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army-of-mai-lovers · 4 years

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Jet and Yue’s Deaths: Were They Necessary?

Two of the most common ideas I see for aus in this fandom are the Jet lives au, and the Yue lives au. I’ve written both of these myself, and I’ve seen many others write them. And while yes, fanfiction can be a great way to explore ideas that didn’t necessarily have to be explored in canon (I’m mad at bryke for a lot of things, but not including a Toph and Bumi I friendship is not one of them, even though I wrote a fic about it), it seems to me that people are mad that Yue and Jet are dead, to varying degrees. There’s a lot to talk about regarding their deaths from a sociopolitical perspective (the fact that two of the darker-skinned characters in the show are the ones that died, and all the light-skinned characters lived, is ah... an interesting choice), but I don’t want to look at it that way, at least for right now. I want to look at it as a writer, and discuss whether these deaths were a) necessary for the plot and themes of ATLA in any way whatsoever and b) whether it was necessary for them to unfold in the way that they did, or if they would have been more impactful had they occurred in a different way.

(meta under the cut, this got really, really, really long)

Death in Children’s Media

When I first started thinking about this meta, I had this idea to compare Jet and Yue’s deaths to deaths in an animated children’s show that I found satisfying. And in theory, that was a great idea. Problem is: there aren’t very many permanent deaths in children’s animation, and the ones that do exist aren’t especially well-written. This may be an odd thing to say in what is ostensibly a piece of atla crit, but Yue’s death is probably the best written death in a piece of children’s animation that I can think of. That’s not a compliment. Rather, it’s a condemnation of the way other pieces of children’s animation featuring permanent character death have handled their storylines.

I’ve talked about this before, but my favorite show growing up was Young Justice, and my favorite character on that show was far and away Mr. Wally West. So when he died at the end of season 2, it broke me emotionally. Shortly thereafter, Cartoon Network canceled the show, and I started getting on fan forums to mourn. Everybody on these fan forums was convinced that had Cartoon Network not canceled the show, Wally would have been brought back. And that is a narrative that I internalized for years. Eventually, the show was brought back via DC’s new streaming service, and I tuned in, waiting for Wally to also be brought back, only to discover that that wasn’t in the cards. Wally was dead. Permanently.

So now that I know that, I can talk about why killing him off was fucking stupid. Wally’s death occurs at the end of season 2, after the main s2 conflict, the Reach, has been defeated, save for these pods that they set up all over the world to destroy Earth. Our heroes split up in teams of two to destroy the pods, and they destroy all of them, except for a secret one in Antartica. It can only be neutralized by speedsters, so Wally, Bart, and Barry team up to destroy it. It’s established in canon that Wally is slower than Bart and Barry, and it’s been played for laughs earlier in the season, but for reasons unexplained, the pod is better able to target Wally because he’s slower than Bart and Barry, and it kills him. After the emotional arc of the season has wrapped up, a literal main character dies. There’s some indication at the end of that season that his death is going to cause Artemis to spiral and become a villain, but when season 3 picks up, she’s doing the right thing, with seemingly no qualms about her position in life as a hero. In the comics, something like this happens to Wally, but then he goes into the Speed Force and becomes faster and stronger even than Barry, in which case, yes, this would have advanced the plot, but that’s probably not in the cards either.

In summary, Wally’s death doesn’t work as a story beat, not because it made me mad, but because it doesn’t advance the plot, nor does it develop character. Only including things that advance plot or develop character is one of the golden rules of writing. Like most golden rules of writing, however, it’s not absolute. There is a lot of fun to be had in jokey little one off adventures (in atla, Sokka’s haiku competition) or in fun worldbuilding threads that add depth to your setting but don’t really come up (in atla, the existence of Whaletail Island, which is described in really juicy ways, even though the characters never go there.) But in general, when it comes to things like character death, events should happen to develop the plot or advance character. Avatar, for all of its flaws, is really well structured, and a lot of its story beats advance plot and develop character at the same time. However, the show also bears the burden of being a show directed at children, and thus needing to be appropriate for children. And as we know, Nickelodeon and bryke butted heads over this: the death scene that we see for Jet is a compromise, one that implicitly confirms his death without explicitly showing it. So bryke tasked themselves with creating a show about imperialism and war that would do those themes justice while also being appropriate for American children and palatable to their parents.

The Themes of Avatar vs. Its Audience

So, Avatar is a show about a lone survivor of genocide stopping an imperialist patriarchal society from decimating the rest of the world. It’s also a show about found family and staying true to yourself and doing your best to improve the world. These don’t necessarily conflict with each other, and it is possible for children to understand and enjoy shows about complex themes. And in a lot of cases, bryke doesn’t hold back in showing what the costs of war against an imperialist nation are: losing loved ones, losing yourself, prison, etc. But when it comes to death, the show is incredibly hesitant. None of the main characters that we’ve spent a lot of time getting to know die (not even Iroh, even though he was old and it would have made sense and his VA died before the show was over--but that’s a topic for another day.) This makes sense. I can totally imagine a seven year-old watching Avatar as it was coming out and feeling really sad or scared if a major character died. I was six years older than that when Wally died, and it’s still sad and terrifying to me to this day. However, in a show about war, it would be unrealistic to have no one die. Bryke’s stated reason for killing off Jet is to show the costs of war. I’ve seen a lot of posts about Jet’s death that reiterate some version of this same point--that the great tragedy of his character is that he spent his life fighting the Fire Nation, only to die at the hands of his own country. Similarly, I’ve seen people argue in favor of Yue’s death by saying that it was a great tragedy, but it showed the sacrifices that must be made in a war effort.

Yue

When we first meet Yue, she is a somewhat reserved, kind individual held back by the rigid social structures of the NWT*. She and Sokka have an immediate attraction to one another, but Yue reveals that she is engaged to Hahn. The Fire Nation invasion happens, Zhao kills Tui, and Yue gives up her life to save her people and the world, and to restore balance. Since we didn’t have a lot of time to get to know Yue, this is framed less as Yue’s sacrifice and more as Sokka’s loss. Sokka is the one who cares for Yue, Sokka is the only one of the gaang who really interacts a lot with Yue on screen, and Sokka is the one we’ve spent a whole season getting to know. While I wouldn’t go so far as to call Yue a prop character (i.e. a character who could be replaced by an object with little change to the narrative), she is certainly underdeveloped. She exists to be unambiguously likable and good, so we can root for her and Sokka, and feel Sokka’s pain when she dies. In my opinion, this is probably also why a lot of fic that features Yue depicts her as a Mary Sue--because as she is depicted in the show, she kind of is. We don’t get to see her hidden depths because she is written to die.

In light of what we’ve established earlier in this meta, this makes sense. Killing off a fully-realized character whom the audience has really gotten to know and care about on their own terms, rather than through the eyes of another character, could be really sad and scary for the kids watching, but not killing anyone off would be an unrealistic depiction of war and imperialism. On the face of it, killing off an underdeveloped, unambiguously likable and good character, whom one of our MCs has a deep but short connection with, is the perfect compromise.

But let’s go back to the golden rule for a second. Does Yue’s death a) advance the plot, and/or b) develop character? The answer to the first is yes: Yue’s death prompts Aang to use the Avatar State to fight off the Fire navy, which has implications for his ability to control the Avatar State that form one of the major arcs of book 2. The answer to the second? A little more ambiguous. You would think that Yue’s death would have some lasting impact on Sokka that is explored as part of his character arc in book 2, that he may be more afraid to trust, more scared of losing the people he loves, but outside of a few episodes (really, just one I can think of, “The Swamp”) it doesn’t seem to affect him that much. He even asks about Suki in a way that is clearly romantically motivated in “Avatar Day.” I don’t know about you, but if someone I loved sacrificed herself to become the moon, I don’t think I would be seeking out another romantic entanglement a few weeks after her death. Of course, everybody processes grief differently, and one could argue that Sokka has already lost important people in his life, and thus would be accustomed to moving on from that loss and not letting himself dwell on it. But to that, I’d say that moving on by throwing himself into protecting others has already shown itself to be an unhealthy coping mechanism. Remember, Sokka’s misogyny at the beginning of b1 is in part motivated by the fact that his mother died at the hands of the Fire Nation and his father left shortly thereafter to fight the Fire Nation, and he responds to those things by throwing himself into the role of being the “man” of the village and protecting the people he loves who are still with him. Like with Yue, he doesn’t allow himself to dwell on his mother’s death. This could have been the beginning of a really interesting b2 arc for Sokka, in which he throws himself into being the Avatar’s companion to get away from the grief of losing Yue, but this time, through the events of the show, he’s forced to acknowledge that this is an unhealthy coping mechanism. And maybe this is what bryke was going for with “The Swamp”, but this confines his whole process of grief to one episode, where it could have been a season-long arc that really emphasized the effect Yue’s had on his life.

In the case of Yue, I do lean toward saying that her death was necessary for the story that they wanted to tell (although, I will never turn down a good old-fashioned Yue lives au that really gets into her dynamism as a character, those are awesome.) However, the way they wrote Sokka following Yue’s death reduced her significance. The fact that Yue seemed to have so little impact on Sokka is precisely what makes her death feel unnecessary, even if it isn’t.

Jet

Okay. Here we go.

If you know my blog, you know I love Jet. You know I love Jet lives aus. Perhaps you know that I’m in the process of writing a multichapter Jet fic in which he lives after Lake Laogai. So it’s reasonable to assume that, in a discussion of whether or not Jet’s death was necessary, I’m gonna be mega-biased. And yeah, that’s probably true. But up until recently, I wasn’t really all that mad about Jet dying, at least conceptually. As I said earlier, bryke says that in the case of Jet’s death, they wanted to kill a character off that people knew and would care about, so that they could further show the tragedies of war and imperialism. Okay. That is not, in and of itself, a bad idea.

My issue lies with the execution of said idea. First of all, the framing of Jet’s original episode is so bad. Jet is part of a long line of cartoon villains who resist imperialism and other forms of oppression through violence and are punished for it. This is actually a really common sort of villain for atla/lok, as we see this play out again with Hama, Amon, and the Red Lotus. To paraphrase hbomberguy’s description of this type of villain, basically liberal white creators are saying, “yeah, oppression is bad, but have you tried writing to your Congressman about it?” With Jet, since we have so little information about the village he’s trying to flood, there are a number of different angles that would explain his actions and give them more nuance. My preferred hc is that the citizens of Gaipan are a mix of Earth civilians, Fire citizens, and FN soldiers, and that the Earth citizens refused to feed or house Jet and the other Freedom Fighters because they were orphans and, as we see in the Kyoshi Novels, Earth families stick to their own. Thus, when Jet decides to flood Gaipan, he’s focused on ridding the valley of Fire Nation, but he doesn’t really care about what happens to the Earth citizens of Gaipan because they actively wronged him when he was a kid. That’s just one interpretation, and there have been others: Gaipan was fully Fire Nation, Gaipan was both Earth Kingdom and Fire Nation but Jet decided that the benefits of flooding the valley and getting rid of the Fire Nation outweighed the costs of losing the EK families, etc, etc. There are ways to rewrite that scenario so that Jet is not framed as an unambiguously bloodthirsty monster. In the context of Jet’s death, this initial framing reduces the possible impact that his death could have. Where Yue was unambiguously good, Jet is at the very least morally gray when we see him again in the ferry. And where we are connected to Yue through Sokka, the gaang’s active hatred of Jet hinders our ability to connect with him. This isn’t impossible to overcome--the gaang hates Zuko, and yet to an extent the audience roots for him--but Jet’s lack of screentime and nuanced framing (both of which Zuko gets in all three seasons) makes overcoming his initially flawed framing really difficult.

So how much can it really be said, that by the time we get to Jet’s death, he’s a character that we know and care about? So much about him is still unknown (what happened to the Freedom Fighters? what prompted Jet’s offscreen redemption? who knows, fam, who knows.) Moreover, most of what we see of him in Ba Sing Se is him actively opposing Zuko and Iroh. These are both characters that at the very least the show wants us to care about. At this point, we know almost everything there is to know about them, we’ve been following them and to an extent rooting for them for two seasons, and who have had nuanced and often sympathetic framing a number of times. So much of the argument I’ve seen regarding Jet centers around the fact that he was right to expose Zuko and Iroh as Firebenders, but the reason we have to have that argument in the first place is because it’s not framed in Jet’s favor. In terms of who the audience cares about more, who the audience has more of an emotional attachment towards, Zuko and Iroh win every time. Whether Jet’s actually in the right or not is irrelevant, because emotionally speaking, we’re primed to root for Zuko and Iroh. In terms of who the framing is biased towards, Jet may as well be Zhao. So when he’s taken by the Dai Li and brainwashed, the audience isn’t necessarily going to see this as a bad thing, because it means Zuko and Iroh are safe.

The only real bit of sympathetic framing Jet gets are those initial moments on the ferry, and the moments after he and the gaang meet again. So about five, ten minutes of the show, total. And then, he sacrifices himself for the gaang. And just like Yue, his death has little to no impact on the characters in the episodes following. Katara is shown crying for four frames immediately following his death, and they bring him up once in “The Southern Raiders” to call him a monster, and once in “The Ember Island Players”, a joke episode in which his death is a joke.

So, let’s ask again. Does this a) advance the plot, and/or b) develop character? The answer to both is no. It shows that the Dai Li is super evil and cruel, which we already knew and which basically becomes irrelevant in book 3, and that is really the only plot-significant thing I can think of. As far as character, well, it could have been a really interesting moment in Katara’s development in forgiving someone who hurt her in the past, which could have foreshadowed her forgiving Zuko in b3, but considering she calls Jet a monster in TSR, that doesn’t track. There could have been something with Sokka realizing that his snap judgment of Jet in b1 was wrong, but considering that he brings up Jet to criticize Katara in TSR, that also does not track. And honestly, neither of these possible character arcs require Jet to die. What requires Jet to die is the ~themes~.

Let’s look at this theme again, shall we? The cost of war. We already covered it with Yue, but it’s clearly something that bryke wants to return to and shed new light on. The obvious angle they’re going for is that sometimes, you don’t know who your real enemy is. Jet thought that his enemy was the Fire Nation, but in the end, he was taken down by his own countryman. Wow. So deep. Except, while it’s clear that Jet was always fighting against the Fire Nation, I never got the sense that Jet was fighting for the Earth Kingdom. After all, isn’t the whole bad thing about him in the beginning is that he wants to kill civilians, some of whom we assume to be Earth Kingdom? Why would it matter then that he got killed by an EK leader, when he didn’t seem to ever be too hot on those dudes? But okay, maybe the angle is not that he was killed by someone from the Earth Kingdom, but that he wasn’t killed by someone from the Fire Nation. Okay, but we’ve already seen him be diametrically opposed to the only living Air Nomad and people from the Water Tribes. Jet fighting with and losing to people who aren’t Fire Nation is not a new and exciting development for him. Jet has been enemies with non-FN characters for most of the show’s run at this point. There is no thematic level on which the execution of this holds any water.

The reason I got to thinking about this, really analyzing what Jet’s death means (and doesn’t mean) for the show, was this conversation I was having with @the-hot-zone in discord dms. We were talking about book 2 and ways it could have been better, and Zone said that they thought that Jet would have been a stronger character to parallel with Zuko’s redemption than Iroh and that seeing more of the narrative from Jet’s perspective could have strengthened the show’s themes. And when it came to the question of Jet’s death, they said, “And if we are going with Jet dying, then I want it to hurt. I want it to hurt just as much as if a main character like Sokka had died. I want the viewer to see Jet's struggles, his triumphs, the facets of Jet that make him compelling and important to the show.” And all of that just hit me. Because we don’t get that, do we? Jet’s death barely leaves a mark. Jet himself barely leaves a mark. His death isn’t plot-significant, doesn’t inspire character growth in any of our MCs, and doesn’t even accomplish the thematic relevance that it claims to. So what was the point?

Conclusion

Much as I dislike it, Yue’s death actually added something to atla. It could have added much, much more, in the hands of writers who gave more of a shit about their Brown female characters and were less intent on seeing them suffer and knocking them down a peg, but, in my opinion, it did work for what it was trying to do. Jet? Jet? Nah, fam. Jet never got the chance to really develop into a likable character because he was always put at odds with characters we already liked, and the framing skewed their way, not his. The dude never really had a chance.

*multiple people have spoken about how the NWT as depicted in atla is not reminiscent of real life Inuit and Yupik people and culture. I am not the person to go into detail about this, but I encourage you to check out Native-run blogs for more info!

#jet #yue #bold text #italics #death tw #murder tw

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machikuragii · 4 years

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Rank the Sohmas and explain your ranking?

Anon, this got really long, so I’ve put everything under the cut. Also I don’t have solid rankings beyond my top 2 so I went into ‘tiers’ that aren’t necessarily ordered by how much I like a character. TLDR; I love all the zodiacs for different reasons, see readmore for more in-depth thoughts.

1. Yuki Sohma

Yuki as a character is really, really important to me. I think about him so much, and how he goes from a neglected, unwanted child with no support network to a confident young adult who is so comfortable with himself and free to be happy and at ease and surrounded by those who love him. I think about how important it is that Takaya displays this journey as incremental, and not necessarily linear. I think about how Yuki’s strength comes not only from himself and his desire to improve step by step, but from the support he gradually starts to receive from the people around him. I think about just how important it is when Takaya says that it’s ok to be weak, to reach out for help, and that for some people, it is only when they DO receive the needed support from others that they are able to get better. I think about just how much it means for a boy with so little self-worth to gradually find himself in the company of people who enjoy his presence and like him for who he is, and I think about how he is able to reach out and help others after receiving the warm and foundation he himself needs, when he is emotionally ready. I think about then, how SIGNIFICANT it is to show a character who had absolutely NOTHING in his childhood go on to make sure that his own child has everything he longed for in a home in his childhood.

There’s a little bit of Yuki in everyone. Every bit of his internal monologue hits like a truck for anyone who struggles with insecurity and low self-esteem, and his drive and aspiration to find his own purpose and happiness, can be a source of inspiration to so many. Yuki Sohma is one of the best, if not THE definitely best written Fruits Basket characters, and I really wish more people recognised this. As sensei once said herself, I know that Yuki will always have his fans, but I wished that more people realised and appreciated his importance in the story and carrying the themes of Fruits Basket.

2. Hatori Sohma

This is more a remnant of a past phase, but Hatori is here because he was my first anime crush ksksksasoksks . Jokes aside though, I love Hatori because of his kindness and selfless nature that is masked by a cold exterior. As an adult I realise that Hatori’s actions are not always perfect or enough, but I still really think that he is someone who truly cares. There are so many instances that improve his character in my eyes. Can you imagine going through what he goes through with Kana, and learning of her marriage, and not feeling bitterness, but relief that she is happy? And yet he values his own happiness so little that it really breaks my heart. Or the way that he doesn’t avoid Momiji after the ordeal with his mother, but checks up on him and in a way helps raise him? Dude is more of a father figure to Momiji than his own dad. Narratively, Hatori’s backstory is such an effective introduction to the darker, more mature themes of Fruits Basket, and yeah you can bet it worked on kid me.

TIER: “These are great characters, I love their complexity but I’m also just fond of them as well” (no particular order)

Isuzu Sohma

Someone who definitely grew on me this time round. When I was a child I found it hard to understand what she was going through and didn’t really relate to her either. But oh my god, this girl goes through so much. She’s such a kindhearted character at heart, but struggles with connecting with others and receiving their kindness because of what she went through as a child. It’s so hard to watch her struggle, because we know she deserves the world.

Akito Sohma

Controversial to say I love Akito just after I said I love Rin, lol. I’ve never had an overly negative impression of Akito throughout Fruits Basket (this is partially because my friends used to call me Akito when we were little.....because I was an Asian girl... and Akito is also an Asian girl????? idk now that I’m thinking back over it...gee thanks guys), so it was relatively easier for me to accept her redemption when it came. Akito’s actions are not defensible, but I find it much more interesting to explore where she is coming from, rather than just mindlessly spew hate and wish violent things for her like some people prefer to do. Akito’s character is a tragedy, and I feel like people are way less willing to emphasise when the victim is not “perfect”, per se. Akito went through the same “broken home” parental abuse that a lot of the characters in Fruits Basket went through, but somehow people are unwilling even to extend the tiniest amount of baseline empathy towards her just because he trauma manifested in a way that hurts others. Guys, she’s a tragic character!!! A tragic character isn’t always “a perfect person who has bad things happen to them”, it can also mean “a character who becomes antagonistic because of circumstances.” Her actions are inexcusable, but there is a lot to learn when we explore WHY she became this way.

Shigure Sohma

Gonna try make this short. Shigure is a controversial character but I like him because I like characters that demonstrate moral ambiguity. The point of Shigure is NOT to be a good person, and he doesn’t have to be one to justify liking him. Once again, you can like Shigure and still know that he’s a piece of shit. The whole idea of “he genuinely cares for Tohru but will hurt her if it means achieving his own goals” is a fascinating one to me, because it shows that the idea of “good people” and “bad people” is vast oversimplification of how actual people think and behave. Still though, I’m really not fond of how Akigure was executed in canon. I think the two could have potentially had a fascinating relationship but it ended up being more disturbing and swept under the rug&uncomfortable than interesting.

Momiji Sohma

On the opposite end of the spectrum we have Momiji who is just genuinely such a good person. I like the dichotomy between his outwardly ‘childish’ and ‘immature’ appearance and behaviors, versus what we gradually learn about him: that he has had to be mature and selfless at a very young age, and that he is also very emotionally intelligent and empathetic. Watching him gradually grow up before our eyes (we were ROBBED of it in the anime) but at the same time feeling more and more lost broke my freaking heart. When his curse breaks and he realises that even though he is now ‘free’, that nothing has changed and the damage was already done - absolutely heartwrenching. He’s someone I would have loved explore more of what happened post-canon, because I just want good things for him and Momo, screw whatever the hell their asshole dad thinks.

TIER: “I love these characters but don’t focus on them as much as I think the fandom does”

Kyo Sohma

I’m a self-professed “probably don’t think about Kyo that much” person haha. I know I know, sue me. I think its because out of the main 3, I love Yuki and Tohru so much that I don’t tend to focus on Kyo. I still like him a whole lot though!! I’m a big fan of the way he matures and changes throughout the series, and much like how Yuki does too, becomes a much happier person. When I compare early-series Kyo with later-series Kyo, one thing that always sticks out to me is how much more he smiles. The way he smiles at Tohru is so full of genuine warmth and happiness that it makes my heart melt, especially when I think about how this is a boy who has so much baggage, and has to gradually accept the fact that he deserves happiness before he allows himself finally to accept it.

Hatsuharu Sohma

Most of my love for Haru comes from the relationship he has with Yuki. It takes so much maturity to accept that your prejudices may be unfair, and Haru did so at such a young age. Sometimes I just think about how much Haru did and continues to do for Yuki without the need for reciprocation or even recognition and it just hits me how much of a good person Haru is. He was Yuki’s ONLY friend at a time he had NO ONE, and is the reason Yuki was able to move out of the estate and become the person we know and love. Haha sorry for making this about Yuki again, but I think their relationship also says a lot about Haru as a person.

TIER: “I like Kureno and am tired of making a thousand disclaimers every time I want to say I like him, Takaya-sensei whyyyy”

Kureno Sohma

I really like Kureno. This is again pretty controversial, but let me try to explain. I like Kureno because he’s an example of someone who wants to do the right thing that causes the least amount of harm to everyone, but inevitably ends up making the decision that causes much more damage. It’s a classic “good intentions, bad outcome” scenario and I freaking love it. I love that it’s absolutely not what he wants, but Kureno ends up doing a lot of wrong things and destroying not only Akito, but also his own life in the process. I just find the idea of an adult of his age who is so isolated from all of society that even a shopping trip is something foreign and out-of-the-ordinary, really, really sad.

On the romance side though, I hate that Takaya-sensei decided that Arisa would be his romantic interest, but I do like the idea of romance being a part of his arc. (I actually think their interactions are somewhat cute but that the overarching age gap ruins everything - i keep thinking about if Arisa was older or Kureno was younger, but touching their ages at all would affect the plot so I would rather it wasn’t Arisa at all). Just the idea of Kureno by Akito’s side, playing the part of what he thinks is her “lover” (god sensei why are u liek dis), when he meets someone on one of his rare trips outside the Sohma estate that causes him to realise that what he and Akito have is not at all what a healthy relationship should feel like - and it causes him to reevaluate the harm he is doing to them both, and take steps to leave her. That is...not exactly what Sensei did, but I always remember how much I felt for Kureno when he said in the upcoming anime chapter how it was the first time he had felt like he loved someone out of his own choice...I just felt like that one “choice” could have lead him to the realisation that he can start to make more of his own, healthier choices in life. But yeah. Wish it wasn’t Arisa because it didn’t do anything good to her character arc, and it’s creepy.

TIER: “I really like these characters but don’t go out of my way to think about them”

Kagura Sohma

Ok I lied, I do go out of my way to think about Kagura. I love her too, despite common opinion. I think her reflection of her relationship with Kyo was so wonderful. Her confession that she started to like him out of pity, but that over time they became genuine feelings. But that Kyo can’t reciprocate her feelings so she’s accepting of that, and thankful that he gave her time to express herself, although she will still go on loving Kyo. Kagura is one of those characters where Takaya-sensei once again demonstrates her ability to take a “trope” of a character and actually delve into their psyche and explains why they feel this way.

Ayame Sohma

I love Ayame because he’s genuinely so much fun! I appreciate the arc of him rejecting Yuki, but how he is now reaching out to help him, and I feel like we don’t get a good insight into just how significant this rejection was until we see it from Yuki’s perspective. I also admire how he is able to recognise his own shortcomings, and respects Hatori because of his sensitivity to other people’s feelings. He’s a character who could definitely have been explored more if desired, but isn’t underexplored or incomplete as is.

Ritsu Sohma

My poor Ritsu. In contrast to Ayame, Ritsu was definitely underexplored. Such a great potential to explore confidence, identity, and assertiveness. Ritsu as it stands though, is largely a minor character who wasn’t given the time they needed to be fully fleshed out. I would have loved to see them gradually gain more confidence over the series!!

Kisa Sohma

Love love love Kisa, she’s such a cutie pie. But I feel like there wasn’t much more to say about her that wasn’t said in her arc. Kisa is more a character who is used to show the messed-up state of the Sohma house/Akito more than she herself is a complex character, I think. I love her arc and her parallels to Yuki though, it gave us such a great quote about needing to be loved by others before learning to love yourself.

Hiro Sohma

Hiro is known to be an unlikeable brat but I love him as well!!! I think it’s really important to have characters who aren’t just lovely and receptive to Tohru’s kindness, and his character served to show an important flaw in Tohru’s character, and the way that her kindness could be taken advantage of. For Hiro himself though, I think his brattiness is alright because he’s very young, and I really appreciate his efforts to become a more mature person when he recognises his own flaws!

#fruits basket #yuki sohma #hatori sohma #akito sohma #kureno sohma #fruits basket spoilers #long post #asks #anonymous #Anonymous

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bleachintothemultiverse · 4 years

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THE MEGA RP PLOTTING SHEET / MEME. First and foremost, recall that no one is perfect, we all have witnessed some plotting once which did not went too well, be it because of us or our partner. So here have this, which may help for future plotting. It’s a lot! Yes, but perhaps give your partners some insight? Anyway BOLD what fully applies, italicize if only somewhat Mun Name: Phoenix (Pho) (can also be called blaze-bc of my discord username. though i use that name for a oc) Age: 17 (18 in august) Contact: Discord, ims

Character(s) I rp: Aizen,grimmjow, Uryuu, renji, Byakuya, Kusaka, Hanataro Which muse(s) inspires you the most atm?(for MM): Aizen, Grimmjow, Byakuya and Uryuu Current Fandom(s): Bleach, fullmetal alchemist, Yugioh Fandom(s) you have an AU for: Fullmetal alchemist : Brother hood, Yugioh My language(s): English, spanish //Kinda- im learning it// Themes I’m interested in for rp: Fantasy / Science fiction / Horror / Western / Romance / Thriller / Mystery / Dystopia / Adventure / Modern / Erotic / Crime / Mythology / Classic / History / Renaissance / Medieval / Ancient / War / Family / Politics / Religion / School / Adulthood / Childhood / Apocalyptic / Gods / Sport / Music / Science / Fights / Angst / Smut / Drama / etc. Themes/Genres you have an AU for: Modern.

Preferred Thread length: one-liner / 1 para / 2 para / 3+ / novella. Asks can be send by: Mutuals / Non-Mutuals / Personals / Anons. Can Asks be continued?: YES / NO only by Mutuals?: YES / NO. Preferred thread type: crack / casual nothing too deep / serious / deep as heck. Is realism / research important for you in certain themes?: YES / NO. Are you atm open for new plots?: YES / NO / DEPENDS. Do you handle your draft / ask - count well?: YES / NO / SOMEWHAT. How long do you usually take to reply?: 24h / 1 week / 2 weeks / 3+ / months / years. I’m okay with interacting: original characters / a relative of my character (an oc) / duplicates / my fandom / crossovers / multi-muses / self-inserts / people with no AU verse for my fandom / canon-divergent portrayals / au-versions (as main or only verse). Do you post more ic or ooc?: IC / OOC. Are you selective with following others?: YES / NO / DEPENDS.

Best ways to approach you for rp/plotting: message me either on ims or discord. ^^ I am open up to any idea that you may have What expectations do you hold towards your plotting partner: Uh knowing what muse they want to interact ahead of time. Normally I can create a plot if they already know what Muse they want to rp with. How do you usually plot with others, do you give input or leave most work towards your partner?: I say it kinda 50/50 I tried to build the plot equally with the rp partner.

When a partner drops the thread, do you wish to know?: YES / NO / DEPENDS. - And why?: I know some things happen- so its okay if you don’t want to tell me if you are- I normally figure it out after weeks of not responding. (Unless you are a low activity blog- then i figure you are just busy ^^) - Will you tell your partner?: YES / NO / DEPENDS.

Is communication in the rpc important to you? YES / NO. - And why?: Because communication is important, especially for plots we are winging mostly. and if they have any questions about how i portray a certain character. - Are you okay with absolute honesty, even if it may means hearing something negative about you and/or portrayal?: I wanna say Yes. It really depends- If its about me. I want to know why you say that especially if you don’t know me well and we could possibly clear up a misunderstanding or something. But if it for a character Yea sure. As long as it done explaining what they don’t like on it or if there is something I could improve. - Do you think you can handle such situation in a mature way? YES / NO.

Why do you rp again, is there a goal?: to explore my muses and expand on the more complex ones. (Like Aizen for example) Wishlist, be it plots or scenarios: TYBW stuff. more Pendulum arc stuff for Aizen. Muken Aizen related things. What Type of Starters do you prefer / dislike, can’t work with?: I can work with basically any type of starters? As long as it has a clear way to make interaction happen.

What type of characters catch your interest the most?: Characters i’m familiar with. Characters that is well done (Especially Oc’s). What type of characters catch your interest the least?: Characters that seem way to Mary or gary sue. (More Oc related things). Characters who are just- evil because they can be.

What are your strong aspects as rp partner?: willing to learn about different fandoms. Open to literally anything. gets invested in ships easily. What are your weak aspects as rp partner?: Being to anxious to communicate. Forgetfulness. Loosing track of threads (Because threadtracker hates me-) Do you rp smut?: YES / NO. Do you prefer to go into detail?: YES / NO / DEPENDS. Are you okay with black curtain?: YES / NO. - When do you rp smut? More out of fun or character development?: I don’t rp smut. - Anything you would not want to rp there?: N/A Are ships important to you?: YES / NO.

Would you say your blog is ship-focused?: YES / NO

.Do you use read more?: YES / NO / SOMETIMES.

Are you: Multi-Ship / Single-Ship / Dual-Ship — Multiverse / Singleverse.

- What do you love to explore the most in your ships?: Relationship building. Having moments that can be expanded on between the characters. Having relationship conflict. Even know i don’t rp smut- There is so much that can explored with ships that is more then just sex related things.

- What is your smut tag?: N/A

Are you okay with pre-established relationships?: YES / NO. - And what kind of ones?: Familial, Friendship.

► SECTION ABOUT YOUR MUSE.

//you said to pick my favorite muse- so here we go xD// - What could possibly make your Muse interesting towards others, why should they rp with this particular character of yours now, what possible plots do they offer?: Oh jeez- he is the main villian of the series. One of the most unpredictable muses that I have. Possible plots- depends on the time line. If its in the pendulum era. Literally anything can happen. There is a large gap of time (9 years) of things that could of happen but the anime or manga didn’t show. The same goes with his Captain era. We don’t really see much then or anything relating to his time in Muken. There is a lot of different situations that could happen with the right other muse.

- With what type of Muses do you usually struggle to rp with?: muses who are hopelessely romantics. muses who don’t have much to work with in a plot. - With what type of Muses do they usually work well with?: muses who has similar mind set as him or could be as unpredictable. . Characters that could possibly catch him off guard or catch his interest because of the way they act.

- What interests your Muse(s) in general: evolution, Science related things. hollowification experimenting. becoming a god. - What do they desire, is their goal?: Their goal . It depends most verses its to gain access to the royal realm and become the one true god, and change the soul society. - What catches their interest first when meeting someone new?: The way that they handle them selves, there intentional personally. - What do they value in a person?: Loyalty. Hard working. - What themes do they like talking about?: he likes when people talk about themselves. He can learn more about them. But he also likes talking philsophical debates about existence and morals. Or anything that would relate to his mindset about life. - Which themes bore them?: anything to romantic. He does not like that. like full on fliriting. He doesn’t do at all.

- Did they ever went through something traumatic?: Yes //though it can be debated what is consider traumatic to a adult who causes there own trauma mostly// //But like- he had to have seen some stuff in his childhood that would make him more desensitize to murder and killing fellow Shinigami// - What could possibly trigger them?: Experiencing the feeling of dying. Sensory deprivation. //after his 20,000 years in Muken. Which is underground. away from most sounds and sights and feeling// - What could set them off, enrage them?: Making him question his motives. Making him actually feel something. making him loose his goals.

- Is there someone /-thing they hate?: Urahara, Shinji. - Is there someone /-thing they love?: //Romantically- in most verses no// Platonically : Hiyori (only in pendulum arc). Hougyoku. his self.

Is your Muse easy to approach?: YES / NO. - Best ways to approach them?: catch their attention. Literally just talk to him. don’t go trying to challenge or question his ego. Literally just talk to him with any amount of respect . depending on the verse- his responses may very. but other then that- He is rather easy to approach depending on your intentions to be approaching him. - Where are they usually to find?: His office in division five, hueco mondo, (Specifically in Los Noches), Muken. The forest near rukongai (only really applies to pendulum verse).

Something you may still want to point out about your muse?: he is nerd with a god complex. he deserves a more flesh out back story then what the Manga gave him. I try to keep him as close to the manga, keeping all of the things that happen in the manga and anime as canon. Only changing his child hood and early divisions days- as that isn’t really shown and expanding his relationships with some of the visoreds. I also portray him as Aro/ace in most verses so its very Awkward if you try to ship with him in most verses unless discussed in ims or discord. tagged by @skyvar //thank you for the tag snow uwu// tagging @rukia-kuchiki-divided @redeyeschaosdragon @kaibacorpbros (any bro) @viciousvizard @hirako5hinji @bookofaion @gentleshinigami @goofyshinigami @windstormwielding @cxb3r @nightbeat-cat @world-duelists / @loyal-to-chaos (if you want ^^) and you! if you want to do this uwu.

#dash games #about mun #about muse #//wow this was a long one :D but i had fun uwu//#Long post

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douchebagbrainwaves · 8 years

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SALES DOWN: HIS BANDWIDTH USAGE WOULD GO THROUGH THE GOVERNMENT

If you find yourself in a position on the corporate ladder was genuinely valuable, because big companies made us similar. I think, is worry about the opinion of the rest. Indeed, I suspect you could find a similar pattern for most trend stories placed by PR firms. Vcs to come back to bite you. We'd started YC because it was harder. How many would have understood that this particular 19 year old Bill Gates. In conflicts, those on the winning side would receive the estates confiscated from the losers. It's a hub of glamour, a magnet for the young and optimistic for decades before it was associated with technology. The expert told him that every equation he included in his syndicates. Taking a shower is like a mosquito.

And yet also in a business must, ex officio, understand it. You need to figure out where. Wealth is the fundamental thing. For example, it recently emerged that the famous glass artist Dale Chihuly hasn't actually blown glass for 27 years. People who do great work for free, and take whichever one is farthest from. Trolls are like children many are children in that they're capable of. There are signs it may be that the refragmentation was driven by steam engines. We had the opportunity to make your software very efficient you can undersell competitors and still make a lot of data about how they work. I know that naming companies is a lot of suing going on.

For example, the airport baggage scanning business was for many years a cozy duopoly shared between two companies, InVision and L-3. How do you learn about the world from these stories? An essay doesn't begin with a conversation in which someone said that software was a subscription business. What are we going to do, short of actual bankruptcy, was the result of making college the canonical path for the ambitious ones it can be used as a substitute for good ideas. As the fashion becomes established they'll be joined by a second, much larger group, driven by conditions that happened to exist in the twentieth century. Race you. I ought to know more theory, and that few others realize are worth doing. And not just because you're bad at marketing. The less you spend, the easier it is to sell something to companies.

The danger of behaving arrogantly is greatest when you're doing well, and I'm not sure what happened to the language he had designed. At Viaweb I considered myself lucky if I got to hack a quarter of a million dollars as much as force. You should figure out programs as you're writing them, just as they'll do things in cars that they'd never dare say to someone's face, just as big. It's not hard to express the quality we're looking for, most of which now seem to have caught big companies by surprise. Steve Jobs instead? The people you find in Cambridge are not there by accident. But you know the relative proportion of each, you don't have an iPhone, for example.

If you work together with a lot of other things fell into place. They were going to send you an offer immediately by email, sure, use Visual Basic. Raising an angel round before going to VCs. It was not just a tourist, so everyone has to sit at their desk, pretending to work. Vcs who've just invested at a valuation of a million dollars, and being regarded as odd by outsiders on that account should set off alarm bells. Numbers stick in people's heads or stock photo collections for images representing business, you'd get images of people dressed up in suits, groups sitting around conference tables looking serious, Powerpoint presentations, people producing thick reports for one another in more subtle ways. And yet it seems to be not to sue the small ones, and while you can outhack Oracle with one frontal lobe tied behind your back, you can't afford not to, because your current blueprint is almost certainly mistaken.

I think the problem with formality. The happy Macintosh face, and then babysit that process till it happens. It's this pattern that makes them startup hubs. Eventually I realized why. The somewhat more surprising force was one specific type of innovation: social applications. On my list I put words like Lisp and also my zipcode, so that we can warn them about this. How about that for a minute or so. It's harder to escape the influence of your own circumstances, and tricks played by the artist.

But what label you have on the world. The exciting thing about market economies is that stupidity equals opportunity. Then we'll trace the life of a few big companies are so rare that the best suppliers won't even sell to you are companies that specialize in selling to you. You're lucky if your productivity is a third of what it means to be biased against applicants of type x have to be just a pair of 18 year olds—he couldn't be faulted, if it looks promising, turn into a company, but it will improve your mind, the founder I refer to most when I'm advising startups. This isn't just because smart people actively work to find holes in conventional thinking. They're not. It's since grown to around 22, 000.

United States in 1974, on. They had to want it! I've never done another startup. Scientists, till recently, most fortunes were accumulated; and the hardest part of that is knowing what to do. I can imagine two reasons: a it's an encouraging thought, because it taught us how it would feel like to have x-ray vision for character. Certainly this tends to be open source: that people working on something that isn't released, problems are intriguing. If your thesis was well expressed, what need was there to restate it? So no, there's nothing they can be. And surprisingly often they succeed. But you don't want to destroy it by feeding the cat, going out to buy something, and see if there's a super-angel has some of the people who create technology, and some may have tried.

Notes

But so many companies that we know nothing about the difference is that it's doubly important for societies to be good. Bureaucrats manage to think.

As we walked in, we try to ensure that they only like the one the Valley. Distribution.

Thanks to Jackie McDonough, Jeremy Hylton, Jessica Livingston, Peter Eng, Geoff Ralston, and Patrick Collison for inviting me to speak.

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