “The person I wanted to dream of,” he says and it’s not really an answer but he’s looking at Steve so intently he thinks it still might be. 

He thinks about Eddie’s quiet but delighted surprise at Steve wanting to join him yesterday. About Eddie dragging him first into his trailer and then into his bed. How they’re so close on Steve’s side of the bed and Eddie must have drifted towards him in his sleep.

He bites his lip to stop his smile from spreading too wide, there’s still a chance he’s misinterpreting things, “yeah?” 

“Yeah.” 

“And who would that be?” Steve asks, leaning in even closer until he feels Eddie’s small puffs of breath across his face. 

“You,” Eddie whispers but Steve hears it clearly. 

He takes a moment to bask in it, to let it wash over him before he responds.

“That’s good,” Steve tells him eventually and Eddie’s eyes are so wide and open, and so pretty, “because I dreamt of you.” 

He knows it’s cheesy so he doesn’t give Eddie time to respond, just leans in and closes the remaining gap between them. Slots their lips together. Eddie gasps into the kiss, grabs Steve by the hair, and pulls him in. Makes all these cute noises that make Steve want and want and want. 

He shifts, goes to put his leg in between Eddie’s to move on top of him and get a better angle. But he only gets halfway before Eddie grabs his hips and twists them around. Pushes Steve flat on his back and straddles him. 

He grins down at Steve. 

“You think the Scandinavian magic worked or was it just dream psychology and wishful thinking?” 

“Does it matter?” Steve asks, way too earnestly. But like, they’ve just spent this whole time doing some true love magic so he thinks it’s fine, “got what I wanted.” 

“It’s forever though,” Eddie points out, bending down to bite at Steve’s jaw, “if we believe the old Norse people.” 

Steve hears the question there, thinks this might be Eddie’s way of asking what this means to Steve. His way of telling Steve this isn’t just a hookup for him.

“God yeah,” Steve exhales, “I fucking hope so.” 

He feels Eddie smile into his neck and grabs his hair, uses it to pull him back and steer him into another kiss. 

[igura]

wardrobe notes for my silly au; travelling king thranduil

[exilepurify]

“You know a lot of big words.” — Determining Shigeo’s Kanji Literacy

An analysis in four parts:

Jouyou kanji and Japan’s compulsory education system, explained.

An introduction to the analysis—what I did and why I did it.

A presentation of data, evidence, and counterarguments.

The truth revealed: can Shigeo write a reasonable amount of kanji for his age group?

Jouyou kanji and Japan’s compulsory education system, explained

Let us begin this analysis by establishing a basic understanding of how Japan’s education system is structured.

As you may already know, only elementary school and middle school are compulsory in Japan, meaning that high school and college are completely optional. Therefore, compulsory education in Japan consists of grades 1-9, with grades 1-6 being 小学校 (primary school) and grades 7-9 being 中学校 (middle school).

The term 「常用漢字」(jouyou kanji, “Daily-Use Kanji”) refers to a list of 2136 kanji that the Japanese Ministry of Education requires be taught throughout education grades in Japan due to their importance and frequency of use in Japanese daily life. Knowing all 2136 is defined by the Japanese government as the baseline for basic, functional literacy in Japanese. The jouyou kanji list is further divided into two sub-categories: 「教育漢字」(kyouiku kanji, “Education Kanji”) and 「中学・高校漢字」(chuugaku • koukou kanji, “Secondary School Kanji”).

教育漢字 (kyouiku kanji, “Education Kanji”) (A.K.A. 学年別漢字配当表 [gakunenbetsu kanji haitouhyou, “list of kanji by school year”]) is the Japanese term for the 1006 kanji that are taught over the 6 years of primary school in Japan, grouped into different grade levels by difficulty and complexity.

「中学・高校漢字」(chuugaku • koukou kanji, “Secondary School Kanji”) is the term for the 1130 kanji that students are expected to learn throughout middle school and high school. This list of kanji is not strictly divided by grade level, though a general grade level is often provided, because students in secondary school—whether it be middle or high—are expected to learn kanji more independently. Though the responsibility of learning these kanji is shifted from the classroom to the individual, the importance of knowing these kanji by the end of one’s education, if that be middle school or high school, cannot be overstated. Once again, these 2136 kanji are considered the basics of Japanese kanji fluency.

According to the “Kanji Frequency Number Survey/漢字頻度数調査” conducted by the National Cultural Affairs Division in 2000, in 385 books published by a major publishing company, 8474 different kanji were used (not including duplicates). However, speakers are able to understand 99% of them if they know the top 2457 kanji, and 99.9% of them if they know the top 4208 kanji. And as is true for speakers of every other language, people can generally read more words than they can write.

I determined the “grade level” of each kanji in this analysis according to the grade level provided in my Japanese-English dictionaries, but consideration will be made for Secondary School Kanji due to the lack of official grade divisions and the less organized circumstances involved with learning them.

An introduction to the analysis—what I did and why I did it

In this analysis, I focused specifically on Shigeo’s ability to write kanji, not to read them. This is most obviously because it’s much harder to determine whether or not someone can actually read something, especially in anime, without it being explicitly mentioned. However, it is also because the meaning of kanji can be inferred from knowing the meaning of radicals, and as mentioned above, it is common for people to be able to read more words than they can write. The true mark of knowing a kanji is being able to write it.

To determine Shigeo’s kanji-writing ability, I studied screenshots from a few scenes from the anime, specifically a couple of scenes from the Reigen OVA where Shigeo is writing a LOT, and a couple scenes from the regular anime where Shigeo is explicitly seen writing stuff down and the audience is shown the writing.

The data has been organized into two different excel charts—one for kanji he uses correctly, and one for kanji he doesn’t know or messes up. The kanji in each of these charts have been color-coded and organized by grade level, with readings, translations, and explanations provided. There is only one kanji in the entire analysis that is not considered a part of the jouyou kanji, and this kanji has been marked by “N/A” in the grade level section.

I will provide each chart alongside a percentage likelihood that Mob will know any given kanji from each grade level based on the information gathered from the anime. Please note that the sample size is obviously limited, but I’m working with what I have. If there is a kanji with some sort of detail worth consideration, I’ve marked it with a (**) in the chart and will explain below.

Lastly, I included kanji used in names in the chart here after some deliberation. Name kanji are tricky in general, because multiple kanji share the same pronunciation and people usually don’t know what kanji are used in someone’s name unless they are shown by that person (unless it’s some crazy common name like 高田 or 森 or 田中).

A presentation of data, evidence, and counterarguments.

Shigeo’s known kanji:

Shigeo’s unknown kanji:

IMPORTANT NOTE: There are one or two instances of Shigeo NOT using a kanji at all that I’ve decided not to include on the chart. This is because it is common for Japanese speakers to omit kanji for super common verbs and write them in kana instead, either for personal style reasons or for convenience. Since the verbs are so fundamental and commonly-used, it’s unlikely that they will be misunderstood or mistaken for another word if written in kana. So, if Shigeo wrote the verb for “to read” or “to eat” without using kanji, I didn’t include it, as I highly highly highly doubt he doesn’t know those kanji and I felt like it would unfairly skew the results against him.

米** = I don’t blame Shigeo for not knowing this kanji. It’s fair to assume that Mob might not have seen Mezato’s name written out and therefore wouldn’t know which kanji to use. On TOP of that, “me” for 米 is a special nanori (used for names only) reading and is super obscure and uncommon. I couldn’t even find it in my name dictionary by searching “Mezato”, I had to find her name written in kanji in S1E3 and go from there. I wouldn’t expect this kanji to be in anyone’s top ten possible kanji guesses for the “me” in “mezato”. I included it because rules are rules, but wanted to mention this to make it fairer on the boy.

世** = I want to make it known that Shigeo does successfully write this kanji in the image shown here, when he writes 「世紀」(century):

HOWEVER. However. He messed it up SO BAD before that I think it actually overpowers him using it correctly and brings it back around to a “not properly known” kanji, especially because it’s a kanji taught in second grade that he shouldn’t be messing up at all:

The subtitles intersect it but I’ve rewritten what Shigeo wrote there at the bottom. He tried to write 「世の中には」”In the world…”, but tried to write the kanji, messed up, crossed it out, and then rewrote it in kana. Didn’t even try to write it a second time. This is egregious and, in my juror’s power, cancels out his later usage. This would be like misspelling “world” in English. I’m willing to entertain arguments that he just wanted to write it in kana for some reason, but as it is now, I don’t think that excuse is compelling enough against such damning evidence, so in “missed kanji” it goes. (It’s partly cut off but what gets me is that it doesn’t even look wrong in the first place lol but if he crossed it out, it means he didn’t know it well enough, which allowed him to doubt, which is still damning enough.)

造** = Just like above, Shigeo actually does successfully use this kanji once in the show when he’s filling out his paperwork for the Body Improvement Club in S1E2 (forgive my awful kanji, it’s hard to draw on the phone lol): 

However, that was not only on an official school document, it was also in the presence of a student council member and Saruta (#2 in the grade lol) so I have to assume he either asked someone for help or got corrected. Either way, the instance where he doesn’t use the kanji is when he’s in his bedroom alone, writing in his personal notebook—a much more casual environment, and one that takes place AFTER s1e2 (can’t argue he learned it):

This leads me to believe that Shigeo does not naturally know the kanji, as he can’t reproduce it in casual day-to-day or when alone.

焉** = This kanji is not only not included in the jouyou kanji, but it is also used in an obscure word. In fact, it took me a minute to locate it in my Japanese-English dictionary app. It is absolutely not reasonable to expect Shigeo to know this kanji off the top of his head, and he probably wouldn’t know it even if he were a kanji ace. It is included and working against him, however, because the kanji he initially tried to write in its place was 「円」, a.k.a. the kanji for YEN/¥:

Sure, 「えん」is a reading for「円」, that part makes sense. But 「終焉」means “the finals years in one’s life”, so I’m really struggling to understand why Mob would think the yen money kanji would be a part of that word and why he would try to write it with that kanji instead of just writing it in kana first, like the majority of the kanji he didn’t know. It’s truly an enigma to me. I’m bewildered he even tried that, and for that, I’m holding it against him.

BASIC STATS:

GRADE 1 KANJI:

- Total known: 17

- Total unknown: 0

- Grand total: 17

- Shigeo knows: 17 out of 17

- Percentage likelihood of Shigeo knowing a grade 1 kanji: 100%

GRADE 2 KANJI:

- Total known: 16

- Total unknown: 3

- Grand total: 19

- Shigeo knows: 16 out of 19

- Percentage likelihood of Shigeo knowing a grade 2 kanji: 84.2%

GRADE 3 KANJI:

- Total known: 13

- Total unknown: 6

- Grand total: 19

- Shigeo knows: 13 out of 19

- Percentage likelihood of Shigeo knowing a grade 3 kanji: 68.4%

GRADE 4 KANJI:

- Total known: 11

- Total unknown: 0

- Grand total: 11

- Shigeo knows: 11 out of 11

- Percentage likelihood of Shigeo knowing a grade 4 kanji: 100%

(Baby apparently had a great year in fourth grade.)

GRADE 5 KANJI:

- Total known: 3

- Total unknown: 4

- Grand total: 7

- Shigeo knows: 3 out of 7

- Percentage likelihood of Shigeo knowing a grade 5 kanji: 43.9%

GRADE 6 KANJI:

- Total known: 0

- Total unknown: 2

- Grand total: 2

- Shigeo knows: 0 out of 2

- Percentage likelihood of Shigeo knowing a grade 6 kanji: 0%

😭

GRADE 7 KANJI:

(No known or unknown 7th grade kanji found)

GRADE 8 KANJI

- Total known: 5

- Total unknown: 6

- Grand total: 11

- Shigeo knows: 5 out of 11

- Percentage likelihood of Shigeo knowing a grade 8 kanji: 45.5%

^ To Shigeo’s credit, this isn’t bad at all considering he’s only halfway through his eight grade year at this point in the story.

% OF JOUYOU KANJI SHIGEO KNOWS:

% known from observed data:

65/86

75.6%

# of jouyou kanji: 2136

75.6% of 2136 = 1615 jouyou kanji

Here’s a graph for your visualizing pleasure:

Finally:

(All values are rounded up)

There are 1006 kyouiku kanji. There are 1130 secondary school kanji. Because high school in Japan is not compulsory, we’ll assume that the secondary kanji are to be learned over the three years of middle school. That means about 377 words per middle school grade. If Shigeo is halfway through eighth grade, let’s say he should generally know 1006 + 377 + (377/2) kanji, which comes out to 1,572.

There are 80 kyouiku kanji assigned to first grade, which Shigeo should know 100% of—80 total.

There are 160 kyouiku kanji assigned to second grade, which Shigeo should know 84.2% of—135 total.

There are 200 kanji assigned to third grade, which Shigeo should know 68.4% of—137 total.

There are 200 kanji assigned to fourth grade, which Shigeo should know 100% of—200 total.

There are 185 kanji assigned to fifth grade, which Shigeo should know 43.9% of—81 total.

There are 181 kanji assigned to sixth grade, which Shigeo should know… 0% of…. 0 total.

This all totals out to:

80 + 135 + 137 + 200 + 81 + 0 = 633/1006 elementary school-level kanji. That’s 63% of the kanji required for elementary school.

(Didn’t include a calculation for middle school kanji due to having 0 data on seventh-grade kanji and also him being halfway through eighth.)

The truth revealed: can Shigeo write a reasonable amount of kanji for his age group?

Uh… no. Maybe? Well… probably not, no.

I mean, of course there are flaws with my methods. I had a super small sample group and applied the stats there to all of the jouyou kanji, which is almost guaranteed to be lower than reality. I just didn’t really have another choice. Also, I’m very certain that Shigeo MUST know some 6th grade kanji, even if in the results here I considered the probability to be 0%. That’s assuredly not accurate. There were just, by chance, only two instances of sixth-grade kanji in all of the sample writing and he happened not to know either of them. This is just for fun, anyway. I can say with confidence, though, that he certainly isn’t a writer, and he definitely knows less kanji than the average eighth grader, but I wouldn’t take my numbers for anything more than entertainment.

But yeah. Shigeo is…. a little kanji-impaired. Which explains why he struggled with Emi’s writing and is only ever seen reading Shounen Jump volumes lmao. I believe in him though. He makes it work. My illiterate king. Who needs the other half of your elementary sight-words anyway?

All jokes aside though, he really started to scare me with the 世 and 円 things 😭😭😭😭😭

[virgothozul]

I-

hum.

[cametotheshowinsd]

THE ROARING TWENTIES (1929) | Written + Directed by Taylor Swift *ALL-TALKING PICTURE* Flapper Clara falls in love. With a Princeton sophomore. Every night they spend together feels like a dream. All the social occasions, the scent of wine she tasted on his lips, dance floor reflecting broken mirrorball lights, tossing pennies in the pool, sneaking in campus, night walks around the Nassau Hall, joking about school dorms, long dinner that seems never end and sophisticated conversations. His innocence and passion. Her wide-eyed gazes. Breathes that felt too close in the dark. Finally, one day, the kid went down on his knees and pulled that damned rock out of his pocket. Will Clara say "yes"?

[crybaby-bkg]

Gojo gets so drunk off of you whenever you ride him. You think it’s because he’s spoiled, he says he just loves you a lot.

It’s something about being able to lay back, watch how your hips roll against his, how your clit rubs against the white pubes at his base, how your chest heaves with every moan. The way your hands never know what to do with themselves, gripping his shoulders and chest before gripping your own, touching yourself between your legs, holding his cock at the base whenever it slips out.

He feels intoxicated every time you get on top. The only downside about it is—is he can’t really control himself, either. If he doesn’t hold your hips down and take over, then he’s trying to ward off a too early orgasm. Gojo can’t help it, really, everything about you is just so addicting.

Like now—your mouth is pressed against his, your hands are tangled in his hair, your hips slowly grind against his own. It hasn’t even been long enough for that familiar feeling to twist in his lower stomach, for his balls to twitch so soon. His warm hands try to pull you off of him, but you pull them away from your skin, instead pinning them on the headboard beside his head.

“Oh, cmon,” Gojo whines, albeit playfully despite the concerning way his cock begins to throb inside of you. You shake your head at him, lids lowering as you focus on grinding against him, his cock nudging something soft inside of you to make you moan.

“Lemme take over, so you don’t have to do all the hard work.” Gojo pleads, bottom lip pouting at you. But you ignore it, leaning forward to instead nip at his lip, squeezing his wrists in your hands. He could break away from you easily, but it’s something about the control you’re exerting over him that makes his tip leaky.

“Shut up,” you huff softly, hips starting to pick up pace. Gojo twists a little underneath you, biting at his bottom lip as he tries to stave off his oncoming orgasm.

“Baby—“

“I’m not fucking finished with you, so just sit back and take it.” You bite at him, eyebrow screwing up as you try to angle your hips to get some friction against your clit, hands squeezing his wrists tightly. You glare up at him from under your lashes, and Gojo, the slut, has a moment of awakening when you lock eyes.

He cums almost instantly, with a punched out sound emitting from his throat, head thrown back as he gasps out your name. His cock kicks and spurts inside of you, filling you up to the brim and you can only moan at the warming feeling of it. Gojo is loud with every rope inside of you, bright eyes falling closed behind his lids as he leans forward to rest his head on your shoulder.

He catches his breath after a few seconds, and speaks against your sweaty skin.

“Think I might’ve discovered something about myself.” He whispers, circling your waist when you release him to pull you in closer to him, making you both hiss.

“That was nothing new for you, Satoru.” You sigh softly into his hair. He laughs at that, and doesn’t deny it. He thinks he might be more transparent than he realized.

[phatcatphergus]

Okay what if, and hear me out, creation is a physical manifestation of tubbos feelings and emotions.

Creation wants to protect the eggs, creation has a list of eggs that are more Important then others with Sunny at the top, creation wants to be important, tubbo can’t know that creation exists.

Maybe if Tubbo comes face to face with creation, he will have to come face to face with all the negativity he’s been bottling up and repressing. He will have to come face to face with how his emotions and trauma can effect other people. Creation will die once tubbo realizes that he does need help and has these emotions because creation is the embodiment of repression of trauma and feelings.

[turtleblogatlast]

I’ve gone on and on about how Leo wants to be who Splinter finds is the ideal person (which just so happens to be Splinter’s ideal version of himself) but I have yet to really touch upon how Donnie is the one who most directly parallels Splinter himself to an honestly shocking degree, Raph’s taking from Splinter’s teachings and parenting has resulted in an unhealthy mixup in the different dynamics of a family versus a team, and Mikey is the one who is simultaneously the most focused on family and the most intrinsically himself which both leads to his better grasp of mystics and honestly what just might be the healthiest dynamic with Splinter.

[inkerii]

So I couldn't help but browse the THG tag bc those books own my whole heart. I actually check it now and again, and it's been interesting see how opinions have changed over the years, especially in regards to Gale and Peeta. Going through the evolution of them as just potential love interests to being far more complex than I could have expected has been a wild ride. Crazy how this reads different than from when I was a preteen.

That said, I wanted to give my unsolicited two cents on my boys, because though I have been enjoying the discussion on Peeta and Gale and what they mean to the story, I also feel like reducing them to Peeta = peace and Gale = war is far too simplistic... and oftentimes unfair to one or both of them.

See, I don't think Peeta and Gale are peace and war/destruction. They're compassion and indignation.

Peeta worries about the other tributes, or their families, or how to repay people like Rue and Thresh for what they did.

Gale is indignation at how the Capitol treats its citizens, it's anger at the injustice of inequality and brutality.

Both are needed in a story like THG. You can't have people like even Peeta not say something like "maybe we're wrong about keeping things quiet in the districts", you can't have him not drop the baby bomb, you can't start a revolution without Gale's indignation at the status quo. At deserving a better life but being denied it, at having your kids be mercilessly killed for literal sport.

However, if you start a rebellion and loose sight of your compassion, you end up no better than the people you're fighting against. Gale wasn't a bad person, imo. His heart was in the right place. He was flawed, yes, but so is everyone in this series. Gale, most importantly, lost sight of the line between fighting for the people he cared about and fighting against the people who hurt him.

Reducing Gale's indignation to just revenge and hatred ignores so much of what he stands for. Who hasn't seen laws passed that dehumanize people, who hasn't been angry and furious when someone is elected who fundamentally hates everything you are, who doesn't think some people need to pay for the atrocities they committed? There's a little bit of Gale in every single one of us - and it's important that it's there, because that's what gives us strength to challenge the status quo and make life better for the future generations.

But. You can't let it take over. You can't loose sight of your compassion or your empathy.

That's where Peeta comes in. Peeta is the voice in your head that worries about how many good lives will be lost when they give themselves up for this cause. Peeta is the worry about the people caught in the crossfire. Peeta is rebuilding when it's over and believing that the next generation will have a better life than your own. Peeta is being kind, even to people who may not deserve it.

And Gale... Gale looses sight of his compassion, and he doesn't realize it until it smacks him in the face when the bombs go off and Prim is gone and he's too far gone. Meanwhile, Peeta advocates for the end of the war even though it means the status quo remains - and regardless of what he believes himself, I don't think Suzanne chose him to say those lines by chance. It means both mindsets have their flaws: too kind and things that shouldn't remain will never be challenged and changed, too angry and you may loose sight of what you're fighting for.

And that's just how Suzanne uses her characters, both of them, all of them. Just look at who is with Katniss depending on the situation:

- Katniss chooses to "rebel" after Gale is brutally whipped. She kisses him.

- Katniss realizes that in order for D12 to rebel, everyone would need to be in on it, and she realizes most of them are not like her, that they're scared and she understands, emphasises with them. Peeta walks by her side.

- Katniss finally does it though, shoots the arrow at the force field, and Peeta is taken from her, it's now Gale by her side.

(You can't start a rebellion without indignation, and sometimes you HAVE to do it or things will never change, regardless of the inevitable pain that will come along.)

- Katniss is righteously angry at the Capitol bombing a hospital full of innocents to make a point. Gale remains there.

- Coin twists people's compassion into an army to fight for her own personal gain. Peeta is hijacked and looses his sense of self.

- Katniss and Gale go to District 2 and even though she tries to be like Peeta, she's still shot- reinforcing Gale's views, the person who was with her during that sequence.

- Katniss is angry at Snow, Katniss goes to the Capitol to kill him. Gale is there.

- Katniss gets in way over her head and realizes she is responsible for the death of most of her squad. She shares the lamb stew with Peeta, and later cleans his wounds.

- Finnick dies and she's at her lowest up until that point and all she wants to do is give up and give in to the anger. She kisses Peeta and begs him to stay with her.

... Claiming that Gale is destruction ignores the fact that he's with Katniss through her own moments of strength. Her desire to change things, to fight back, is as important as her compassion. Mockingjay just brutally shows you what war does to your indignation, to your compassion. How easy it is to cross a line between righteous anger and revenge, or how your sense of empathy and compassion can be manipulated into something monstrous by others, or by all the terrible, brutal, painful things you see.

How easy it is to loose yourself- and that goes for both of them.

Peeta and Gale aren't static characters, they go from representations of sentiments regarding an injust government to what happens to those feelings when an extreme situation such as war breaks out. All of that, by the way, while dealing with this duality themselves, because they are still characters who think and feel and struggle and have flaws of their own- and while I love what they stand for, I've seen too many comments that pin everything into what they mean, that they forget that Peeta and Gale are still people, they aren't perfect metaphors. They're human.

Ultimately, Katniss doesn't really choose peace. She wants peace, yes. But what she chooses is compassion. empathy. hope. There's a time and place for anger at injustice. There's a time when fighting back is the right thing to do. There are even times when you wanna give in to your despair and lash out. But if you want peace, then you have to choose Peeta, because Peeta represents what you need to focus on to achieve that peace. You have to let go of the anger or you won't ever rest. So Gale leaves, and does not come back... And yet, Katniss still has her moments of indignation, of making a stand, even as he goes - she still casts her vote at that meeting, she still shoots Coin. Katniss does not abandon that part of who she is. It's just not her main drive anymore.

So then she goes on to make the choice, every single day, to be compassionate to others. To have hope. To rebuild. Of course she chooses Peeta.

... Idk, man. These boys are so much more than what I see them so often reduced to. They're in all of us. There will be times to stand and fight, and times to show mercy and be kind. We just need to find that balance, as Katniss eventually did.

[yesokayiknow]

i've never really got this site's obsession with pathetic men before like no shade to anyone who loves them i just never really understood it? then i watched the sandman & i get it now. i want to put that wet play-doh kitten of a man in the washing machine and then hang him out to dry on the line. i want to put him through a pasta machine and serve him with a freshly tossed salad. i want to tumble him in a mixer filled with rocks for several hours then buff him with progressively smoother sandpaper. i get it now.

[flowercrowngods]

written for @steddieas-shegoes as a follow-up to this "can you read the letter for me" post-breakup scene (@artaxlivs wrote a wonderful version over here for you to read!) cw: drug mention, OD mention

Steve's body doesn't quite feel like his own as he walks to the playground with his breath lodged firmly in his throat and his heart trying out an old beat that used to be familiar. It's struggling, though, and Steve tries not to think about it. The cold breeze of the night hits his face, making him shiver for more reasons than one.

He hasn't been to the playground for years now. It used to be their spot when they couldn't sleep, kept awake by nightmares and memories and the worst of scenarios. They would come here and sit on the swings, steal glances at each other and talk into the night air, pretending like the other wouldn't hear, and hoping that he would.

He first took Eddie's hand here, swinging as they were, and Eddie had chuckled through his tears, and then his smile hadn't left all night – nor did his hand.

Maybe it's a bad idea, meeting him here. After everything. But some part of him thinks that it might be what they need. If Eddie really is doing as badly as he said, if he really does need a break of several weeks, a tiny part in Steve (the part that would always put himself last as long as it means that the other person gets the tiniest bit of comfort) wants Eddie to have this.

Their little bubble. Or the memory of it at least.

Steve is shaking as he sits down on one of the swings, one of his hands wrapped around the cold chain, the other balled to a fist in the pocket of his jacket. He feels oddly tethered even as the world begins to sway this way and that, even as the breath lodged in his throat solidifies into a lump and he feels as though he's about to cry.

Maybe that, too, comes with the muscle memory of swinging.

He spends an odd second envisioning himself from twenty years ago, laughing and squealing with his friends as they tried to do a looping, and then jump right up into the sky above, see who got farthest.

It brings a smile to his face and a nostalgia to his heart that he hasn't felt in a while.

He feels like he hasn't felt anything in a while. And that he won't until Eddie will apologise. Until he will explain.

The steady squeak–squeak–squeak of the swing is almost eerie in the quiet of the night, but to Steve it brings a certain calm; a safety that he knows is treacherous, but he feels it tingling in his arms, because–

Eddie is there. Slow steps approaching, the gravel crunching underneath his feet that makes Steve want to look up, but, tightening his grip around the chain, he refuses.

I’m sorry for being too much and not enough at the same time.

He knows the letter by heart now, and he wants to see. He wants to see how much space Eddie will be ready to take now, how much he'll let himself be this time. It's unfair, he knows; Eddie's not fine, he should take a step towards him. And he is. He's here. He has agreed to meet with Eddie and hear him out. He has agreed to allow himself a chance at mending his own heart.

Steve feels so torn inside, in more ways than one, that he feels paralysed and petrified and frozen. Part of him wants nothing more than to leap up and take Eddie in his arms, tell him that they'll figure it out, that they can do it, that they can make it work. That second chances are just a thing that happen in life. That it doesn't have to be one and done.

That's another reason he won't look up. There are so many reasons.

"Hey," Eddie's voice cuts through his racing thoughts, though it sounds so gentle and fragile that Steve wonders if it's not Eddie who's been cut.

The steps have stopped, the gravel no longer crunching, and Steve can see a worn pair of Chuck Taylor's in his vision. Not Eddie's usual armour. It throws him off, makes him want to cry, makes him shiver in a way he can't blame on the breeze anymore.

"Thank you," he continues, sounding even more gentle, and Steve squeezes his eyes shut, no longer wanting to hear that voice, not when it sounds like that. So bare. So raw. So vulnerable. "Can I sit with you?"

Steve swallows hard, and doesn't have to consider at all. He nods. Gravel crunches again, then twin chains squeak, the old wood creaking and groaning a little above them, but Steve knows it'll hold. It always does. While Steve is gently swaying, one foot anchored to the ground, Eddie remains impossibly still.

Maybe they're both about to break.

After a while, Eddie speaks up again with the words that Steve has been longing to hear for four years. "I'm sorry."

They're not nearly as satisfying as he always hoped. The world is still broken.

"Okay," he rasps, not really knowing what he's supposed to say. What Eddie wants from this. What he wants from this. If either of them still have the right to want things.

"I had this speech prepared," Eddie continues, still entirely still aside from the way his voice wavers, his laugh a bit breathless and bitter at himself. "But... I didn't... I didn't think you'd come, to be honest."

"Funny," Steve says before he can stop himself, cutting off the rest before it can leave his mouth and make it worse than it is. Coming from the one who left.

"I'm sorry," Eddie says again, and Steve is already tired of it.

So he says nothing, and his silence seems to mute Eddie.

"What does it mean?" he asks eventually, still not daring to look over at the man who used to hold his heart in his hands and then threw it down the quarry before leaving town without another word for four years. But he can feel Eddie's eyes on him. "That you're sorry, what– what does that mean."

"It means that I..." Eddie starts and trails off, considering his words in a way that makes Steve wish he wouldn't.

Just tell me. Take up space. Be enough. Be too much. Just tell me.

"It means that I wish I hadn't left, but that I know I had to in order to find out that living without you is not living at all. It means that I know that I broke your heart and your soul and your future, maybe, for this need of mine to just... find out. To run away. To be someone I could choose to be. And, God, it wasn't worth it. None of it. And still it happened, still I did it, still I know that I just... I had to do it. Being the person I was then, it... I just. I'm sorry. You didn't deserve this. None of it. And if I could, I would turn back time and just tell you. Or sleep it off. Get help, talk with Wayne, anything. Anything that wouldn't lose me the... That wouldn't lose me you. And I'm sorry."

When Eddie finishes, his voice is hoarse, and Steve can't look away any longer. He opens his eyes and prepares to meet Eddie's beside him even in the dark of night, but he finds that Eddie is looking up instead, towards the sky where the moon is busy painting a cloud in silver light as it moves to cover it incrementally, and Steve takes a second to look back down at Eddie and watch him for a second.

His hands are clenched around the swing's chain, and they're shaking a little – so minutely that Steve's not sure if he's imagining it at all, but he feels like he knows Eddie enough to know that he's shaking, too. That they're in this together still. His thick leather boots are replaced with the worn, dark red Chuck Taylor's, and he's wearing a pair of jeans that aren't ripped at the knees. His black denim jacket is plain, no pins, no patches, no rips or tears or any sign of Eddie.

It leaves Steve feeling bereft, untethered once more; and isn't that unfair. It's not fair for Eddie to come here looking like this, looking so open and plain and vulnerable – how is Steve supposed to talk to him now. To talk at him, knowing his words will only meet armour. Armour that will make Eddie leave again.

How is he supposed to say anything when Eddie might not leave again. Or when he never came back in the first place?

"What happened to you?" he asks, the apology forgotten at this need to know. This need to protect, even after all these years. This need to be Steve and Eddie. If only just for the duration of a question.

Beide him, Eddie huffs and looks away from the now covered moon, meeting Steve's gaze with those big brown eyes that look so much bigger now. So much... sadder.

"I've spent all my life knowing who I didn't want to be. Knowing what to be against. Knowing what to hate. And then I– Then I met you. And I got to be someone for myself, you know? You let me be that. And I didn't see, I never... I never quite saw that, Stevie. Because that sad, scared, angry teenager part of me still wanted to hate and rebel and to leave and to be someone. And it didn't matter who, what kinda person, just... Just someone. So I left, and I– God, I lost myself. That self that you brought out. That self that wanted a life full of, like, love, y'know? Not hate. Not anger. Not... Not battle vest, leather armour, sticking it to the Man. But when I realised, it was too late."

"When did you?"

Eddie breathes out heavily. "Last year? Friend of mine OD-ed. Lou. Found her in the hotel, just..."

He breaks off, and Steve can see him blinking away tears just as he blinks away tears of his own.

"I called the band in this, like, full-on panic attack. Told them it was over. Told them I didn't want this anymore. They– They talked me down, because they're great guys. Helped me through it. All of it. Jeff told me to send the letter. Said, 'If you wanna find yourself again, Ed, you gotta start where you last had it, and you gotta start sending the letters.' Best fucking guy I know."

Eddie is smiling through the tears, telling all of this like it's not worth telling at all – like they're not both crying silent tears at it.

Like Steve's not understanding what he's saying. You made me into someone I liked being. and I did write to you, I just never sent them.

"You wrote me letters?"

Eddie nods. "All the fucking time. Wanted you there with me. Stayed sober for you until I... Until I couldn't anymore, because I'd left you, and I left this fucking swing set, and I... God, I'm so sorry, Steve." Eddie is really crying now, hands covering his face, and it's not really a decision at all when Steve gets up to stand between his legs, wrapping his arms around Eddie's shoulders and letting him cry into his chest.

Eddie wraps around him almost instantly, and Steve holds him, running his hands through his hair, shushing him gently, just allowing Eddie to cry for as long as he needs.

And I got to be someone for myself, you know? You let me be that.

You let me be that.

"I'm sorry," Eddie repeats, over and over, and Steve finds himself saying, "It's okay, Eddie, it's okay. I forgive you."

They stay like that for a while. Until Eddie calms down enough to breathe normally again, and even longer still before Steve slowly, gently pulls away – ready to move back in and hold him some more. Even though he shouldn't. Maybe.

"I'm sorry that happened to you," he says at last. "And I'm glad you're taking a break. Glad you sent that letter, too."

"Mm-hmm, me too."

Silence settles between them once more as Steve finds his way back to his swing; and that's when he starts thinking again.

"When you left, I was devastated. And I couldn't even tell anyone, not even Robin. It's like... It's like when you left, you took away that part of me, y'know? I didn't know how to talk about you. The words were gone, or something. And then you... You wrote your songs. And it was double unfair, because not only you get to leave, you also got to talk about it? To, like, thousands of people? I never... I still– it's.... It's like I still don't know how to talk about it. About you. Or to you. There are things I wanna say, but... You said them all, I guess. You got to say them."

"Steve," Eddie breathes, and he sounds just as devastated as Steve feels. "I never meant to– I'm sorry. You didn't deserve that."

"No?"

"No! No, you... No."

Their eyes meet again, and Steve swallows hard again. "Tell me."

"What?"

"What you were gonna say. What you want to say."

Eddie breathes deeply and lets it all out in one long breath. "You didn't deserve that," he says at last. "You deserve someone who treats you right. Someone who lets you be who you want to be, too, and who will bring you flowers, and who will buy you an Winnebago and get you everything you could ever wish for. You deserve someone who's not broken, someone who'll do anything for you because they realise that you're everything they could ever dream of and more."

Steve sighs and feels frustrated again, because Eddie still doesn't get it, Eddie still puts him on that pedestal and made him out of reach for himself to the point where he had to leave because Steve was already gone for him.

"Eddie," he says, and his heart breaks a little when the other man flinches a little at his sharp tone. "I don't ask for that, I would never ask for that, God. I just... I just want a simple, sometimes complicated, sometimes dramatic but ultimately worth it life. I want a– a boyfriend who will say weird shit sometimes because he's a fucking nerd, and who will discover things about himself when he's with me, and go to bed with that smile that tells me he's safe with me. And happy. I don't want anyone throwing away anything, I don't need anyone giving me everything, I just..." I just want you.

But the words don't quite make it past his lips, too much history forcing them shut. It's been four years.

"I don't want to make you into someone. I don't want the weight of that, the responsibility that one wrong look could make someone's entire life fall in on itself. I just..." I just want you.

And that's when he realises what he's always sort of known. That Eddie doesn't even need to ask for a second chance for Steve to hand it to him on a silver platter.

He stands again and comes between Eddie's legs again.

"I forgive you. But I want to talk. About all of this. Not just tonight, but every night. I want to know how I can help you, I want to start over, I want it to be right this time. I don't want you to ever run away again. I want you to talk to me, Eddie. And to take me with you next time you need to run. Because you don't get to run from me, okay? You don't– You don't get to do that, Eddie Munson."

Eddie looks up at him, the moonlight catching on the tears in his eyes, making them look even bigger, and Steve wishes he wouldn't look so small.

"You– But... But I'm so... broken." His hands flail a little, an aborted motion that shows nothing of his usual energy.

Steve's hands find his way to Eddie's cheeks if only to stop him from running away again.

"And I'm not gonna fix you. But I can hold you through it, and stay right where you need me to. That's what people do when–" He cuts himself off before he can say it.

But Eddie understands anyway if the way his eyes widen even more, welling up against the moonlight, is any indication at all.

"Still?"

Steve nods, his thumb stroking Eddie's cheek tenderly, wiping away the fresh tears. "Still. All you had to do was come back."

Eddie falls forward, then, and buries his face in Steve's stomach. It's not running away. It's quite the opposite, actually, and Steve holds him as long as he can.

The night is filled with many more tears as four years of anger and sadness and lostness finally find words to express them.

It's dawn when he says goodbye to Eddie at Wayne's new trailer, waving at the man drinking his coffee on the porch. Eddie holds Steve in a tight embrace for a whole minute before either of them are ready to let go, and only with the promise of Same place, same time tonight.

It's not a new beginning yet, but it's the closure they both need before the new beginning will happen in due time.

[the-kipsabian]

wrestling fic writers!!

i have decided to be the change i wanna see, so lets do a nice little thing for each other, as a community full of incredible and talented writers. yes this is writer specific only, but thats cause thats where the main problem of people not interacting with creative works lies in this fandom as far as i can tell and have seen people talking about it especially in the last couple of months

if you read this, please add links to your written works. it can be just a single fic youre really proud of, your writing blog, your writing tag, your ao3 account, anything where your works can be found

and if you leave your link here, PLEASE check out someone else that has left their works, and interact with them. leave them a comment, even just a kudos, REBLOG their fic, etc. interacting is the keyword i want to emphasize here, along with building a sort of a masterpost of where to find people writing in this fandom

and if you are not a writer, youre still highly encouraged to interact with this post and share it and show love to the writers in this fandom, obviously!! i think that should go without saying, but adding it in anyways

a bit more about my vision and resources and such under the read more, but thats the gist of it. happy linking and please be kind and supportive to each other!! 💜

nobody is too big or too small to add their things on this list. if you write and post anything in this fandom whatsoever, be it fics or drabbles or headcanons, any companies or any kind of ships or reader inserts or any content whatsoever no matter how 'dead dove dont eat' or hell even if its just meta, we welcome all here and nobody can say that one thing is less valid than another. just please tag your content accordingly, especially if theres content warnings, and feel free to mention what you write, who you write, any info you wish to leave that would help people before they click on your links. but even so, that should not and hopefully will not deter people from interacting, no matter what it is. someones trash is another ones treasure, i promise you

and unless the amount gets really overwhelming, im personally going to be checking out everyone that leaves something here. unless it squeaks me out, but even then, i'll spread the word. and i just wish as many people as possible will do the same, and not just use this as a potential board to only get eyes on their stuff. ofc thats also the point, but you should give as much, if not more, than you get. we need to be kind and supportive of one another (besides, from personal experience, if you show love to someone else, they are more likely to do it back than without you taking the first step, so... pay it forward)

as for resources, heres a few links that should be helpful in leaving comments and feedback. of course everyone does their own thing and no comment is too big or too small to leave, but for those who need them. if you have anything you'd like added to this list, dont hesitate to get in touch or drop it in the post yourself!!

101 comment starters

ao3 floating comment box

kudos html

dont know how to comment? easy solutions

a quick hot guide to commenting (by yours truly)

an overall guide to appreciating fanfic writers

and just in general.. leave people comments. leave them asks about their projects. just go over and gush about their work. i know it sounds embarrassing but writers love nothing more than to hear that someone likes what they are doing. if you find a fic that hasnt been updated in forever, comment on it. it might just be the spark the author needs to continue. while kudos and likes are nice, and just as valuable to some, its definitely in the words the people leave for them that matter the most. im not saying this to put pressure on anyone, its just how it is, and i feel like unless people are writers themselves, and even then sometimes, thats just hard to grasp, especially if the writer is a smaller and less popular one who doesnt get a lot of traffic in the first place

i think thats all. just be nice and considered to everyone, reblog peoples works, this post with others add ons and so forth. and if i find anyone talking shit here or at other writers for something they share, you'll be blocked and im probably taking your kneecaps. be fucking nice. we are all struggling here and we need to stick together

happy sharing and commenting 💜💜