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booksandwords · 4 years

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Realms and Rebels: A Paranormal and Fantasy Reverse Harem Collection

Read time: 102 Days (Intermittent) Rating: 4/5

Contains Stories By: C.M. Stunich, Elizabeth Briggs, Margo Bond Collins, Laura Greenwood & Arizona Tape, L.C. Hibbett & N.M. Howell, Lena Mae Hill, Eva Chase, Julia Clarke, Bea Paige & Skye MacKinnon, Amy Sumida, Chloe Adler, AJ Anders & Amanda Perry, Angelique Armae, Joely Sue Burkhart, Caia Daniels, May Dawson, LA Kirk & Lyn Forester, Jackie May, Cecilia Randell, Erin Bedford, Catherine Banks and A.E. Kirk

Overall It took me a while reading this to figure out what was frustrating about it, primarily the stories are first stories or prequels. I would have preferred more stand-alone stories. It is not impossible to create a world in this shorter space but it seems that authors have used it to provide fanservice and some background they wanted but had not written previously. I really hope most of these get published as individually, especially the 1st stories. This is a reasonable collection if you like reverse harem and want something to break up your other reading, none of the stories are taxing. And there is something for all tastes.

See No Devils by C.M. Stunich Disclosure: See No Devils is why I bought Realms and Rebels. I have written a full review which I will post when and if C.M Stunich publishes the story individually. I'm glad I bought it See No Devils is a fast-paced fun ride with brilliant characters that engaged me and made me theorise the significance of characters, of situations. Any story that can do that in 10 chapters is impressive. I loved the characters and the writing, both are amusing and intelligent. This is definitely a series I will be keeping an eye out for. 4.5 stars.

Light the Fire by Elizabeth Briggs Light the Fire is a prequel in the Her Elemental Dragons series (1st book Stroke the Flame). It's not a series I have read but this does make me want to read it, as any entry in an anthology should. The lore is brilliant, there are reverse harems woven into the world, the mythology and I like the fate angle that was used. What really struck me reading Light the Fire is the feeling of fan service, Calla and her men appear in Her Elemental Dragons as supporting characters this feels like something that fans wanted, had asked Ms Briggs for. (Full review is available here.) 4 stars.

Her Big Bad Wolves by Margo Bond Collins Another story with editing issues. Days and names were wrong sometimes. Liam was originally Seth I think and there is one instance where that wasn't changed. And there are continuity issues in the timeline. It is a helluva into a world with decent lore. I would love to spend some time getting to know, James, the pack historian. He is the brains trust and after the alpha the best person to introduce a reader to the world. Has the feel of a prequel if or when the series continues I don't think this will be a necessary read just a pleasant addition. But it did it the nail on the head to a degree S's options are a complete, balanced man. This is common in a reverse harem. (Full review is available here.) 3 stars (.5 loss due to bad editing)

Fifth Soul by Laura Greenwood & Arizona Tape Fifth Soul feels like a lost opportunity. The harem is 3 men and 1 woman centring on a bisexual protagonist. It is a situation I had thought of but never seen in a stand-alone. Given the authors have a series for this universe (Dragon Soul, Torn Soul protagonist Holly makes an appearance) it could have been published left on its own and done very well because that is a situation that is a fantasy for some. It is lost in here this anthology. It's also odd, the lore isn't explained well, the writing isn't consistent and there is too much focus on a single relationship. It's rushed and disappointing because of that. I can't even make this 2 stars. 1.75 stars

A Nightmarish Mystery by L.C. Hibbett & N.M. Howell I have never read any of the Cats, Ghosts and Avocado Toast series, that put me at a distinct disadvantage reading A Nightmarish Mystery. This story fits between A Vet Vanishes (book #2) and A Devilish Disappearance (book #3) and is admitted fan service, though not the kind of fluff one expects from fan service, this is heavy and dark. It can be read as a stand-alone though that is not its intention. I give props to the authors for creating a situation that allowed for fans to get what they wanted but didn't mess with the continuity of the series. I know from the authors note that A Nightmarish Mystery is different to the series but reading this first does not endear me to the series, does not make me curious to read it. Might that defeat at least part of the purpose of the story? 2 stars.

Twisted: A Fairy Tale Mash-up by Lena Mae Hill Another 1st book in a new series unlike the others though this one is explicitly aimed at the YA market. From the time I read it's intended audience I questioned its place in this anthology, Realms and Rebels seems to be aiming at a more mature audience. But Twisted had more sexual intimacy than a few of the others and some seriously dicey consent. Twisted has a well-executed setup Little Red Riding Hood meets Three Little Pigs. Having the leading man be not particularly likeable was a good thing in the scheme of things but Cayenne frustrated me a combination of her Red Riding Hood nature and her attempted modernity, it rubbed me the wrong way. My biggest issue was the questionable consent she sort of assented to their actions but not strongly enough for my conscience. (My full review of Twisted) 3 stars.

Raven’s Fall by Eva Chase Raven's Fall plays with Odin's raven Muninn, the raven of memory and the idea of shapeshifting. When Muninn transforms she appears as standard with a gorgeous black dress. What I really like is the use of the phrase "what in Hel's name" this is possibly the origins of the curse used now, Hel guardian of Helheim the Norse equivalent of the underworld. The language in Raven's Fall is fantastic, it is beautifully descriptive. The raven, the rogue, the healer and the charmer. They are an intoxicating combination. Muninn's innocence/ naivety is endearing because it is understood, she isn't human she is an immortal who has never experienced humanity's joys. Her men share easily, but their stories broke my heart. Mythology is always a whole lot of fun, make it Norse and it becomes even more bloody and vindictive. Reading Raven's Fall certainly made me interested in reading more of the Their Dark Valkyrie series.

Charms of Attraction by Julia Clarke Fantastic characters. Charms of Attraction focuses on the relationships the protagonist has with not only the men in her life but her sister. The portrayal of the sibling relationship between protagonist Katerina and sister Ana is particularly good. I really liked one date in particular. There is potential in the series, as with so many in the anthology though polyandry in the norm in the society. I will say though this story does really need a warning for those sensitive to domestic or psychological violence situations, violence plays a major role in Katerina's past and is discussed in some detail. 3.5 stars

Hell’s Calling by Bea Paige & Skye MacKinnon The first book in the Infernal Descent series re-imagining Dante's Inferno. I enjoyed the characters and the plot definitely looking forward to reading more. This story establishes the word, the characters, some of the internal relationships but stops short of anything drastic physically. Hell's Calling does for me what an entry in an anthology needs to do It makes me want to read more in the series. I want to know what happens to Ciera, Maro, (Cer)Beres, Plutus & Tris. 4.5 stars

Twisted by Amy Sumida What a brilliant take on the Wizard of Oz. It just works for me, nothing feels out of place. The origins are obvious and the twists are so clean and logical. My full review of twisted

Inconceivable Origin by Chloe Adler I read two chapters and stopped. I found the protagonist insufferable, she rubbed me completely the wrong way. Also, I have major issues with rape, I'm sure that there the author finds a way to write her way out of it (we are talking about magic here) but I can't do it.

On The Edge Of Forever by AJ Anders & Amanda Perry WTH just happened? So much promise, so much build. It was so rushed at the end I got head spin. Actually, the story felt incomplete, there is nothing confirming the status of the story as a first or a prequel, it just ends. I was so happy reading the start of this. It has an interesting lore that the authors did their best to explain as briefly as possible. The men having a pre-existing relationship helped for succinct writing as they could talk among themselves rather than just to her. The protagonist is badass and her familial relationships are brilliant. but their end is disconcerting. It's still a 3.5/4 star story.

Eclipse by Angelique Armae Bastet is a fave deity. I had to attempt to put aside some of my own issues to read this, I try to stay away from titles with any BDSM elements, even light ones. Spanking is part of the makeup of Eclipse. So this is an alright read if you don't mind your mythology being butchered. I liked the characters, to a degree I liked the lore but I cringed at the use of Egyptian mythology it just wasn't working for me. The truly appealing aspect of this story was the relationships, the reader meets the immortal daughter of Egyptian Goddess Bastet, Marcus the Lion, Lucius the Tiger and Horatio the Panther in present-day Manhattan but their relationship has existed since 30 B.C. It is an established, happy relationship. There are intimate moments with two of the three men but not the 3rd that was disappointing. 2.5

Queen Takes Jaguars by Joely Sue Burkhart Absolutely gorgeous. So much sex-positivity. I really loved the confidence and the owning of womanhood. I definitely made want to read more of the series (despite it having a different perspective). There is a whole scene in a hotel which is both hot as hell and emotionally devastating. I really liked the characters and the lore. (Full review is available here.) 4 stars.

Sovereign of Soul by Caia Daniels 3 chapters in I gave up. it didn't grab me and had done an awful job of explaining the lore and wtf was going on. Essentially it felt like a combination prequel and fanservice piece, despite only being a prequel. The series does have an interesting basis for the harem creation though.

Ugly Magic by May Dawson This is one of the stories I skipped for no real valid reason. I stopped 4 chapters in one day and didn't pick it up for about 5 weeks. By which point I was completely lost and it just made more sense to skip it.

At Water’s Edge by LA Kirk & Lyn Forester To me At Water's Edge is more a journey of self-discovery than a typical reverse harem, it feels like it's more about her than her relationship with them. The ending is just gorgeous. The story is quite self-contained. There is a lack of explanation that didn't detract from the enjoyability, I get the feeling there is some serious lore in play. I really like the portrayal of the neriads is perfect, they are quite bratty, teenage girl. 4 stars

My Soul To Keep by Jackie May A nicely written, pleasant story with lovable characters in an interesting setting. The protagonist is window-able, she is quite easy for you to see yourself in. Fairy-tale but in the best possible way. A shared trait to Her Big Bad Wolves by Margo Bond Collins with day by day dating to try and choose a man. 4 stars

Blinded Beauty by Cecilia Randell Odd, not bad just odd, it wasn't gripping for me. Blinded Beauty makes decent use of fantasy themes. it doesn't get bogged down in the lore it just gives you tid bits. Polyandry relationship is a non-issue is just happens, which works well. I quite like the characters though. 3 stars

Indebted to the Vampires by Erin Bedford I skipped this one. I just couldn't. it's short the synopsis just didn't appeal. I can see a way to make it not dangerous but it would be difficult.

Moon Academy by Catherine Banks Again the skipped because the premise really didn't appeal. It is possible it might have worked but by the time I got to Moon Academy I was done. I might come back to the 4 (?) I missed but I don't know.

Demon In Distress by A. E Kirk Demon in Distress is a definite book one, or possibly the working base for a book one. It just comes to a dead stop. After reading it I felt like it shouldn't be in here, I really hope they publish it stand alone. It is a dissatisfying end to the collection. It isn't awful but it does just stop with a clear indication of the future direction. I didn't enjoy it, I did enjoy See No Evil which faces the same issues. 2 stars.

#anthology #realms and rebels #reverse harem #book review #read 2018 #ktreviews

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recentnews18-blog · 6 years

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New Post has been published on https://shovelnews.com/jonah-hill-joins-the-five-timers-club-on-a-uniformly-funny-saturday-night-live/

Jonah Hill joins the Five-Timers Club on a uniformly funny Saturday Night Live

Tina Fey, Jonah Hill, Candice Bergen, Drew BarrymoreScreenshot: Saturday Night Live

“I guess the worst part of the play was their confidence in it.”

“I’m not an actor, I’m a [movie, Netflix, directing] star!

It’s be nice to think that Jonah Hill has fully stepped out of his pigeonhole at this point. A couple of Oscar nominations, co-lead in an hit Netflix series, writer-director of a promising new coming-of-age movie, Hill has emerged from the Apatow star factory still straddling the line between serious artist and broad comedy movie star. (Sort of like James Franco, except that people actually seem to like Hill’s directorial debut and no one—as of this writing—has accused Hill of being a sex creep.)

That dichotomy showed up in Hill’s monologue, as SNL legend Tina Fey ushered new Five-Timers Club member Hill into the selective lounge set, where fellow FTC members Candice Bergen and Drew Barrymore celebrated his entry by showing an old sketch where Hill’s character admits to doing some serious damage to a toilet. Protesting that he does more than toilet humor now (“But that’s where you shined!,” enthuses Bergen), the disappointed Hill can only endure an all-ladies Five-Timers welcome, since, according to Fey, Bergen, and Barrymore, all the male members have turned out to be, well, sex creeps. (Steve Martin will just play his banjo “without consent.”)

Saturday Night LiveSeason 44

Fitted with the coveted FTC smoking jacket, Hill is disappointed to find that the new female leadership has refashioned it into something like a kicky boldero number. It’s a neat little way to incorporate Hill’s evolving comic persona while still trading on the downtrodden victim vibe he carries with him, especially once Kenan pops in to remind everyone that his record-breaking seniority carries its own privileges. “This is my show. I let you in here sometimes,” he responds to Hill questioning his presence in the Five-Timers lounge.

Over at Vulture, AV Clubber Jesse Hassenger recently did a ranking of the relatively rare phenomenon of SNL hosts’ recurring characters, and placed Hill’s Borscht Belt six-year-old Adam Grossman near the top. I get it. For one, the field isn’t exactly littered with gold (glad I’m not the only one sick of the Omletteville guy), with most of the bits weathering even faster than those done by the actual cast. But Grossman keeps working as well as he does because of a character throughline, as the garrulous little guy keeps tossing out his inexplicable Catskills schtick to his unlikely Benihana co-diners alongside a series of guardians indicating the unstable family life that’s somehow spawned such a weird creature. Here it’s forbearing nanny Leslie Jones, sighing deeply as she weathers Adam’s insult comic “I’m just kidding” one-liners as Grossman attempts to puncture any tension his borderline racist material generates by proclaiming his age (complete with specific and funny awkward hand gestures). It’s never been my favorite sketch, but Hill (who created the bit alongside Bill Hader and Seth Meyers, based on a bafflingly tracksuited child diner Hader once sat with) is into it, and he suggests the merest hints of the defensive mechanisms that are powering Adam’s transformation into a hacky joke machine, which always lends just enough shadings to the idea. Leslie kept breaking, but, then again, so did I.

Weekend Update update

There was a certain elegance to the way SNL kept weaving themes through its political material tonight, with jokes about Trump’s “caravan of scary brown people” terror tactics, and the importance of voting on Tuesday reinforcing each other throughout. Jost and Che were on, each landing their material confidently. On the caravan (of desperate asylum seekers that are a thousand miles away), Jost noted how Trump’s sweatily named “Operation Faithful Patriot” (where American troops are needlessly stringing barbed wire for a piece of election eve fear-mongering theater) sounds like a company that makes “reverse mortgages and catheters.” (Fox News commercial viewers get that.) Che followed up on the race-baiting scare tactics by urging that the old white people being hyped about the looming but nonexistent threat should be more worried about the less-easily-scapegoated specter of their grandkids stealing their pain pills.

On the election front, Che continued his role as Update’s resident “slow your roll” skeptic, confessing that, while he does intend to vote (on Tuesday, November 6, kids), he’s not going to buy into any “final notice for democracy” panic. Joking that, if final notices were actually final, his college debts would actually be paid, Che, as ever, positions himself for the long view, an edgy place to be in a time of national crisis (see, there’s that panic), but one consistent with his stance as a (black) guy who’s been living in a dangerous situation his entire life. For Jost (white guy), the jokes were less pointed, but not bad, as he noted that things are pretty dire when ice cream is taking a side, and that it has to be a complicated feeling when Oprah knocks on your door, only to present you with a pamphlet about Georgia governor candidate Stacey Abrams instead of a new car.

Pete Davidson has become such a strange star on SNL, his very public statements about his battles with mental health and substance abuse and the recent ongoing saga of his tabloid-fodder relationship with now-ex Ariana Grande have made Davidson more of a personality star than anyone I can think of in SNL history. Pete’s never been the most polished sketch guy (although he’s improved), and his Update pieces as himself have always been his best showcase, especially since he’s sharpened up his material beyond the adorable stoner little brother schtick he started out with. Here, with newly-dyed hair and the elephant of his recent, much-publicized breakup hanging over his head, Davidson delivered a solid series of political takedowns in advance of the Tuesday midterm elections. Sure, they were all cheeky appearance smack (NY Republican Peter King looks like “a cigar came to life,” Florida candidate Rick Scott looks like “if someone tried to whittle Bruce Willis out of a penis”), but, for a young comic staking out political material for the first time in his life, it’s funny stuff. And since SNL has made hay all season long about Davidson’s rising media profile, his genuinely sweet and decent-sounding appraisal of ex Grande was both de rigeur and unexpectedly touching.

Melissa Villaseñor made the leap to the main cast this year, but hasn’t had much opportunity to show off her mimicry skills or her comic chops much on the young season. So, taking a page out of Heidi Gardner’s playbook, she debuted a specifically targeted character piece on Update, with her “Every Teen Girl Murder Suspect on Law & Order.” Honestly, it’s such a specific Gardner niche at this point that I was surprised to see Villaseñor in the chair, but Melissa did fine, as her Brittany—ostensibly there to talk about young adult literature—squirmed and equivocated about what happened to her friend Logan at that “big alcohol party.” Not to harp on the comparison, but Brittany wasn’t as immediately memorable as any of Gardner’s similar turns, even if Villaseñor delivered on the premise with a uniformly strong performance.

Just when I think I’m tired of Kenan Thompson’s Big Papi, he pulls me back in. It helps that there’s a reason for his appearance tonight, as, you know, the Red Sox won the World Series again. (That’s, like, what, four in 15 years, right? Huh. Cool.) Petty sports partisanship aside, Kenan’s performance as retired and beloved Boston slugger David Ortiz has never been the problem. Kenan’s Ortiz, with his nonsensical endorsements, gap-toothed ebullience, and food obsession, is an all-time belly laugh, his infectious enthusiasm for baseball, food, his spokesman deal for the concept of spokes, and simply being Big Papi is impossible to hate. (Presumably even for Yankees fans, whose team got clobbered in the ALDS 3-1, including a humiliating 61-1 loss on their home diamond.) But the jokes don’t change much (as in, at all). Thankfully, it’s been a while, the Sox won the series, and it was nice to see the big lug again. Mofongo all around.

Best/worst sketch of the night

Look, some of you are going to clamor for a “worst” tag on Kate McKinnon’s teacher sketch. You’ll point to both its unexplained weirdness and its languorous pace, and how it never quite announces its authority as something that should appear as early in the show as it did. Well, shush. This was great stuff, not as much for the sketch itself (it really could have used more writing punch to match McKinnon’s performance), as for how it represents the sort of oddball conceptual idea Saturday Night Live desperately needs to encourage. The premise of someone acting weird while other people comment on it is hardly new SNL territory, but, as McKinnon’s overly dramatic drivers ed teacher sprawls on the classroom floor and rambles on about her predicament and its meaning, it was like a cool drink to realize that the sketch wasn’t going to go out of its way to hammer the premise home with explanations for the slowest possible viewer. It was just weird for weird’s sake, and McKinnon, accusing her charges at laughing at her “like this was some episode of Friend,” worked within the framework of the sketch to craft an enigmatically loopy character whose comic integrity isn’t over-explained. There is room on SNL for a lot more shades of humor than its current template generally allows.

This week’s branded content sketch, on the other hand, was pretty unnecessary, even if some of the performances livened it up a little, as another NBC property got some free advertising. Not watching interminably long-running televised talent shows as a rule, I’m not particularly invested in how the celebrity judges were impersonated here (although Kyle Mooney’s perpetually amazed Howie Mandel got a laugh). But at least the joke that there are only a very few possible narratives to every contestant’s journey on such shows took the piss a bit, and Cecily Strong, Kenan and Leslie, and Jonah Hill all sang their hearts out as the contestants who are probably terrible—but then are shockingly not terrible!

Also not terrible but not that surprising was the newscast sketch, where Cecily Strong’s weatherperson is nonplussed by boyfriend Hill’s decidedly unwelcome on-air proposal. Hill manages to create a nicely realized character is his unimpressive suitor, unwisely wearing a green shirt in front of Strong’s green screen and even more unwisely busting out a proposal rap. And the bit even has a decent turn, when Strong reveals that her refusal was only because she’d planned an elaborate on-air proposal of her own. I kept waiting for the reveal that Strong’s too-perfect twist was only in the downtrodden Hill’s head, but the sketch decided to let the improbable duo have their happy ending, so that’s nice.

“What do you call that act?” “The Californians!”—Recurring sketch report

Adam Grossman, Big Papi.

“It was my understanding there would be no math”—Political comedy report

With SNL’s resident guest Trump Alec Baldwin otherwise occupied (and pointedly joked about), the show opened with the always more-profitable tack of doing Trump without Trump. With Kate McKinnon adding Fox News talking head and smirking white supremacist Laura Ingraham’s glint-eyed provocation to her long list of current right-wing a-holes (“No, you’re an a-hole,” McKinnon’s Ingraham responds to her viewer mail), the sketch ran through the usual roster of weekly outrages. Finding ways to satirize the news at this point is a thankless task since reality is so far beyond satire that our pals at The Onion can essentially just transcribe stuff. Here, the jokes leant on hyperbole to make comedy out of Fox and friends’ (and Fox And Friends’) daily klaxon blare of racist bullshit designed to make white parents vote against their self-interest. Like Trump’s ginned-up, racist, Hail Mary, pre-midterms caravan, which Cecily Strong’s appropriately wild-eyed Jeanine Pirro’s claims contains such terrifying, non-white figures as “Guatemalans, Mexicans, the Menendez brothers, the 1990 Detroit Pistons, Thanos, and several Babadooks.” Similarly, Kenan Thompson’s cowboy-hat-wearing disgraced former Sheriff David Clarke showed footage of the caravan in the form of a swarm of migrating crabs. “And those are humans?,” gently presses McKinnon’s Ingraham, to which Clarke replies, “Basically, yeah.”

Unlike Baldwin’s uninspired Trump, which serves as a crutch for some very one-dimensional writing as a rule, the satire here is more layered. There are the performances, which are uniformly great. (McKinnon and Strong don’t need more praise at this point, but they are both outstanding, nuanced comic actresses). And the sketch casts a wider net, encompassing Ingraham’s fleeing sponsors (and the reason why), leaving her thanking warm ice cream, nurse’s sneakers, and White Castle. (“A castle for whites? Yes please.”) And, divorced for now by Baldwin/Trump’s absence, the cold open works to lay the groundwork for some recurring satirical themes for the rest of the show. There’s GOP voter suppression, here prodded along by Ingraham giving non-white voters the wrong advice. There’s Fox’s feverish efforts to mock the very idea that Donald Trump is a bigot. (“Except for his words and actions throughout his life how is he racist?”) And there’s the transparent propaganda of Trump’s latest “brown people are coming at you from below” propaganda, with McKinnon claiming that Trump’s try-hard gung-ho operation is actually named “Operation Eagle With A Huge Dong” and bragging that there will be “five armed soldiers for every shoeless immigrant child.”

Hey, there’s a midterm election coming up on Tuesday, so vote in that. Pete Davidson ended his amiably goofy Update stint by urging everyone to vote, as did musical guest Maggie Rogers (via T-shirt), and, in the Vote Blue campaign ad, so did a roster of very fucking nervous Democrats. While polling shows that maybe, perhaps, enough Americans are motivated, pissed, and goddamned terrified enough to actually go out and vote on Tuesday (yes, this coming Tuesday, you) to put some checks in place against Donald Trump and his GOP accomplices in dismantling democratic norms, environmental regulations, and civil rights of any kind, well, we’ve seen sweaty Democratic overconfidence explode in our faces before. That’s the message here, as the person-on-the-street interviews parroting optimistic election messages all veer into a series of forced grins, shaking hands, binge-drinking, eyes-averted mumbling, and, in the case of Heidi Gardner’s tremble-voiced suburban mom, hair-trigger panic. “Get inside until Tuesday!,” she snaps at her frolicking children, while Hill’s anxious doctor tries to take comfort in the fact that Nancy Pelosi predicted a big victory on Colbert, and Leslie Jones grits her teeth in her stated faith that “white women are going to the right thing this time.” Pitch perfect stuff, right down to Aidy Bryant hauling off to slap teenaged son Pete Davidson when he jokes about forgetting when Election Day is. (It’s Tuesday. November 6. Check here for all the necessary info you need to vote. On Tuesday.)

“HuckaPM” continued SNL’s baffling comedy position that literally every woman involved in the Trump administration is secretly ashamed of her role in, well, every shitty thing Trump and the Republican Party does. You know, despite the fact that there is no evidence to that in the public or private actions of any of them, including (or especially) the sketch’s target, White House Press Secretary and sneering daily mouthpiece for whatever bigoted nonsense dribbles out of Trump’s Twitter account in the middle of the night, Sarah Huckabee Sanders. Still, this sketch works because of Aidy. Good god, is Aidy Bryant great at physical comedy. Even if one can’t follow the show’s premise that there is some glimmer of humanity in Sanders’ soul somewhere, Aidy sells the hell out of the idea that only a sleeping pill loaded with quaaludes and “what Michael Jackson’s doctor called ‘one-and-dones’” can knock Sanders out after a day of claiming that “CNN spelled backward is ISIS” and that Trump’s caravan boogeymen includes ravenous chupacabras with a trio of outstandingly timed and committed falls. Sometimes performance overcomes everything else.

The off-Broadway show short film trafficked in a sort of joke that never doesn’t work on me, so I’m going to allow myself to be pandered to. The main joke—that an actor-written topical revue is not very well written—is fine. (I loved how at least two of the numbers shamelessly aped Hamilton). But I’m just a sucker for jokes where scathing review blurbs are read out as if they’re raves by an enthusiastic voice-over guy, and these had me laughing. “This is helping no one,” and “Whose parents paid for this?” were good, but the New York Times critic’s economical “Jesus Christ!” got me out loud.

I am hip to the musics of today

Maggie Rogers came out flat in her SNL debut. Like, vocally, very flat for her first song of lilting, pretty pop. It was the sort of wobbly beginning that could knock a fledgeling performer right off her pins, but, to her credit, Rogers came back stronger in the second number. It helped that that song was more uptempo and didn’t highlight a delicate introductory vocal, but, still, props to Rogers for pulling it together. As Adam Grossman might bellow, “Redemption song!”

Most/Least Valuable (Not Ready For Prime Time) Player

Ego Nwodim got a line. Keep plugging, new kid.

Otherwise, in an exceptionally strong night for the female cast, Kate wins it by a whisker, edging out Cecily and Aidy.

“What the hell is that thing?”—The Ten-To-Oneland Report

While it’s no “Whiskers R We,” “Wigs For Pugs” ably carried on the ten-to-one tradition of doing adorably weird stuff with animals, as Hill and Cecily Strong played a couple of clearly mobbed-up entrepreneurs whose pug toupee business is in no way “a front for something.” Mainly, it’s just pugs in wigs, with a succession of very chill pugs getting carried out in their hairy finery, but sometimes that’s enough. And Hill, Strong, Aidy, Mooney, and Kenan (as a guy making pug beards) are thoroughly committed to their characters in a broad yet deadpan way that adds another level to the premise. Pugs in wigs. What more do you need, people?

Stray observations

Kenan’s Clarke cites his caravan sources as “the crows from Dumbo,” echoing Clarke’s description of his current state as “unpopular with my own people.”

McKinnon’s Ingraham refers to Baldwin as “disgraced former actor Alec Baldwin” and shows a clip from “Canteen Boy” to explain.

Che claims that the country would be doing better if red state parents would stop “sending all their liberal kids to coastal cities to do improv.”

Pete Davidson, addressing his new blue hair, claims he looks like “a guy who makes vape juice in a bathtub,” and “a Dr. Seuss character who went to prison.”

Melissa Villaseñor’s teen suspect finally breaks down, telling Jost that she only stabbed her dead friend as a joke, “but Logan took it the wrong way and started bleeding.”

Big Papi for Apple Watch: “You gotta watch your apples or a monkey’s gonna steal them, man!”

Vote on Tuesday.

The Red Sox won the World Series.

Source: https://tv.avclub.com/jonah-hill-joins-the-five-timers-club-on-a-uniformly-fu-1830206395

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