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#i just find it very entertaining
kadextra · 1 year
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bad’s language and family friendly content style is so interesting because it really is more about vulgarity in language- it doesn’t reflect on his storytelling. he is not a pure family friendly storyteller lmfao this dude WILL show terrifying concepts, psychological horror and themes of death and violence no problem, all while saying fudge. the character is torturing a whole man in his basement rn.
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trixibebe · 8 months
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I love how in Frieren the character names are everything but subtle.
Like, Übel? Really? Straight up naming her bad/ill?
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saturnniidae · 1 month
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I think Astrid Hofferson has a bad case of the 'my childhood was wasted, I grew up too fast for something ultimately proven pointless.' Syndrome and that she deserves to get to do silly things she missed out on and take up new hobbies, even if she's not particularly good at them–it's purely for the experience yknow, and learn to finally breathe no longer needing to be on constant high alert and get to be truly happy
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blaithnne · 1 month
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CBS Ghosts is my new guilty pleasure so take my new OCs. The Blanchet family were distant French cousins of the Woodstones who visited the house in the early 1900s, only for a violent house robbery to take the life of their youngest daughter, Mercedes, and her loyal self appointed guard dog, Horse. Only 8 years old, it takes some time for Mercedes to understand her fate, and for some time she’d be very distressed that her family seem to be ignoring her. On the bright side, the other ghosts are there to try and make things easier, though the misfit collective have a hard time caring for a child given their circumstances, and conflicting ideas on how best to raise a little girl.
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Of all the ghosts, she is closest with Thorfinn. He has a soft spot for the little girl.
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silverwhittlingknife · 4 months
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hi Silver! o/ because that fanart made me wonder - would you happen to know when/where Dick's stuffed elephant plush Zitka turns up in the comics?
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GREETINGS CAM <3333 THAT ART WAS SO CUTE
Yeah, I think your instincts are right - it's a truly adorable bit of transformative fandom, but I'm 95% percent sure it's not comics canon. Barbara has canon plushies, but I don't think anyone else does.
I got kinda invested in the investigation (it's hard to prove a negative!) and I ended up typing out an entire History of Elinore/Zitka, so, uh, if you're curious, meet me below the cut for:
Where does Elinore / Zitka - the animal - appear in comics?
Did Dick ever have a stuffed elephant toy in comics?
Where does Elinore / Zitka appear in comics?
We're gonna go in chronological order!
Dick's circus elephant friend was first created for practical reasons: in Batman 436, Marv Wolfman does a big expanded flashback to Dick's circus backstory as a way to subtly show us Tim before officially introducing him (so that we can have a technically-solvable mystery-of-Tim's-identity in LPoD). In this comic, there's an elephant named Elinore who loves Dick:
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Aww. Such a cute elephant!
Batman 436 comes out in August 1989. New Titans 60 comes out a few months later, in November, and guess what? When Dick visits the circus, he is suddenly surprised by an unexpected blast from the past! It turns out that even though it's been years, Elinore still remembers him!
Here's the part where Elinore remembers Dick:
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SUCH a cute elephant. I love her.
(Guess who else still remembers Dick even though it was so long ago. Guess which other character is about to be an unexpected blast from the past. Guess which character Elinore is directly paralleling guess guess guess sorry everything is about Dick and Tim in my mind but I can focus I swear)
Four years later, in 1993, Batman: The Animated Series retells Dick's origin story. They like and keep Wolfman's elephant, but they change her name to Zitka:
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Wolfman doesn't return to the elephant beyond those two appearances, and a few years down the line, New Titans gets cancelled and Wolfman's not writing Dick anymore anyway. So the animal gets abandoned for a while, until Devin Grayson, a fan of both Wolfman and B:tAS, revives the Wolfman-era Titans team in JLA/Titans and then the ongoing series Titans 1999.
Grayson then brings back the elephant in a flashback to Dick's past in Titans 16 (Jun 2000), where she imports the B:tAS name. Sometimes I'm skeptical of TV-to-comics imports, but honestly, I endorse this one. You lose the alliteration, which is a shame, but IMO Zitka is a better elephant name than Elinore.
Here's Dick with the newly-christened Zitka in Titans 16:
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Grayson also briefly references the elephant in Gotham Knights 20 and - in a final angsty callback - in Nightwing 88 (Feb 2004), where Zitka tries futilely to comfort Dick in the midst of his trauma conga line:
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... And... honestly, I think that's it for comic appearances? The two Wolfman comics plus the three Grayson comics.
Both Wolfman and Grayson are writing multiple titles - Batman, New Titans, Titans, Gotham Knights, and Nightwing between the two of them, spanning a big chunk of Dick's post-Crisis canon - and both writers use the elephant for heartwarming moments of nostalgia, which means if you're doing a post-Crisis readthrough for Dick, Elinore/Zitka feels memorable. But I don't think she actually shows up that much.
For post-2011, I am not as well-informed - throwing this out to the dash? anyone know? - but I feel like Zitka the heartwarming symbol of Dick's heartwarming circus past is, uh, thematically very at odds with the Court of Owls evil!circus vibes, so my instinct is that this story element was almost certainly dropped in the reboot.
Did Dick ever have a stuffed elephant toy in comics?
In WFA, yes; in main comics continuity, no. Technically, I have not read every comic ever published, so I could be wrong!! But I don't think so.
Below, find my rambling reasoning on the tonal vibes of pre-Crisis, post-Crisis, and post-2011, and why this particular story element doesn't seem right to me for the first two.
Pre-Crisis (...okay, mostly the Silver Age): stuffed animal, yes or no?
tl;dr no, requires too much background knowledge on the part of the reader, plus the elephant wasn't a thing until later
Elinore doesn't get created until post-Crisis, but also just generally, pre-Crisis callbacks are more along the lines of this reference in Batman 129 (published in 1960), where, wow, Batman and Robin are hunting jewel thieves - and it turns out Robin recognized this strongman! BUT HOW?!
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The comic goes on to recap Dick's entire origin story in flashback, on the assumption that you may not know it.
(BTW, if you'd like to know more about Haly's Circus throughout the years, nightwingology has a great post here summarizing a lot of fun plotlines and characters!)
Basically: Silver Age comics are very self-consciously episodic and kid-friendly; they're not generally gonna do overly-elaborate callbacks because they don't know what comics their kid readers may have randomly picked up or remember.
By the time of post-Crisis, comic books were being written for an adult audience buying from the direct market, i.e. readers who are collecting whole runs & don't need or want Dick's origin story to be recapped to us in full every time it's referenced. That's why in post-Crisis, we get stuff like "hey, neat, this particular soda brand is getting mentioned in several different books!!" or "in order to understand this story arc, buy SIXTEEN DIFFERENT COMICS in FIVE DIFFERENT RUNS and read them ALL ACCORDING TO A NUMBERED ORDER and also you better be following the individual plotlines and recognize these five minor characters who we don't bother to introduce!! Good luck!!" But the elaborate post-Crisis plotlines - and subtler worldbuilding like a stuffed animal callback to Dick's backstory - don't make a lot of story sense UNLESS you're imagining your readers as completionist adult fans.
So IMO a stuffed animal wouldn't be a pre-Crisis thing unless it was The Episodic Story Of the Week, and I don't think a stuffed animal is action-adventure-y enough for the fast-paced storytelling of the Silver Age. (Unless it, like, came to life and tried to eat you or something.)
Post-Crisis: stuffed animals, yes or no?
tl;dr: no, Dick's a manly tough guy, he's not gonna have a stuffed animal, that'd be lame, like something Tim might do
Part of the edgy grimdark adult vibes in 80s/90s comics is that some characters who used to be kinda silly & goofy & lighthearted - like Batman and Robin - get reimagined as Serious and Angsty and Edgy in a Tough Cool Manly Brooding Way. This massively affects characterization for Bruce, Dick, and Bruce and Dick's relationship.
(I obviously love this change & love the tense Bruce-and-Dick interactions, but plenty of fans of the earlier fluffy comics really disliked the edgy retcons of Miller / Wolfman / Starlin / et al.)
The upshot is that post-Crisis is a period when you could have a recurring reference like a stuffed elephant, but you wouldn't have a stuffed elephant, not for Dick. I think a toy like that would be too cutesy / childish / effeminate to give a male character in post-Crisis, unless you were poking fun at him.
Now, you could probably let Tim have a stuffed animal, because Tim is sometimes cool but also sometimes a tryhard loser who is faking being cool and not entirely pulling it off (see e.g. the Robin comic where he practices tough-guy faces in the mirror, or the Teen Titans comic where Conner discovers his cringy Enya CD, or when he's fanboying over Connor and it's awkward, etc etc.). A stuffed animal would be deeply embarrassing, and you'd have to be careful to compensate by having Tim do something cool afterward - but Tim's character concept allows for "he's kind of a loser sometimes."
But Dick isn't!! In post-Crisis, Dick's a tough / impressive / "cool guy" character, the kind of guy anyone would want to be, even in the flashbacks where he's Robin, and even in the stories where he's more lighthearted than angsty. It'd be kinda lame for Dick to have a stuffed elephant, so he wouldn't. I feel like Dick would be more likely to poke fun at it if someone had one, like when he's making fun of Wally for liking the Hardy Boys. Dick could have a Batman action figure, at most, and if he had one he would have it ironically.
Basically: in post-Crisis, a male character hugging a stuffed elephant feels more likely to be a punchline to me, not something poignant. (Even with Tim, Tim could have an embarrassing stuffed animal, but he couldn't hug it when sad - that's too far. Maybe Booster Gold might do this. Probably he wouldn't, but spiritually, he would. Sorry Booster ilu! <3)
Instead, Dick instinctively deals with his inner turmoil like the TORTURED ACTION HERO he is: by punching things and brooding and yelling and joining the mob and sleeping on rooftops and going on obsessive secret missions and acquiring Angsty Stubble!! Just like Batman!
(Technically I don't know if Bruce ever joined the mob but you know he would.)
Anyway as you know this is my favorite continuity and I am poking fun affectionately, but uh, yeah sdfsfdsfs. No stuffed animals.
Post-2011 / Infinite Frontier / Wayne Family Adventures: stuffed animals, yes or no?
tl;dr it's in WFA! Probably not anywhere else, but it could be.
Post-2011 stuff tends to be cutesier overall, most of all in the current Infinite Frontier era. So I don't feel like this would be tonally out-of-line with IF comics. Taylor tends to go for more meme-y references rather than fanfic references, though.
So the obvious best fit is WFA, which is aiming for a rough approximation of Silver Age family-friendly vibes - wholesome, episodic plots, Teaching Good Moral Lessons For The Youth, etc. - plus lots of Easter eggs for fanfic readers and some comic references.
And look, here we are:
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Aww.
Whew - that's everything I could find!
Anyway as you can probably tell, I LOVE the elephant, so this was a very entertaining rabbit hole to go down, thank you <3
#dick grayson#anyone with more info feel free to chime in & we can crowdsource <3#i do think the toy elephant is awfully cute though <3#total digression but i was thinking about it as i was writing:#i'm fascinated by the ways that the post-crisis batboys & their stories can intersect with 90s masculinity and all its issues with stoicism#and i'm pro-queering and gender-bending - 90s comics were a total boys' club so i think it's neat that transformative fandom isn't#but i do love 90s masculinity and All Its Issues too & one of the things i find compelling about the dick-tim-bruce trio#& especially dick's place in it - is the unspoken hierarchy whereby bruce is manlier than dick & dick is manlier than tim#and so dick's in the middle as this somewhat softer-character who aspires to be a harsher & more stoic & ultimate manly-man character#caught in the middle between robin & batman & what each role represents#and like. batman is both manhood & the only desirable thing to be AND ALSO it represents this immense narrowing of possibility#because so much of stereotypical masculinity is about reducing the range of emotions you're allowed to have or express#and dick is both incredibly conflicted about bruce AND wants to be just like him & by extension is conflicted about masculinity writ large#so a lot of dick's interactions with tim veer between trying on a frat-boy-ish 'I'm The Manly Guy' persona vs. giving up on it#or trying on imitations of Bruce's Batman persona but also trying to backtrack out of it bc he doesn't like how it feels etc etc#ANYWAY i think what i am trying to say is that if tim had a stuffed animal dick would be entertained & poke mild fun at him#and call him 'teddy' for the next hour or something while tim got increasingly defensive about how the teddy bear was steph's#and/or about how the teddy bear was OLD and tim doesn't even care about it and also WHATEVEr i'm above this#and to an uninformed observer this might look like bullying BUT ACTUALLY#this ritual would IN FACT be very reassuring to both of them + tim would feel WAY better afterward than if dick had ignored it#because by poking fun at him dick shows he still respects tim enough to tease him thus subtextually exorcising the threat of wimpiness#plus allowing tim to defend himself & demonstrate that he can take a joke so they've both reaffirmed their masculinity to each other#& they don't have to be scared of the teddy bear and all it represents anymore#however also afterward dick would have a brief nostalgic flashback to when he was a kid & had a teddy bear & feel weird about the memory#because he would be unable to articulate to himself that what he misses is a past when he allowed himself to be vulnerable#anyway this wouldn't actually happen in comics but it's what would happen in my soul. you know.#ask tag#zitka
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polin-erospsyche · 3 months
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So somewhere you mean to tell me that there’s a secret vault of intimate scenes cut from season 3 and they’re just keeping them to punish us all? But there’s actually no real concrete proof that these scenes do exist in the first place, just people saying things online? Like no proof, receipts, tabs
I find it a little funny but ok. I guess the next step would be to raid this secret stash of porn Netflix hid somewhere 😂
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marlynnofmany · 11 months
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Seeing Faces
It’s rare when we get a shipment to deliver that’s not packaged somehow — either in Earth-standard boxes, another world’s version of shipping crates, or a livestock pen of some kind. Even that bunch of alien trees had been thoroughly wrapped at the bottom. But this collection of machinery parts didn’t have so much as a layer of cling-wrap on it. I guess the owners figured these things were sturdy enough not to need it.
They were probably right. The metal chunks were heavy. I tried to guess what they were made for as Blip and Blop muscled the biggest ones onto a hover sled, clearing the way for Paint and me to gather up the smaller pieces. Captain Sunlight bid the customer farewell and shut the cargo bay door.
“I think these look like vertebrae,” I said to Paint. “Greasy vertebra. Ew. I’m going to need a new shirt.” The offworld engine oil of whatever didn’t seem acidic at least, so that was nice. I sighed about the black smears.
“Strange vertebrae,” Paint said, juggling her own armload of odd shapes that didn’t seem to be rubbing off on her orange scales. Not that I was jealous or anything. “There would need to be a dual spinal cord.” She tapped a claw on one of the holes.
“Hm, yeah. There are probably animals like that,” I said. “Or robots, as the case may be.”
Ahead of us, Captain Sunlight opened the door to the appropriate storage hold, then headed off on captainly business. It was impressive how different a vibe she gave off compared to Paint, for all their physical similarities. Both were little lizardy people, but one strode with her lemon-yellow head held high, every inch the authority figure, while the other was Paint. She somehow bounced when she walked, even when weighted down by unwieldy metal things.
“I’ll bet these stack really well,” Paint said. “They look like they interlock. We could probably build a spinal column without them falling over.”
“We probably could,” I agreed. “But I don’t want to be the one responsible for bending one of the flanges because we wanted to test it out.”
“Hm. Yep yep yep. But I maintain that we could.”
“We could.”
The two of us entered the storage hold to find Blip and Blop racing to see who could unload the sled faster. It’s not that the Frillian twins were overly competitive, but they were twins. They’d apparently hatched at the same time, and had been in a low-key competition to see who was better at life ever since. But they smiled while they did it.
“Done!” Blip declared, setting down a lump of metal big enough for Paint to hide behind. She raised her hands in triumph, fins fluttering.
“Doesn’t count,” Blop said as he put down his own piece. “You didn’t line them up right. Mine are tidier.”
They squabbled about this while Paint and I unloaded our metal chunks nearby. I had to kneel to keep from dropping the things. It would be just my luck if they did warp on impact, or bounce off each other and whack me in the shin.
The Frillians took their debate out the door before I finished. They’d already moved on to who could steer the hoversled with the minimum of touching.
“Ha,” Paint said. “They do stack.”
I turned to see only one of the things set on top of another, with Paint ready to catch it if it slid. She took it down before I could say anything.
I just nodded and arranged my own into a reasonable huddle, then wiped my hands on my shirt. It was only when I moved toward the door, with a look back at the big pieces, that I got a good look at the one that Blop had set on its side.
This was the logical place to put it, not sticking out past the rest, but the thing that caught my attention was the shape when seen from this angle. Those two holes could have been eyes, and the flanges were shaped like stubby arms. There were even a couple slots in the middle like nostrils.
I burst out laughing.
“What?” Paint demanded.
“It looks like Zhee!” I said, pointing. “Big bug eyes and everything!”
“What does?” Paint asked. She came to stand next to me, following my arm, but just looked confused. “Where are the eyes?”
“These!” I said, stepping closer and pointing at the holes. “And those are the arms. Isn’t it perfect?”
Paint cocked her head as if slightly tilted vision could unlock the answers. “Arms?”
I repeated myself, but she still looked lost, so I found a notepad and pencil in a storage cupboard —reliable even when the batteries all run out — and sketched what I saw.
“Ohh, I get what you mean now,” Paint said when I showed her. “Those parts are lifted like pincher arms, and those are roughly the same proportion as Mesmer eyes.”
“Yeah, it’s uncanny,” I said.
Paint took the notepad to study it closer. “How did you even notice that?”
“It was pretty easy,” I told her. “It just jumped out at me when I looked from the right direction. Like seeing faces in clouds, you know?”
Paint’s blank expression said that she didn’t know.
“Do you not do that? Find patterns of familiar shapes in random things?”
“No?” she replied. “Is that a thing I’m supposed to be doing?”
“You don’t have to! It’s just something that everybody does on Earth, ever since we’re kids. It’s probably from a long history of watching for camouflaged predators in the bushes. You’ve got camouflage on your planet, right? You must.”
“Yeah, sure,” Paint said easily. “But I guess not that much. I’ve never seen a face in a cloud; that sounds terrifying.”
“Not really; it’s more like feeling smart for spotting something. Well,” I amended. “It could be a little unsettling if you see a skull or something. But that’s rare. There are whole systems of divination about this sort of thing.”
Paint looked like she was about to ask a million questions, but right then the sound of familiar clicking footsteps tapped down the hall.
“Zhee!” Paint called, whirling with the notebook in her hand. “Zhee, look what Robin saw!”
Zhee came into view looking just as eyecatching and purple as usual, halting at the doorway while Paint eagerly explained the conversation we’d just had. Quickly and enthusiastically. With lots of waving the sketch around, and pointing back at the machine part.
I felt like apologizing as he stared with an unreadable alien expression. His antennae weren’t even moving; I couldn’t tell what he thought of it all.
Finally Paint finished talking. “She says it’s probably because her species watches for predators in the bushes. Isn’t that amazing?”
Zhee made a point of looking slowly from the sketch to the metal thing, then to me. I braced myself for judgement.
Instead, Zhee raised his pincher arms into the same pose and declared, “I am the danger that lurks in the bushes.” Then he slunk out of sight, many legs scuttling in a quickstep way that he knew darn well I found creepy.
Paint blinked at the empty doorway, still holding the notebook.
“Aw, man,” I said. “He’s picking things up from Trrili.”
Paint immediately closed the notebook. “We definitely shouldn’t show her.”
“Agreed!” I said.
After a moment of thought, Paint tore the page out and handed it to me, then took the notebook back to the cupboard. I pocketed it with a final glance at the metal vertebra that looked remarkably like a cartoonish Mesmer squaring up for battle.
Someone had left a roll of no-residue marking tape on a box nearby. I grabbed a strip and stuck it onto the metal, with the ends curved up.
Now the thing had a goofy grin that possibly no one would recognize. But if there were any humans on the receiving end of this delivery, they ought to get a good laugh out of it.
~~~
The ongoing backstory adventures of the main character from this book. More to come! And I am currently drafting a sequel!
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the-far-bright-center · 3 months
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It's baffling to me that a certain subset of the SW fandom is willing to accept some of TCW’s most ridiculous story arcs and blatantly OOC characterisations as literal canon, but then pretend that they 'can't believe' that Padme could possibly fall for Anakin in the actual Prequels films.
Really? You can believe that space-godzilla goes on a rampage and destroys a sector of Coruscant, that several of the main characters are kept as slaves by an evil cat-queen, that Obi-Wan fakes his own death (complete with a pretend funeral) and callously traumatises everyone who cares about him in the process, and that Maul somehow survives TPM and is at one point a ROBOTIC SPIDER ...
... but you can't believe that two child prodigies who formed a bond while mutually aiding one another can meet again years later under intensely emotional circumstances during the outbreak of a galactic war and legitimately fall in love with each other and get married?
Really???
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shesmore-shoebill · 12 days
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asking amanda lehan canto if she's attracted to any of her coworkers is the funniest thing inaginable to me because of course the answer is an immediate yes. the only ambiguity was who was going to get mentioned in the answer askgjsgjshakfjs
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0x1000 · 26 days
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Mirage and Gabriel frottage. Aaaaaaand send post
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shitpostingkats · 9 months
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Another reason I prefer the yugioh dubs to the subs is in the subs when a character gets asked if they have crush on someone they’ll go “GWAH?! (>///<) Wha- no, you stupid... ⸝⸝⸝o⸝⸝⸝o⸝⸝⸝ Well... except..."
Meanwhile in the dub characters get asked about their love lives and just respond by going:
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syncrovoid-presents · 8 months
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Alastor's Deal (Thoughts, Theories, and some Predictions)
This won't answer the who, but aims to dig into the why, and plausibly narrow down the terms of the deal. Long post ahead!
Evidence
First off, the finale was incredible! But what Alastor's song showed was that his ""death"" against Adam wasn't entirely a surprise, but rather planned. Alastor's song revealed that he was looking for a loop in the contract, a way to slip past the deal without having to directly break it. He already made a deal with Charlie for a favour, but that might have been a safety net of sorts, something to guarantee himself a fighting chance if his "dying for the hotel" plan failed.
His surprise was at how fast it happened, not that he nearly died. Alastor craves control, he wears his smile for control, he makes deals for control, his magic highly influenced by controlling others too. His Modus Operandi is control, and he faced the battle it started with him being in control. He was outwitting Adam, he was faster, sneakier, even kept his hands behind his back while dodging just to show how little effort it took. But Adam's weapon sending an angelic beam of power? That wasn't in his plan, that wasn't in his control.
Control is something Alastor seeks over everything, which is why the deal is so brutal for him. The deal takes control from him, and his constant smiling and jokes and contained urges for violence is him trying to have some sort of freedom. It's highly implied that, unless it's for the hotel, he hasn't used his magic for his own reasons. He hasn't eaten or killed anyone unless it is for the hotel, and even that was implied to happen only during the Mimzy incident. He hasn't gotten to make any deals either, at least no real deals, no deals for souls.
I'm far from the first one to say that his deal is forcing him to help the hotel, but it's only now that we see the true extent. Alastor's entire personality, goals, and being has been changed against his will. He is now a tool for the hotel, the sword and shield, the magical provider, bringing them whatever they need to succeed despite the odds. Without him, it would just be Charlie, Vaggie, and Angel Dust. Sir Pentious wouldn't have joined, repairs would've taken far longer, the staff would've been just Charlie and Vaggie, et cetera. Even his deals are just him trying to gain something out of helping the hotel.
Alastor is bound to the hotel and his powers are also bound to the hotel. He cannot be selfish, he cannot do anything unless it's for the hotel no matter how desperately he wants to do otherwise. And yet it seems like his powers are limited too.
Alastor has immense levels of powers, so much that he was taking down a large portion of the angel army single handedly. Had Adam not been there, it's not outlandish to claim that Alastor could have taken down the angel army by himself. This is why he was feared. This is why "no one crosses the radio demon". If these are his powers when their limited, imagine just how powerful he truly is?
The last evidence I'll state before moving on is that Alastor didn't return back to the hotel until it was rebuilt, yet still didn't use his magic to cause chaos.
To simplify, on his end the deal forces him to use his immense power for the benefit of the hotel. He cannot actively do anything to bring harm to it, and he cannot use his magic unless it's for the good of the hotel. And he cannot escape from the deal if the hotel is destroyed, so the deal isn't about the physical hotel, but rather the concept of it. As long as the hazbin hotel exists in the heart of those involved, Alastor is bound to help.
Why?
Now the why? I believe that, whoever he made the deal with him was, they want the hotel to succeed. Not only that, I believe that by forcing Alastor to stay there and help while limiting his capability for violence, they are also trying to rehabilitate Alastor.
Wherever Alastor was before the hotel opened, it was somewhere where he couldn't interact with anyone. He was forced to be gone, only until the hotel opened. If the theories of Alastor making a deal with Lilith is true, then Lilith's character is important to consider. From what we know she is powerful and worked to bring dekonkind together. And that she too disappeared 7 years ago.
It's confirmed that Alastor destroyed many of the worse evils that existed in hell, the only ancient overlords that remain are civil and take part of overlord meetings. They are controlled, contained. There's more structure, and the only truly out of control, dangerous demon to remain would have been Alastor. It's possible that Lilith realized that she could use him to "clean up hell", waiting her time until Alastor was the last remaining biggest threat. That was when she pounced, seven years ago to capture him in a deal. We don't know why he would accept such a limiting deal, but I'd wager that it could have been for his life (either she was threatening him, or he nearly died and made a deal for his life).
Now that the deal is made, Alastor can't bring mindless chaos. If anything he is doing the most to help demons be saved from the extermination either through redemption or protection (we also didn't see him prior to the last, so perhaps he's also bound to protect during the extermination too?).
All while Alastor is handling and ensuring the success of the largest and most helpful demon-centered support system, Lilith is on vacation. Almost like Alastor is acting in her role, a mimicry of a spiritual successor of sorts. He's helping rally the demons together, helping shape Charlie into a better leader, helping prove demons can be redeemed. All while Alastor is either witness, participant, or manager of the strategies used to redeem sinners. Alastor is only a few steps away from taking part of the redemption program himself.
If Alastor's deal was with Lilith, then she's getting everything she could want. All the uncontrollable evils/overlords destroyed, a muzzle on (one of the most) powerful sadistic demons, someone to help guide her daughter, help demons redeem themselves, protection for her citizens from being killed or further tortured, and she finally gets a vacation. She'd be getting everything she could want, with the bonus of possibly rehabilitating Alastor in the process.
It's no wonder Alastor is so desperate to break out of the deal, to find a backdoor in the contract. This goes against everything he stands for. The stories of him broadcasting screams? Of killing overloards and owning soul after soul after soul? That is the real him, and it isn't exaggerated. If Alastor wasn't chained, he'd have the power and strength to destroy large swaths of hell himself. If he decided to do his own extermination with angelic weapons? He could kill as many demons as the angels do and more, because he wouldn't be limited by a single day period.
If his deal is with someone else? We simply don't have enough information yet to name them then. Whoever it is, they would have to believe in demonkind's potential for improvement, and possibly fear what Alastor is able to do.
Predictions
The last thing I want to touch upon is how Alastor might be able to escape the deal. First is what he tried, which is "dying" for the hotel. Or, more precisely, for everyone involved in the hotel, it was as if he died, so why would they still depend on him?
Next would be for the hotel to be destroyed, and considering that we don't know if Alastor was briefly free while he recovered or if he was just hiding out somewhere new because he couldn't stay in the hotel because it didn't exist, this one is still iffy. If part of his deal is staying at the hotel to actively protect it, the he was temporarily freed from that condition. Yet once it was rebuilt Alastor returned, proving that the destruction of the hotel building wouldn't free him.
The next possible way could be the death of the hazbin hotel spirit. If Alastor (or outside forces) were able to destroy Charlie's hope for the hotel just like Lucifer's dreams were crushed, perhaps Alastor would be freed. Considering how the finale went, it would take a lot for this to happen.
My final idea, and the one I predict will happen, is that Alastor outfits the person he made the deal with. He doesn't find a true "out", but rather will manipulate them into giving his power back. And this? I believe that Alastor's deal with Charlie was made for this reason.
If indeed the deal was with Lilith, and part of the deal seems to be ensuring Charlie's dreams come true, then Charlie is a delightful way for Alastor to manipulate the situation. How? Who knows, but I think that this will be a large part of the conflict of season 2.
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quirkedupkicks · 3 months
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ok i know im not the first person to say this But:
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this totally has the same vibes as those scenes where naruto is moodily staring into the distance and says '.... sasuke' ..to me
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bonefall · 1 year
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mistystar n who
I think fratboy Podlight who sends his powerful grandmother stupid texts is a VERY funny concept.
"My dad didn't love me because he could never move on from the lover he had in his 20s. My sister is up to no good. I party hard at Aftergatherings about it, are you rockin' with me?"
He is 38 cat-years-old.
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I do kind of want to briefly ramble about Akechi’s rank 4 scene though because it kind of pleasantly surprised me?
So Akechi takes Joker to the jazz bar, which is his place to get away from it all, kind of his safe spot. His best options are when you give responses that show excitement and enthusiasm about the place, which is… aw.
Then the conversation segues into Akechi asking if Joker has a place like that, where he feels at ease, and all of the responses obviously reference Leblanc. First of all, that’s really sweet to have a kind of confirmation of that - Joker and Sojiro had a rocky start to their dynamic, but now he’s feeling like it’s a safe spot for him, and with Morgana there too, and the Thieves having come to visit a few times, maybe even more of a home than the one he left (though perhaps that’s pushing it?).
Secondly though, alarm bells were going through my head, because nowhere in all of this business does it seem a good idea to tell the detective investigating me where I live and am now operating my heists from. (Even though he probably could find that out easily… but still.)
So I picked the vaguest option, to be on the safe side, but little did I know that it doesn’t matter.
Because Joker tells Akechi about Leblanc anyways. Completely without player input. And at first I was a bit taken aback, but then it made a lot of sense.
For one thing, it confirms that Akechi is being genuine about this being his place to feel at ease. Not that I doubted that, but Akechi often says one thing and means multiple; he’s quite good at controlling the flow and direction of a conversation to get the info he wants. But that’s not the vibe I got here at all. He’s just… sharing it. Wants Joker to enjoy it the way he does. It’s actually a fair amount of openness, especially in that he’s never shared that place with anyone else before. And so Joker returns that openness with an honest answer and his own place of comfort - prioritizing returning Akechi’s honesty with his own instead of potential repercussions. Wild. I love it. And it tracks from their previous interactions.
Akechi downplays his skills by using his non-dominant hand, which Joker notices. Joker returns that (whether intentionally or inadvertently, I can’t actually say) when he puts his glasses on Akechi - the fake glasses that he wears, ostensibly, so as not to draw attention to himself. There’s a sense of honesty for honesty here, openness for openness, particularly from Joker. It’s just interesting.
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silusvesuius · 4 months
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fictional female characters and characters with insanely obvious cluster B personality disorders will never know peace as long as te/s fans keep making posts about them i mean it
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